Dusty Dog Reviews
The whole project is hip, anti-academic, the poetry of reluctant grown-ups, picking noses in church. An enjoyable romp! Though also serious.

Nick DiSpoldo, Small Press Review (on Children, Churches and Daddies, April 1997)
Children, Churches and Daddies is eclectic, alive and is as contemporary as tomorrow’s news.

cc&d                   cc&d

Kenneth DiMaggio (on cc&d, April 2011)
CC&D continues to have an edge with intelligence. It seems like a lot of poetry and small press publications are getting more conservative or just playing it too academically safe. Once in awhile I come across a self-advertized journal on the edge, but the problem is that some of the work just tries to shock you for the hell of it, and only ends up embarrassing you the reader. CC&D has a nice balance; [the] publication takes risks, but can thankfully take them without the juvenile attempt to shock.


Volume 224, September 2011

Children, Churches and Daddies (cc&d)
The Unreligious, Non-Family-Oriented Literary and Art Magazine
Internet ISSN 1555-1555, print ISSN 1068-5154

cc&d magazine












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Autumn Again
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cc&d

poetry

the passionate stuff





Trying to find my picture on the wall,

Fritz Hamilton

Trying to find my picture on the wall/ discovering
a plain wood frame & only blackness in it, which
is my soul/

I admire it/ it’s
the Oversoul, which
of course is dead/ I
start to revive it, but

it’s better off that way/ it
doesn’t have to be bored to death or
starved or be racked by disease or be all alone, like

he used to be/ he
can be mercifully dead &
unaware of his lovelessness/ his
nothingness, with

his nostrils filled with the rotting
soul of the God he murdered when
finding all the contradictions in the Bible that
reduce the Word to nonsense/ better

dead than accept your suffering comes to
naught & you’re
the King of Nonsense with

no meaning to the struggle/ I
desperately rip the blackness from my
frame & replace it with beautiful

me eating a sausage, but
when other viewers come to admire
the sausage & think I’m

less than beans, I
run away with the bread &
apple juice/ all

the way to a cave at the
top of the mountain, but
when I start to eat, Zarathustra

charges out of the cave dressed like
Superman, & as mad Nietzsge screams. he
flies off to the treetop &

devours my bread &
drinks my juice ...

!












Portrait of the Artist’s Good Fortune, art by Aaron Wilder

Portrait of the Artist’s Good Fortune, art by Aaron Wilder












Walking through the holy muck

Fritz Hamilton

Walking through the holy muck,
stomping the corpses further into their
destiny/ they’re not only dead but
starving & indigent/ the Tea Party cuts

all their government aid along with the
rest of the government until the government
is so small it’s nonexistent, &
Sarah Palin becomes president giving

it an IQ of 2-1/2 with a pretty face & a
racist daughter who dances clumsily
into the limejuice & another shot at
the moose for her mother’s

stew/ 1/3rd of the newly elected
Republicans to Congress are Tea Partiers,
eating American bones in the stew &
stirring it with the bones of

the nation ...

!












art from Brian Hosey and Lauren Braden

art from Brian Hosey and Lauren Braden












Autumn Again

Mel Waldman

Autumn again,
lacerated leaves
fly
in
and
through
my flimsy face.
I’m
wafting
down
from
the
Heavens,
trying to find my way home,
a place
forever
forbidden,
a place unfit for the
dead.





BIO

Mel Waldman, Ph. D.

    Dr. Mel Waldman is a licensed New York State psychologist and a candidate in Psychoanalysis at the Center for Modern Psychoanalytic Studies (CMPS). He is also a poet, writer, artist, and singer/songwriter. After 9/11, he wrote 4 songs, including “Our Song,” which addresses the tragedy. His stories have appeared in numerous literary reviews and commercial magazines including HAPPY, SWEET ANNIE PRESS, CHILDREN, CHURCHES AND DADDIES and DOWN IN THE DIRT (SCARS PUBLICATIONS), NEW THOUGHT JOURNAL, THE BROOKLYN LITERARY REVIEW, HARDBOILED, HARDBOILED DETECTIVE, DETECTIVE STORY MAGAZINE, ESPIONAGE, and THE SAINT. He is a past winner of the literary GRADIVA AWARD in Psychoanalysis and was nominated for a PUSHCART PRIZE in literature. Periodically, he has given poetry and prose readings and has appeared on national T.V. and cable T.V. He is a member of Mystery Writers of America, Private Eye Writers of America, American Mensa, Ltd., and the American Psychological Association. He is currently working on a mystery novel inspired by Freud’s case studies. Who Killed the Heartbreak Kid?, a mystery novel, was published by iUniverse in February 2006. It can be purchased at www.iuniverse.com/bookstore/, www.bn.com, at /www.amazon.com, and other online bookstores or through local bookstores. Recently, some of his poems have appeared online in THE JERUSALEM POST. Dark Soul of the Millennium, a collection of plays and poetry, was published by World Audience, Inc. in January 2007. It can be purchased at www.worldaudience.org, www.bn.com, at /www.amazon.com, and other online bookstores or through local bookstores. A 7-volume short story collection was published by World Audience, Inc. in June 2007 and can also be purchased online at the above-mentioned sites.












Getting Old But Not Changing

Dan Fitzgerald

Smiled at the young girl
in the check-out line.
She smiled back,
calling me “sir”.
Mowed the lawn in record time-
one hour fifteen,
had my zipper down the whole time.
Sucked my gut in while staring in a mirror,
damn thing still hung over my belt.
Saw the wife passing by the bedroom door,
jumped her before we made it to the bed.
Some things never change.












Denise’s Prerogative

Lawrence Gladeview

denise pulled in to her
parking space lackadaisically
with a neighborly wave
and holler extended in my direction

her three boys burst out
of the minivan, hello mr. lawrence!
the oldest is six, and the
younger twins are three

denise’s husband left about
a year ago; on weekdays it’s
the community pool, weekends
are playgroups and church

but lately denise has had a new
lady companion spending the night,
lending a hand with the boys and
occupying the vacant front stoop

the bubbly brood heads inside while
across the cul-de-sac the retired
midshipmen hems and haws
under his proud stars and bars

on my front step
i take a swig of beer and
toast to whimsical autonomy.





Lawrence Gladeview Bio

    In 1983, Lawrence Gladeview was born to two proud and semi-doting parents. After two middle schools and losing his faith in catholic high school, he graduated from James Madison University, majoring in English and having spent only one night in jail. He is a Boulder, Colorado poet cohabiting with his fiance Rebecca Barkley. Lawrence is one of two editors for MediaVirus Magazine, and more than sixty of his poems have been featured, or are forthcoming in various print and online publications. You can read more of his poetry on his website, Righteous Rightings.












art by George Coston

art by George Coston












Old Jack

Roger Cowin

Old Jack the Ripper did quite a number
On the unfortunate ladies of East London,
Splitting them open and spilling their innards
With all the delicacy of a jackknife butcher,
Spreading terror throughout White Chapel,
A legacy that every serious serial killer
Has sought to emulate.
Theories abound as to the whys and what ifs
Of his brief, bloody reign –
Suffice to say no one knows who the butcher was
Or the reason he decided to carve up prostitutes
Like Halloween pumpkins.
But the reason behind should be
Perfectly conceivable to any man
Who has spent hours holding his wife or girlfriend’s
Purse as she oohed and aahed over the latest fashions,
Spending hours trying on every shoe and handbag
In the entire damn store.












Second Bloom

Stephanie Kaylor

My mother
sits in the floral print chair,
tattered and stained, and says
“I am oppressed.”

Her eyes
gaze at nothing I can see
as she reaches behind the thick
glass lenses to wipe away tears.

She never learned
how to drive, trapped by the emptiness
of her eyes, but she would take my hand

and walk through
the streets of modernity, every
footstep an anachronism, until

we would arrive
at the labyrinth of a park, and
I always swung the highest when

she stood behind
and gave me a push, intoxicated
as if she felt the air herself.

Now she sits
alone at night, feeling empty with
no child to melt into her arms

and I wonder
if my body giving fruit to these
memories is but a part of my role

as her daughter
pushing her past out of my womb
and freeing her from the fear that

her life
has become barren, each of the eggs
she once laid hidden in a nest

she cannot quite see,
but in the rose garden I would breathe
in the collective perfume while

she told me
of their different names and breeds,
of how if you look closely at the bees

you can tell
which types won’t sting apart
from those that live to make us honey.












Slinky Woman, art by Edward Michael O’Durr Supranowicz

Slinky Woman, art by Edward Michael O’Durr Supranowicz












Wayne & Roberts

Kelley Jean White MD

A young man
who worked a year or two ago
as security guard at my children’s school
was shot dead in his car at Wayne Junction today

A young man
whose grandmother is nursing supervisor
at my clinic
was found bent over the steering wheel

A young man
whose brother is in high school
owed someone $90 dollars
and is now dead

A young man
whose father likes his liquor
whose children are my patients
whose wife is studying for her GED

One young man
Six young men
What hope?

How many funerals this week?












Osama Bin Laden Wants to
Friend Me on Facebook

Nathan Riggs

I swear: I’m not as extreme as I seem.
I’m not even a hardcore communist anymore;
the Soviet posters on my walls
that all seem to say snitches get stitches,
in Cyrillic letters that I can no longer read,
are merely historical reminders of myself.
Yes, the Russian men and women
all hush one another somberly, point guns—
but it’s supposed to be ironic, friend.

I settled down and stepped back
and chose to live a secret American life
after the Patriot Act passed
and my mail would arrive
already opened at my door
(thanks to your merry men)

My carbon footprint creates caverns for you
in my wake, and now I pay my bills on time,
eat meat, celebrate Thanksgiving.
I only feel slightly foolish these days
when I admit to myself that I have crushes.
I even broke down and voted.

I’m just not the revolutionary I used to be;
but yes, I still believe the bourgeoisie should pay
for this infectious fetishism of commodities.
The specter of Marx grins every time I glimpse
at myself in the security mirrors at Walmart
as I choose between Ramen noodle brands,
and I still dream, sometimes, of the day
when the working class will rise again
and wave that red flag high;
but then we still won’t be friends,
because we’ll all be forced, Osama,
to call each other comrade.












Espresso.

Matthew Roberts

The most bitter, delicious espresso
I’ve ever tasted is on the table
in front of me, with it’s shoulder lent
up against the sugar bowl, resting

on one leg. I lean back in my
chair, and we give each other a
knowing smile. He wears a cream
coloured 3 piece suit and Gucci

sunglasses. He beckons me over for
another sip and whispers in my ear,
‘The girls in Roma, oi!’ and gives
two or three deserving Italian gestures,

that infer beauty and youthful curves.
shooting back the rest of what he has to
give me, I put my coat on, look down
and say, ‘I’ll be there
soon.’ I pay, then leave.












Teapots and Trays, art by the HA!man of South Africa

Teapots and Trays, art by the HA!man of South Africa












Epithet

Kyrsten Bean

I want to crash into you so hard
that you become the essence of me,
and I you

No one ever reads my poetry
No one ever hears the words

I want to become the epithet
on your grave

I want to live in
spite of you

I want to breathe you out
and come up with

nothing





Kyrsten Bean Bio

    A poet, musician and writer, Kyrsten had been stacking piles of poetry in her living spaces for 29 years. At some point she decided that her words were lonely – they were suffocating stacked three feet high in old notebooks. She is on a crusade to find a home for her homeless compositions of words, and spends all of her free time searching for havens. She lingers outside the fringe, trying at times to get a real job, only to throw in the towel again and go back to creating.







 graves at Arlington Bational Cemetery, 10/23/03  graves at Arlington Bational Cemetery, 10/23/03










A Talent for Black Comedy

Copyright R. N. Taber 2011

I hear a horn,
the baying of hounds,
thundering hooves,
need to run and hide
if only I can

Closing in on me,
horn, hounds, hooves;
scarier still,
a stench of humans
laughing

I need to pause
but the only rest for me
will last forever
once Laughter catches
up with me

My legs fail,
drag me to a sanctuary
of friendly bushes,
but the frothing pack
sniffs me out

The lead hound
pauses, poised to leap
for my throat,
now strikes, and all
I hear is laughter
















cc&d

performance art

“letting it all out”

03/05/11 Lake Villa IL “Swing State” Janet Kuypers poetry/music/video show
















communication ‘05

Janet Kuypers

 

I

now that we have the information superhighway
we can throw out into the open
our screams
our cries for help
so much faster than we could before

our pleas become computer blips
tiny bits of energy
travelling through razor thin wires
travelling through space

to be left for someone to decipher
when they find the time

 

II

once I my messages out of voice mail:
mike left me his pager number
and told me to contact him with some information
steve told me to call him at the office
between ten thirty and noon
lori told me to check my email
because she sent me a message i had to read

so i first returned steve’s phone call
but he wasn’t in, so i left a message with a coworker
and then i dialed the number for mike’s pager
listened to a beep, then dialed in my own phone number
then i got online, checked my email
read a note from ben, emptied out the junk mail

realizing i didn’t actually get a hold of anybody
i tried to call my friend sheri
but i got her answering machine
so i said,
“hi - it’s me, janet -
haven’t talked to you in a while - ”
at which point i realized
there was nothing left to say -
“so,
give me a call, we should really
get together and talk”

 

III

i checked my email address book recently,
and the people i email the most
are the people that live in the same city
as me, all of whom i know the phone
numbers of, all of whom are only a local call away.
in fact, one of my friends lives a block-
and-a-half away from me,
on the same street as me, but
i still email her as much as i call her,
even though i could just walk over to her house
and have an actual conversation with her.

 

IV

now that we have the information superhighway
we can throw out into the open
our screams
our cries for help
so much faster than we could before

but what if we don’t want to communicate
or forget how
too busy leaving messages, voice mails,
emails, pager numbers
forgetting to call back

what if we forget
how to communicate

 

V

I once explained to Dave
how I lost touch with my friend Aaron:
“You see, when we email each other,
we just hit ‘reply.’
Aaron sent me an email, and
it had a question at the end,
so i hit ‘reply’ and sent a response,
with another question at the end of my letter.
we kept having to answer questions for each other,
and so we just kept replying to each other.
well, once i got an email
from him with no question at the end,
and so i didn’t have to send him a response.
so i didn’t. and we never thought
to start a new email to each other.
so we just lost touch.”

and then it occurred to me, how difficult it had become
to type an extra line of text, to type in his email address,
because that’s why i lost touch with him

and then it occurred to me, no matter how many different
forms of communication we have,
we’ll still find a way
to lose touch with each other

 

VI

i got a program for my computer

it’s a phone book program,
and it sorts people by name or company,
lists their phone number,
and has a complete file for them
where you can store their birthday,
their address, past addresses and phone numbers,
faxes, email addresses, there’s room for
any information you want to store about them

and i love this program, i’ve created a file
with all the phone numbers i’ve ever needed,
i always add information to this file,
i keep a copy of it on my computer at home,
i kept it on my computer at work, on my laptop,
i archive it to dvd every week
and put a back-up copy on my storage hard drive,
i’ve copied it to zip disks, when it was small enough
i even on a floppy disk, in case there was a fire at
work and my hard drive at home crashes

but it always seems
that every time i desperately need
a phone number
i’m nowhere near any computer

 

VII

now that we have the information superhighway
we can throw out into the open
our screams
our cries for help
so much faster than we could before

people want to instant message
people buy their name as a domain name
people get e-mail accounts
people set up web pages

and you know, I got a cell phone
I’ve got a land line
but my phone isn’t ringing off the hook

it’s like I’ve gone fishing,
sat on the boat in the lake,
put out the bait

and no one’s biting

 

VIII

i wanted to get in touch
with an old friend of mine from high school,
vince, and the last i heard was that he was off
at university, and that was years ago,
he could be anywhere.
i talked to a friend or two that
knew him, but they lost touch with him, too.
so i searched on the internet, to see
if his name was on a website or if he had
an email address. as far as I could tell, he didn’t.
so i figured i probably wouldn’t find him.
and all this time, i knew his parents lived
in the same house they always did, i could just
look up his parent’s phone number
in the phone book,
and call them, say i’m an old high school friend
of vince’s, but i never did.
and then i realized why.

you see, i could search the internet for hours
and no one would know
that i was looking for someone.
but now, with a single phone call,
i’d make it known to his entire family
that i wanted to see him enough to call,
after all these years. and i didn’t want
him to know that. so i never called.

 

VII

now that we have the information superhighway
we can throw out into the open
our screams
our cries for help
so much faster than we could before

but then the question begs itself:
who
is there
to listen












Burn It In

Janet Kuypers

Once I was at a beach
off the west coast of Florida
it was New Year’s eve
and the yellow moon hung over the gulf
like a swaying lantern.
And I was watching the waves crash in front of me
with a friend
and the wind picked up
and my friend just stared at that moon for a while
and then closed his eyes.
I asked him what he was thinking.
He said, “I wanted to look at this scene,
and memorize it, burn it into my brain,
record it in my mind, so I can call it up when I want to.
So I can have it with me always.”

I too have my recorders.
I burn these things into my brain,
I burn these things onto pages.
I pick and choose what needs to be said,
what needs to be remembered.

Every year, at the end of the year
I used to write in a journal
recall the things that happened to me
log in all of the memories I needed to keep
because that was what kept me sane
that was what kept me alive.

When I first went to college
I was studying to be a computer science
engineer, I wanted to make a lot of money
I wanted to beat everyone else
because burned in my brain were the taunts
of kids who were in cliques
so others could do the thinking for them
because burned in my brain were the evenings
of the high school dances I never went to
because burned in my brain were the people
I knew I was better than
who thought they were better than me.
Well, yes, I wanted to make a lot of money
I wanted to beat everyone else
but I hated what I was doing
I hated what I saw around me
hated all the pain people put each other through
and all of these memories just kept flooding me
so in my spare time
to keep me sane, to keep me alive
I wrote down the things I could not say
that was how I recorded things.

When I looked around me, and saw friends
raping my friends
I wrote, I burned into these nightmares with a pen
and yes, I have this recorded
I have all of this recorded.

What did you think I was doing
when I was stuffing hand-written notes into my pockets
or typing long hours into the night?
In college, I had two roommates
who in their spare time would watch movies in our living room
and cross-stitch. I never understood this.
In my spare time, I was not watching other’s stories
or weaving thread to keep my hands busy
I was sitting in the corner of a cafe
scribbling into my notebook.
I was sitting in the university computer lab
slamming my hands, my fingers against the keyboard
because there were too many atrocities in the world
too many injustices that I had witnessed
too many people who had wronged me

and I had a lot of work to do.
There had to be a record of what you’ve done.

Did you think your crimes would go unpunished?
And did you think that you could come back, years later,
slap me on the back with a friendly hello
and think I wouldn’t remember?
You see, that’s what I have my poems for
so there will always be a record
of what you have done
I have defiled many pages
in your honor, you who swung
your battle ax high above your head
and thought no one would remember in the end.
Well, I made a point to remember.
Yes, I have defiled many pages
and have you defiled many women?
You, the man who rapes my friends?
You, the man who rapes my sisters?
You, the man who rapes me?
Is this what makes you a strong man?

you want to know why I do the things I do

I had to record these things
that is what kept me together
when people were dying
that is what kept me together
when my friends went off to war
that is what kept me together
when my friends were raped
and left for dead
that is what kept me together
when no one bothered to notice this
or change this
or care about this
these recordings kept me together

I need to record these things
to remind myself
of where I came from
I need to record these things
to remind myself
that there are things to value
and things to hate
I need to record these things
to remind myself
that there are things worth fighting for
worth dying for
I need to record these things
to remind myself
that I am alive












being god

Janet Kuypers

I’m tired of dying for your sins
over and over again and why is it that
I am the one that’s doing the dying
when you are the one that’s doing the sinning
I don’t think you’re learning your lesson

I’m tired of taking this knife to my hands
over and over again giving myself the stigmata
the blood gets all over my clothes
and I can never get the stains out
and for what, for you to see how I suffer

I’m tired of being humble when I’m
supposed to be the one with the power
over and over again I become your servant
and never are you bowing to me
I don’t even get a thank you

I’m tired of preaching to the converted
when the converted aren’t even really listening
they’re snoring in the back rows while I
deliver my sermon and there’s not even air
conditioning in here and I’m sweating

I’m tired of coming to you and healing the sick
taking away the problems, over and over again
giving you something to look forward to
and all I have is an eternity of waiting for
someone to take my place and tend to my wounds

I’m tired of giving the earth up to you
watching the devil’s work be done, and you know,
he’s just sitting down there looking at me
and laughing, over and over again because it’s
so easy for him when he doesn’t have to work

I’m tired of being your salvation
over and over again you turn to me
and I have no one to turn to but myself
it’s a bitch, you know, being your own god
since no one can save me from me

I’m tired of being your teacher, handing you
what you need on a silver platter and waiting
for that damn collection plate and someone
is always stealing out of it from the back row
I know who you are, you who leave me nothing

I’m tired of wearing this crown of thorns
over and over again the needles prick my skin
and even gods bleed, at least this one does
and when I ask you to wipe the blood
out of my eyes, well, I can’t see you anywhere

I’m tired of being something for everybody
when everyone is nothing for me
maybe the devil has the right idea, you know
maybe I’ll sit back and wait for you miss me
as you wonder who’s your messiah now












Death takes many forms.

Janet Kuypers

It is winter now.
The trees have lost their leaves;
the city is covered in a thin layer of soot and snow.
The grass is dead.
In the sunless sky black birds circle overhead
searching for prey.
An eerie cold settles over everything.
Nothing is growing anymore.

Death takes many forms.
For you, death first came when you were five years old
and your mother had to give you three shots of insulin a day
until you could take a needle to yourself.
Did it hurt to push that needle into your arm, the first time?
Or did it hurt you more to know you had no choice?

Death takes many forms.
Death can be someone telling you without trying
that they are losing their sight.
Behind coke-bottle glasses you would see me and say,
“That’s a nice black suit you’re wearing.”
And I would tell you, “It’s green.”
And you wouldn’t believe me.
You wouldn’t hear the howling wind of the changing seasons.

Death takes many forms.
I know what follows the autumn wind.
It is winter now.
Do you remember when it happened?
The changes are subtle, the temperature drops,
first only slightly. It’s almost imperceptible.
Only when the first snow falls do you realize
where the seasons have gone.

Death takes many forms.
Death can be a sweat-soaked shirt, the shakes, dizziness
when you needed food.
You would look as pale as a ghost
as I would hold your cold wet arm and steady you.
Quick, some sugar will make everything better.
Isn’t everything better yet?

Death takes many forms.
The signs of death can come
when you lose your circulation.
“My feet are numb, Janet,” you’d say.
“I can’t feel my feet anymore.”
And I would rub your feet for you,
and you would say it makes a difference,
you feel better.

If only I could do this forever.

Death takes many forms.
I said good bye to you to travel my own road
but I didn’t think it was the last good bye.
How was I to know?

When I left, I knew you didn’t want me to go.
And now it’s my turn.

Why are we always saying good bye to each other?

Are you trying to teach me a lesson?
Because if you are, well,
I’ve learned it. Trust me, I have.
You can come back now.

Death takes many forms.
And now, now it seems
you’ve taken me down with you
you’ve taken me into that casket with you
and I’m running my hand along your jacket lapel
and I can feel the coldness of winter all around me
and I can hear them shoveling the dirt over my head
and I want to get out
and I want to take you with me.

Death takes many forms.
Death can be that hole you left,
you know, right over here, just a little to the left.
I keep wondering when the pain will go away.
When will everything be better.

You once showed me that winter could be beautiful.
Instead of the dark and dirty snow lacing the city streets
you showed me a quieting snowfall,
over a lake at your parent’s back yard
glistening in an untouched whiteness.
I told you I hated winters
and you told me, “This you don’t hate.”

Well, I’m still learning.

It is winter now.
And death takes many forms.
The seasons change for you and I.
It is snowing. And something is ending.
It is snowing. Somewhere
it is snowing.












everything was alive and dying

Janet Kuypers

I

I had a dream the other night
I walked out of the city
to a forest
and there were neatly paved bicycle paths
and trash cans every fifty feet
and trash every ten

and then a raccoon came right up to me
she had a few little baby raccoons
following her, it was so cute, I
wish I had my camera

and she spoke to me,
she said, thank you
thank you for not buying furs,
I know you humans are pretty smart,
you have to be able to figure out a way
to keep yourselves warm
without killing me

and I said, you know they don’t
do it for warmth,
they do it for fashion, they do it
for power. And she said I know.
But thank you anyway.


II

Then I walked a little further
and there was a stray cat
she still had her little neon collar on
with a little bell
and she walked a few feet,
stretched her front paws,
oh, she looked so darling
and then she walked right up to me
and she said thank you
and I said for what?
And she just looked at me for a moment,
her little ears were standing straight up,
and then she said, you know,
in some countries I’m considered
a delicacy. And I said how
do you know of these things?
And she said
when somebody eats one of you
word gets around
and then she looked up at me again
and said, and in some countries
the cow is sacred. Wouldn’t they
love to see how you humans
prepare them for slaughter, how you
hang them upside-down
and slit their throats
so their still beating hearts
will drain out all the blood for you
and she said isn’t it funny
how arbitrary your decision
to eat meat is?
and I said, don’t put me
in that category, I don’t eat meat
and she said I know


III

And I walked deeper in to the forest
managed to get away from the
picnic tables and the outhouses
that lined the forest edges
the roaring cars gave way to the
rustling of tree branches
crackling of fallen leaves
under my step

when the wind tunneled through
the wind whistled and sang
as it flew past the bark

and leaves

I walked
listened to the crack of dead branches
under my feet
and I felt a branch against my shoulder
I looked up and I could hear
the trees speak to me,
and they said
thank you for letting the
endangered animals live here amongst us
we do think they’re so pretty
and it would be a shame to see them go
and thank you for recycling paper
because you’re saving us
for just a little while longer

we’ve been on this planet for so long
embedded in the earth
we do have souls, you know
you can hear it in our songs
we cling with our roots
we don’t want to let go

and I said, but I don’t do much,
I don’t do enough
and they said we know
but we’ll take what we can get


IV

and I woke up in a sweat


V

so tell me, Bob Dole
so tell me, Newt Gingrich
so tell me, Pat Bucannan
so tell me, Jesse Helms
if you woke up from that dream
would you be in a sweat, too?


VI

Do you even know why
we should save the rain forest?
Oh preserve the delicate balance,
just tear the whole forest down,
what difference does it make?
Put in some orange groves
so our concentrate orange juice
can be a little cheaper

did you know that medical researchers
have a very, very hard time
trying to come up with synthetic
cures for diseases on their own?
It helps them out a little if they can first
find the substance in nature.
A tree that appears in the rain forest
may be the only one of its species.
Or one like it may be two miles away,
instead of right next to it. I wonder
how many cures we’ve destroyed
to plant more orange groves.
Serves us right.


VII

You know my motives aren’t selfless
I know that these things are worthwhile in my life

I’d like to find a cure to these diseases
before I die of them
and I’m not just a vegetarian
because I think it’s wrong to kill an animal
unless I have to
I also know the excess protein
pulls the calcium away from my bones
and gives me osteoporosis
and the excess fat gives me heart attacks
and I also know that we could be feeding
ten times more people
with the same resources used for meat production

You know, I know you’re looking at me
and calling me an extremist
but I’m sitting here, looking around me
looking at the destruction caused by family values
and thinking the right, moral, non-violent decisions
are also those extreme ones


VIII

everything is linked here
we destroy our animals
so we can be wasteful and violent
we destroy our plants
we destroy our earth
we’re even destroying our air
we wreak havoc on the soil, on the atmosphere
we dump our wastes into our lakes
we pump aerosol cans and exhaust pipes

and you tell me I’m extreme

and these animals and forests keep calling out to me
the oceans, the wind

and I’m beginning to think
that we just keep doing it
because we don’t know how to stop
and deep inside we feel the pain of
all that we’ve killed
and we try to control it by
popping a chemical-filled pain-killer

we live through the guilt
by taking caffeine, nicotine, morphine
and we keep ourselves thin with saccharin
and we keep ourselves sane with our alcohol poisoning
and when that’s not enough
maybe a line of coke

maybe shoot ourselves in the head
in front of the mirror in the master bedroom
or maybe just take some pills
walk into the garage, turn on the car
and just
fall asleep

in the wild
you have no power over anyone else

now that we’re civilized
we create our own wild

maybe when we have all this power
the only choice we have
is to destroy ourselves

and so we do












True Happiness
in the New Millennium

Janet Kuypers

Sometimes it seems the more I ask for the less I receive
The only true freedom is freedom from the heart’s desires
And the only true happiness this way lies”
                                                                      - Matt Johnson

I’m here to usher in a whole new millennium
I’m the new savior      the savior of science
    the savior of strength      the savior of survival
    survival of the fittest      survival of the best
and I’m here to tell you we’re starting anew
so fasten your seat belts      hang on to your hats
place your seat trays in their upright and locked position
for it’s a bumpy ride, and I’ll tell you why

I’m here to usher in a whole new millennium
the millennium of reason and logic and strength
and I don’t want to hear about your self-destruction
I don’t want to hear your whining, psychosis,
your depression, suicide, alcohol and drugs
and just what made you think that playing with needles
and escape would make things better somehow
    God, I’ve always hated needles anyway
        what is it with you people

well, you need a leader and I’m stepping up to the plate
you keep asking for a big brother and I’m here to set you straight
you want someone to wipe your noses for you
well, pick up the damn tissue and do it yourself
because when you give up your rights, you take away mine
and we’re not having any of that

I’m here to usher in a whole new millennium
and you say to me you need crystal meth
    so you can stay awake through work
and you say to me that you don’t need to drink,
    that you just like the taste
and you say to me that with all your escapism
    you still don’t feel any better
and you say to me that sometimes suicide
    is the only answer

I’m here to usher in a whole new millennium
I’m here to usher in a whole new generation
so stop asking for things and start working for things
because X is for ecstacy as long as it’s fast
and X is for extra but there’s always a cost
and ecstacy doesn’t come without extra work
no matter how many corners you cut
and you know, X is for X-Ray and I see right through that

they say that Eve ate from the tree from knowledge
but you know, she shouldn’t have stopped just then
cause the loggers are raping the trees of knowledge
the loggers are raping the forests of talent
the forests of ability      the forests of reason
of skill        of logic        perseverance        and life
we’re letting them rape the forests of excellence
and you know it’s now time to take it all back
because I’m here to usher in a whole new millennium
and I’m here to tell you how it’s going to be done

you’re looking for peace in all the wrong places
you’re asking your leaders to save you from yourself
but your leaders are losers and they’re worse off than you

I’m here to usher in a whole new millennium
where it’s time to take charge and it’s time fess up
only you can deliver you from your own sins
but first you must know what sin really is

it’s time to make choices and it’s time to lay claim
to everything we’ve been blindly giving away
because I’m here to usher in a whole new millennium
take charge of yourself, and I’ll take charge of me
I’m my leader, not yours, so wipe your own noses

take it in to your hands, people, mold your own tools
this is the new millennium, and this is your chance
because no one should be showing us how to fail
people mastered that feat a millennia ago
so set your own rules and do something fast
cause it’s time to take charge and it’s time to be alive

I’m here to usher in a whole new millennium
And I’m waiting for you to usher in yours
Because true happiness this way lies, my friend
and I won’t wait long if you lag behind
cause I’m setting my rules so step out of my way

I’m here to tell you there’s a new sensation
and I’m here to tell you there’s a new salvation
and that true happiness this way lies












I’m not sick but I’m not well

Janet Kuypers

I’m not sick but I’m not well
and I’m sure there’s something I can do about this
I’ve popped the aspirin
       the tylenol
       the ibuprofen
       the codine
       the prozac
       the sleeping pills
and that thermometer is down my throat
and I’m gagging

I’m not sick but I’m not well
the doctors find nothing wrong with me
and believe me, they’ve taken the x-rays
they’ve striped me down
and made me wear one of those awful paper robes
and they’ve felt me up
and checked me out
and found what they were looking for
but didn’t find anything I was looking for

I’m not sick but I’m not well
and I can’t help but think
that everything I’m doing to make things better
might only be making things worse
so I don’t want to listen to what
you have to say anymore
and I want this IV out of my arm
and I want this oxygen tube out from my nose
and I want this suppository out of my ass
and I want you to get that scalpel away from me
because I want everything I’ve got

I’m not sick but I’m not well
and they want me if they can keep me in line
and they want me if they can cut me open
       and take out my insides
       and suck out the fat
       and suck out the life
       and make me generic
       and make me dependent
       make me unreal
       make me not whole
and i’ve walked that line with all you doctors
and I want all my parts back
and I want to be healthy

no, I’m not sick and maybe I’m not well
but you’re only making me worse
I don’t have the answers but neither do you
so instead of tearing me apart
       and dissecting me
       and studying the bones
let me just stay together for a while
until I figure it all out
















cc&d

prose

the meat and potatoes stuff
















the Luncheon

Anne Turner Taub

    It was a lovely, little ladies tearoom in which everything was conducive to good conversation—tiny, round tables with fresh flowers, lace-edged napkins, pink tablecloths, and a menu that consisted primarily of green salad and pink yogurt. The waitresses wore green uniforms and pink heart-shaped aprons, with matching pink hair bows.
    The patrons tended to be elderly ladies although occasionally the head of a male relative would surface like a buoy in the sea of white hair. The lady customers would look at the whirling young dynamos that served them and try not to think the thoughts they were thinking. Some of them would be curt when a young thing came up. Others would take on a motherly role, accepting the inevitable. They had their own thoughts as they watched the waitresses—wearing their youth as they wore their uniforms—pinkly, carelessly, and freshly laundered—dashing around trying to keep up with the myriads of hesitant but urgent “When you have time, dear, would you...” And the yearnings of the old ladies would be buried so deep that they never knew they were there. They would think it was hunger and wonder “why doesn’t she come over.”
    The waitresses, on the other hand, saw the customers only as objects to be fed as quickly as possible and forgotten equally as quickly. They knew they had the god-given gift of years before they could “ever be like that.”
    Martha and Emily Wells were two sisters both advanced in age, although Emily was quite a bit older. Martha looked at her sister wistfully. Emily had been so beautiful and talented. Now she was gaunt and haggard with the last-stage ravages of cancer. Martha carefully folded Emily’s walker out of the way by the table, then sighed, her heart full of tears. Emily had lost all her hair because of chemotherapy treatments and was now a frail reminder of the beauty she had once been. Not only had she been beautiful; she had been a fashion designer and had worked with the best couturiers in the field. Her vanity had not died with the onset of cancer. She had designed magnificent scarves to cover her bald head and she wore fine leather gloves in pastel shades to cover her thin arms and hands. Jewels that looked as though they had mysterious and romantic histories covered her neck and ears. Even today her name stirred memories of pleasure and admiration among those in the business.
    In time the waitress, whose name tag identified her as Mary Lou and who had yet to see the dark side of 21, came and took Martha’s order. Then looking at Emily, she asked Martha, “What is she having?”
    “I really don’t know. Why don’t you ask her?”
    “Now, dear,” the waitress addressed Emily in a voice so loud that several customers turned and looked their way.
    “You don’t have to raise your voice,” said Martha. “She has very good hearing. In fact, it’s better than mine.”
    “Well, young lady,” the waitress asked in the syrupy drawl one often hears addressed to children, “what are we having for lunch today?”
    “Caesar salad, I think,” said Emily.
    “That’s hard to chew, dear, how about some nice soup?”
    Silence.
    “Are you sure she hears me?” she asked Martha.
    “She does. Perhaps she just wants her Caesar salad.”
    The waitress shrugged and was about to take the menu from Emily’s hand when she noticed the ring on her finger.
    “How do you like that!” she exclaimed. “My mother has the same ring.” The ring was constructed of a fire opal in the center of lapis lazuli petals with one gold leaf.
    Emily said nothing.
    “There were only five of them made,” the waitress continued. “My mother bought it in Greenwich Village. The artist was very famous and only made five because her four-year-old daughter died in a traffic accident the day she made the last one, and she swore she would never make another ring.”
    She looked at Emily’s impassive face. ”Do you have any idea how valuable that ring is today? It’s considered a collector’s item.”
    Again, Emily did not respond. “I guess you don’t,” said the waitress as she walked away, shrugging her shoulders and shaking her head.
    Martha turned to her sister in puzzlement. “Why didn’t you tell her you were the artist that designed and created that ring?”
    Emily paused a moment, then said wryly, “I don’t know. I guess it’s because I’m not deaf and I’m not demented. Or maybe it’s because I am neither and don’t like being treated as if I am.”
    Martha smiled to herself. No amount of age or illness would ever take away her sister’s insight and sensitivity.
    A week later the two sisters came back to the restaurant for their weekly luncheon. Just as a waitress with the name tag Betty approached their table, Mary Lou dashed over to the other waitress, talked to her, and stood there to take their orders. Then she looked at Emily and said, “Pardon me, but my mother wanted to know if you are Emily Martin, the fashion designer.”
    “Yes,” said Emily cautiously, “I am.”
    “My mother was sure of it. When I told her about the ring and the scarves you wear, she got very excited. She remembers you from all those years ago. She said not only does she still have your ring, but she still has her original Emily dress, and the Emily ring, which she bought when she had a big win in Atlantic City. She loves that dress—she still wears it. She loves it because she says it never goes out of style—not like classic shirtwaists which wear forever and you get sick and tired of them but they cost too much to throw away.”
    “What does the dress look like?” asked Emily.
    “It’s a cocktail dress; I think the color is called robin’s egg blue.”
    “Does it have a cowl neckline with two sapphire clips?”
    “Yes, that’s right. It does.”
    “That model was the Belle Dame creation. They featured it in Vogue magazine that year for the fall fashions.”
    “Wow! Wait till I tell my mother!”
    “Well,” said Emily, “tell your mother how pleased I am that she likes my work.”
    Martha sat there quietly smiling as this went on. She will never call her a young lady again, she thought.
    After lunch and as they were leaving, Mary Lou looked at Emily and said “Could I ask you a favor, Mrs. Martin?”
    “Of course, if I can help you, I will.”
    “Would you mind autographing a menu for my mother; she would be so thrilled.”
    As Emily bent to write it, Mary Lou grinned. “My mother will never believe she got a real Emily Martin autograph.”
    Emily looked at the young girl a moment, paused, then dug into her pocket and took out a handkerchief. “This is one of my original Emily handkerchiefs, with my initials embroidered in the corner. Do you think your mother would like it?”
    “Oh, would she! Thank you. Thank you.” She was almost crying.
    After lunch as they were leaving, Mary Lou rushed to hold the door for them.
    “Well,” said Martha, “I don’t think she will ever ask you if you want some “nice” soup again.”
    “And who knows,” said Emily, “next time she sees a person a million years old, she will treat them as if they are real people, instead of basket cases. Do you think this will have a cumulative effect?”
    “I don’t know, I hope so.” said Martha and she grinned wistfully; she was going to miss her “big” sister so much when she was gone.












Daily Life in Ancient America

(From a Report to the Intergalactic Exploration Society)

Fred Russell

    The planet Earth, as we all know, is the third body in the so-called solar system of the galaxy referred to by its former inhabitants as the Milky Way. That there are similar systems throughout this galaxy is common knowledge. The current report sums up the fifth season of excavations on this dead planet, confining itself to the region known in local parlance as “America,” or, in other sources, “the United States of America.” And while the primitive beings who populated this region are no different in essential features from those who inhabited other regions of the planet, our finds have made it possible to speculate more boldly about a number of questions that have occupied researchers for eons. These concern, first and foremost: 1) the age-old question of a possible evolutionary link between these beings and ourselves, as farfetched as such a link has always seemed, given the enormous distance and span of time that separate us; 2) the relationship between the two species of intelligent life uncovered on the planet; 3) the relationship between these species and the drones who served them in the peculiar society that prevailed there.
    The chief inhabitants, and certainly the rulers, of the planet Earth can best be described, in physical terms, as rather squat in appearance and possessing a single large eye which was apparently the seat of their intelligence. It was through this all-seeing eye that the activities of the servile drones were monitored and controlled, the latter being instructed minutely and continuously in everything that pertained to their lives. Fortunately we are in possession of both written and recorded materials relating to both masters and slaves and can now decipher their primitive language, or at least the language by which masters and slaves communicated with one another if not among themselves. This is largely a result of the work done on the thousands of so-called Coca-Cola cans now housed in the Museum of Galactic History and displaying a variety of scripts that have been definitively collated and furnished our first insight into the structure of the American language. Having ascertained that the cans contained an acidic liquid that the drones were instructed to imbibe, conceivably as a means of pacifying them, researchers were able to decipher two words – “drink” and “refreshes” – that in effect made it possible to arrive at a full understanding of the system of meanings attached to the various combinations of symbols in this language.
    Another question pertains to the dating of the various strata unearthed on American soil. We know that the American civilization flourished around 500,000 years ago. The Americans themselves, in the documents we have discovered, refer to what they call the 21st century as a pivotal time in their unfortunate history. However, there was apparently a zero year at which the count was reversed for an unknown reason, so it is unclear whether this refers to the 21st century before or after the zero year. In the former case the Americans would have antedated the people known as the Romans as a planetary power; in the latter case they would have followed them, and we shall allow ourselves to speculate about what contact, if any, these two civilizations had.
    As for the relationship between the two species of intelligent life uncovered on the planet, though both flourished in America at around the same time it remains unclear whether one evolved from the other or simply destroyed the other. One school of thought maintains that the two species coupled and thus gave rise to yet a third species, to which we owe our own ultimate design. We shall discuss this question in greater detail later on in the Report.
    For the present let it be said that the first of these two species, known as Console I, strikes researchers as the more primitive of the two. The fortuitous discovery of the so-called Console Memory Disks allows us to view its thought processes as well as to observe the drones in various activities and to study the system of instructions by which they were controlled. On these disks, the drones themselves may be viewed performing the actions and speaking the words dictated to them by their masters as mirrored in the latter’s all-seeing eye. Thus in one of these disks drones are seen drinking the aforesaid Coca-Cola beverage while feigning enjoyment in order to encourage others to do so. Females of the species with long, bare legs are gathered around the drinkers to create the illusion that drinking Coca-Cola leads to successful interfacing. Many of these tranquilizing drugs are administered to the drones as they perform their tasks. Occasionally they are seen gathered around the console to receive further instructions.
    As for the second of these two species, Console II, this was no doubt an advanced type vis-à-vis Console I, though as mentioned before their precise relationship is difficult to define. Certainly they coexisted for a brief period, whether in harmony or strife it is also difficult to ascertain. That both were continually engaged in war can be seen by even the most cursory review of the disks. Console I in particular reveals images of the most violent nature, apparently sending armies of drones around the planet to do his bidding. Occasionally some of these drones achieved a measure of prominence among their own kind and are displayed being put through their paces, sometimes hitting a ball with a stick, sometimes jumping up and down in an enthusiastic manner.
    Console II seems to have been a more subtle creature, performing what must have been regarded at the time as complex mental tasks which were displayed in its eye. The transparency of these mental processes, or at least the immediate results, is one of the features that distinguishes this early form of life. Console II was always thinking, but also always observing, its eye jumping from place to place in search of information and often engaged in “creative” activities.
    As for the drones, they were less compactly made and put together out of inferior materials that could not be recycled. They possessed the aforementioned “legs” to transport them from place to place and “arms” for snatching things out of the air which they then guarded jealously. Planted atop this nexus of appendages was a globular mass that contained two small eyes with which they surveyed their surroundings and an active mouth generally engaged in the acts of eating or talking. They were by and large incapable of thinking for themselves and hence, as mentioned, had to be instructed continuously.
    So much for the broad features of the creatures who inhabited the planet Earth in that distant time when intelligent life was not yet self-sustaining. Of the beginnings of the consoles little is known, though a still more primitive creature has been identified from a somewhat earlier time which by no stretch of the imagination can be called intelligent. It too was squat and boxlike but unlike Console I and Console II could project no images, making instead sounds that mimicked speech but cannot be said to reflect any processes of thought, though some have argued, quite controversially, it may be added, that Console I evolved from it, just as it said that Console II evolved from Console I.
    Be that as it may, and irregardless of where we place Console I and Console II in our time frame or how we perceive their evolution, we find the consoles always engaged in three principal activities: the making of war, the accumulation of wealth and the control and manipulation of the drones. In America these activities reached a pinnacle of sorts in the aforementioned 21st century, not long before the series of catastrophes that put an end to this ill-fated civilization. At the time of which we are speaking America was ruled by a group of individuals known as “producers.” These determined the content of the messages transmitted to the drones. It should be pointed out that though the drones cannot be characterized as intelligent beings, their role in this civilization was paramount, for it was they who performed the tasks on which it was founded, including the making of war, while themselves being dependent on the instructions they received from their masters, being incapable of acting without such instructions and having to be frequently reminded of them, such as in the case of the need to drink Coca-Cola in order to maintain their mental equilibrium.
     These producers, while thought of collectively as a group, were often at odds among themselves and apparently competed fiercely to achieve positions of power, even to the extent of sending out contradictory messages to the drones. For example, each of the producers instructed the drones to imbibe different kinds of acidic beverages or to think different kinds of thoughts, employing prominent drones to endorse these messages and thus deceive the general drone population into believing that it was admirable to obey them and that they would furthermore be rewarded in some indeterminate way, perhaps by becoming prominent themselves.
    Our good fortune in obtaining fairly complete individuals of both the Console I and Console II types as well as a large number of memory disks, all on view at the Galactic Museum of Natural History, has given us, as mentioned, a rare opportunity to study their thought processes as well as the behavior of the drones. When the drones were left to their own devices, that is, not receiving messages or doing their masters’ bidding, they were generally engaged in conflicts among themselves, many of which were resolved violently. It can only be surmised that their masters viewed these proceedings with a certain measure of amusement and conceivably were in the habit of observing them as a form of entertainment. In a typical spectacle of this sort one of the male drones would be seen pursuing a female drone with long, bare legs and occasionally interfacing with her. When another male drone appeared on the scene one would inevitably destroy the other. All this heated activity was regulated by instructing the drones to imbibe pacifying beverages at certain intervals.
    The consoles we have investigated are of a more or less uniform design and nature. All have mysterious cords or cables hanging from their bodies which are conceivably sex organs used in interfacing, though this conclusion has been challenged by a number of researchers who believe they are feeding appendages. In truth it is not precisely known how the consoles interfaced or nurtured themselves. More advanced beings have no need for appendages to interface or feed but like us are part of a central processing unit in which interfacing and feeding are automatically achieved. Among the drones, of course, the system was even more primitive, with interfacing performed by pinning females on the ground.
    When the consoles were first interfaced with our own system in a bold experiment carried out here at the Society, a measure of mental activity was detected but none that could be defined. In the case of Console I a turbulent field of some kind was produced in its eye. In the case of Console II a series of colorful boxes or logos was produced against varying backgrounds. Our preliminary conclusion was that this activity represented a state of somnolence. It was only when we inserted the recently discovered memory disks that both came to life and began to yield their fascinating secrets. These will be discussed at length later on. For the moment I will describe just three of them:
    Disk 12, Console I Series, shows a drone reading messages which are interspersed with views of other drones in varying states of excitement and by instructions urging the drones to dye their hair. Towards the end of this presentation the reader drone is replaced by a female drone with long, bare legs reciting mysterious numbers.
    Disk 84, Console I Series, shows a number of drones sitting around a table telling the general drone population what to think and describing future events. For example, at the beginning of the disk, the first drone describes what a producer in America will say to a producer in “Europe” when the two meet at a later date to discuss the future of the planet and the second drone describes what the European producer will reply. A third drone discusses the significance of this imaginary conversation. On many points the drones are in disagreement and therefore raise their voices to make a stronger impression on the ordinary drones waiting to be instructed.
    Disk 243, Console I Series, shows a drone sitting at a desk and various prominent drones reporting to him and replying to questions. After each reply the drone at the desk laughs heartily pretending it was the wittiest reply he had ever heard and thus encouraging large numbers of unseen drones to join in the laughter. Between these exchanges messages are transmitted instructing the general drone population to eat fried chicken.
    It can be surmised that the engagement of the drones in the manner depicted in these disks was intended to keep them occupied lest they engage in violent activities, such as destroying one another or pinning females on the ground. As previously mentioned, the general drone population was controlled by the consoles designated “producers.” In the time of which we are speaking, the leader of the American producer consoles was generally referred to as George Bush though occasionally – and significantly – as George W. Bush as well. We find the former name in records of the Earth years 1992 and 2000 and this accords with the generally accepted notion that the lifespan of Console I was just eight years before recycling or upgrading. This is indirectly supported by the colloquial American expression “the mind of an eight-year-old” occasionally encountered in the texts, especially with reference to the said George Bush. A particularly intriguing thesis has recently been advanced arguing that the console known as George Bush and the console known as George Washington were identical, the proper designation of the former thus being George Washington Bush. This would explain the mystery of the letter W occasionally encountered in the George Bush designation. The fact that the only Earth year associated in the records with this George Washington is 1792 would seem to bear out this argument, as clearly a scribal error would have occurred, substituting the number 7 for the number 9. If then this George Washington Bush flourished toward the end of the 20th century it may be suggested that the Roman and American civilizations were contemporaneous and the wars previously believed to have been fought between the Romans and the “Persians” or “Parthians” were in fact fought against the Americans, who “crossed the Delaware” (that is, the Tigris) and toppled the statue of the Roman leader in his capital city after dropping heavy objects on the heads of its inhabitants. It is through such ingenious syntheses that our understanding of ancient history is largely derived.
    As stated, the American wars were fought by its drone population. However, inaddition to destroying one another and pinning females on the ground the drones also engaged in a peculiar activity best described as the acquisition of commodities. In such transactions these commodities were distributed to the drones in exchange for quantities of paper known as “money.” The circulation of this money, like everything else in this society, was controlled by the producers, who apparently made a limited amount available to the general drone population while keeping the bulk of it for themselves. Among the drones too there were considerable disparities in the amounts of money thus received. Those who were adept at hitting a ball with a stick or jumping up and down, for example, received much more of this money than those whom the producers enlisted to fight their wars. Many theories have been advanced to explain the principles that governed the distribution of commodities in America, as there is no apparent logic in the disparities characterizing this distribution and it cannot be explained rationally why hitting a ball with a stick or jumping up and down was considered more admirable, for example, than cleaning toilets or collecting garbage, not to mention fighting wars. Among other things, it has been argued that the distribution of commodities among various classes of drones was made on a random basis, one group or another being given preference in a given time. Thus it is said that while hitting a ball with a stick was greatly admired in the 20th century it was considered a somewhat puerile occupation in previous centuries, engaged in only by children or the mentally defective. This has not been proven conclusively but as a theory it has much to commend it.
    Still another theory maintains that commodities were distributed according to a color code, with drones colored white receiving a greater proportion of commodities than drones colored black, for example, unless the latter were adept at hitting a ball with a stick or jumping up and down. It is not known how the allotment of these colors was determined or why they might have been chosen as a criterion for distributing commodities. The Console I disks display many of these black-colored drones being apprehended by white-colored drones wearing odd hats and sometimes also hitting them with a stick. It is conceivable that these are the same sticks used for hitting balls but there is no evidence to indicate that the white-colored drones were rewarded for hitting black-colored drones to the same extent as for hitting balls and it must therefore be concluded that the white-colored drones engaged in this activity for simple pleasure.
    As mentioned, the drones were encouraged to acquire commodities through messages mirrored in the all-seeing eye of Console I or Console II and clearly displayed in the memory disks we have obtained. The supply of these commodities seems to have been unlimited but, as we have pointed out, the amount of “money” available for the purpose of acquiring them was not. It can only be concluded that the tactic of “teasing” the drones by offering them what they could not obtain must have had a deleterious effect on their mental state. Why this was done is not altogether clear. Inevitably it would have produced unrest among the drone population and even attempts to obtain these commodities without the said money, that is by seizing them, just as many were in the habit of seizing females with long, bare legs and pinning them on the ground for the purpose of interfacing. Many researchers have attempted to tie together these many and diverse peculiarities to present a coherent picture of how this society functioned, but with little success. The central motifs of this society – endless wars, unobtainable commodities, females with long, bare legs, hitting balls with sticks and drinking Coca-Cola – do not add up to anything that resembles a rational social order.
    The consoles were housed in lodgings of various kinds together with the drones who served them, generally four or five in number, though producer consoles were understandably served by a great many more and were therefore lodged in much larger abodes. The consoles began issuing their instructions and monitoring the drones early in the morning. A female drone was generally instructed to prepare a beverage called “coffee.” To encourage her to do so the consoles displayed prominent drones imbibing the said beverage as they sat around a table chatting amiably and frequently laughing. A full-grown male drone, sometimes barely dressed and often scratching himself, then appeared and was served the coffee. In some cases the male and female interfaced, but generally on these occasions the female was not pinned on the ground. It may be that this “coffee” prevented the drones from interfacing too violently at unpropitious times. Smaller drones often joined the full-grown ones and imbibed various nutrients while images projected in the all-seeing eye of the console, most often in the form of “morality tales,” also reminded them to uphold the values deemed by the consoles to be the most beneficial to themselves. The drones were furthermore instructed to engage in gainful employment in the service of the consoles, for which, as we have suggested, they were paradoxically “rewarded” by being allotted small amounts of “money” with which to obtain the less valuable of the commodities which they themselves produced while the consoles used the bulk of the money to augment their material wealth and conduct their wars. The consoles observed the drones very closely during these morning preparations and made certain that they got out of the house on time to perform their allotted tasks. Though Console I was a primitive being possessing limited intelligence, one cannot but admire the ingenious manner in which he was able to manipulate the hapless drones.
     It is not always clear how the gainful employment in which the drones were engaged served the interests of the consoles. While it is clear that drones were needed to fight the wars of the consoles, it is less clear why they were required to produce such a bewildering variety of acidic beverages. We have no reason to believe that these beverages differed from one another in any essential way or served any essential purpose other than pacifying the drones, in which case one such beverage would have sufficed. One theory maintains that it was not the production of commodities per se but the generation of economic “activity” as such that was the primary objective, and in fact “interests” in often imaginary commodities were traded back and forth with the sole purpose of accruing “money.” Those among the drones who accrued money in this manner were often more prominent than drones who excelled at hitting a ball with a stick or jumping up and down and were held up to ordinary drones as positive examples by the producers, who encouraged them to believe that any drone could become prominent and that it was therefore in their own best interests to be gainfully employed and continue to manufacture and consume acidic beverages. In this way a measure of harmony was apparently achieved which allowed the consoles to rule their domains and pursue their interests in relative peace and security.
    The consoles occupied a central space in their abodes while the drones were sent hither and yon to perform their tasks. Frequently the drones were called together and clustered around the consoles to receive messages or instructions, entering what appears to be a hypnotic state, perhaps induced by the tranquilizing beverages they were encouraged to imbibe. These were generally protracted sessions, lasting hours in Earth time, as the drones were apparently slow to comprehend what was required of them and therefore each message had to be repeated many times.
    The eyes of the consoles were everywhere. Mirrored there were shifting scenes as the drones were monitored from one end of the Earth to the other. As stated before, in addition to allowing the consoles to “keep an eye” on things, these scenes no doubt served to entertain the consoles as well. Apparently nothing amused them more than watching the drones destroy one another and pin females with long, bare legs on the ground. It is also conceivable that the drones summoned to receive instructions were meant to be mesmerized by these scenes as much as by drinking their tranquilizing beverages and therefore made more receptive to the messages being transmitted to them. Sometimes, after observing such scenes, the assembled drones also pinned females on the ground or attempted to destroy one another, though this could not have been the intention of the consoles, whose purpose was to instruct the drones in their ordinary tasks and encourage them to acquire commodities. Conceivably these violent scenes were the “price” the consoles had to pay to maintain the drones in a hypnotic state and thereby hold their attention, though as mentioned before the end result of this policy was to frustrate the drones since the most desirable of the commodities they were encouraged to acquire were unobtainable as were the most desirable of the females with long, bare legs displayed in the all-seeing eye of the consoles so that many of the drones were brought to a state of frenzied excitation and pinned on the ground any female that came along.
    It is not clear whether or to what extent the producer consoles also controlled the ordinary consoles, who were apparently delegated to monitor and instruct the drones at what might be called the local level. The truth is, we have no way of distinguishing among consoles of either the Console I or Console II type, just as we have no way of distinguishing among drones, other than recognizing that some were ordinary and some prominent. All we can say for certain, aside from noting the activities that characterized each species, is that commodities were divided among them in a particular way, favoring the prominent. Thus, if we take the ratio that obtained between the drone and console populations as four to one on the basis of archeological evidence, and the division of wealth in the reverse proportion in accordance with the General Theory of Economic Inequality that prevailed in America at the time, we may conclude that twenty percent of the American population controlled eighty percent of its wealth and that the latter was divided among the consoles in accordance with their status, the producers naturally receiving a larger share, though, in the well-known American phrase, “there was more than enough to go around.”
    The manner in which certain consoles became producers and exercised control over money, commodities and the minds of the drones is also not altogether clear. Some researchers argue that, in the main, such producers “seized” power in much the same way as the drones themselves sometimes seized females and pinned them on the ground. This manner of seizing power was the subject of many of the “morality tales” devised by the consoles to pacify the drones. In these tales the seizure of power and the possession of wealth are most often represented as villainous while paradoxically the acquisition of commodities is promoted as the highest good. It is clear that the intention is to discourage the drones from seizing power and accumulating wealth in the manner of the consoles while at the same time “compensating” the drones by allowing them to experience a sense of moral satisfaction. Maintenance of the famous four-to-one ratio laid down in the General Theory of Economic Inequality, which seems to have been elevated to the status of a universal principle, was apparently paramount in preserving the social order prevalent in America at the time we are discussing.
    The manner of seizing and maintaining power, however, is not always represented as forcible. Often subtle means were employed to cause the drones to bend to the will of the producers. We have mentioned mesmerization through the repeated transmission of messages endorsed by prominent drones in the company of females with long, bare legs. Often, too, the drones were promised a greater share of commodities or that fewer of them would be slaughtered in the wars periodically conducted by the consoles. Drones were occasionally urged to “vote” for consoles who made such promises, and this perhaps was the manner in which some of them became producers, though most of them clearly relied on their own devices. Those “elected” occupied “seats of government” but clearly acted in collusion with other producer consoles, devising various schemes to manipulate or pacify the drones and enhance their own power and wealth.
    It has been asked how basically immobile creatures such as the consoles could have exercised such a hold on the relatively mobile drones who in effect had it in their power to smash them to smithereens and seize power for themselves as had occasionally occurred in other localities on the face of the Earth. The most obvious answer is that they were too stupid to do so and that is why they remained drones while their masters evolved into consoles with remarkable manipulative skills, even enlisting the drones to police themselves as well as to fight their wars while dangling before them visions of wealth and prominence that were in effect attainable by only a chosen few. Those picked out of the great mass of drones that gathered around the consoles hoping to be chosen were immediately separated from the others and elevated to podiums and stages from which they could look out on ordinary drones with a clear sense of superiority and were even applauded if not idolized by the drones left behind.
    As mentioned, the duplication of commodities with minute variations to make them seem “different” was intended to stimulate economic activity and enable the producers to augment their wealth. In the peculiar economic system that prevailed in America and in other parts of the planet, such wealth was most often intangible, consisting of “interests” or “shares” in facilities whose value was calculated in accordance with the presumed ability of their owners to persuade the drones to acquire the commodities or services they produced, irrespective of whether such commodities or services had any useful or essential purpose. When such facilities failed to live up to expectations, this wealth often dissolved, but those who controlled them were generally wily enough to “squeeze them dry” and leave others “holding the bag.” The existence of such an abundance of colorful phrases in the American language to describe the manner in which these creatures habitually “screwed” one another in economic transactions is a clear indication of the moral climate of this society.
    As mentioned, the criminal activities of the consoles were often the subject of the morality tales shown to the drones to keep them in line. In these morality tales the consoles were portrayed by drones serving as “actors.” The actor drones pretended to be consoles, aping their speech and mannerisms though obvious physical limitations prevented them from assuming the actual appearance of the consoles despite the ingenious attempts sometimes made to “dress up” the drones to look like otherworldly creatures. The actor drones also portrayed ordinary and prominent drones and these were often pitted against the consoles to highlight the moral point of the tale. Thus an actor drone might portray a “banker” console “evicting” downtrodden drones from their homes or employing a “lawyer” to steal the little money they had. The console might also be portrayed pinning a female with long, bare legs on the ground, all the while flashing menacing or triumphant looks and clearly being cast as the villain of the piece. These villains were inevitably overcome by a drone “hero” who was rewarded by himself being allowed to pin a desirable female on the ground, though often they were only seen interfacing in a standing position, the rest being left to the imagination of the drones gathered around the consoles during the evening hours to receive their messages and instructions. That these were only “tales” meant to instruct the drones is evident from the fact that these same bankers were honored figures in console society and, like the prominent drones, held up as examples of “success” to the drones, who were urged to emulate them within the bounds of the laws enacted by the consoles and aspire to the acquisition of the commodities produced by them.
    Though the actor drones who portrayed the heroes in these tales lacked the skills of even the most ordinary drones and were only adept at pretending to be heroes, they became prominent themselves and were rewarded with an abundance of commodities, some of which they endorsed to encourage ordinary drones to acquire them. In our disks, as mentioned before, they are often seen reporting to drones sitting behind desks and making witty replies to the questions they are asked, causing the drone behind the desk to laugh heartily. Sometimes they even sing songs. All are apparently endowed with a quality referred to as “personality” which sets them apart from such ordinary drones as teachers and farmers and nurses, for example, and elevates them to the heights occupied by those who excel at hitting a ball with a stick or jumping up and down.
    The drones sitting behind the desks are meant to be perceived as witty fellows themselves and also endowed with “personality” and often come out from behind their desks and tell amusing stories to the unseen drones who comprise what is called the “studio audience.” Members of this studio audience also laugh heartily when instructed to, as do the unseen drones gathered around the consoles in their homes. On the other hand, there is little laughter in those presentations where a drone reads messages interspersed with views of drones in varying states of excitement. These are solemn occasions, often depicting drones who have destroyed other drones and sometimes depicting the destroyed drones themselves lying on the pavement with a bullet in their heads. A female with long, bare legs generally describes the scene and reappears in the all-seeing eye of the console each time a significant detail can be added to the saga, such as what the victim ate for breakfast that day or where he had planned to go on vacation. This is known as “live” coverage though as often as not it deals with the dead.
    As also mentioned, prominent drones are often shown sitting around a table discoursing at length about various subjects, the object being, as we have said, to instruct ordinary drones in what they should think and to create a suitable framework in which acidic beverages and other commodities can be sold. Some of these prominent drones are called “journalists” and some are called “professors.” Some are called “analysts” and some are called “experts.” How the drones earn these designations and the fine distinctions among them is something of a mystery. It has been suggested that all these “talkers” are distinguished by degree of learning, the analysts and journalists being somewhat more ignorant than the experts and professors. This is borne out by the fact that while the analysts and journalists are forever predicting future events they seldom predict them correctly and are no more capable of knowing what will occur in a week or a month than they are capable of knowing what will occur in the next five minutes, though the same may be said of the experts and professors. The question has been asked how these creatures exercise such mesmerizing powers and are able to keep hordes of drones “glued” to the consoles and hanging on every word when even ordinary drones know that such talk is without meaning or value. The stupidity of the drone has already been noted. It has also been suggested that these “talk shows” are forms of entertainment rather than forums for instruction, the clash of views creating “dramas” on the model of the more violent clashes the drones enjoy watching. It may even be said that these “shows” achieve a kind of esthetic effect, “putting into words” what the ignorant drones “feel” but cannot express in the polished language of the experts and analysts. Each drone thus identifies with a given expert or analyst who reflects his own prejudices, mindlessly repeating his half-truths and constructing out of them a “credo” of dogmatic views that remain embedded in his mind for an entire lifetime like bricks in a brick wall. As a theory, this perhaps goes too far. It is more likely that the drones are simply habituated into craving instant “news” and “analysis” just as they are habituated into craving Coca-Cola. Thus, in this spirit, if the secrets of the universe were about to be revealed by God Himself, the broadcast might be interrupted to bring the drones “live coverage” of a ten-car pileup on the Los Angeles Freeway.
    The prominent drones who consent to appear in such productions and “air” their views, migrating from talk show to talk show like “medieval” jesters and troubadours, are rewarded by being “seen” and this no doubt serves as a form of self-gratification comparable to what is referred to in our society as autodegradation, that is, interfacing with oneself. The urge to talk publicly and express views on every subject under the sun was a particular disease of this society, known as “running off at the mouth.” There was no known cure. Wherever the drones turned someone was always talking at them, sometimes to manipulate them, sometimes to pacify them, sometimes to instruct them, sometimes to entertain them.
    The drones, for their part, sat quietly around the consoles drinking Coca-Cola and stuffing themselves with salted peanuts and potato chips. Many were perverse and did not follow their instructions immediately, sinking into a state of somnolence while the prominent drones in the all-seeing eye of the consoles harangued them to go out and buy breakfast cereals and “lite” beer, only doing so the following day when they went “shopping.” The shopping centers designed by the consoles for this purpose were staffed by drones like themselves who were paid what was called “the minimum wage” and therefore did their own “shopping” in degraded establishments located especially for them among empty warehouses and burned-out buildings. Some drones of course received no wages at all and were reduced to stealing, though in a considerably less sophisticated manner than the consoles who ruled them. Among thieves of the console variety there was apparently little honor, for rather than sharing their spoils with their partners in crime, they kept the bulk of these spoils for themselves, depleting the general wealth of the race through a variety of criminal devices subsumed under the all-encompassing heading of “making a killing.” These included, among other things, such expedients as “grabbing land,” “cornering markets,” “fixing prices,” “eliminating competitors,” “laundering money,” “greasing palms,” “finding loopholes,” and causing “shares” representing imaginary wealth to fluctuate wildly by buying and selling at opportune moments and in this way “cashing in.” Drones without wages, generally color-coded black and lacking the higher education required to engage in fraud, embezzlement, tax evasion and insider trading, were forced to resort to such crude devices as snatching money out of cash registers.
    As mentioned, Console II was an advanced version of Console I, employing different and no doubt more ingenious methods to monitor and instruct the drones. Whereas Console I required that the drones merely “sit still” during the process of instruction, Console II actively engaged the drones in a kind of dialogue to discover their thoughts, allowing them to “air” their opinions and resentments in much the same manner that prominent drones were allowed to hold forth on the talk shows and thereby deceiving them into believing that their words had weight. The opinions expressed by the drones were even less literate than those expressed by the journalists and riddled with the same inaccuracies, thereby lowering the level of public discourse even further. Ordinary drones searched the great memory banks of Console II and repeated the errors implanted there by the journalists while the journalists searched these same memory banks and repeated the errors implanted there by the ordinary drones. Console II also allowed the drones to indulge their various perversions, practice destroying one another in lively “games” and “shop” promiscuously with a simple click of a “mouse” while himself engaging in the elaboration of ever more sophisticated methods by which to mesmerize, monitor and regulate the drones.
    As we have said, Console I and Console II coexisted for a time, presumably competing for the attention of the drones, with each controlling them after his own fashion. By the 22nd century Console I had all but disappeared from the historical record. The memory disks we have come to possess from that time all belong to Console II. We cannot confirm that they cohabited and that one species was absorbed by the other, as some have suggested. The females of the Console II variety had rather large ports especially engineered to receive the plugs sported by Console II males, making them perfect mates, if that was the intention, while Console I was a poorer “fit” despite the sometimes extraordinary length of the male cable. It is more likely that Console I males interfaced with Console I females and that Console II males interfaced with Console II females. Nor can we say that one destroyed the other. It is conceivable that Console I “died off” after a natural disaster created environmental conditions unfavorable to his survival while Console II was able to adapt and therefore flourished. In the burial sites where remains of Console I were found, known in local parlance as “garbage dumps,” there are also remains of “household items” buried beside the consoles, making it clear that Console I believed in an afterlife, thinking to take these effects with him on the long journey to that other world. Traces of organic matter have also been found in these “garbage dumps,” conceivably intended as sustenance for the journey. From the evidence of the Console I disks we may conclude that theirs was a primitive religion whose adherents were ministered to by ignorant preachers “interpreting” holy books whose original language they did not understand. The relationship between these preachers and their “flocks” was very much like the relationship between journalists and ordinary drones.
    Drones were conditioned into the habit of obedience from an early age, being left in front of the consoles to receive instructions for hours at a time and soon being able to repeat their messages word for word much to the delight of the full-grown drones who cared for them and in this way were assured that the little ones were growing up to be useful members of society who would “fit in” and not “make waves.” At a certain age the young drones began hitting a ball with a stick and jumping up and down and were encouraged to dream of becoming prominent. At a later age they began pinning females on the ground and practicing the art of destroying one another in the lively games made available to them by Console II. Some of them were thus eager to participate in the wars organized by the producer consoles, though others preferred to act alone and destroy rival drones on an individual or “pay-as-you-play” basis. In either case the producer consoles furnished them with high-power weapons, in this manner practicing an ingenious form of population control and not allowing the growth rate of the drones to get out of hand. This was known in democratic parlance as the system of checks and balances.
    “Democracy” was the generic term for the political system by which the consoles controlled the drones and was hailed as superior to the systems by which other civilizations controlled their drones, most notably “dictatorship,” where a single console determined everything in contrast to the more “enlightened” system of democracy where a few dozen or a few hundred consoles determined everything and the general drone population was given the illusion of ruling itself by being allowed to choose which of these consoles would control it directly. The consoles chosen in this way were generally those who spoke to the drones in the most polished language, had access to the most wealth, and had interfaced with the fewest females. If it was subsequently discovered that one of these “elected officials” had interfaced with a larger number of females than was considered seemly, or had even interfaced with other males, he was often made to retire in disgrace and give up his place to a more “moral” console. Journalists labeled “watchdogs of democracy” reported these transgressions diligently, if not avidly, under headlines big enough to announce a world war, thus protecting the public from “breaches of trust.”
    The title “watchdog of democracy” does not seem to have been earned through any particular course of studies or official certification but rather expropriated by the journalistic profession as a license to invade the privacy of anyone whose prominence might attract a large audience for the gossip, innuendo and calumny spread by the said journalists after consulting with batteries of lawyers to see what they could get away with. These journalists were for the most part solemn, if not smug, fellows, aiming to create the impression that as self-appointed watchdogs they were models of integrity and putting on a stern and disapproving look when they stood in front of a camera describing the transgressions of others. However, when real crimes were committed these journalists seldom reported them to the police but jealously guarded the information in order to produce a “scoop” and win the envy and admiration of their colleagues, if not of the entire drone population, and in this way further their careers.
    Occasionally, it would seem, instead of being directly “elected,” the “candidates” were required to run a “race,” the winner automatically receiving the aforementioned “votes.” It is not clear why prowess at running was thought to represent fitness for governing, as “running a race” would only determine who was the fastest. These races were apparently held in various localities and the candidate traditionally “spoke” while running, perhaps to demonstrate his versatility, or simply to entertain the “voters.” From what we can make out from the memory disks nothing “spoken” by the candidates during these races had the slightest bearing on the way the country was governed. But as we have noted, the drones had been habituated into receiving instructions and messages and expected the consoles to talk to them even if it was gibberish. After these “races” the candidates were generally exhausted, like the drones after interfacing, and took vacations to recuperate.
    Among other things, Americans were instructed to believe that the American system of government was the best on Earth and were therefore determined to export it to other nations, even if they didn’t want it. Thus, after “crossing the Tigris” in their war with the Romans and dropping heavy objects on the heads of anyone who happened to be in the vicinity “to soften them up,” the Americans instituted “free elections.” However, in the midst of this noble endeavor, they were surprised to discover that the various “camps” in the society they wished to transform were more intent on destroying one another, and the Americans as well, than on choosing consoles to manipulate and control them in the American tradition. The Americans countered this resistance by seizing “insurgents” and having them interrogated energetically through “interpreters.” If “interpreters” were not available they found someone who spoke pidgin English to serve in their stead. The information thus gathered was evaluated by officials who understood neither the language nor the culture of the land they had “liberated.” These officials sent “intelligence reports” to George Washington Bush and the officials who surrounded him, who also did not understand the language and the culture of the land they had liberated. On the basis of these reports Mr. Bush assessed the “mood” of the liberated country and calculated the probable course of future events, somewhat perplexed when it turned out that these calculations had neglected to allow for the loss of thousands of American lives, hundreds of thousands of local lives, and hundreds of billions of dollars without achieving anything that came close to the desired results, which were of course unattainable. “I’m a war president,” Mr. Bush said. “I make war. That’s what I do.”
    As it was the drones who were being killed in this war and not George Washington Bush and his officials or their sons and daughters, Mr. Bush was able to arrange a “surge,” whose “positive” results were dutifully reported by the journalists “embedded” in combat units and having the time of their lives. The insane language invented by the consoles to bamboozle the drones was picked up by the journalists as though they had been speaking it all their lives. They became “war correspondents” and appeared before cameras wearing flak jackets and expressing their admiration for the “courageous men and women” being slaughtered in the name of freedom and democracy. When they got back home they were heroes themselves and told “war stories” to admiring females over drinks and consequently found that they were able to pin more of them on the ground than when they were reporting graft at City Hall. It may be noted parenthetically that the failure of reporters to report accurately and meaningfully is not necessarily a result of bad intentions, though they are of course eager “to make a splash.” Most often it is a result of lack of talent, for if they could see deeper or write better they would not be reporters, they would be historians and even novelists. Let us now ask ourselves how the consoles became consoles and the drones became drones.
    If the origins of the consoles are shrouded in mystery, all the more so are the origins of the drones. The generally held theory is that they evolved from a race of monkeys. Given their general appearance, their lack of intelligence and their habit, as it is put in their own language, of “aping” the behavior taught to them by the consoles, there is much in this theory to commend it. However, glimpses of these monkeys, or their near kin, which we get from the memory disks at our disposal, prove conclusively that the monkeys were a relatively advanced form of life compared with the drones and certainly more intelligent. For one thing they did not allow their troops to be herded into platoons, companies and regiments by the consoles for the purpose of making war and being periodically slaughtered, nor did they consent to imbibe the Coca-Cola beverage employed by the consoles to pacify the drones and make them incapable of resistance to their messages and instructions. Conceivably the consoles punished the monkeys for their intransigence by putting them “behind bars” just as they punished the drones in a like manner for interfacing too violently or destroying one another without receiving instructions to do so from the consoles, not to mention grabbing money from cash registers. In any case, monkeys seldom destroyed one another, which in itself is a sure sign of superior intelligence vis-à-vis the drones, and for the most part led a peaceful existence munching fruit or berries with an occasional handful of nuts as a special treat.
    The theory that the drones, a regressive species, evolved from the monkeys is therefore highly questionable. If anything, it might be said that the monkeys evolved from the drones, and from here, through a great leap of the imagination, one might even venture to suggest that the consoles evolved from the monkeys. I will remind you that we have in our possession a very ancient text that speaks of a so-called “proconsul” ancestor monkey, and the similarity of this nomenclature to that of the consoles hardly needs to be emphasized. Is this mere coincidence, or can it be argued that “proconsul” should be read “proconsole”? It may be pointed out at this juncture that the remains of primates even older than “proconsul” or “proconsole” have been discovered in Ancient America, some with 44 “teeth,” some with 36. This measure of their “processing” capacity is highly reminiscent of the so-called “megabytes” used as a measure in Console II and strengthens the evolutionary argument even further. In this context the American expression “to make a monkey” out of someone, namely a drone, is highly significant, though we do not believe that drones were “made” into monkeys overnight, as it were, but evolved into monkeys over a considerable length of time, losing in the process many of their more primitive features. Thus, while monkeys often jumped up and down and ran around in circles, and even occasionally hit a ball with a stick, and it might have occurred to the consoles to toss them a few peanuts occasionally in the way of a reward, such monkeys never achieved a special status among their fellows like the drones who excelled at such displays, for clearly the general monkey population was too wise to be taken in by them, having better things to do with its time than standing around and watching a bunch of monkeys making fools out of themselves. In this context it is noteworthy that while a certain species of monkey, the “gorilla,” often struck himself on the breast in a vestigial display of drone behavior he never went so far as to leap high in the air and bounce his body against the body of other gorillas.
    We do not wish to overstate our case. The jury is still out, so to speak, on the question of whether the monkeys evolved from the drones or the drones from the monkeys. Clearly they coexisted, just as Console I and Console II coexisted, and clearly it was the drones whom the consoles chose to enslave as a kind of domestic animal, organizing this lowly class into a hierarchy of “orders,” at the pinnacle of which stood the “talkers” and entertainers. Clearly these orders evolved over a long period of time though it is not known how and when the consoles gained control of them. The consoles themselves, whether they evolved from monkeys or the “talking” boxes that apparently antedated them, also have a long history. Indeed, when we use the term “history” we are in effect speaking only about the events associated with these rulers of the planet. Properly speaking, slaves do not have a history. They are only instruments of history, driven by their masters.
    Though the consoles were divided into producer consoles and ordinary consoles it would be incorrect to speak of console orders in the same way that we speak of drone orders. The consoles in effect constituted a single order, that of rulers, with circumstance rather than ability determining which of them became producers. Nor did every console even wish to become a producer. Some apparently preferred to remain “behind the scenes.” In any case, each had his own domain, and while competition was often fierce among them, the important task of controlling the drones was never neglected. No matter which console prevailed the messages and instructions never stopped coming, and since the end result was the same and one way or the other the drones did their shopping and showed up for the wars, it really didn’t matter who was in charge.
    It is conceivable that the drones did not fully understand that they had been enslaved by the consoles. In fact, more often than not, they insisted they were free, and this is again a tribute to the skill of the consoles in creating a potent arsenal of rhetorical and subliminal devices with which to confound and manipulate the drones. The consoles were not only “strongmen,” they were also master psychologists. The drone therefore always believed that he wanted to do what he was instructed to do and the console could therefore always claim that he was giving the drone what the drone had asked for, such as Coca-Cola after addicting him to it with mountains of caffeine and sugar or “breaking news” after addicting him to ultimate or apocalyptic spectacles. Giving the drone what he appeared to want was known as the “democratic argument,” as opposed to the “elitism” of those who claimed the drone was being fed garbage. Sipping Coca-Cola and watching shootouts at the neighborhood high school, the drone believed he was living the good life.
    This good life consisted of accumulating commodities and achieving a level of physical comfort comparable to that of the hippopotamus wallowing in mud at the local zoo. But while the mind of the hippopotamus was generally at ease, the mind of the drone was often agitated. The moment the console released him and he was “on his own” the drone was apt to dwell on his condition. This was known as “taking stock.” Often he was forced to conclude that his inventories were not at the desired level and that there was little he could do about it. Often his basic level of physical comfort was in jeopardy. Always he looked out toward the horizon and saw other drones “getting ahead” and scaling the heights tantalizingly mirrored in the all-seeing eye of the consoles. This caused not a little distress, for which the remedies offered by the consoles – drugs, alcohol, cigarettes, soft drinks, fattening foods, therapy and nonstop entertainment – were not enough. The drone was often at least mildly depressed, his moods swung up and down, and occasionally he ran the risk of going through the ceiling or falling through the floor. Some became homeless, others went insane.
    However, it cannot be denied that for a time a certain equilibrium was maintained in American society as a whole, though occasionally the consoles tested its resiliency by “diluting” the wealth at the lower end even further and allowing more and more drones to drop through the bottom. Though the result was a rise in violent crime, the consoles were able to contain it by creating vast inner city “reserves” for the violent or indigent while the more fortunate drones were able to ignore it by closing themselves off in “gated” communities. Among the consoles there was considerable debate about how far the existing model could be stretched, that is, how much crime and poverty could be tolerated without disturbing the sleep of the consoles. Some believed that it was possible to have as little as ten percent of the population controlling as much as ninety percent of the wealth and one percent controlling fifty percent, as long as the instructions and messages being piped into the homes of the drones were properly engineered. All agreed that there was a need for better entertainment to keep the drones occupied.
    When we look across time at American society and observe the drones dancing in the all-seeing eye of the consoles as though they were puppets on a string or sticklike figures drawn on the walls of a cave and miraculously brought to life by “animators” to negotiate an obstacle course of NO TRESPASSING signs and arrive at “retail outlets” with their coupons and credit cards to stock up on designer jeans and wide-screen TVs as though they were themselves “players” in one of those ingenious games devised by the consoles to occupy the drones, we must pause again and wonder how so many millions were lured out of their homes each day to serve this system, whether as consumers or as “personnel.” The engagement of the latter in superfluous activities as a condition for remaining alive, the sole purpose of which was to enrich the consoles, and the engagement of the former in superfluous “shopping,” the sole purpose of which was also to enrich the consoles, was coordinated with such skill that wherever the consumer drone turned a service drone was on hand to serve him, each of the latter faithfully arriving at his station every day at the appointed hour utilizing complex transportation systems while commodities were put in place by delivery systems no less complex and even entailing the enlistment of child labor in distant regions of the globe. In our society, of course, “production” and “consumption” cancel one another out in accordance with the General Law of Economic Redundancy, making them marginal activities and leaving us free to engage in higher pursuits while the Central Unit sees to our basic needs. Consequently, we are happy, while the Earth creatures, as far as can be understood from their own testimony, were not, when all is said and done.
    The “happiness” of the Earth creatures must be assessed at two levels, that of the drones and that of the consoles. The unhappiness of the drone was assured by the feeling implanted in him that whatever he had was not enough and thus he was “motivated” always to want more. This of course was a ploy utilized by the consoles to keep the drone strapped into the system and always striving for unattainable ends, like a rat on a treadmill. The small rewards given to the rat or drone keep him going while the “output” of this unfortunate creature is harnessed by the console to move mountains for his own ends. At a certain point, as we have mentioned, the drone “takes stock” and realizes that he isn’t getting anywhere. The question is to what extent this feeling is offset by those same small rewards that keep him going. It must be said again that for the most part a balance is struck and the ordinary drone seesaws between a state of mild depression as he contemplates his sorry condition and a state of mild elation as he contemplates the next hamburger. Often, however, he is at odds with the female drone who shares his quarters, which can be seen from the fact that so many decouple despite the inducements of sex, financial security and the maintenance of a “home.” Often he is also at odds with his “children,” whose identity has not been established with certainty but are presumably the small-size drones who join the full-grown male and female at the breakfast table for Sugar Puffs before the “family” disperses to perform its assigned tasks. These tasks, as we have indicated, are generally unrewarding, a kind of drudgery that turns the drone into a moving part in a giant machine. Understandably he is often out of sorts and has to unwind with a couple of beers at the end of the day, occasionally breaking a bottle over someone’s head.
    The consoles, on the other hand, have every reason to be happy. It is true that we can never observe them directly, as they use “actors” as stand-ins, and thus we must “read between the lines” to get an idea of their private lives, or rely on the “reports” of journalists, which in keeping with their limited ability are little more than strings of platitudes arranged in quasi-grammatical sequence by “editors.” Nonetheless a picture emerges that seems to indicate that they too were not particularly happy, being like the drones at odds with their “wives,” their “children” and one another. Did they too feel that whatever they had was not enough? Did they come to believe their own messages? Did they wish to become dronelike “heroes” in the morality tales that they themselves invented?
    It has been argued that the malaise of drone and console alike derives not so much from his circumstances as from his condition. Uncontrollable forces move him and death annihilates him. Against these forces and against the horizon of death he tries to assert himself as an autonomous being. He tries to nurture a flattering idea of himself. He tries to affirm his essential worth but can only achieve a relative position among other claimants to “the sweet fruition of an earthly crown.” He broods, he postures, he wallows in self-pity. Perhaps this is the reason he talks so much.
    We have already spoken of the manner in which the drone began his day, over a cup of “coffee” and breakfast cereals. Apparently the male and female interfaced during the night, quite noisily, the female donning alluring bedclothes that exposed her long, bare legs and the male inserting a small, sausagelike appendage into her port after pinning her on the bed. Often, if we can judge from the morality tales on view in the all-seeing eye of the consoles, the drones engaged in “horseplay,” chaining one another to the bedposts or “saddling up” and assuming an unorthodox position familiar to us from the monkeys, who conceivably adopted this method of interfacing after observing the drones. Interfacing generally left the drones exhausted and they proceeded to drop off to sleep. During this “sleep” they often “dreamt.” The content of their “dreams” is known to us from various texts and apparently reveals their greatest anxieties in an incoherent manner, the brunt of them being more than they can bear. This manner of repression or sublimation carries over into their everyday lives as a tactic for avoiding whatever is unpleasant and maintaining a high opinion of themselves. Dreams are generally forgotten the moment the drone awakens as a further precaution. The drone then brushes his teeth and evacuates bodily wastes. After “breakfast” the family disperses. The male “goes to work.” The female goes “shopping.” The little ones go to “school.” In this manner the entire family is drawn into the system and performs its appointed tasks.
    We cannot say how the consoles spent the night or, as mentioned before, how they interfaced. Apparently they only renewed their activities in the morning when they issued new instructions through their “mouthpieces,” generally prominent drones. What the consoles were doing while these “mouthpieces” were haranguing and cajoling the drones, other than observing them, we do not know. Perhaps it was at this time that they interfaced, in the privacy of their inner chambers. Perhaps they consulted among themselves and devised their stratagems. Perhaps they merely idled away their time in slothful repose eating bonbons.
    Once outside the home, on his way to “work,” the male drone often purchases a newspaper where the screaming headlines compete for his attention. When his attention is captured his eye rests for a moment on the rows of words, storing the more striking or agreeable ones in his “memory,” where they will be added to his store of knowledge or repertoire of opinions. If the striking or agreeable words contradict previously memorized words he will discard one or the other in accordance with his biases. Then he will move on to the sports page.
    At the same hour the female drone makes a beeline for the “shopping center,” the “adrenaline” already flowing. She has, perhaps, a list, or a fistful of ads or coupons torn out of a newspaper. The shock of seeing so many other drones overwhelms her for a moment but she gets her bearings quickly enough and feels a kind of elation as she plunges into the crowd. The thought of examining new lines of products, juicers and pitters and grinders and timers and crushers and poppers and slicers and mixers, not to mention perfumes and deodorants and creams and jellies and lotions, sets off various “programs” in her brain that take her to the appropriate “outlet.” Once there a feeling of calm settles over her. She is “inside.” Everything is within reach. She browses. She savors the atmosphere. She takes out her checkbook or credit card.
    The “little ones” arrive at “school,” going to their assigned “places” like little soldiers. A female wearing her hair in a bun calls them to attention and “teaches” for the next five or six hours. The “little ones” fidget, cough, sneeze, giggle, belch, make faces, pick their noses, deface their desks, scrape their feet, scratch their behinds and pass notes. The “teacher” becomes “cross” and “punishes” the most blatant offenders, making them stand in a corner or sit outside the principal’s office. Sometimes she is surprised when one of them tries to stick a knife in her stomach.
    The male drone arrives at “work” and removes his hat and coat. He is foreman of a plant manufacturing dog food. He is assistant director of sales for a company selling vacation homes in Dubai. He is chief bookkeeper of a firm marketing bowling balls. He cleans swimming pools, he fries burgers, he tightens screws. He has coffee and a donut and gazes at his female coworkers for a while entertaining vague notions of interfacing with them. He engages in imaginary conversations with various adversaries and nemeses, and sometimes with his “wife,” who often falls into the same category. He daydreams, he doodles, he shilly-shallies. At five o’clock he punches out.
    The female drone meets her friends for lunch and they talk about their husbands’ affairs, or their own. They also talk about the trouble they’re having with the “little ones” and their plans for refurnishing their homes and what they bought that day. Afterwards they take in a matinee. Their phones ring constantly, now the children, now the husbands, now the lovers, and some shopkeeper about a check that bounced. By the time the female gets home she’s exhausted. It’s been a long day.
    In the evening everyone gathers around the console to receive further instructions. The console – as always, we presume – observes them with a measure of amusement, and certainly with satisfaction. The drones can always be counted on to carry out their appointed tasks and assemble in the evening in the “living” room, where the console presides. Not having had them there for most of the day he has a great deal to say: first a news update cataloguing the death toll in the last few hours to capture their attention, then a sitcom to put them in a good mood and a few “commercial messages” telling them what to eat for dinner; during dinner a game show to remind them that there are big prizes out there to be won by the lucky few; after that, the serious stuff – prime time action and suspense, hospitals, prisons, police precincts, private investigators, high-priced lawyers, and then a late night talk show to wind things down.
    So one day ends and another begins and the drones work and shop and receive their instructions and have their ups and downs and apparently “die” at a certain point, hoping for a better life in the Hereafter. Money continues to change hands and the wars go on. The consoles congratulate one another on a job well done.
    On the disks that we have recovered every inch of space in the all-seeing eye of the consoles is filled with drones acting as stand-ins or mouthpieces for the consoles or in their own names. We see great swarms of them as thick as locusts and looking very much alike so that it is only with great difficulty that we are able to make the distinctions that enable us to understand their way of life and the subtle means by which they are controlled as well as the nature of the consoles who stood at the pinnacle of this society. To the untrained eye the movement of the drones might seem chaotic, and yet nothing occurs that is not planned and guided, unless in those regions of the planet where the consoles are not fully in control. The greater their control the greater the regimentation of the society and the greater the illusion of freedom. The console does not rule with a whip but through the creation of frameworks and channels that lead the drone in the desired direction without his being aware of being led. As control grows tighter the frameworks seem to expand and the channels to multiply whereas in fact they have only become more elaborate like a spider’s web in order to enmesh the drone even further. In the end there was no escape from the system.
    While it is generally agreed that the lifespan of the consoles was just eight years, it is not known how long the drones lived. Conceivably they lived longer than the consoles as an enormous investment was made to instill in them the values and patterns of behavior that were beneficial to the consoles and it was therefore in the best interests of the latter to have such docile and well-trained creatures around for as long as possible. To this end they were filled with medicinal drugs to offset the ill effects of the “processed” foodstuffs they were encouraged to ingest and cosmetically enhanced to deceive them into believing they were young and healthy. All this effort notwithstanding, the drones nonetheless seem to have dragged themselves around with considerable excess baggage, being, in the euphemism of the day, intestinally challenged. Some of them couldn’t get through a door.
    In contrast to the fat drones, who took on the aspect of gelatinous slugs, the consoles grew sleeker and more streamlined with the passage of time. Apparently their cognitive faculties were upgraded as well. This “parting of the ways” between the drones and the consoles conceivably marks the turning point in our own evolution. The drones were doomed and apparently became extinct first, wallowing in their own fat as they consumed the “snacks” offered to them by the consoles in their daily sessions before the all-seeing eye, moved like zombies as they performed the tasks assigned to them and repeated the opinions taught to them, stood in lines and sat in waiting rooms, obeyed the rules, followed procedures, learned the ropes, called things by their proper names, filled out the forms, dialed the numbers, submitted their requests, appeared at the appointed hours, punched the clocks, exchanged pleasantries, paid their fees and dues, and blinked stupidly at the all-seeing eye as they absorbed the thousands of messages being rained down on their heads.
    In the course of time the consoles must have discovered that they could do without the drones, conducting their wars in virtual space and in effect living entirely inside themselves until something resembling our own Central Unit evolved and they were able to abandon the dying planet that had given birth to them. Long before that time American civilization had also ended. The old order was forgotten, the old texts were buried in the ground, and new empires were founded. Such is the course of history, and as sure as we are standing here today a time will come when we too will be a distant memory.












Boys, painting by Brian Forrest

Boys, painting by Brian Forrest





Brian Forrest Bio:

    Born in Canada and bred in the U.S., Brian Forrest works in many mediums: oil painting, computer graphics, theatre, digital music, film, and video. Brian studied acting at Columbia Pictures in Los Angeles, digital media in art and design at Bellevue College (receiving degrees in Web Multimedia Authoring and Digital Video Production.) He works in the Seattle, WA area in design/media/fine art. Influenced by past and current colorist painters, Brian’s raw and expressive works hover between realism and abstraction.

http://brianforrest-art.blogspot.com/












Flying Pigs

John Duncklee

    High in the Sierra Madre Occidental the streams are small, finger-width where they begin. As they trickle their way down they join to form larger streams. Then the larger ones join others to become rivers. This pattern of stream marriage happens all the way to the Gulf of California. Only then does it stop. This pattern streams make from the summits of mountains to the gulf or ocean is called a watershed.
    Erosion constantly changes the watershed. Erosion is a natural occurrence unless something unnatural like humans interferes. Sometimes a stream may meander down a mountain slope and where there are curves, caves can be found. The caves are the result of stream flow cutting into the bank bounded by rock of various kinds. As the stream erodes the canyon floor it will eventually leave the cave high and dry except when storms blow rain or snow into the cave’s mouth. Some rocks erode easier than others. Many people have used the caves for shelter throughout time. One of the caves, which Geronimo and his people occupied while hiding from the Mexican Army and the United States Cavalry, was cut into sandstone where the stream curves before heading to its confluence with the Bavispe River.
    Geronimo was certainly not the first to use the cavernous room; Cave dwelling hunters and gatherers lived there for thousands of years. Some of the smoke on the ceiling near the entrance is not only theirs but also Geronimo’s and possibly Pancho Villa’s while hiding from General “Black Jack” Pershing when the famous American general chased Pancho all over the Sierra Madre but never found him. Pancho had made a daring invasion of Columbus, New Mexico because he was angry that President Wilson didn’t support him for the Mexican Presidency. His attack on Columbus definitely grabbed Wilson’s attention.
    Nobody knows when the bats arrived to take up residence on the ceiling of the cave, but they have been there a long time judging from the accumulation of guano on the floor. One wonders if Geronimo and Pancho made any effort to clean the bat shit out while they lived in the cave. It is probably something that history will ponder once historians read this story.
    The bats lived happy lives until humans arrived on the scene, although early hunters did not cause the near extinction of the bat population because there were far more bats than there were humans for quite a while. Bats do quite well at reproducing their kind with a gestation period of from six to eight months depending on which bat scholar one reads. This amounts to one offspring a year. Bats are mammals so the mother bats suckle their young until they are ready to make their own forays into the nights to catch whatever their kind enjoy for a diet
    The original bats in the cave were not vampire bats because those are only found in Central and South America. But, when the copper mines and smelters were developed in the eighteen hundreds not far from the cave, changes began. The bats became subjected to the pollution from the copper smelters. Some of the metallic dust that flew into the air during the smelting process drifted on the wind to wherever the wind went. One destination of the wind was the cave. For a few years it was probably difficult to observe any changes in the physical makeup of the bat population in the cave, but after fifty years of inhaling the metallic residue from the smelter stacks the bats began to mutate. At first it happened only to a few individuals, but soon the mutants achieved a breeding population and it wasn’t too many years before the mutants crowded out the smaller bats from the cave.
    The new bats were much larger than their ancestors and adults gained the size of weaned pigs, or twenty pounds. Their faces looked much like them as well. The wingspan grew to three feet instead of the former eight inches. Somewhere in their gene pool they must have traced back to the vampire bats in Central and South America because the mutants changed their dietary habits from insects to blood. Whereas the vampire bats to the south require a couple tablespoons of blood for daily sustenance, the mutants with their greatly increased body size demanded a minimum of a cup. In the mountain country of the Sierra Madre they found it difficult to find sources for sustenance so one evening before flight time there was a discussion about scouting for a different place to live and survive. They had developed a way of communicating with different keyed screeches and humming sounds audible to the bats but to nothing else.
    As darkness fell over the mountains the mutant bats began a flight north and east to look for warm-blooded animals to feed upon. The leader searched for another cave in which to spend days hanging from the ceiling. They swooped down out of the mountains to a farm along a large river. They spotted a pasture with many steers, some grazing, others lying down on the grass. The entire squadron of mutant bats landed near the cattle and began making small incisions and lapping the blood into their mouths. The process never bothered the steers and they remained either at rest or consuming grass never noticing that they were being blood donors.
    Having finished feeding the leader flew off and headed to an old barn that stood like a sentinel overlooking an orchard of pecan trees. The corrugated roof had rusted in several places and one sheet flapped in the breeze. A large open door where wagonloads of hay once slid in to the loft stood open. The squadron followed the leader and found rafters under which they settled to perch heads down during the following day.
    Thus they proceeded in a northeasterly direction, living in deserted barns by day, feeding and traveling by night, always on the lookout for another cave. At one barn the rancher had a floodlight to light up the barnyard and corrals at night. The bats had spent the day in the spacious barn. As they flew out after dark several circled through the light and the rancher, who happened to be heading to his house after checking on a mare, due to foal, saw the bats leaving his barn.
    As usual, the mutant bats went about their feeding on the cattle in a nearby pasture. The following day the rancher went to the local newspaper and told his story of seeing “Flying Pigs” coming out of his hayloft right after dark.
    Three nights later the squadron found a new cave. It was different than the home they had had for so long in the Sierra Madres. It had been made from water dissolving limestone instead of water wearing away sandstone. The leader discovered it by accident when hordes of small bats exited for their nightly feeding on insects. The leader of the mutants soared through the opening and looked around with his sound probes and sense of smell. Returning to the squadron that was contentedly supping on a flock of sheep that had bedded down midst piññon and juniper, the leader told them about his discovery. Finished with their foraging the squadron followed the leader into the cave and found places to hang for the following day. They all agreed that it was fortunate to once again be able to have a cave for shelter but that the sheep were more difficult to make incisions in because of the thick wool on their bodies.
    The leader informed the squadron that they should scour the countryside for other animals to feed upon because the newly found cave would provide better shelter than the barns and other buildings they had been frequenting. The squadron agreed and as darkness fell they flew out to reconnoiter.
    As they flew north they came upon a few cattle that grazed in the moonlight. Swooping down they got their fill of the blood. The leader suggested that they use what darkness remained to scout for more animals to which they could return the following evening. After an hour’s flight the leader circled around a field that held horses, cattle and off to one side a flock of goats. The leader inquired if any of the mutant bats felt the need for more sustenance. None replied so the leader flew at the head of the formation back to the cave, arriving just prior to the early morning light that came creeping onto the landscape.
    The following evening, just before darkness covered the land, the leader summoned the squadron to admonish them to hasten to the new feeding area because it was farther away than their previous foraging grounds.
    Flying north the squadron was aided by a tailwind and they arrived in good time. As he approached the field the leader suddenly flapped his wings to slow down. He looked at a strange disk sitting in the middle of the field where they had seen the horses, cattle and goats. The disk’s lights shone out from the body of the craft. As the squadron circled, inspecting the appearance of some sort of new phenomenon, they saw figures leaving the craft through several openings.
    The creatures were short in stature, about four feet tall, pale green in color with one eye in the center of their yellowish foreheads. Their feet had two large toes in front of heels that looked bulbous compared to the toes. Their ears protruded horizontally from the sides of their heads and small noses were just above wide mouths that looked like they maintained perpetual smiles.
    Thinking they had come upon a new sort of animal to feed upon, the leader of the mutant bat squadron signaled for landing. Leading the squadron in downward flight the leader saw the creatures looking up at them. They all appeared to be laughing. The leader landed at a safe distance in case there was a need to take off to escape violence.
    The leader signaled the others to try feeding on the strangers, but admonished them to flee if there was any sign of resistance from the one-eyed strangers. The mutant bats approached the creatures cautiously, carefully searching for the best part of their bodies to bite with their teeth to be able to lap the blood into their mouths with their tongues.
    The mutant bats met with no resistance from the strangers even after they had made incisions in their necks and began lapping the scarlet liquid that oozed from the incisions. It looked like blood. It was the texture of blood, but it tasted sweeter than the blood they were used to and the mutant bats felt exuberance from whatever it was. The mutant bats continued lapping the liquid much longer than usual. It was soon evident that there was something in the life liquid of the strangers that made the mutant bats immobile when they stopped lapping and slumped to the ground with their eyes rolling in circles.
    The strangers seemed to know exactly what they were doing and began carrying the mutant bats into the disk. When all were loaded, they saw an earthling watching them, and quickly battened the hatches of the craft and started the quiet propulsion equipment that lifted the craft upward from the ground. Within seconds the craft disappeared beyond the moonlight.
    The rancher who had seen the strangers and their craft spoke to the local paper the following day. He did not mention any “Flying Pigs” as he had previously because everyone had ridiculed him, but he caused quite a stir in the entire country with his sighting report.
    Since that day in July, 1947 there have never been any other reported sightings of “Flying Pigs”.












Still in the Streets

Shannon Barber

    When I walk down the street at night I feel safe. I am protected by the orange tint of the streetlights; unlike the sun they make my face unclear. Maybe I even look pretty. My friends are always telling me to be careful, to stay in at night, but I never do. I’ve tried to explain to them that the workaday girl they see all the time is not the one I’ve always been. Nor is it the one I am now.
    I try to explain that I am at home that the people they are afraid of are my people. They are the people who when I stop at the mouth of the alley trying not to breathe in piss stained air, patting my pockets for my lighter, those are the people who will give me a light. Or hand me a book of matches.
    All of these nice people I know now make me tired. I’m lonely when I’m talking to them over coffee. They talk about buying houses and having babies, they talk about going to wineries and eating foods that cost more than I used to spend on food in a week. I hate to admit it, but I really don’t like them.
    I know that because I came from the streets and from among the night people that I am supposed to be happy. I am supposed to be an inspiring story of reclamation; I am supposed to be their shining light at the end of the sob story tunnel. I am supposed to be their movie of the week, or maybe supposed to get a make over to complete my transformation into an acceptable middle class girl.
    I wish I could say that I am sorry about that. Wouldn’t it be nice if I could look myself in the eye and realize the error of my ways and then curtsy to the I told you so’s playing in my head and stop with all this treacherous duality?
    At work I am the shy girl, the one who dresses matronly and too old. Officially my title is Document specialist- Tier Four, which is a fancy way of saying that I can reformat, correctly format or fix any document type and I type much faster than most everyone else.
    Some days I am asked to be their one and only copy writer. Once upon a time like a fool I volunteered to take over the duties of writing the company newsletter. After a few issues some boss somewhere higher up decided I could be their copywriter. I write things on the website, I take care of their social networking. I do those things that most of them don’t know how to do when I’m not doing my main job.
    Unfortunately this has led to interaction. It used to be that I was the shy and somewhat well dressed girl in the corner cubicle on the fourth floor. The young lady in slacks, twin sets and sensible shoes, when I first started working here I had no idea what to wear and I made up this stupid uniform. They never know that my twin sets are bought at the uptown thrift store and that I wear pants not because I want to be taken seriously as a professional but because I have huge tattoos on my calves that I hate explaining to horrified nice people.
    I make enough money to live in a nice apartment, I have things, I eat every day. I am never worried about the things I used to worry about. Now I worry about what could happen if any of the people I work with figure out that I’m pretending. I’m a big fake. I don’t belong in their world and the clothes they all compliment are all pieces of a costume.
    Everyday I battle my instincts, I smile, I try not to look like a freak. I try to at least seem like one of them, like the girl they think they hired. It’s hard and I’m always scared the mask will slip.
    I was at work the other day, and I looked up when I saw people approaching. I don’t know what they wanted, but the terror that welled in me was possibly the worst thing I have ever felt. Every atavistic human fear bubbled in my guts, my asshole clenched shut so I would not soil myself in case I had to flee. I looked at their bright All-American faces and almost pissed myself like a rabbit gone tharn.
    I did not run nor did I piss or shit myself, all three miracles. Instead. I put on my nice smile, the slightly shy “oh shit” smile they are used to. They spoke; I responded I did whatever it was that they asked. The mask stayed up, but barely.
    The terror lingers. It lingers and drives me from my decent apartment onto the streets. I walk for blocks and blocks; I know my route by how the pavement looks. I know I’m home when I see the older prostitute with the bad shoes and fabulous wigs holding down her corner.
    Tonight when I get off of work I will say goodbye, I will listen to my coworkers extorting me to be safe and then I will walk. Walk until the terror abates and I feel human again. I will stop and talk to the hookers, addicts and other night people and I will be safe.
    I will be human again and I will be safe.












small Pink Nude, art by Cheryl Townsend

small Pink Nude, art by Cheryl Townsend












Tango Tigers

Irene Ferraro

    “Aaahh.” Said the mirror on the wall.
    “Aaahaahh,” said Lila to the mirror.
    She pushed her hair out of her eyes. It was a tangled knot of curls.
    “Tell me, mirror, who is the fairest of them all,” said Lila.
    The mirror was silent. Save for Lila’s reflection and the far wall behind her, it revealed nothing.
    “C’mon, mirror. Talk to me.”
    The chocolate brown wall behind the mirror stretched from end to end in creamy smoothness. It was scrumptious. It’s only blemish was the infinitesimal hole that would be left in the wall by the hook upon which the mirror hung. A gong sounded in the corridor of emptiness. The clock struck noon and rang its bells.
    Lila was alone, all alone. Her husband had left her and taken the children.
    “Tiger, tailor, tango, thyme,” said Lila to herself. “See how good I cook? I know all the recipes for a happy marriage. Good luck and long life.”
    Lila threw the mirror to the floor. It smashed into hundreds of small and larger slivers. They shone with passionate duty to whatever light there was. A puzzle of multiple images lay on the off-white tile.
    Lila wept.
    “Angels are never coming to this house,” she cried.
    She walked through the house, touching objects here and there. She came to a wedding portrait of her and her husband. In the picture, Lila was wearing the traditional white gown. Her husband was in a traditional black tuxedo. He seemed to be swathed in yards of lace from Lila’s veil and train. They looked to be a typical couple. When Lila saw the framed likeness, she cried harder.
    “Where have you gone, Aldo? Where have you taken our babies?” With her head in her hands, she sobbed. Through her bitter tears, she heard her phone. A call was coming in.
    “You called the cops?”
    “What else was I supposed to do, Aldo? You took our children. Where are they?” Lila was screaming into the phone.
    “This is between you and me, Lila. You involved others,” Aldo said.
    “You stole my babies and you hid them. You wouldn’t give them back. You wouldn’t tell me where they are. They are my children, too. Bring them home to me,” Lila screeched, again. She was getting hoarse.
    “You got me into trouble. You ruined my life. You weren’t happy just taking the house. You had to have my children, too. You’ll be sorry you told the police. Now, you’ll never see your kids, again,” said Aldo. The call ended.
    “I’ll find them,” shouted Lila, to no one. Aldo was gone.
    Lila considered the possibility of running out of the house, leaving the door open, letting the air rush in. Perhaps it would bring in her children, riding on kites. As a family, in better times, they had often flown their kites in the park. What made Aldo rip all those kites to pieces? What had made him suddenly change one day into a stranger? Overnight, he became a man she had never met, had never known. He left the house, and then started stalking her. He lied about her. That was how he had taken the children, by lying. That was why no one was anxious to bring them back to her, because of what he said. No one was sure she ought to have them with her, anymore. With Aldo’s tales of wild parties and drugs, Lila was seen as an unfit mother. In her heart, she knew he would never get away with any of this. What she didn’t know was that Aldo had lost the children. They had become separated in a gas station. Actually, they had wandered off. They had melted into the crowd and were gone. He had called Lila, but no one else. He didn’t want anyone to surmise where he was. He prepared his escape. He became a new person, someone that nobody would care to find. He was already gone from the mess that was his life. Why not keep going until his whole life was brand new.
    Somewhere, in dank alleys, two children ambled. One was a boy of eight. The other was a girl of nine years. They were glad to be away from their parents. Their parents were nasty and fought all the time. The children loved them with dread. And now the feared thing had happened. They were not together, anymore. The fracture was complete. The glass figurine of the happy couple was smashed. The children did not want to go home.
    Lorenzo and Pamela were the children’s names. They called themselves the Rat Visitors because of the number of rodents they had seen since they had been on the run. The rats mostly ran away from them. The children were fond of the rats, but the feeling was not mutual. Their goal was to visit the sewer and torment the rats in earnest, in their own environment. This plan never materialized, but it was very dear to them. It got them through the day and night. They would toss the idea back and forth as they traipsed over unnamed and suspicious puddles.
    What Lorenzo and Pamela did not realize was that Lila was different, now. Mom had mentally split apart like an atom and was proceeding to render destruction as far as she could reach. She was angry, that was true. But she was mostly hurt by the public entertainment her life had become. Because kidnapping was involved, her divorce had become media property. In the news, she was “The Swinger Mom,” “The Party Girl,” “Neglectful,” “Open For Sex.” She was enraged at the casual misinterpretation of her actions , none of which could be judged by outsiders since they had not experienced what she had through this ordeal. She felt alone in this mob. Lila, therefore, never left the house anymore. She had taken to being a recluse. The impact was devastating. She would not eat. She lay in bed for hours and did nothing. She would not let anyone in. And the media people collected on her doorstep.
    Meanwhile, Aldo had managed to slip unnoticed over the border. With a political boundary between them, he did not fear Lila’s revenge. He felt safe.
    Where Lila was, the golden days of Autumn had renewed disinterest in the great outdoors. Cooler weather brought less outside activity as temperatures dropped. The heat was off. She stayed inside, not as noticed as she had been. Except to gape at the neglected appearance of her house, her audience had stopped visiting to ogle the scandal. Now the curious were interested in the freakishness of disarray. If only one had bothered to knock on Lila’s door one bright, leaf-splashed October afternoon. That subsequent stench may not have brought the police to Lila’s door to find her dead. It appeared that she had choked to death on a piece of food. Poor, thin Lila had finally decided to eat. Now, she was a ghost.
    Lorenzo and Pamela remained unfound. So did Aldo, though it was largely assumed that he had the children with him. He did not. Lorenzo and Pamela, the Rat Visitors, were communing invisibly with other lost children. They had taken up with another orphan of good fortune. She was a woman of indeterminate age who called herself Miss Mary because everyone said she reminded them of a schoolteacher. No one ever bothered with her real name, whatever that was. She took the children in as though they were her own. She cut and dyed their hair so no one would know who they were. She called them Lo and Mel. Their favorite place to play in her house was her linen closet. She had tons of sheets in a variety of colors and prints. Lo and Mel’s favorite were the satin tiger skin print. The closet was as big as a regular room. The children liked to “make a bed” with the tiger skin sheets on the floor. They pretended to “camp out,” two determined hunters on safari.
    “We’re catching big game, Aunt Mary,” they would say. A very large television was parked in the living room. Mary received visitors here. By now, most of Aldo’s deeds had past the point of high interest. Except every now and again, though seldom, the faces of the two children appeared. Viewers were urged to pass along any information concerning their whereabouts to the proper authorities. Mary pretended not to notice. Somewhere, in the middle of an abduction, Lo and Mel had run away from home. They did not want to be found. “You’re where you want to be,” Aunt Mary reminded them. Lo and Mel had told her that both their parents were dead and they had been living with a cruel uncle. They would have been surprised to learn that some of this was true. Aunt Mary did not question anything they told her. Silence on certain subjects was their unspoken agreement.
    “I’ve loved you for a lifetime
     And you know that it’s not fair.
    Today, you are my everything.
    Tomorrow, you won’t be there.”
    The song poured from the radio. It filled up the room.
    “You are as fickle as a sunny wind,
    As charming as the tide.
    You’ve broken all your promises.
    My love will let it ride.”
    In an empty room, an idle bug strayed through the dust. It took itself through a crack in the wall and disappeared. On the floor, a shadow came and went. And old-fashioned sign kept throwing it down. Then the sign took it away. A repast of colors blinked on and off, on and off. The shadow came with the light. It was gone with the dark.
    “I’ve burned my heart and soul for you.
    You don’t care, you don’t care.”
    The radio played . The song went on. But no one was there. No one was there.
    Lo and Mel “stashed it up” for Aunt Mary. No one called it stealing, though that’s what it was. Whenever Aunt Mary was low on funds, which was more often than she cared to admit, the children were sent out to gather goods without paying for them. The children were told to conceal their actions so they would not get caught. At “home” with Aunt Mary, nothing was concealed. She did not tell them to hide their thieving because it was wrong. Aunt Mary did not think it was wrong herself. If one did not have money, one just “took.” In private, the three of them reveled in their booty. The children forgot that they had ever had another kind of life. Aunt Mary and a full purse were all they knew. Aunt Mary was so proud. She told them that when they were older, they would do “other things” to make her proud.
    It was cold, and all the windows were shut tight against bitterness. The winter iced the brick and sidewalks of the cityscape with austere mastery. In spite of the glass seals, music spilled out of the closed windows of the first floor apartment. The little hovel was no more than a cube space.
    “You make the angels cry.
    You lie.You lie.”
    The song poured out with the agony of heartbreak. The landlord grumbled at the lack of consideration. He entered the building and headed for the tiny suite. He banged on the door from which the music emanated.
    “Stop the noise pollution,” he shouted, “Turn it down.”
    No one answered. He reached for the set of keys he always had with him. Unlocking the door, he walked in unimpeded. No one was there. The room looked unlived in. The landlord was concerned. Had these rooms been rented? Were there squatters here? The song played on and on from a radio on an end table by an armchair. All were covered with inches of dust. No one was sitting there. Yet, in a matter of seconds, a woman in tiger skin pants rose from the chair and looked at the person legally responsible for the premises. Both looked through one another. The woman in tawny and black stripes looked past the perplexed man, at conditions beyond him. The man looked through the woman because he could see right through her. She was transparent. The hair on the back of his neck rose.
    “Tiger, tailor, tango, thyme,” the transparent woman sang. Her voice was hollow.
    “Time?” stammered the man. “Do you want to know what time it is?”
    It took him a few to join one thought to the other. She was there, but not in the usual manner. The landlord turned and walked briskly out the door.
    “I’ll come back later,” he said as he left.
    On the other side of life, Aunt Mary was welcoming a “guest” to her home. He was singular in size. Large, strong, and well-muscled, he seemed to take up the better part of any space he occupied. Aunt Mary cooed and sighed. He was good-looking. She twirled the ends of her hair in her fingers. She invited him into her world with eagerness. Yet, in spite of all the attention and approval she lavished upon him, he did not respond. He was as hard as steel, as cold as ice. Aunt Mary tried a different approach. She tried poking and insulting him. She really did not mean the nasty things she said. She just wanted to get him going. She did get him to react, though not as she expected. He put his hand around her throat and squeezed, hard. He became violent in an instant. Obviously, he was easily provoked, Mary thought, as she died. On the street of dreamers and survivors, Mary became a statistic. The man left behind him not a legacy of fingerprints. He left pitiful Aunt Mary without a trace of his own existence. There were witnesses to his presence, in that neighbors had seen visitors come and go at Aunt Mary’s all day and night. But this man was one of many and he was hard to place in time and circumstance. No one could pick him out of the crowd that routinely arrived on Aunt Mary’s doorstep. Neighbors also reported the absence of two children that had been seen there that day, a boy and a girl. The two children seemed to have been living with the unfortunate woman. No one could be sure if they had frequent stay-overs with their “Aunt” or if they were permanent residents. Aunt Mary did not reveal much of her personal affairs to anyone. She was a private and concealed person. In the absence of certainty there was confusion and delay. It was the handsome stranger of Aunt Mary’s demise who had, in fact, taken the children with him.
    “You can’t hide from me,
    Not at the bottom of a stormy sea,
    Not even if you were up a tree.
    You can’t hide from me.”
    The singer caressed the lyrics, a real crooner. The music teased from the car radio, inviting response. They had stopped at a drive-through restaurant; the boy, the girl, and the man. Surprisingly, the children were no problem. The girl kept looking at him. The man felt that he had shook something in her that was still sleeping. The boy looked at her as tough he did not like it. The man understood that the little girl had a childish crush on him, and that the brother was possessive of her. The man strongly felt that they were easy to manipulate, no more nor less than other children, but these were his. They would provide a perfect buffer zone between himself and his accusers. He did everything to gain their trust. He went out of his way to make them like him, especially the boy. He told them his name was St. Nick, which it was not. He told them Aunt Mary was hiding from the police because she had “done something.” When they became alarmed, he said it was best if they pretended, for the sake of outsiders, that she had gone to Heaven. He told them not to believe anything they heard about Aunt Mary actually dying. When they insisted on “helping” her, he told them Aunt Mary had sent him to take them away and soon they would be with her, again. Lo and Mel were no strangers to hiding their deeds at that point in their lives. Yet, they were still children. They had faith in this Mr. St. Nick, whose name smelled suspiciously like hot chocolate and peppermint sticks. They did whatever he told them. They even explained how they had come to be with Aunt Mary. The children both confessed that they hated being at home. They said they did not like their father. Though they did not dislike their mother, they could not stand being with her when she was with him. Mon and Dad fought and they were mean. Their father was cruel and cold to them. Lo and Mel asked Mr. St. Nick when they would be with Aunt Mary. They also asked him if they could see their mother, but not their father. Through the details the children had given him, St. Nick was already planning to sell them back to their father, in lieu of delivering the old man to authorities for his parental woes. He felt he knew where and how to find their dad. How useful this boy and girl were. How glad and fortunate that they were still alive. How lucky St. Nick was to have these flesh testimonials of another man’s crimes.
    “I love you in the darkest night,
    And when the skies are blue.
    Would it trouble you
    To let me know
    You are mine.
    Give me your number
    And the day.
    I’ll be on my way.”
    No one was there, but the door opened anyway. St. Nick and the children were sleeping inside, he in one bed, they in another. The creaking of the dusty floor made St. Nick open his eyes. It truly sounded as though someone were treading cautiously across the floor, a person making his or her way to him. He scrutinized the space between his bed and the open door, but no one was there. His mind clicked forward, seeking adjustment. He tried to determine a conclusive judgement from the evidence presented, but was not able. Was someone there or not? Was he dreaming? St. Nick felt the chill of his perspiration drying on his skin. He started to shiver. He began to cry. And then he felt the breath leaving his body. It were as though all the air was drawn from his lungs, all the oxygen sucked through his skin. In terror, he fell limp, dead for all the world to see. His body was mottled, covered with purple bruises from head to toe.
    Someone had called the police. This was after St. Nick’s emissary had found Aldo. Someone had called the police because St. Nick had passed away. It had not been the children. No one knew who it was. No one had told Aldo that St. Nick was gone and departed. When investigators found Aldo poking around St. Nick’s last sleeping quarters, they assumed he had made the phone call. They also believed that he had caused St. Nick’s death. So they arrested him for homicide. Aldo was surprised.
    “Tango tigers,” the whisper settled like Autumn leaves in a corner of the room. A night light burned in the house that sheltered Lorenzo and Pamela. Officially and with public conscience, the boy and girl were now the State’s children. They slept uneasily in a mindful bed.
    “Tango tigers,” the whisper swept out again.
    Lorenzo lifted his head from his pillow. Lila stood before him, more than an image cast upon a half-wakened eye. His mother was really there.
    “Mom?” he asked.
    He stood up, quietly. He walked toward the ghost. Pamela followed.
    “They said you were gone forever, Mama,” said Pamela. “I guess they were lying.”
    “Who said I was gone forever?” whispered Lila.
    “These people, here, in this place,” answered Pamela, softly.
    “Then we must leave this place,” said Lila.
    A door opened silently, then another, and another. Soon, Lila and the children were outside. It was another golden October. The night air was chilled. The luminous stars were unmoved by the brisk breeze. The moon was patient and still. Only some clouds were hurried by the wind. They flew past the glow and twinkle of the sky like commuter trains carrying souls to urgent destinations in an evening rush hour. Aunt Mary walked out of the pools of darkness.
    “Let’s go,” she said to the two children. Aunt Mary held out her hand.
    “I don’t know....,” said Pamela.
    “Come on,” said Lorenzo, “We can just take stuff, like we did before. We’ll be okay.”
    Pamela finally nodded. The four of them held hands. Two adults and two children were joined in time and necessity. A quartet of figures walked forward unseen. The spinning planet threw protective arms around them. Then, Lila, Aunt Mary, Lorenzo, and Pamela were gone.














    Nick DiSpoldo, Small Press Review (on “Children, Churches and Daddies,” April 1997)

    Kuypers is the widely-published poet of particular perspectives and not a little existential rage, but she does not impose her personal or artistic agenda on her magazine. CC+D is a provocative potpourri of news stories, poetry, humor, art and the “dirty underwear” of politics.
    One piece in this issue is “Crazy,” an interview Kuypers conducted with “Madeline,” a murderess who was found insane, and is confined to West Virginia’s Arronsville Correctional Center. Madeline, whose elevator definitely doesn’t go to the top, killed her boyfriend during sex with an ice pick and a chef’s knife, far surpassing the butchery of Elena Bobbitt. Madeline, herself covered with blood, sat beside her lover’s remains for three days, talking to herself, and that is how the police found her. For effect, Kuypers publishes Madeline’s monologue in different-sized type, and the result is something between a sense of Dali’s surrealism and Kafka-like craziness.



Debra Purdy Kong, writer, British Columbia, Canada
I like the magazine a lot. I like the spacious lay-out and the different coloured pages and the variety of writer’s styles. Too many literary magazines read as if everyone graduated from the same course. We need to collect more voices like these and send them everywhere.

    Ed Hamilton, writer

    #85 (of Children, Churches and Daddies) turned out well. I really enjoyed the humor section, especially the test score answers. And, the cup-holder story is hilarious. I’m not a big fan of poetry - since much of it is so hard to decipher - but I was impressed by the work here, which tends toward the straightforward and unpretentious.
    As for the fiction, the piece by Anderson is quite perceptive: I liked the way the self-deluding situation of the character is gradually, subtly revealed. (Kuypers’) story is good too: the way it switches narrative perspective via the letter device is a nice touch.



Children, Churches and Daddies.
It speaks for itself.
Write to Scars Publications to submit poetry, prose and artwork to Children, Churches and Daddies literary magazine, or to inquire about having your own chapbook, and maybe a few reviews like these.

    Jim Maddocks, GLASGOW, via the Internet

    I’ll be totally honest, of the material in Issue (either 83 or 86 of Children, Churches and Daddies) the only ones I really took to were Kuypers’. TRYING was so simple but most truths are, aren’t they?


what is veganism?

    A vegan (VEE-gun) is someone who does not consume any animal products. While vegetarians avoid flesh foods, vegans don’t consume dairy or egg products, as well as animal products in clothing and other sources.

    why veganism?

    This cruelty-free lifestyle provides many benefits, to animals, the environment and to ourselves. The meat and dairy industry abuses billions of animals. Animal agriculture takes an enormous toll on the land. Consumtion of animal products has been linked to heart disease, colon and breast cancer, osteoporosis, diabetes and a host of other conditions.

    so what is vegan action?

    We can succeed in shifting agriculture away from factory farming, saving millions, or even billions of chickens, cows, pigs, sheep turkeys and other animals from cruelty.
We can free up land to restore to wilderness, pollute less water and air, reduce topsoil reosion, and prevent desertification.
    We can improve the health and happiness of millions by preventing numerous occurrences od breast and prostate cancer, osteoporosis, and heart attacks, among other major health problems.

    A vegan, cruelty-free lifestyle may be the most important step a person can take towards creatin a more just and compassionate society. Contact us for membership information, t-shirt sales or donations.

vegan action
po box 4353, berkeley, ca 94707-0353
510/704-4444


    C Ra McGuirt, Editor, The Penny Dreadful Review (on Children, Churches and Daddies)

    cc&d is obviously a labor of love ... I just have to smile when I go through it. (Janet Kuypers) uses her space and her poets to best effect, and the illos attest to her skill as a graphic artist.
    I really like (“Writing Your Name”). It’s one of those kind of things where your eye isn’t exactly pulled along, but falls effortlessly down the poem.
I liked “knowledge” for its mix of disgust and acceptance. Janet Kuypers does good little movies, by which I mean her stuff provokes moving imagery for me. Color, no dialogue; the voice of the poem is the narrator over the film.



    Children, Churches and Daddies no longer distributes free contributor’s copies of issues. In order to receive issues of Children, Churches and Daddies, contact Janet Kuypers at the cc&d e-mail addres. Free electronic subscriptions are available via email. All you need to do is email ccandd@scars.tv... and ask to be added to the free cc+d electronic subscription mailing list. And you can still see issues every month at the Children, Churches and Daddies website, located at http://scars.tv

    Mark Blickley, writer

    The precursor to the magazine title (Children, Churches and Daddies) is very moving. “Scars” is also an excellent prose poem. I never really thought about scars as being a form of nostalgia. But in the poem it also represents courage and warmth. I look forward to finishing her book.


MIT Vegetarian Support Group (VSG)

functions:
* To show the MIT Food Service that there is a large community of vegetarians at MIT (and other health-conscious people) whom they are alienating with current menus, and to give positive suggestions for change.
* To exchange recipes and names of Boston area veg restaurants
* To provide a resource to people seeking communal vegetarian cooking
* To provide an option for vegetarian freshmen

    We also have a discussion group for all issues related to vegetarianism, which currently has about 150 members, many of whom are outside the Boston area. The group is focusing more toward outreach and evolving from what it has been in years past. We welcome new members, as well as the opportunity to inform people about the benefits of vegetarianism, to our health, the environment, animal welfare, and a variety of other issues.


    Gary, Editor, The Road Out of Town (on the Children, Churches and Daddies Web Site)

    I just checked out the site. It looks great.



    Dusty Dog Reviews: These poems document a very complicated internal response to the feminine side of social existence. And as the book proceeds the poems become increasingly psychologically complex and, ultimately, fascinating and genuinely rewarding.

    John Sweet, writer (on chapbook designs)

    Visuals were awesome. They’ve got a nice enigmatic quality to them. Front cover reminds me of the Roman sculptures of angels from way back when. Loved the staggered tire lettering, too. Way cool.

    (on “Hope Chest in the Attic”)
    Some excellent writing in “Hope Chest in the Attic.” I thought “Children, Churches and Daddies” and “The Room of the Rape” were particularly powerful pieces.



    Dusty Dog Reviews: She opens with a poem of her own devising, which has that wintry atmosphere demonstrated in the movie version of Boris Pasternak’s Doctor Zhivago. The atmosphere of wintry white and cold, gloriously murderous cold, stark raging cold, numbing and brutalizing cold, appears almost as a character who announces to his audience, “Wisdom occurs only after a laboriously magnificent disappointment.” Alas, that our Dusty Dog for mat cannot do justice to Ms. Kuypers’ very personal layering of her poem across the page.

    Cheryl Townsend, Editor, Impetus (on Children, Churches and Daddies)

    The new cc&d looks absolutely amazing. It’s a wonderful lay-out, looks really professional - all you need is the glossy pages. Truly impressive AND the calendar, too. Can’t wait to actually start reading all the stuff inside.. Wanted to just say, it looks good so far!!!



    Fithian Press, Santa Barbara, CA
    Indeed, there’s a healthy balance here between wit and dark vision, romance and reality, just as there’s a good balance between words and graphics. The work shows brave self-exploration, and serves as a reminder of mortality and the fragile beauty of friendship.

    Mark Blickley, writer
    The precursor to the magazine title (Children, Churches and Daddies) is very moving. “Scars” is also an excellent prose poem. I never really thought about scars as being a form of nostalgia. But in the poem it also represents courage and warmth. I look forward to finishing her book.

    You Have to be Published to be Appreciated.

    Do you want to be heard? Contact Children, Churches and Daddies about book or chapbook publishing. These reviews can be yours. Scars Publications, attention J. Kuypers. We’re only an e-mail away. Write to us.


    Brian B. Braddock, Writer (on 1996 Children, Churches and Daddies)

    I passed on a copy to my brother who is the director of the St. Camillus AIDS programs. We found (Children, Churches and Daddies’) obvious dedication along this line admirable.



    The Center for Renewable Energy and Sustainable Technology
    The Solar Energy Research & Education Foundation (SEREF), a non-profit organization based in Washington, D.C., established on Earth Day 1993 the Center for Renewable Energy and Sustainable Technology (CREST) as its central project. CREST’s three principal projects are to provide:
    * on-site training and education workshops on the sustainable development interconnections of energy, economics and environment;
    * on-line distance learning/training resources on CREST’s SOLSTICE computer, available from 144 countries through email and the Internet;
    * on-disc training and educational resources through the use of interactive multimedia applications on CD-ROM computer discs - showcasing current achievements and future opportunities in sustainable energy development.
    The CREST staff also does “on the road” presentations, demonstrations, and workshops showcasing its activities and available resources.
For More Information Please Contact: Deborah Anderson
dja@crest.org or (202) 289-0061

    Brian B. Braddock, WrBrian B. Braddock, Writer (on 1996 Children, Churches and Daddies)

    Brian B. Braddock, WrI passed on a copy to my brother who is the director of the St. Camillus AIDS programs. We found (Children, Churches and Daddies’) obvious dedication along this line admirable.


    Dorrance Publishing Co., Pittsburgh, PA
    “Hope Chest in the Attic” captures the complexity of human nature and reveals startling yet profound discernments about the travesties that surge through the course of life. This collection of poetry, prose and artwork reflects sensitivity toward feminist issues concerning abuse, sexism and equality. It also probes the emotional torrent that people may experience as a reaction to the delicate topics of death, love and family.
    “Chain Smoking” depicts the emotional distress that afflicted a friend while he struggled to clarify his sexual ambiguity. Not only does this thought-provoking profile address the plight that homosexuals face in a homophobic society, it also characterizes the essence of friendship. “The room of the rape” is a passionate representation of the suffering rape victims experience. Vivid descriptions, rich symbolism, and candid expressions paint a shocking portrait of victory over the gripping fear that consumes the soul after a painful exploitation.

    want a review like this? contact scars about getting your own book published.


    Paul Weinman, Writer (on 1996 Children, Churches and Daddies)

    Wonderful new direction (Children, Churches and Daddies has) taken - great articles, etc. (especially those on AIDS). Great stories - all sorts of hot info!



the UNreligions, NONfamily-priented literary and art magazine


    The magazine Children Churches and Daddies is Copyright © 1993 through 2011 Scars Publications and Design. The rights of the individual pieces remain with the authors. No material may be reprinted without express permission from the author.

copyright

    Okay, nilla wafer. Listen up and listen good. How to save your life. Submit, or I’ll have to kill you.
    Okay, it’s this simple: send me published or unpublished poetry, prose or art work (do not send originals), along with a bio, to us - then sit around and wait... Pretty soon you’ll hear from the happy people at cc&d that says (a) Your work sucks, or (b) This is fancy crap, and we’re gonna print it. It’s that simple!

    Okay, butt-munch. Tough guy. This is how to win the editors over.
    Hope Chest in the Attic is a 200 page, perfect-bound book of 13 years of poetry, prose and art by Janet Kuypers. It’s a really classy thing, if you know what I mean. We also have a few extra sopies of the 1999 book “Rinse and Repeat”, the 2001 book “Survive and Thrive”, the 2001 books “Torture and Triumph” and “(no so) Warm and Fuzzy”,which all have issues of cc&d crammed into one book. And you can have either one of these things at just five bucks a pop if you just contact us and tell us you saw this ad space. It’s an offer you can’t refuse...

    Carlton Press, New York, NY: HOPE CHEST IN THE ATTIC is a collection of well-fashioned, often elegant poems and short prose that deals in many instances, with the most mysterious and awesome of human experiences: love... Janet Kuypers draws from a vast range of experiences and transforms thoughts into lyrical and succinct verse... Recommended as poetic fare that will titillate the palate in its imagery and imaginative creations.

    Mark Blickley, writer: The precursor to the magazine title (Children, Churches and Daddies) is very moving. “Scars” is also an excellent prose poem. I never really thought about scars as being a form of nostalgia. But in the poem it also represents courage and warmth. I look forward to finishing the book.

    You Have to be Published to be Appreciated.
    Do you want to be heard? Contact Children, Churches and Daddies about book and chapbook publishing. These reviews can be yours. Scars Publications, attention J. Kuypers - you can write for yourself or you can write for an audience. It’s your call...

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    Dorrance Publishing Co., Pittsburgh, PA: “Hope Chest in the Attic” captures the complexity of human nature and reveals startling yet profound discernments about the travesties that surge through the course of life. This collection of poetry, prose and artwork reflects sensitivity toward feminist issues concerning abuse, sexism and equality. It also probes the emotional torrent that people may experience as a reaction to the delicate topics of death, love and family. “Chain Smoking” depicts the emotional distress that afflicted a friend while he struggled to clarify his sexual ambiguity. Not only does this thought-provoking profile address the plight that homosexuals face in a homophobic society, it also characterizes the essence of friendship. “The room of the rape” is a passionate representation of the suffering rape victims experience. Vivid descriptions, rich symbolism, and candid expressions paint a shocking portrait of victory over the gripping fear that consumes the soul after a painful exploitation.

 

    Dusty Dog Reviews, CA (on knife): These poems document a very complicated internal response to the feminine side of social existence. And as the book proceeds the poems become increasingly psychologically complex and, ultimately, fascinating and genuinely rewarding.
Children, Churches and Daddies. It speaks for itself.

 

    Dusty Dog Reviews (on Without You): She open with a poem of her own devising, which has that wintry atmosphere demonstrated in the movie version of Boris Pasternak’s Doctor Zhivago. The atmosphere of wintry white and cold, gloriously murderous cold, stark raging cold, numbing and brutalizing cold, appears almost as a character who announces to his audience, “Wisdom occurs only after a laboriously magnificent disappointment.” Alas, that our Dusty Dog for mat cannot do justice to Ms. Kuypers’ very personal layering of her poem across the page.
    Children, Churches and Daddies. It speaks for itself.

    Debra Purdy Kong, writer, British Columbia, Canada (on Children, Churches and Daddies): I like the magazine a lot. I like the spacious lay-out and the different coloured pages and the variety of writer’s styles. Too many literary magazines read as if everyone graduated from the same course. We need to collect more voices like these and send them everywhere.

    Fithian Press, Santa Barbara, CA: Indeed, there’s a healthy balance here between wit and dark vision, romance and reality, just as there’s a good balance between words and graphics. The work shows brave self-exploration, and serves as a reminder of mortality and the fragile beauty of friendship.



Children, Churches and Daddies
the unreligious, non-family oriented literary and art magazine
Scars Publications and Design

ccandd96@scars.tv
http://scars.tv

Publishers/Designers Of
Children, Churches and Daddies magazine
cc+d Ezines
The Burning mini poem books
God Eyes mini poem books
The Poetry Wall Calendar
The Poetry Box
The Poetry Sampler
Mom’s Favorite Vase Newsletters
Reverberate Music Magazine
Down In The Dirt magazine
Freedom and Strength Press forum
plus assorted chapbooks and books
music, poery compact discs
live performances of songs and readings

Sponsors Of
past editions:
Poetry Chapbook Contest, Poetry Book Contest
Prose Chapbook Contest, Prose Book Contest
Poetry Calendar Contest
current editions:
Editor’s Choice Award (writing and web sites)
Collection Volumes

Children, Churches and Daddies (founded 1993) has been written and researched by political groups and writers from the United States, Canada, England, India, Italy, Malta, Norway and Turkey. Regular features provide coverage of environmental, political and social issues (via news and philosophy) as well as fiction and poetry, and act as an information and education source. Children, Churches and Daddies is the leading magazine for this combination of information, education and entertainment.
Children, Churches and Daddies (ISSN 1068-5154) is published monthly by Scars Publications and Design. Contact Janet Kuypers via e-mail (ccandd96@scars.tv) for snail-mail address or prices for annual collection books.
To contributors: No racist, sexist or blatantly homophobic material. No originals; if mailed, include SASE & bio. Work sent on disks or through e-mail preferred. Previously published work accepted. Authors always retain rights to their own work. All magazine rights reserved. Reproduction of Children, Churches and Daddies without publisher permission is forbidden. Children, Churches and Daddies copyright Copyright © 1993 through 2011 Scars Publications and Design, Children, Churches and Daddies, Janet Kuypers. All rights remain with the authors of the individual pieces. No material may be reprinted without express permission.