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Dusty Dog Reviews The whole project is hip, anti-academic, the poetry of reluctant grown-ups, picking noses in church. An enjoyable romp! Though also serious.
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Nick DiSpoldo, Small Press Review (on Children, Churches and Daddies, April 1997) Children, Churches and Daddies is eclectic, alive and is as contemporary as tomorrow’s news. |
ISSN 1068-5154
wanting you (2/18/94), by Janet Kuypers
It’s night again
the candles flicker
I curl up in myself
trying to keep warm
that’s when I feel most alone
when I get lonely
depressed
when will this end
the nights the solitude
that’s when I miss you most
sometimes I feel
like I’m not whole
soulmate
no deposit made, by erin bealmear
Forgive me mother. Forgive me father.
But I don’t want you
in my dreams or in my bedroom, therefore
I have put up a veil, covering my body,
so that I can conceal the truth.
It would feel so good to no longer worry
that you’ll hear things, little bittie things.
About me wearing pale purple underwear and squatting.
If grandma was a slut I wouldn’t worry
that you’ll think I’ve slept with the devil,
slept with the devil while he spun his wheel.
The doughy flesh, just below my ribs,
prevented from expanding because of Him.
When was the last time I went on a date?
Last week. What does he do for a living?
School teacher. Name? Norris.
It was Jay the psychiatrist.
The Nobel Prize winner, a friend of a friend.
Odell, the head of a china business.
Trey, the physicist and chemist. Alajos, the poet.
Justin was popular,
wore a suit all day every day.
I prefer my current German flame,
charming and dangerous, like
Isherwood’s Berlin. Berlin. I am
so fake, so fake, really really fake.
But lying about my life gives it such a glow,
don’t you agree? Father what will you swallow?
What will you believe? At night,
in bed, sleeping with her,
unworthy, unexciting, completely undone.
Eyes open, the color of chlorinated water-
without turkey necks, only pink flesh-
and I’m loving her, myself and the pasta queen,
sweat and sweetness.
Smelling the taste of her perfume while reading mother’s
letter.
where all the names are references to babies.
My anxious, intimidating mother wants
to do one thing before she dies,
help name her grandchild, maybe she’ll even
see it drink on it’s own,
both hands behind its back, sucking on a straw.
But this is not how it’s meant to be,
black veils over bodies and taped mouths. When you fool
your family you end up hoarding so much sorrow
and happiness-Oh mother, oh father, the sky is falling.
desirous, by Janet Kuypers
the light from you
the flames leap up
licking my lips
touching my skin
the fire moving
in it’s desirous dance
the smoke intoxicates me
as the remnants
from the desirous inferno
drum a rhythmic beat
and crackle as they burn
the ashes fall
sprinking
tickling my face
sliding down my throat
coating my lungs
making every breath
a desirous pant
I chain myself
my body falls limp
I am intwined
with the desirous world
the desire from you
Gin, by John Hayes
I can’t forget her sexy sigh
her stiffened hip from contact sport
the sparkle of her one green eye
the time I helped her to abort.
Why must I dwell on this tonight?
I came to sip kind icy gin
not ruminate on my sad plight.
I need the phone. I want back in.
soybeans, by Alexandria Rand
Have you ever jumped in a vat of soybeans before? It’s very strange, it feels like you’re a kid in one of those playgroung things where you jump in a pit of colored plastic balls. Except soybeans are a lot smaller than those balls in the playgrounds, and I guess they don’t have all those colors. Well anyway, I went over to his grandparent’s farm, and he decided to take me on a tour of the farmhouse. The cows were smelly, I made sure I kept my distance, and I just kept calling to them, saying, “hello, moo-cow.” And there were a bunch of cats running around the field, and we picked up a couple kittens and held them up high in the air. I kept asking the cats, “do you love me?” and he kept asking me why I was asking for approval from cats. Then we gave them some milk from his uncle’s farmhouse. And then he took me up a ladder to the top floor of the barn.
That’s when he proceeded to take off his shoes and jump over into a ledge. He told me to join him. I couldn’t quite see what I was about to jump into, it was almost dusk, but I took off my shoes and socks and jumped in anyway.
And my ankles sunk into the soybeans. And I started laughing. And I fell, and then I started to bury myself in soybeans. And then I jumped around a few more times, then I just started throwing soybeans at him.
And then I just laid down in the pit of soybeans for awhile. They felt cool on my skin. I could feel the dust from them covering my legs, my calves.
There are time like that, times when I just have to let go.
“perversion”, by Gabriel Athens
Have you ever just wanted to
fuck somebody,
you were so attracted to them
that you wanted to tear
all their clothes off,
and I do mean tear,
I’m talking I want to see
the rip in the fabric,
down through the fiber,
you just thought you wanted
them naked on top of you,
ripping through you,
pulling you to shreds,
and you liking every minute of it?
But then you think about it
for a minute, this person
sitting across the table from you
in the small cafe, and they’ve got this
harsh light right above them
making strange shadows
on their face. You talk to
this person, you act like
someone who’s proper, who
read all the fucking etiquette books,
and you talk, and you
smile, and you nod, and all the
time you’re thinking these really
perverse thoughts. But
there’s something in the back
of your head, no matter
how horny you get,
a small part of you that says
“oh, fuck it.”
I just want to know if
anyone else has had that feeling.
Someone else. Anyone else.
the explanation
so i figured i’d have to write out information
that our readers might want to know
in the form of a poem, since
they seldom look over the ads.
ha! i got you, you thought
you were reading a poem, when it’s actually
the dreaded advertising. but wait -
you’ll actually want to read this, i think.
Okay, it’s this simple: send me published
or unpublished poetry, prose or art work
(do not send originals),
along with a SASE for response, to
Children, Churches and Daddies, Scars Publications.
Then sit by your mailbox and wait.
Pretty soon you’ll get your SASE back
with a note from the happy people at cc+d
that says (a) Your work sucks, or (b)
This is fancy crap, and we’re gonna print it. It’s that simple!
Now, if you’re also interested, there are two
books available through scars publications:
one is called “hope chest in the attic” and
the other is called “the window.”
Hope Chest in the Attic is a 200 page, perfect-
bound book of 13 years of poetry, prose and art
by Janet Kuypers. It’s a really classy thing,
if you know what I mean.
The Window is about 180 pages of her newest
stuff. It’s hand-bound, paperback, and she’ll
even sign it if you beg her enough. Man, it’s groovy.
two dollars would cover the cost of printing and
shipping. oh, and four dollars would cover
back issues of cc+d or chapbooks. and make
those checks payable
to me, of course, Janet Kuypers. gifts are always
appreciated as well. just kidding.
and for you people out there with magazines, just
keep in mind that we here at cc+d are more than
happy to run ad pages for you, if you’ll do the same
for us. seems pretty fair.
is that all? yeah, i think that’s pretty much it.
now for the real poetry...
crazy, by Janet Kuypers
This dialogue is transcribed from repeated visits with a patient in Aaronsville Correctional Center in West Virginia. Madeline*, a thirty-six year old woman, was sentenced to life imprisonment after the brutal slaying of her boyfriend during sexual intercourse. According to police reports, Madeline sat with the remains of the man for three days after the murder until police arrived on the scene. They found her in the same room as the body, still coated with blood and malnourished. Three doctors studied her behavior for a total period of eight months, and the unanimous conclusion they reached was that Madeline was not of sound mind when she committed the act, which involved an ice pick, an oak board from the back of a chair, and eventually a chef’s knife. Furthermore, she continued to show signs of both paranoia and delusions of grandeur long after the murder, swaying back and forth between the two, much like manic depression.
For three and a half years Madeline has stayed at the Aaronsville Correctional Center, and she has shown no signs of behavioral improvement. She stays in a room by herself, usually playing solitaire on her bed. She talks to herself regularly and out loud, usually in a slight Southern accent, although not in a very loud tone, according to surveillance videotape. Her family abandoned her after the murder. Occasionally she requests newspapers to read, but she is usually denied them. She never received visitors, until these sessions with myself.
The following excerpts are from dialogues I have had with her, although I am tempted to say that they are monologues. She wasn’t very interested in speaking with me, rather, she was more interested in opening herself up to someone for the first time in years, someone who was willing to listen. At times I began to feel like a surrogate parent. I try not to think of what will happen when our sessions end.
* Madeline is not her real name.
I know they’re watching me. They’ve got these stupid cameras everywhere - see, there’s one behind the air vent there, hi there, and there’s one where the window used to be. They’ve probably got them behind the mirrors, too. It wouldn’t be so bad, I guess, I mean, there’s not much for me to be doing in here anyway, but they watch me dress, too, I mean, they’re watching me when I’m naked, now what’s that going to do to a person? I don’t know what they’re watching for anyway, it’s not like I can do anything in here. I eat everything with a spoon, I’ve never been violent, all I do, almost every day, is sit on this bed and play solitaire.
Solitaire is really relaxing, you know, and I think it keeps your brain alive, too. Most people think you can’t win at solitaire, that the chances of winning are like two percent or something. But the thing is, you can win at this game like over half the time. I think that’s the key, too - knowing you can win half the time. I mean, the last four rounds I played, I won twice. Now I’m not saying that’s good or anything, like praise me because I won two rounds of solitaire, but it makes a point that as long as you know what you’re doing and you actually think about it, you can win. The odds are better.
I think people just forget to watch the cards. Half the time the reason why you lose is because you forget something so obvious. You’re looking for a card through the deck and the whole time it’s sitting on another pile, just waiting to be moved over, and the whole time you forget to move it. People just forget to pay attention. They got to pay attention.
You know, I’d like to see the news. I hate t.v., but I’d like to see what acts other people are doing. Anything like mine? Has anyone else lost it like me? You know, I’ll bet my story wasn’t even on the news for more than thirty seconds. And I”ll bet the news person had a tone to their voice that was just like “oh, the poor crazy thing,” like, “that’s what happens when you lose it, I guess.”
But I want to see what’s happening in the real world. I just wanna watch to see what, you know, the weather is like, even though I haven’t seen the sun in a year or two. Or, or to hear sports scores. They won’t let me have a t.v. in the room. I think they think that I’m gonna hot-wire it or something, like I’m going to try to electrocute the whole building with a stupid television set. They let me have a lamp in the room, like I can’t hurt someone with that, but no t.v. They won’t even let me have a newspaper. What can a person do with a newspaper? Light in on fire or something? If I had matches or something. But it’s like this: I’ve never been violent to nobody in all of the time I’ve been in here. I haven’t laid a hand on a guard, even though they’re tried too many time to lay a hand on me, and I haven’t cause one single little problem in this whole damn place, and this is what I get - I don’t even get a t.v. or a newspaper.
You know, I don’t really have a Southern accent. See? Don’t I sound different with my regular voice? I picked it up when I started sounding crazy. See, I’m not really crazy, I just know the kind of shit they do to you in prison. I think it’s bad enough here, I would’ve had the shit kicked out of me, Id’ve been sodomized before I knew what hit me. I think this voice makes me sound a little more strange. I’m actually from New York, but I mean, changing the voice a little just to save me from going to prison, well, I can do that. Here it’s kind of nice, I don’t have to deal with people that often, and all the crazy people around here think I’m some sort of tough bitch because I mutilated someone who was raping me. Oh, you didn’t hear that part of the story, did you? Those damn lawyers thought that since I wasn’t a virgin I must have been wanting him. And he wasn’t even my boyfriend - he was just some guy I knew, we’d go out every couple of weeks, and I never even slept with him before.
What a fucked up place. You see, I gotta think of it this way: I really had no choice but to do what I did. In a way it was self-defense, because I didn’t want that little piece of shit to try to do that to me, I mean, what the Hell makes him think he can do that? Where does he get off trying to take me like that, like I’m some butcher-shop piece of meat he can buy and abuse or whatever? Well anyway, I know part of it all was self defense and all, but at the same time I know I flipped, but its because of, well shit that happened in my past. I never came from any rich family like you, I never even came from a family with a dad, and when you got all these boyfriends coming in and hitting you or touching you or whatever, you know it’s got to mess you up. Yeah, I know, people try to use the my-parents-beat-me line and it’s getting to the point where no one really believes it anymore, but if a person goes through all their life suppressing something that they shouldn’t have to suppress then one day it’s going to just come up to them and punch them in the face, it’s going to make them go crazy, even if it’s just for a little while.
Society’s kind of weird, you know. It’s like they teach you to do things that aren’t normal, that don’t feel right down deep in your bones, but you have to do them anyway, because someone somewhere decided that this would be normal. Everyone around you suppresses stuff, and when you see that it tells you that you’re supposed to be hiding it from the rest of the world, too, like if we all just hide it for a while, it will all go away. Maybe it does, until someone like me blows up and can’t take hiding all that stuff anymore, but then the rest of the world can just say that we’re crazy and therefore it’s unexplainable why we went crazy and then they can just brush it all off and everything is back to normal again. It’s like emotion. People are taught to hide their emotions. Men are taught not to cry, women are taught to be emotional and men are told to think that it’s crazy. So when something really shitty happens to someone - like a guy loses his job or something - and he just sits in front of a friend and breaks down and cries, the other guy just thinks this guy is crazy for crying. Then the guy rejects the guy that’s crying, making him feel even worse, making the guy bottle it back up inside of him.
I think people are like Pepsi bottles. You remember those glass bottles? Pop always tasted better in those bottles, you could just like swig it down easier, your lips fit around the glass neck better or something. I wonder why people don’t use them anymore? Well, I think people are like Pepsi bottles, like they have the potential for all of this energy, and the whole world keeps shaking them up, and some people lose their heads and the top goes off and all of this icky stuff comes shooting all around and other Pepsi bottles want to hide from it and then the poor guy has no Pepsi left. And how can you do anything when you have no Pepsi left? Or maybe you do lose it, but you still have some Pepsi left in you, and people keep thinking that you don’t have any left, and then they treat you like you shouldn’t be allowed to tie your own shoelaces or you should be watched while you’re getting dressed.
Can’t you turn those cameras off?
I heard this story in here sometime about Tony, this guy that was in here for murder, and after he was in here he went crazy and cut off his own scrotum. I don’t know how a man survives something like that, but I guess he did, because he was in here, and from what I hear he was using the pay phones to call 1-800 numbers to prank whoever answered at the other end. Well, I guess he kept calling this one place where these women would answer the phone, and they got fed up with it, I guess, and traced it or something. They got the number for this hospital, and talked to his doctor. I think he told them that Tony cut his balls off, now I thought doctor-patient records were private, but I suppose it doesn’t matter, because we’re just crazy prisoners, killers who don’t matter anyway, but he told these girls that Tony cut his balls off a whole two months ago. And then he called them back, talking dirty to them, not knowing they knew he was a murderer with no balls and they laughed and made fun of him and told him they knew, and he hung up the phone and never called them back. True story, swear to God. Can you just imagine him wondering how they knew? Or were they just making a joke, or...
Did you know that I write? I figured that if they won’t let me read anything, maybe I could put stuff down on paper and read it to myself, I guess. I try to write poetry, but it just don’t come out right, but I’ve been trying to write a thing about what I went through, you know what I’m talking about? Well, I just figure that if other people that are in prison can get best sellers and make a ton of money, then so can I, I mean, my story is better than half the stuff that’s out there, and I know there are a lot of women who have a little part of them that wants to do what I did. I think all women feel it, but the most of them are taught to suppress it, to keep it all bottled in like that. But now that I think of it, what am I going to do with a bunch of money anyway? I’m never going to get out of here to enjoy it or anything. Anyway, how would I get someone to want to read it in the first place, now that everyone thinks that I’m crazy?
Sometimes I get so depressed. It’s like I’m never going to get out of here. I think I wanted to have kids one day. It’s easier, I guess, not having to see kids, I guess then I don’t miss them too much, but...
For the longest time they tried to get doctors to come in here and talk to me, and you know what they did? They got men doctors - one after another - and then they wondered why the Hell I didn’t want to talk to them. Amazing. People really just don’t think, do they?
I guess it’s hard, being in here and all, I mean. I was going to go back to school, I had already taken the GED and graduated high school, and I was going to go to the local community college. It was going to be different. Sometimes I wonder, you know, why this had to happen to me, why I had to snap. I really don’t think I could have controlled it, I don’t think any of this could have happened any other way. It’s hard. I have to find stuff to do, because otherwise all I’d want to do is sleep all day and night, and I suppose I could, but then what would happen to me? At least if I write a book about my life, about this whole stupid world, then maybe everyone would at least understand. It wasn’t really my fault, I mean, I think we women have enough to deal with just in our regular lives and then they keep piling on this sexism crap on us, and then expect us not to be angry about it because we were taught to deal with it all of our lives. Maybe this guy was just the straw that broke the camel’s back or something, maybe he was just another rapist, maybe he was just another drunk guy who thought that he could do whatever he wanted with me because he was the man and I was his girl, or just some chick that didn’t matter or whatever, but shit, it does matter, at least to me it does.
I know I’ve got a lot of healing to do, but I haven’t really thought about doing it. I mean, what have I got to heal for anyway? To get out of here and go to prison? Then I’ll just get abused by guards over there, have to watch my back every second of the day. At least here people watch my back for me. They think everything and anything in the world could harm me, even myself, so they’re so overprotective that nothing can go wrong, unless it goes wrong in my own mind.
Goblets, by John Hayes
As first droplets fall
we cork red wine
cast goblets to the ground.
Spread bare bodies
on serving earth
to relish summer rain.
We are as glass
fragile, nicked and spotted.
God Is Not Deaf, by John Hayes
Again, the church bells peal.
A mile removed they clang,
shake buildings
penetrate closed doors
rattle sparrow’s perch.
The sound, like winter morning cold
enters marrow of the bone.
Do priests think god is deaf?
or do they cover screams?
“It is truth,” the bishop scolds,
“that God can not be deaf.”
the voyeur and his mistress part three, by gary jurechka
If we were together
comfortable in our life that
we once wished for that day
in the bakery when
our eyes first met and
we couldn’t stop smiling
overcome by the feeling within,
a sweet burning, an unbearable lightness,
and if we were now together,
I’d lay in your bed
watching you,
remembering back when we met,
you used to collect
teapots and dreams.
the hand, by Alexandria Rand
the Hand
the unknown Hand
i’m frightened
trembling
shaking
i move
toward it
the Hand
the mystery
entangles me
spins my mind
curiosity
attraction
undying
i move
closer
shivering
afraid
i need
the love
i feel
the lust
the Hand
i fear
but i
must know
i need
to learn
the pain
the cry
i scream
i need
i want
i take
a step
emotion
i’m wild
i’m no longer
human
i need
i want
the Hand
it reaches out
for mine.
untitled no. 7, by gary jurechka
I’ll stare at the sunset
until my eyes turn black
and swallow us whole
and under the glowing black-light
of the drifting moon, the ocean
churns into cloud foam, lapping at
my feet, these blue roots of
the lone tree planted in sand
and the soft wind caresses
my troubled mind and I laugh
while splitting open like a melon
and it sets my soul free
and you are there, returning
like songbirds in spring,
like a wayward dandelion seed
in my heart and clutching
my hand, you lead me
out from the blackness of my eyes
and we are so a part of one another
living love, loving life,
we eat the music,
we breathe the rainbow and
we burn brightly
even in the sunshine.
unleashed, falling in love, by gary jurechka
it lurks just underneath the skin
growing like a cancer
eating its way out from the inside
seeping into my brain it sucks my mind
and I’m acting against my will
holding me controlling me
this monster heart roars
running rampant
down chaotic streets of emotion
don’t make me love you
where do we go from here?, by gary jurechka
When the harsh reality
is laid open to the bone
and the bloody core of
truth exposed, it throbs
insistently in my temple.
It burns my eyes,
it taints my thoughts and
obscures my heart.
For the mind mood shifts
in split shafts
of time and emotion, and
who can trust this
damned vision,
unable to tell if it is
clear or blurred.
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One piece in this issue is “Crazy,” an interview Kuypers conducted with “Madeline,” a murderess who was found insane, and is confined to West Virginia’s Arronsville Correctional Center. Madeline, whose elevator definitely doesn’t go to the top, killed her boyfriend during sex with an ice pick and a chef’s knife, far surpassing the butchery of Elena Bobbitt. Madeline, herself covered with blood, sat beside her lover’s remains for three days, talking to herself, and that is how the police found her. For effect, Kuypers publishes Madeline’s monologue in different-sized type, and the result is something between a sense of Dali’s surrealism and Kafka-like craziness.
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Debra Purdy Kong, writer, British Columbia, Canada
I like the magazine a lot. I like the spacious lay-out and the different coloured pages and the variety of writer’s styles. Too many literary magazines read as if everyone graduated from the same course. We need to collect more voices like these and send them everywhere.
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As for the fiction, the piece by Anderson is quite perceptive: I liked the way the self-deluding situation of the character is gradually, subtly revealed. (Kuypers’) story is good too: the way it switches narrative perspective via the letter device is a nice touch.
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Children, Churches and Daddies.
It speaks for itself.
Write to Scars Publications to submit poetry, prose and artwork to Children, Churches and Daddies literary magazine, or to inquire about having your own chapbook, and maybe a few reviews like these.
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what is veganism?
A vegan (VEE-gun) is someone who does not consume any animal products. While vegetarians avoid flesh foods, vegans don’t consume dairy or egg products, as well as animal products in clothing and other sources.
why veganism?
This cruelty-free lifestyle provides many benefits, to animals, the environment and to ourselves. The meat and dairy industry abuses billions of animals. Animal agriculture takes an enormous toll on the land. Consumtion of animal products has been linked to heart disease, colon and breast cancer, osteoporosis, diabetes and a host of other conditions.
so what is vegan action?
We can succeed in shifting agriculture away from factory farming, saving millions, or even billions of chickens, cows, pigs, sheep turkeys and other animals from cruelty.
We can free up land to restore to wilderness, pollute less water and air, reduce topsoil reosion, and prevent desertification.
We can improve the health and happiness of millions by preventing numerous occurrences od breast and prostate cancer, osteoporosis, and heart attacks, among other major health problems.
A vegan, cruelty-free lifestyle may be the most important step a person can take towards creatin a more just and compassionate society. Contact us for membership information, t-shirt sales or donations.
vegan action
po box 4353, berkeley, ca 94707-0353
510/704-4444
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I really like (“Writing Your Name”). It’s one of those kind of things where your eye isn’t exactly pulled along, but falls effortlessly down the poem. I liked “knowledge” for its mix of disgust and acceptance. Janet Kuypers does good little movies, by which I mean her stuff provokes moving imagery for me. Color, no dialogue; the voice of the poem is the narrator over the film.
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Children, Churches and Daddies no longer distributes free contributor’s copies of issues. In order to receive issues of Children, Churches and Daddies, contact Janet Kuypers at the cc&d e-mail addres. Free electronic subscriptions are available via email. All you need to do is email ccandd@scars.tv... and ask to be added to the free cc+d electronic subscription mailing list. And you can still see issues every month at the Children, Churches and Daddies website, located at http://scars.tv
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MIT Vegetarian Support Group (VSG)
functions:
* To show the MIT Food Service that there is a large community of vegetarians at MIT (and other health-conscious people) whom they are alienating with current menus, and to give positive suggestions for change.
* To exchange recipes and names of Boston area veg restaurants
* To provide a resource to people seeking communal vegetarian cooking
* To provide an option for vegetarian freshmen
We also have a discussion group for all issues related to vegetarianism, which currently has about 150 members, many of whom are outside the Boston area. The group is focusing more toward outreach and evolving from what it has been in years past. We welcome new members, as well as the opportunity to inform people about the benefits of vegetarianism, to our health, the environment, animal welfare, and a variety of other issues.
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Dusty Dog Reviews: These poems document a very complicated internal response to the feminine side of social existence. And as the book proceeds the poems become increasingly psychologically complex and, ultimately, fascinating and genuinely rewarding.
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Some excellent writing in “Hope Chest in the Attic.” I thought “Children, Churches and Daddies” and “The Room of the Rape” were particularly powerful pieces.
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C Ra McGuirt, Editor, The Penny Dreadful Review: cc&d is obviously a labor of love ... I just have to smile when I go through it. (Janet Kuypers) uses her space and her poets to best effect, and the illos attest to her skill as a graphic artist.
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Dusty Dog Reviews: She opens with a poem of her own devising, which has that wintry atmosphere demonstrated in the movie version of Boris Pasternak’s Doctor Zhivago. The atmosphere of wintry white and cold, gloriously murderous cold, stark raging cold, numbing and brutalizing cold, appears almost as a character who announces to his audience, “Wisdom occurs only after a laboriously magnificent disappointment.” Alas, that our Dusty Dog for mat cannot do justice to Ms. Kuypers’ very personal layering of her poem across the page.
Fithian Press, Santa Barbara, CA
Indeed, there’s a healthy balance here between wit and dark vision, romance and reality, just as there’s a good balance between words and graphics. The work shows brave self-exploration, and serves as a reminder of mortality and the fragile beauty of friendship.
Mark Blickley, writer
The precursor to the magazine title (Children, Churches and Daddies) is very moving. “Scars” is also an excellent prose poem. I never really thought about scars as being a form of nostalgia. But in the poem it also represents courage and warmth. I look forward to finishing her book.
You Have to be Published to be Appreciated.
Do you want to be heard? Contact Children, Churches and Daddies about book or chapbook publishing. These reviews can be yours. Scars Publications, attention J. Kuypers. We’re only an e-mail away. Write to us.
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The Center for Renewable Energy and Sustainable Technology
The Solar Energy Research & Education Foundation (SEREF), a non-profit organization based in Washington, D.C., established on Earth Day 1993 the Center for Renewable Energy and Sustainable Technology (CREST) as its central project. CREST’s three principal projects are to provide:
* on-site training and education workshops on the sustainable development interconnections of energy, economics and environment;
* on-line distance learning/training resources on CREST’s SOLSTICE computer, available from 144 countries through email and the Internet;
* on-disc training and educational resources through the use of interactive multimedia applications on CD-ROM computer discs - showcasing current achievements and future opportunities in sustainable energy development.
The CREST staff also does “on the road” presentations, demonstrations, and workshops showcasing its activities and available resources.
For More Information Please Contact: Deborah Anderson
dja@crest.org or (202) 289-0061
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Dorrance Publishing Co., Pittsburgh, PA
“Hope Chest in the Attic” captures the complexity of human nature and reveals startling yet profound discernments about the travesties that surge through the course of life. This collection of poetry, prose and artwork reflects sensitivity toward feminist issues concerning abuse, sexism and equality. It also probes the emotional torrent that people may experience as a reaction to the delicate topics of death, love and family.
“Chain Smoking” depicts the emotional distress that afflicted a friend while he struggled to clarify his sexual ambiguity. Not only does this thought-provoking profile address the plight that homosexuals face in a homophobic society, it also characterizes the essence of friendship. “The room of the rape” is a passionate representation of the suffering rape victims experience. Vivid descriptions, rich symbolism, and candid expressions paint a shocking portrait of victory over the gripping fear that consumes the soul after a painful exploitation.
want a review like this? contact scars about getting your own book published.
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The magazine Children Churches and Daddies is Copyright �
through
Scars Publications and Design. The rights of the individual pieces remain with the authors. No material may be reprinted without express permission from the author.
Okay, nilla wafer. Listen up and listen good. How to save your life. Submit, or I’ll have to kill you.
Okay, butt-munch. Tough guy. This is how to win the editors over.
Carlton Press, New York, NY: HOPE CHEST IN THE ATTIC is a collection of well-fashioned, often elegant poems and short prose that deals in many instances, with the most mysterious and awesome of human experiences: love... Janet Kuypers draws from a vast range of experiences and transforms thoughts into lyrical and succinct verse... Recommended as poetic fare that will titillate the palate in its imagery and imaginative creations.
You Have to be Published to be Appreciated.
Dorrance Publishing Co., Pittsburgh, PA: “Hope Chest in the Attic” captures the complexity of human nature and reveals startling yet profound discernments about the travesties that surge through the course of life. This collection of poetry, prose and artwork reflects sensitivity toward feminist issues concerning abuse, sexism and equality. It also probes the emotional torrent that people may experience as a reaction to the delicate topics of death, love and family. “Chain Smoking” depicts the emotional distress that afflicted a friend while he struggled to clarify his sexual ambiguity. Not only does this thought-provoking profile address the plight that homosexuals face in a homophobic society, it also characterizes the essence of friendship. “The room of the rape” is a passionate representation of the suffering rape victims experience. Vivid descriptions, rich symbolism, and candid expressions paint a shocking portrait of victory over the gripping fear that consumes the soul after a painful exploitation.
Debra Purdy Kong, writer, British Columbia, Canada (on Children, Churches and Daddies): I like the magazine a lot. I like the spacious lay-out and the different coloured pages and the variety of writer’s styles. Too many literary magazines read as if everyone graduated from the same course. We need to collect more voices like these and send them everywhere.
ccandd96@scars.tv
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Okay, it’s this simple: send me published or unpublished poetry, prose or art work (do not send originals), along with a bio, to us - then sit around and wait... Pretty soon you’ll hear from the happy people at cc&d that says (a) Your work sucks, or (b) This is fancy crap, and we’re gonna print it. It’s that simple!
Hope Chest in the Attic is a 200 page, perfect-bound book of 13 years of poetry, prose and art by Janet Kuypers. It’s a really classy thing, if you know what I mean. We also have a few extra sopies of the 1999 book “Rinse and Repeat”, the 2001 book “Survive and Thrive”, the 2001 books “Torture and Triumph” and “(no so) Warm and Fuzzy”,
which all have issues of cc&d crammed into one book. And you can have either one of these things at just five bucks a pop if you just contact us and tell us you saw this ad space. It’s an offer you can’t refuse...
Mark Blickley, writer: The precursor to the magazine title (Children, Churches and Daddies) is very moving. “Scars” is also an excellent prose poem. I never really thought about scars as being a form of nostalgia. But in the poem it also represents courage and warmth. I look forward to finishing the book.
Do you want to be heard? Contact Children, Churches and Daddies about book and chapbook publishing. These reviews can be yours. Scars Publications, attention J. Kuypers - you can write for yourself or you can write for an audience. It’s your call...
Dusty Dog Reviews, CA (on knife): These poems document a very complicated internal response to the feminine side of social existence. And as the book proceeds the poems become increasingly psychologically complex and, ultimately, fascinating and genuinely rewarding.
Children, Churches and Daddies. It speaks for itself.
Dusty Dog Reviews (on Without You): She open with a poem of her own devising, which has that wintry atmosphere demonstrated in the movie version of Boris Pasternak’s Doctor Zhivago. The atmosphere of wintry white and cold, gloriously murderous cold, stark raging cold, numbing and brutalizing cold, appears almost as a character who announces to his audience, “Wisdom occurs only after a laboriously magnificent disappointment.” Alas, that our Dusty Dog for mat cannot do justice to Ms. Kuypers’ very personal layering of her poem across the page.
Children, Churches and Daddies. It speaks for itself.
Fithian Press, Santa Barbara, CA: Indeed, there’s a healthy balance here between wit and dark vision, romance and reality, just as there’s a good balance between words and graphics. The work shows brave self-exploration, and serves as a reminder of mortality and the fragile beauty of friendship.
the unreligious, non-family oriented literary and art magazine
Scars Publications and Design
http://scars.tv
Children, Churches and Daddies magazine
cc+d Ezines
The Burning mini poem books
God Eyes mini poem books
The Poetry Wall Calendar
The Poetry Box
The Poetry Sampler
Mom’s Favorite Vase Newsletters
Reverberate Music Magazine
Down In The Dirt magazine
Freedom and Strength Press forum
plus assorted chapbooks and books
music, poery compact discs
live performances of songs and readings
past editions:
Poetry Chapbook Contest, Poetry Book Contest
Prose Chapbook Contest, Prose Book Contest
Poetry Calendar Contest
current editions:
Editor’s Choice Award (writing and web sites)
Collection Volumes
Children, Churches and Daddies (ISSN 1068-5154) is published quarterly by Scars Publications and Design. Contact us via e-mail (ccandd96@scars.tv) for subscription rates
or prices for annual collection books.
To contributors:
No racist, sexist or blatantly homophobic material. No originals; if mailed, include SASE & bio.
Work sent on disks or through e-mail preferred. Previously published work accepted. Authors always retain rights to their own work. All magazine rights reserved. Reproduction of
Children, Churches and Daddies without publisher permission is forbidden.
Children, Churches and Daddies copyright
through
Scars Publications and Design, Children, Churches and Daddies, Janet Kuypers. All rights remain with the authors of the individual
pieces. No material may be reprinted without express permission.