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This writing was accepted for publication
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cc&d (v225) (the October 2011 Issue,



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Look, Man—

Nathan Riggs

I should have told you that your sister and I stripped
together when we were kids, in the white shed behind your house,
next to the infectious alley that smelled like blood and chalk,
where we kept the burnt mattresses that we dragged
from the curb next door and hauled upstairs to rest
with dead robins and roaches, broken bottles of Mad Dog
that we liberated from Krogers and crooked Parliament filters
that your uncle supplied on demand and with pleasure.

We stood in front of the window at the apex
that you and I used to throw rocks from at passing cars,
or shout foreign profanities at the kids
whose parents were married and had better jobs
                        —We didn’t lay.
We leaned against the wall, naked and splintered,
tall like the trees you and I would climb
so high until the air seemed so thin we’d swear
we could float past the horizon, into a world
of dragons chased by narcotic, rambling rats,
something imaginary, silent, intangible,
an extraordinary place more sacred than our own
        —we both got there, remember? No?

Ten years later, she and I talked
in a chance encounter at your uncle’s old haunt.
We didn’t mention the way we learned
words like soft, hard, wet;
or how we discovered that people taste like salt
and smell faint like milk and lemonade.

Instead we discussed how you shot yourself
in the face, the way we both imagined you would:
smirking, your boy-blond hair dyed
black and braided tight, the thick strands bound
in colorful elastic bands, clutching
the gun in your hands and a letter
addressed to your family and friends
between shattered teeth;

back against the wall,
waiting, one eye crusted,
one opened eternal, observing
the ricochet and reverberation.



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