writing from
Scars Publications

Audio/Video chapbooks cc&d magazine Down in the Dirt magazine books

 

This writing was accepted for publication
in the 108 page perfect-bound ISSN# /
ISBN# issue/book
Distances
Down in the Dirt
v213 (11/23)



Order the paperback book:
order ISBN# book
Down in the Dirt

Order this writing in the book
2023 in a Flash
the 2023 flash fiction & art
collection anthology
2023 in a Flash (2023 flash fiction and art book) get the 298 page flash fiction
& artwork & photography
collection anthology
as a 6" x 9" ISBN#
paperback book:

order ISBN# book

Order this writing that appears
in the one-of-a-kind anthology

Instant
Karma

the Down in the Dirt
September-December 2023
issues collection book

Instant Karma (Down in the Dirt book) issue collection book get the 422 page
September-December 2023
Down in the Dirt
6" x 9" ISBN#
perfect-bound
paperback book:

order ISBN# book

The Aids Quilt

Bree LeMaire

    The AIDS quilt panels spread out over at least a quarter mile in Washington, D.C., on the National Mall. People slowly, reverently walked looking down, taking in endless panels. The reality of it all jolted me, for there were deaths, but I never dreamed of this magnitude. One panel had an appliquéd photo of a man floating on clouds surrounded by signatures. Another had a tree with a name on each branch and then further another extended section with kids having hemophilia, mostly boys, so very young. Another panel showed a bouquet of multicolored balloons and below them a name with the lifespan date. Next was a flag full of stars across a gay rainbow and a short poem with another name. Then came a Spanish saying that mentioned discrimination with the victim’s picture and the word “non.” One after another of clouds, balloons, quotes, sayings, and special messages. With a full heart I realized they all spoke of a special individual loved enough for another to take their time to construct a quilt. I joined the slow parade, walking, my own solitude, reading, digesting, taking it all in.
    Two years into my work as an AIDS research nurse at UCLA, I had gone home to visit my folks in Delaware. Mid-visit, this was a break from family intensity with a short train ride to check out the quilt. Yes, I knew people were dying, but the scope was unfathomable until I came upon the quilt.
    Strategically dressed in white and walking between the panels were grief volunteers. It was late afternoon. Some spoke quietly with the strolling visitors, while another put their arm around an older man and offered a tissue. At one point I watched a conga line of those white-clothed people holding hands and quietly dancing by. There in the middle of the line was Richard, a handsome man with light brown, curly hair and deep blue eyes, a friend. Here was a familiar, understanding person to connect with, one of the subjects in my study. Neither of us had talked of going back East, and there he was, standing with his arms open for me to walk into.
    “I can’t believe all this. How does a person take it all in, so many?” I mumbled. Once we recounted our surprise at meeting one another so far from Los Angeles, Richard led me to a nearby bench. I cried while he supported me for at least an hour. Then a far-off bugle began playing taps. The white-clothed volunteers began to form a circle around each quilt, and they slowly began a silent folding ceremony. Each piece was taken, stacked, and stored for the next day.
    “The damp comes in at night and seeps in if we don’t put them in dry storage,” Richard explained.
    As the guardians put the panels away, I hugged Richard and said goodbye. We promised to reconnect and I headed back to Delaware, a million miles from all the sadness. A month later, I heard from Richard. He said he’d been dealing with mycobacterium avium complex and cytomegalovirus, both normal bacteria and viruses we carry every day, but immuno- compromised people cannot fight them off.
    “I was responding to treatment,” he said, “but we all know there is no cure.” When he felt better, I saw him for a home visit. This included a lunch his home health aide prepared. Richard lived in a beautiful West Hollywood house, bright and sunny with lots of windows, flowers, and white curtains. There were newly planted pansies, begonias, and white daisies along the entry walk. We enjoyed the sunshine from his kitchen window. He said, “I used to own eighteen houses in Los Angeles. I invested in real estate, and now I’m losing them all as I can’t make the payments.” It was his way of telling me how successful he had been, a counterpunch to his illness.
    When I next called Richard, his roommate said he’d moved, which didn’t make sense, as Richard had seemed settled in at home with his aide. Then I heard from his aide that he’d died. Six months later, I read his obituary in the L.A. Times. He’d died in a local hospice. I realized his desire to be seen as a successful real estate investor, not a debilitated victim in an AIDS hospice. Once more I knew the emptiness of separation during Richard’s final days and felt sad, as I was never offered that opportunity to say “Goodbye.” Even so, I cherish the sunny Washington afternoon when he emerged from a conga line and held his arms open.



Scars Publications


Copyright of written pieces remain with the author, who has allowed it to be shown through Scars Publications and Design.Web site © Scars Publications and Design. All rights reserved. No material may be reprinted without express permission from the author.




Problems with this page? Then deal with it...