Dusty Dog Reviews The whole project is hip, anti-academic, the poetry of reluctant grown-ups, picking noses in church. An enjoyable romp! Though also serious.
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Nick DiSpoldo, Small Press Review (on Children, Churches and Daddies, April 1997) Children, Churches and Daddies is eclectic, alive and is as contemporary as tomorrow’s news. |
The Absent/Abusive FatherKaitlyn M. UlmerFathers are more than just mobile sperm banks.They are phone-deficient telemarketers And stingy Santa Clauses, Stained wife-beaters and assembly-line spankers. They have broad, hard hands, Speak softly but carry big sticks Wider than rule of thumb. They are boot-camp junkies, Alcoholic racecar drivers, Supposed dead infatuations, Ghosts of once-great men, Has-beens and never-beens. And yet we couldn’t breathe Without their date-raping, Attached abandonment And paradoxical pleasure pilfered From female fears, consummating in Testosterone-reeking breeding. |
Up a Dirt RoadCliff LynnYou’re up a dirt roadPorch lights are out In houses unfamiliar as the back of the hand Fresh-mowed hay in the endless fields The baler’s in pieces at the Copeland place Summer rain ain’t any more or less lonely Just because it’s summer Forget what the song says Here’s a dairy And the mephitic ammonia reek of cowshit fills the mouth, coats the dentalwork The asparagus Is gone to seed And the second skin Of country dirt And you know If you don’t shift your direction soon You may end up where you’re headin’. |
Miracle on nothing streetMilo RedwoodIt was late Januaryand we’d run out of food. My parents said it was the Lord’s will--that he had big plans for us but I was eight years old and to me my parents were God-- so it didn’t make sense. The third day of no-food was hard but we were distracted by a fresh foot of snow! My sisters and I went out to play and one of us Tripped over something-- it was a can of fruit cocktail. We dug around and found more cans of food along with a block of cheese and a loaf of frozen bread-- a shopping bag worth of food under the fresh snow. We came running in with our hands full. To this day it’s a mystery how all that food got there-- maybe some old lady was crossing our yard during the blizzard and her shopping bag gave way. It’s more likely that my parents planted that food-- they would have done anything to make us believe in God. |
FlawlessKareene MartelHe won’t let me wear sandals in the rain,His belt never matches his shoes. He never brings me flowers, they make him sneeze. He buys fresh fruit every day, And only uses recycled paper bags. He never eats anything green, he hates that colour. He rents videos on Wednesdays, Yet he doesn’t own a TV. Never sees romantic comedies, only at the movies. He never reads books more than an inch thick, Or rips them to inch-thick pieces They don’t fit in his pocket. His clothes are full of paint, his hair a mess He smells of canvas and solvent. He lies about his family, he prefers mine Because his parents are not insane. He says I smile too much, and he feels He inconveniences me by walking slow. He thinks my hair is too short, and wants Me to wear pigtails to bed. He fears I don’t dream of him, He only paints me while I sleep. He hates that I eat in bed. He doesn’t know he’s perfect. |
BlindJC LeeThe conductor’s flirting with thebrunette in the back, and he gay bashes as part of his pick up repertoire in some insecure, defensive manner. I want to hit him for what he won’t understand and to break her for what she tolerates. It’s one forty-eight AM and she goes along with what’s easy but wrong ‘cause there’s so much that’s really not right in the world it drowns her in apathy. She knows she’s not free but how much does that really matter to we who suffocate in overwhelming apathy of drowning in wrong pretending that it’s alright, that the brunette and conductor are making conversation so they are somehow allowed to they hate what they’re told not to take the time to understand. |
another long nightJ. C. Leetrying to get me drunkthey are feeding me jack as though i could fit it all in endlessly but bottomless pits are hard to cum by these days and i wonder if these are gestures of kindness or if i will have to pay up at the end of the night |
The town’s too small
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Ceraolo
In what seemed like Swiftian satire but was actually simple-minded seriousness the columnist reached new heights (or depths) of neo-Orwellianism when she criticized an independent candidate as being motivated by his own ego, rather than being animated by principle as the candidates of the two major parties were |
the Gate Top to the Dachau Concentration Camep Museum, Dachau, Germany, photographed May 2003 from the staff at Scars Publications |
Bullets FlyingTeresa Spies Dempewolf
At thirty-eight years old, Kara wrestled with the noun ‘hero’ these days. She hadn’t been for the war against Iraq-thought it foolish to impose America’s democracy on another country. She knew plenty about laws and courts as a Peace and Justice Advocate lawyer; she had a father who was a General in the Army, so life in her later years was never smooth. Plus, she was the only one now who could give her parents grandchildren. Through two husbands, a career and volunteering, time didn’t permit it. Besides, the heartache of loosing her young brother years ago left her emotionally wasted. |
everything was alive and dyingCopyright © 2004 Janet KuypersII had a dream the other night I walked out of the city to a forest and there were neatly paved bicycle paths and trash cans every fifty feet and trash every ten and then a raccoon came right up to me she had a few little baby raccoons following her, it was so cute, I wish I had my camera she said, thank you thank you for not buying furs, I know you humans are pretty smart, you have to be able to figure out a way to keep yourselves warm without killing me and I said, you know they don’t do it for warmth, they do it for fashion, they do it for power. And she said I know. But thank you anyway. II Then I walked a little further and there was a stray cat she still had her little neon collar on with a little bell and she walked a few feet, stretched her front paws, oh, she looked so darling and then she walked right up to me and she said thank you and I said for what? And she just looked at me for a moment, her little ears were standing straight up, and then she said, you know, in some countries I’m considered a delicacy. And I said how do you know of these things? And she said when somebody eats one of you word gets around and then she looked up at me again and said, and in some countries the cow is sacred. Wouldn’t they love to see how you humans prepare them for slaughter, how you hang them upside-down and slit their throats so their still beating hearts will drain out all the blood for you and she said isn’t it funny how arbitrary your decision to eat meat is? and I said, don’t put me in that category, I don’t eat meat and she said I know III And I walked deeper in to the forest managed to get away from the picnic tables and the outhouses that lined the forest edges the roaring cars gave way to the rustling of tree branches crackling of fallen leaves under my step when the wind tunneled through the wind whistled and sang as it flew past the bark and leaves I walked listened to the crack of dead branches under my feet and I felt a branch against my shoulder I looked up and I could hear the trees speak to me, and they said thank you for letting the endangered animals live here amongst us we do think they’re so pretty and it would be a shame to see them go and thank you for recycling paper because you’re saving us for just a little while longer we’ve been on this planet for so long embedded in the earth we do have souls, you know you can hear it in our songs we cling with our roots we don’t want to let go and I said, but I don’t do much, I don’t do enough and they said we know but we’ll take what we can get IV and I woke up in a sweat V so tell me, Bob Dole so tell me, Newt Gingrich so tell me, Pat Bucannan so tell me, Jesse Helms if you woke up from that dream would you be in a sweat, too? VI Do you even know why we should save the rain forest? Oh preserve the delicate balance, just tear the whole forest down, what difference does it make? Put in some orange groves so our concentrate orange juice can be a little cheaper did you know that medical researchers have a very, very hard time trying to come up with synthetic cures for diseases on their own? It helps them out a little if they can first find the substance in nature. A tree that appears in the rain forest may be the only one of its species. Or one like it may be two miles away, instead of right next to it. I wonder how many cures we’ve destroyed to plant more orange groves. Serves us right. VII You know my motives aren’t selfless I know that these things are worthwhile in my life I’d like to find a cure to these diseases before I die of them and I’m not just a vegetarian because I think it’s wrong to kill an animal unless I have to I also know the excess protein pulls the calcium away from my bones and gives me osteoporosis and the excess fat gives me heart attacks and I also know that we could be feeding ten times more people with the same resources used for meat production You know, I know you’re looking at me and calling me an extremist but I’m sitting here, looking around me looking at the destruction caused by family values and thinking the right, moral, non-violent decisions are also those extreme ones VIII everything is linked here we destroy our animals so we can be wasteful and violent we destroy our plants we destroy our earth we’re even destroying our air we wreak havoc on the soil, on the atmosphere we dump our wastes into our lakes we pump aerosol cans and exhaust pipes and you tell me I’m extreme and these animals and forests keep calling out to me the oceans, the wind and I’m beginning to think that we just keep doing it because we don’t know how to stop and deep inside we feel the pain of all that we’ve killed and we try to control it by popping a chemical-filled pain-killer we live through the guilt by taking caffeine, nicotine, morphine and we keep ourselves thin with saccharin and we keep ourselves sane with our alcohol poisoning and when that’s not enough maybe a line of coke maybe shoot ourselves in the head in front of the mirror in the master bedroom or maybe just take some pills walk into the garage, turn on the car and just fall asleep in the wild you have no power over anyone else now that we’re civilized we create our own wild maybe when we have all this power the only choice we have is to destroy ourselves and so we do |
Untitled, by Irene Ferraro |
UntitledBritt Suzanne PosmerI called you last nightYou were distracted The garbled sound of the tv Blaring through the receiver How is it That you are the only man With whom I feel boring Less interesting than the cacophony Of noise behind you Squawking like the voice of Charlie Brown’s teacher You would rather watch your relationships On a ridiculous talking box Than risk the engagement With someone who might expect Something from you in return You hoard your life Like a rat Baring its teeth Over a pile of worthless objects It has stashed in a hole Underneath the stairs Desperately wanting someone to recognize The value of your treasure While savagely biting the hand Of any who come near |
art by Dave Jarvie |
UntitledBritt Suzanne PosmerThe rain is fallingOutside my window When I was born The water declared herself my sister And preceded my arrival With a great rush of annunciation She has loved me ever since The rain is my sister We are one blood I know the rage and fury of her storms She the persistent erosion of my grief The rain is my sister And lately I seem to be joining her More and more frequently Standing outside the windows Of my life Cries tapping sharply Against the glass We are both on the outside now Looking in at a life That has abandoned me Somewhere my body curls up In a chair Hand against cheek But I am outside Tapping Tapping While my sister Damply strokes my hair |
purple flower, art by Dr. Deborah FerBer |
WHO’S COUNTING THE PETALS?Copyright R. N. Taber 2004Floods here, drought there, disease, swollen bellies...Refugees from civil wars pleading aid; Terror taking place on our own TVs; Men, women, children, learning to be afraid So what are the world’s governments doing? All they can, we’re expected to believe; So why such tragic images we’re seeing Of a world wearing its heart on its sleeve? Where horror hits hardest, a hurt laid bare; Beyond headlines, unimaginable pain; Flowers at gravesides, each petal a tear For those men, women, children moving on Plenty cash for this war, that election... A centuries-old degeneration |
PinionedBrandi S. HendersonThere is a sky,black and cold. I am pinioned in the fixed stars; tied to it, the bindings making me bleed. A tear falls and burns the ground. A fire explodes and I drown in flames. My scream reaches the outermost sky invisible, no echo through the dense lucid air. There’s no promise of peace at the end alone, only replete emptiness; hexed by the knowledge no escape exists. I cannot feel, anymore, the pain that surrounds me.<
Please let me go... |
Brandi S. HendersonSoft steely eyes fixed upondead earthen sparrow leaden with streaming raindrops. From inside my bed I watch the garden asking, frightened, for a reply to lies and the end of laughter. The thought of him has found me. Searching inside this eternal pain tinged with desire; disturbing realities’ thorns stumbled into my head. How quickly he went out and I know everything must fall. I am turned through the length of seams of unraveled walls. Deep fibrous dreams heard ringing worn words. Once I was waiting for you. But you have passed. Rushing with the amaranthine souls, shades before your life. |
Danny the Saucer Man, art by Mark Graham |
Thought ProcessJoseph Veronneau...And so I told the museto make sense of it all, and he just nodded an empty nod. The muse leads me to the river, after shrugging when I asked a question about how day and night are similar. We sit on boulder-sized rocks, as I drink down words that dry my throat. If I were at home right now, I’d be the unmade bed; twisting and flailing in dirty sheets, laying sleepless for the night. He tosses away things that are worth being kept, I find most of them down here, swimming upstream, against the flow, and I end up jumping in and pulling out the weary thoughts. I can usually plan on being led astray before the muse settles in, quits throwing away the valuable; dampening thoughts, which I then turn around and dry in the open air, refreshing them all. |
Prison Windows, art by Mike Hovancek |
Born to Break EvenJoseph VeronneauA neighbor runs intothe street howling; it is yet another Saturday night. Beer bottle in hand he feels sacred for a moment realizing he has the entire city block’s attention. He’ll belt-out a threat or a lie whichever sounds best initially will do him fine, his flesh covered in whore’s perfume. The evening (early morning) will end with his pals holding his head up through clenched fists of hair, keeping him from knocking himself out again on the pee and pubic stained porcelain. |
Legs, art by J. Yotko |
UntitledSimon PerchikI don’t let you finish without helpcut short what you have to say the way each morning leaves its darkness for the end though today or tomorrow your voice will slowly fall across as moonlight and these tiny stones --I butt in to become your mouth your lips, your breasts --I breathe through you not just this once but with tenderness --a simple sentence stopped so you can rest back to back standing, exhausted, commonplace. |
Chopsticks and CordialsJohn Vivolo
I close my eyes and fall asleep. I dream. I wake up. |
the little differencesJanet KuypersI know things are really different in China,but Shanghai and Beijing are urban areas, so a lot of things seems really similar. I mean, you saw signs on the walls and in the streets in Chinese, but you understood how to get around and what to do. I swear, what I remember most are the little differences, like McDonalds, I got an egg McMuffin because I’ve seen signs in French for “Oeuf McMuffins.” So when I ordered one in Beijing, I got a hamburger bun for a muffin (egg McHamburger?), and it was covered in ketchup and mayo, I swear to God it was fucking drowning in the shit; I wiped some of it off with my index finger and chalked it up to knowing the little differences. Like in Shanghai we went to Starbucks (because even in China, there’s still one on every corner, & John said I liked white chocolate frappucinos, so Jim asked if they had white chocolate. The woman behind the counter said, “No, we only have Black chocolate.” (You’d never hear that in the United States...) Knowing that a good part of China lives in squalor, we saw that everyone hung their clothing to dry. Jim said China’d have to build a ton of new plants just to supply power to these dryers that people can’t afford, so clothing dryers don’t exist. China has no medicare or government health care plans (don’t say the United States is free of gevernment intervention...) so people save their money for accidents. It’s a good thing, because we saw rickety bamboo stalks used for ladders & scaffolding for Chinamen for repairing & cleaning high rises. But you have to remember these differences, I mean, a stop sign is still a red octagon even if you don’t know the language it’s in, even Coke cans print both languages on them, But you know, the funny thing about China are the little differences. |
Kuypers is the widely-published poet of particular perspectives and not a little existential rage, but she does not impose her personal or artistic agenda on her magazine. CC+D is a provocative potpourri of news stories, poetry, humor, art and the “dirty underwear& #148; of politics. One piece in this issue is “Crazy,& #148; an interview Kuypers conducted with “Madeline,& #148; a murderess who was found insane, and is confined to West Virginia’s Arronsville Correctional Center. Madeline, whose elevator definitely doesn’t go to the top, killed her boyfriend during sex with an ice pick and a chef’s knife, far surpassing the butchery of Elena Bobbitt. Madeline, herself covered with blood, sat beside her lover’s remains for three days, talking to herself, and that is how the police found her. For effect, Kuypers publishes Madeline’s monologue in different-sized type, and the result is something between a sense of Dali’s surrealism and Kafka-like craziness. |
As for the fiction, the piece by Anderson is quite perceptive: I liked the way the self-deluding situation of the character is gradually, subtly revealed. (Kuypers’) story is good too: the way it switches narrative perspective via the letter device is a nice touch. |
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I really like (“Writing Your Name& #148;). It’s one of those kind of things where your eye isn’t exactly pulled along, but falls effortlessly down the poem. I liked “knowledge& #148; for its mix of disgust and acceptance. Janet Kuypers does good little movies, by which I mean her stuff provokes moving imagery for me. Color, no dialogue; the voice of the poem is the narrator over the film. |
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Some excellent writing in “Hope Chest in the Attic.& #148; I thought “Children, Churches and Daddies& #148; and “The Room of the Rape& #148; were particularly powerful pieces. |
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Dusty Dog Reviews, CA (on knife): These poems document a very complicated internal response to the feminine side of social existence. And as the book proceeds the poems become increasingly psychologically complex and, ultimately, fascinating and genuinely rewarding. Children, Churches and Daddies. It speaks for itself. |
the unreligious, non-family oriented literary and art magazine Scars Publications and Design ccandd96@scars.tv http://scars.tv Publishers/Designers Of Children, Churches and Daddies magazine cc+d Ezines The Burning mini poem books God Eyes mini poem books The Poetry Wall Calendar The Poetry Box The Poetry Sampler Mom’s Favorite Vase Newsletters Reverberate Music Magazine Down In The Dirt magazine Freedom and Strength Press forum plus assorted chapbooks and books music, poery compact discs live performances of songs and readings Sponsors Of past editions: Poetry Chapbook Contest, Poetry Book Contest Prose Chapbook Contest, Prose Book Contest Poetry Calendar Contest current editions: Editor’s Choice Award (writing and web sites) Collection Volumes Children, Churches and Daddies (ISSN 1068-5154) is published quarterly by Scars Publications and Design. Contact us via e-mail (ccandd96@scars.tv) for subscription rates or prices for annual collection books. To contributors: No racist, sexist or blatantly homophobic material. No originals; if mailed, include SASE & bio. Work sent on disks or through e-mail preferred. Previously published work accepted. Authors always retain rights to their own work. All magazine rights reserved. Reproduction of Children, Churches and Daddies without publisher permission is forbidden. Children, Churches and Daddies copyright through Scars Publications and Design, Children, Churches and Daddies, Janet Kuypers. All rights remain with the authors of the individual pieces. No material may be reprinted without express permission. |