Dusty Dog Reviews The whole project is hip, anti-academic, the poetry of reluctant grown-ups, picking noses in church. An enjoyable romp! Though also serious. |
Nick DiSpoldo, Small Press Review (on Children, Churches and Daddies, April 1997) Children, Churches and Daddies is eclectic, alive and is as contemporary as tomorrow’s news. |
news you can use |
Paper as strong as IronFrom Awake! magazine March 2009:Researchers at the Swedish Royal Institute of Technology have developed a method of producing paper from wood cellulose that preserves the natural strength of its fibers. The normal mechanical processing of wood pulp in papermaking damages its tiny cellulose fibers and greatly reduces their strength. But the Swedish team succeeded in breaking down the pulp with enzymes and then gently separating its cellulose fibers in water, using a mechanical beater. When the undamaged fibers are drained, they bond into networks, producing sheets of paper with a yield strength greater than cast iron and almost as great as structural steel.
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Punch You in the FaceNewambaThe next time I see you I’m going to punch you in the face
Don’t ask me why
Maybe it’s because you like that song “My Humps” by the Black Eyed Peas
Whatever it is
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bioNewamba was born and raised on a chicken farm in the Florida Keys by a suicidal cult of transvestite prostitutes who dressed up in gorilla suits and played loud Polka music from distorted speakers at all hours of the night. After escaping the chicken farm, he was taken hostage by an Elvis impersonator that forced him at gunpoint to write poetry. He was later able to flee from the Elvis impersonator and now wanders the streets of South Beach in a trench coat and women’s lingerie, spitting out bizarre poems as he pleases. His work has been published and featured at 10K Poets, BadWriter, NC Lowbrow, MySpace, EveryPoet.Net, PoemHunter, and various toilet stalls across Florida.
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Dreams 12/22/08
Janet Kuypers 12/22/08 |
he makes me think about these thingsJanet Kuypers 02/10/09
I looked in my kitchen and saw olive oil. but what’s in baby oil?
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like cheesecakeJanet Kuypers 02/18/09
The area between your neck and shoulder
it’s like
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Too ColdKathryn GravesHe had two strikes against him; he was black and he was homeless. The article said he liked the used bookstores, to get in out of the rain/sniff the books/if only for an hour or two/frozen spittle nesting in his beard/living on sustenance of free coffee and everything else too lean/on the street/where scowls and nightsticks fell like rain. The article said most homeless are eventual victims; no key/no door/ no protection. In one week: 3 rapes/2 beaten/a woman sleeping set on fire. Already the day is stretching/he doesn’t move/died in private/disintegrated in silence/too cold/too cold.
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MajestyMonique Hayes
Neon lights announce restaurants, their multi-colored glare illuminating the bare sidewalks. Your tennis shoes become bright green when you pass. The metro moves below as the twilit skies guide the weary home: politicians with combovers and disappearing clout; lawyers with case studies that linger in their minds; musicians who hum the greats under their breath; mothers locating their keys and kids as they shuffle hurriedly through human traffic. It resembles a lowered head dance, unless you’re confident and haven’t seen much.
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Randall Rogers novelI’m gonna write a novel. Here goes.Write, write, write. There. Finished.
I had a one armed man that I kept in my closet. He was dead, and smelled real bad, but I didn’t care back then. Neither did Mom. I lived with Mom. She upstairs in the condo and me downstairs. We got the condo from my dead uncle who had a heart attack at fifty four. Guy drove himself to the hospital while he was having the heart attack. Then they gave him an experimental blood clot dissolving drug. He, being a hemophiliac, the drug caused the blood to seep into his lungs and almost drown him. He said they stuck a huge needle attached to what looked like a turkey baster into his lungs and pumped out what looked like French Dressing. He lasted a week or so in the hospital, went home, got progressively weaker, went back into the hospital and died. Left the condo, his Toronado, his stock and bond portfolio to my Mom. She left the city she was in and came to live in his condo, now sort of wealthy with his money. Soon I, smelling a padded nest, moved my way in.
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What Exactly is Creative Intelligence Studies?Sarah Enelow
I’m not going to make it. I’m holding my skirt with one hand and clutching my papers with the other, my feet are blistering from running in uncomfortable shoes, and I envision myself dashing into traffic to cross the next street, heroically sliding over the hood of a taxi and continuing to run without skipping a beat. I’m covered in sweat and I probably don’t smell very good.
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FugueD.L. Olson
Mark Prentice is a bastard.
All men are bastards. Mark Prentice is a man. Therefore, Mark Prentice is a bastard. I used to think he was a human being.
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Rhapsody of Life, Irony, and Human NatureMarina Rubineighty eight years of steel. war, depression, other war, atomic bomb, vietnam, raising 3 children, her husband’s alzheimer’s. nothing could break her. until her brother’s death. he died with millions. mourners kissed both her cheeks, praised the dearly departed wondering how much money the old bastard left and to whom? she was convinced she would inherit it all, her brother hated everyone and had no children. four feet eight inches tall ninety two pounds, she frequented beauty parlors, shopped for fashionable undergarments in rainbow colors, spent hours on the phone with her son going over her brother’s assets. not even a scream of the blackbird, nor a black cat crossing the street could spoil her stainless destiny, her guaranteed happiness. she waited. her son waited. a mob of grieving relatives waited. in his will her brother bequeathed all his riches to his dead wife’s niece living in tel aviv. the merciless corrupt patriarch didn’t leave his own sister a lilliputian crumb. she was rushed to the hospital with a heart attack, her son followed after with a stroke
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Ivory AlonePaloma RoblesI read it in the New York Times: Bomb Making Factory Found in Brooklyn Apartment of Columbia Professor. The professor was called Michael Clatts. He was living with a thirty five year old man named Ivanov, an illegal immigrant from Bulgaria, who shot his finger accidentally in Clatt’s apartment. Ivanov was wearing a bullet-proof jacket when he walked into the hospital, and this rose suspicions about his version of the events: he said he had been shot in the streets by a stranger. The police searched the apartment and found seven pipe bombs already filled with powder, silencers, a shotgun, and other bomb manufacturing equipment. The building was evacuated. A woman living in the premises had praised the way the police had handled the whole affair. “They did everything not to alarm us,” she said, “and they helped us take our cats out.” I pictured the woman: a fat sixty year old spinster, secure behind the walls of her luxurious Brooklyn apartment. Michael Clatts was Huso’s research partner at Columbia University, also his close friend. They worked on sexuality and HIV/AIDS prevention, but according to the New York Times reporter, Clatts was “an expert in the spread of contagious diseases.”
This story is not the story of Michael Clatts. When I laid down the newspaper, back in my Beijing apartment, I recalled the scene at the restaurant near Huso’s hotel, when he told me about the unexpected call. His expression of consternation, and his eyes, tamed, deep-set, unevasive. Huso had probably received a great deal of similar calls during his twenty years as an activist. The same as Wan, my former boss, and also the most prominent human rights activist in China, he had been in jail three times. “The first time, they found a Marxist book in my backpack,” Huso said to me. The second time, and the third, they found the bombs. “I used to be the type of boy who organized student protests and threw bombs in the streets” he said. He was born and raised in Seoul, and he was the founder of the first queer student activist group in South Korea. One of the most painful memories of his years as a student was the public exorcism performed on him by the Chair of a fundamentalist Christian student organization. But he was lucky, he said. Three of his friends had committed suicide after disclosing their homosexuality and another one was left permanently injured as a result of police torture. I liked Huso for his simple, detached, natural attitude towards life and sex, and the main reason why I remember him, and our fleeting two-day encounter during that coldest Beijing winter, is because I shared with him a soulful and invigorating sexual experience. Huso was different from Wan. They were both human rights activists and they both had been in jail three times, but when I first met Huso in the Korean restaurant near Wan’s office, and I glanced at them sitting side by side, they struck me as totally different people. Wan was a lonely man. With his shaded glasses and the plastic sandals he used to wear to the office in sultry summer days, he was someone totally out of tune with his surroundings. There was a look of hostility and mistrust in his eyes, and visible signs of a subdued tension in the way he clenched his lower jaw. A sense of deep-hidden panic mixed with courage and pride. He was slippery, difficult to make out, a man living in a permanent state of fear and nerve-racking paranoia. Who knows, maybe because Huso was living in a democratic country, but I could find no trace of such fear in his eyes. He was confident, balanced, full of perspective.
I sat next to him at the restaurant, and the first thing I noticed was his light smell of perfume and Aloe Vera soap. Ivory Aloe. Later, during the dinner we had by ourselves, I asked him what he wanted to be when he was a child. “A chemist,” he replied. “I wanted to make the best perfume in the world.” He had strong, beautiful hands, which would shake every time he held his chopsticks or reached for his glass of beer. Later, he told me he was never able make it as a chemist, because he was disqualified for his trembling hands. He passed the written exam but he failed the lab test. He felt betrayed by his school, and he had to give up his perfumed dream. I wondered, but I never asked, whether that was or not his first betrayal in life, whether his future years as an activist bore or not a secret reminiscence of that experience. The people I usually feel attracted to are those whose lives are tainted with bitterness and filled with little frustrations. It is always the same profile against a different background. With my novels, it is the same. I tend to look for a clearer understanding of human nature in small manifestations of failure and loss. Huso was different from all that, and that was also one of the reasons why he left such a permanent imprint in my memory. He was thirty eight. He told me he had never had a middle age crisis. “And I think I never will.” There was something thoroughly convincing in the way he spoke. I searched for his eyes, and he held my gaze. He was wearing a dark woolen scarf and a rolled collar pullover. With his small glasses and his green striped Adidas, he looked like a true New Yorker. After dinner, he picked a bar in Sanlitun Street, a chill-out place with high ceilings and white empty walls. “It doesn’t feel I am in Beijing,” he said to me. “And it doesn’t feel I am in New York either.” It felt the same to me, a no man’s land, timeless, with only the smoke of our cigarettes, and our words, to fill the emptiness. We both knew from the beginning that it was only sex. Sex on the one hand, friendship on the other, two things that would grow separately, allowed to coexist, but not to mingle or intersect.
The cab driver who drove us to the tea street in his last afternoon in Beijing asked me if we were colleagues. The bar in Sanlitun had four golden fish swimming in two glistening crystal bowls. I remember the silence of semi-transparent fins waddling in clean water. Our words echoing against the empty walls. And our words again, inconsistent, like billowing shadows flashing past the walls, their meaning distorted, severed, mutilated by desire. This is probably why I can only remember broken conversations. It meant the same that we talked about everything or talked about nothing.
We spoke about writing, and he understood quickly, without me having to explain. And I was also afraid of looks. Petrified by the intensity of his gaze. When we got off the subway and stood face to face on the escalators, I tried to hold his gaze for a few seconds. I failed. It felt like a knife edge crisscrossing my mouth, my eyes, my cheeks. Burning all over.
I smoked Korean cigarettes and we drank a full bottle of Spanish wine. “When did you start smoking?” He asked.
Huso spoke about sex the same way he spoke about champagne and caviar, taking pleasure in dissecting the multiple layers of sensation, the slippery fish-skin of black men, the intensity of his first Mexican lover, the languor and compliance of his first eighteen-year old boyfriend.
He said thirty should be the best time of my life.
I remember little more. He had one of those faces difficult to forget. A kaleidoscopic repertory of expressions. He reminded me of a different person depending on the angle from which he looked.
He said he wanted me. He said that after we left the restaurant and the table full of uneaten food. Not just leftovers, but plates full of meat. The second time, he said it in a different way. He didn’t say “I want you”. He just said “Can you come to my hotel for a while?” Only for a while, because he was sick, brown sick, with yellow skin and still hands wrapped inside green woolen gloves, resting on the table. Huso’s style in bed was neat and precise. His body was soft and slender, light and spongy like a piece of cheesecake, and his skin almost as slippery as the skin of those black lovers he spoke about. He had the habit of lighting up a cigarette in the bathroom after sex. He would pace up and down the carpet of the hotel room, with a cigarette in his hand, completely naked. With his tall, elastic body, his slightly hunched back, and his short black stylish hair sweeping over his forehead, he looked so gay. I could never get rid of the impression that I was having sex with a gay man, which maybe didn’t tell much about him, but rather showed that I was not as open-minded as I claimed to be. I was simply projecting my own sexuality on him, my reluctance or inability to define my own sexual orientation, yet the need to do so. It was perhaps that indifference towards being something, or simply the way he was content with being nothing and being everything at the same time, which I liked so much about him. Half gay. Half straight. Half activist. Half DJ. Half counselor and half researcher. Full of enthusiasm towards the multiplicity of choices in life. He enjoyed quiet evenings drinking wine, and he had taken a course in creative writing. After giving up his dream of being a chemist, he decided to be a play writer. He gave up, probably not because it was a hard profession in South Korea, as he said, but because he had found in political activism a new calling. I asked him about his job as a counselor. “Many stories,” he said. I remember the one about a Japanese boy who came to the United States searching for his American dream. Instead of that, he was raped by the landlord from whom he rented his first apartment and infected with HIV. Huso smiled bitterly, a smile full of compassion and generosity.
His hotel room had a large window with a view over the rooftops of a small hutong. I heard the sound of trickling water in the bathroom. He was taking a shower. He would soon come out again pouring out his smell of Ivory Aloe. I looked out of the window: old women riding bicycles, clouds of steam drifting towards the sky, people trailing big barrels of mineral water. It seemed like China again, but still a distant, far-away China, unfolding gradually, insulated behind the windows of the hotel room.
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Granddaddy’s HandsAudree Flynn
Grandaddy quit school at 13 to work on his family’s farm; at 18 he came here from Ireland and worked hard in construction. Grandaddy worked hard at everything he did and used to say he could do what he damn well pleased, because he worked so hard. He raised his sons and daughters in a house he built himself; Grandaddy had a talent for working with his hands.
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BraveSabra Jensen
Katsu Watanabe lived in a tiny white house near the Kuzuha station in Hirakata, Osaka. He liked his whiskey cold, his salmon and rice topped with extra mayonnaise, and his green tea hot enough to singe an eyebrow. His wife Naoko secretly wished that Katsu would comb his hair in the morning, instead of letting it hang limp and greasy, falling all over his face like a gutted prairie dog. Katsu secretly knew that Naoko felt this way, but he did not really care. Keko, their daughter, felt contempt for both, but neither Katsu nor Naoko let themselves worry too much, since neither one felt that they had done anything wrong throughout the child-rearing process. They didn’t ponder too much whether or not they had done anything right, either.
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The SongKent Tankersley
“Thought I saw something,” Warren explained as he caught up with Mike. “Down there, some sort of movement.”
There are times when the senses merge, when sounds can be felt as much as heard. The mating call of a ruffled grouse, as he summons his mate, is like that. It starts as a low drumming that you notice only by the alarming feeling that your heart is suddenly racing for no reason. It’s a muffled sound that could come from anywhere in the forest, any direction, any distance. As hard as you try, you can’t locate it or even be sure you’re hearing it.
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Author bio (03/06/09)Kent Tankersley is an American living in Helsinki, Finland, where he has worked as a language teacher and freelance travel writer before starting a career in public relations. He is also currently working on a screenplay.
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The LearnersChapman Peck
For the past fifteen years, the Molly Brewington presided over the PTA and for the past fifteen years she had been reelected unanimously. Everyone in the suburb knew her name and her resume. She established the parent/teacher socials which eradicated the rampant forgeries that were occurring on report cards. She mobilized the can-drive for new cheerleader uniforms insisting that the cheerleaders wore their old uniforms when they fundraised. She terminated the proposal to change the name to the Home and School Association. Even Principal Zangieri deferred to her for solidarity’s sake and out of fear that he might not be invited to her year-end Christmas party that was the who’s who for this quaint suburb.
The next morning, the red SUV pulled around the corner with Subway on one side and the Circle K on the other. There was a red light ahead, the first of many sets of lights that demarcate the grid and signal the crossroads. Mrs. Learner glanced from the four lane road to the rearview mirror. In the back seat, Mike sat, staring glumly out of the window. His fingers drummed on the top of his back pack. The glass reflected and bent the moving convenience stores, gas stations, and chain restaurants which blended into Mike’s cadaverous face. After the eighth light, Mrs. Learner crossed over the two lanes and pulled into the same parking lot and the same space from the PTA meeting.
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HappinessJim Meirose
In the tall wide lecture hall at the university, tall bald bearded Professor Jones scanned the curved rows of students rising before him. His blue eyes shone clear and bright, searching the rows.
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Corner of Grove and MonroeAdelaida Avila
13 years. God it seems like yesterday we were altogether at the upholstery shop on Monroe Street. 973-478-1249 that phone number will forever be embedded in my brain. I love Monroe Street. I drive down that street often. I look at each and every spot you had a shop. The first one was closest to Main Avenue, the second one was on the corner of Monroe and Grove and the third and last shop was closest to Myrtle.
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Debra Purdy Kong, writer, British Columbia, Canada I like the magazine a lot. I like the spacious lay-out and the different coloured pages and the variety of writer’s styles. Too many literary magazines read as if everyone graduated from the same course. We need to collect more voices like these and send them everywhere.
Children, Churches and Daddies. It speaks for itself. Write to Scars Publications to submit poetry, prose and artwork to Children, Churches and Daddies literary magazine, or to inquire about having your own chapbook, and maybe a few reviews like these.
what is veganism? A vegan (VEE-gun) is someone who does not consume any animal products. While vegetarians avoid flesh foods, vegans don’t consume dairy or egg products, as well as animal products in clothing and other sources. why veganism? This cruelty-free lifestyle provides many benefits, to animals, the environment and to ourselves. The meat and dairy industry abuses billions of animals. Animal agriculture takes an enormous toll on the land. Consumtion of animal products has been linked to heart disease, colon and breast cancer, osteoporosis, diabetes and a host of other conditions. so what is vegan action?
We can succeed in shifting agriculture away from factory farming, saving millions, or even billions of chickens, cows, pigs, sheep turkeys and other animals from cruelty. A vegan, cruelty-free lifestyle may be the most important step a person can take towards creatin a more just and compassionate society. Contact us for membership information, t-shirt sales or donations.
vegan action
Children, Churches and Daddies no longer distributes free contributor’s copies of issues. In order to receive issues of Children, Churches and Daddies, contact Janet Kuypers at the cc&d e-mail addres. Free electronic subscriptions are available via email. All you need to do is email ccandd@scars.tv... and ask to be added to the free cc+d electronic subscription mailing list. And you can still see issues every month at the Children, Churches and Daddies website, located at http://scars.tv
MIT Vegetarian Support Group (VSG)
functions: We also have a discussion group for all issues related to vegetarianism, which currently has about 150 members, many of whom are outside the Boston area. The group is focusing more toward outreach and evolving from what it has been in years past. We welcome new members, as well as the opportunity to inform people about the benefits of vegetarianism, to our health, the environment, animal welfare, and a variety of other issues.
Dusty Dog Reviews: These poems document a very complicated internal response to the feminine side of social existence. And as the book proceeds the poems become increasingly psychologically complex and, ultimately, fascinating and genuinely rewarding.
Dusty Dog Reviews: She opens with a poem of her own devising, which has that wintry atmosphere demonstrated in the movie version of Boris Pasternak’s Doctor Zhivago. The atmosphere of wintry white and cold, gloriously murderous cold, stark raging cold, numbing and brutalizing cold, appears almost as a character who announces to his audience, “Wisdom occurs only after a laboriously magnificent disappointment.” Alas, that our Dusty Dog for mat cannot do justice to Ms. Kuypers’ very personal layering of her poem across the page.
Fithian Press, Santa Barbara, CA Indeed, there’s a healthy balance here between wit and dark vision, romance and reality, just as there’s a good balance between words and graphics. The work shows brave self-exploration, and serves as a reminder of mortality and the fragile beauty of friendship.
Mark Blickley, writer You Have to be Published to be Appreciated. Do you want to be heard? Contact Children, Churches and Daddies about book or chapbook publishing. These reviews can be yours. Scars Publications, attention J. Kuypers. We’re only an e-mail away. Write to us.
The Center for Renewable Energy and Sustainable Technology The Solar Energy Research & Education Foundation (SEREF), a non-profit organization based in Washington, D.C., established on Earth Day 1993 the Center for Renewable Energy and Sustainable Technology (CREST) as its central project. CREST’s three principal projects are to provide: * on-site training and education workshops on the sustainable development interconnections of energy, economics and environment; * on-line distance learning/training resources on CREST’s SOLSTICE computer, available from 144 countries through email and the Internet; * on-disc training and educational resources through the use of interactive multimedia applications on CD-ROM computer discs - showcasing current achievements and future opportunities in sustainable energy development. The CREST staff also does “on the road” presentations, demonstrations, and workshops showcasing its activities and available resources. For More Information Please Contact: Deborah Anderson dja@crest.org or (202) 289-0061
Dorrance Publishing Co., Pittsburgh, PA want a review like this? contact scars about getting your own book published.
The magazine Children Churches and Daddies is Copyright © 1993 through 2008 Scars Publications and Design. The rights of the individual pieces remain with the authors. No material may be reprinted without express permission from the author.
Okay, nilla wafer. Listen up and listen good. How to save your life. Submit, or I’ll have to kill you.
Okay, butt-munch. Tough guy. This is how to win the editors over. Carlton Press, New York, NY: HOPE CHEST IN THE ATTIC is a collection of well-fashioned, often elegant poems and short prose that deals in many instances, with the most mysterious and awesome of human experiences: love... Janet Kuypers draws from a vast range of experiences and transforms thoughts into lyrical and succinct verse... Recommended as poetic fare that will titillate the palate in its imagery and imaginative creations. Mark Blickley, writer: The precursor to the magazine title (Children, Churches and Daddies) is very moving. “Scars” is also an excellent prose poem. I never really thought about scars as being a form of nostalgia. But in the poem it also represents courage and warmth. I look forward to finishing the book.
You Have to be Published to be Appreciated.
Dorrance Publishing Co., Pittsburgh, PA: “Hope Chest in the Attic” captures the complexity of human nature and reveals startling yet profound discernments about the travesties that surge through the course of life. This collection of poetry, prose and artwork reflects sensitivity toward feminist issues concerning abuse, sexism and equality. It also probes the emotional torrent that people may experience as a reaction to the delicate topics of death, love and family. “Chain Smoking” depicts the emotional distress that afflicted a friend while he struggled to clarify his sexual ambiguity. Not only does this thought-provoking profile address the plight that homosexuals face in a homophobic society, it also characterizes the essence of friendship. “The room of the rape” is a passionate representation of the suffering rape victims experience. Vivid descriptions, rich symbolism, and candid expressions paint a shocking portrait of victory over the gripping fear that consumes the soul after a painful exploitation.
Dusty Dog Reviews (on Without You): She open with a poem of her own devising, which has that wintry atmosphere demonstrated in the movie version of Boris Pasternak’s Doctor Zhivago. The atmosphere of wintry white and cold, gloriously murderous cold, stark raging cold, numbing and brutalizing cold, appears almost as a character who announces to his audience, “Wisdom occurs only after a laboriously magnificent disappointment.” Alas, that our Dusty Dog for mat cannot do justice to Ms. Kuypers’ very personal layering of her poem across the page. Debra Purdy Kong, writer, British Columbia, Canada (on Children, Churches and Daddies): I like the magazine a lot. I like the spacious lay-out and the different coloured pages and the variety of writer’s styles. Too many literary magazines read as if everyone graduated from the same course. We need to collect more voices like these and send them everywhere.
Fithian Press, Santa Barbara, CA: Indeed, there’s a healthy balance here between wit and dark vision, romance and reality, just as there’s a good balance between words and graphics. The work shows brave self-exploration, and serves as a reminder of mortality and the fragile beauty of friendship.
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