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cc&d (v237) (the October 2012 Issue)

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Going to the Movies

Copyright R. N. Taber 2012

The moving picture speaks,
and having spoken moves on
to haunt the creative mind,
play with words on the tongue
that may (or may not) paint
pictures of thought others may
(or may not) be invited to see,
interpret as we (or they) intend,
only to subtly, discreetly, let it drop
in a history bin

The moving picture captures
and having captured demands
its captives consider if we’re
but slaves to its fictions or privy
to what goes on in those murky
corners of reality we are all free
to access any time but prefer
someone else take a closer look,
and clean it up without too much ado
about nothing

The moving picture speaks
and having spoken moves in
on the senses if only to see
what (if any) effect on emotions
kept under wraps for fear
we betray aspects of selfhood
that may be misconstrued
as weaknesses where we’d rather
wear our strengths on sleeves frayed
at the edges

Compelled to join forces once
a moving picture has said its piece
and moved on, inner sight
asking of the inner ear what it has seen,
agreeing they feel uneasy
for having been given a taste
of untouchables cast out
by croc tears and canned laughter.
Oh, but let#&8217;s just call it entertainment
and forget all about it?



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