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Cat People
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Noir

Kyle Hemmings

    I wake up screaming. I can’t remember the exact content, only the gross shadows and the girl falling from the wharf. She was young with a voice that could charm dolphins, kingpins. Was that girl—me? I’m bleeding. I always cut myself when I dream. It’s my way of telling myself: Hey, wake up! You’re nowhere in sight. My white Persian with the blue eyes no longer answers to her French name: Jolie fille. The psychiatrist who speaks in shades of monotone, whose eyes scare me like ravens, says It’s all the result of stress. Stop working so many hours he says. But I tell him: There’s a war. There’s a war going on. I suspect that in secret rooms with fly-a-way women, he’s a fascist with dead-end eyes. The phone rings. It’s the same man I met yesterday at Frankie’s diner. He said his name was Dana Andrews. He handed me his card. He said tailing people was his specialty and asked whether anyone was giving me a hard time. I watched Frankie sling some hash, yell out to 86 the ham steaks. Now I remember. Dana Andrews was the man in my dream. He pushed me in. I believe he did. Then he swam after me. On the moonlit dock, I was shivering. He held me, kept calling me by my childhood nickname: Bleau. His eyes looked through me. Hooked through me. He had the eyes of my cat.



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