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Cat People
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Blue Hearts

Kyle Hemmings

    Whenever Pixie-Bob and Kat get into an argument, he will tear his pillow with a Shonen knife. He will threaten to love girls who work in bomb factories. Or he will sleep under the house with the goat-boys, made homeless under the city’s new urban renewal program. They are dreamless and have no sense of mute beat. If things get too heated, Pixie-Bob will get lost in L-shaped rooms under streets and gear-grind, doing the Trip Hop before hookers having ticks and herniated discs. When he returns home, he will be in a trance. For days, all doors will be closed. But Kat being a girl-rapper trained in classical, will stand in the rain. This is not to say that every time Kat and Pixie-Bob argue, there will be rain. The rain is not logical, and contrary to popular opinion, has no musical sense. The rain does not say Take off your hi-hat and dance with me. The rain may not be there at all. It’s just that in the absence of the other, Kat loves to stand in the middle of a street, oblivious to sky peddlers and pimps on parole. She will throw her head back and open her mouth. She’ll convince herself that it’s pouring—it’s there. She loves to taste the meltdown of reflexive clouds, their nuclear sadness.



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