Andrew Hettinger

I never really liked you. I met you through
a friend and he explained to me that multiple
sclerosis left you with a slight limp and a
faint lisp. Faint, under the surface, but there,
traces of something no one would ever
know of you well enough to fully understand.

I never really liked you. You never revealed
yourself to me and I never wanted you to;
you scared me too much. You, plagued with
physical ailments. You, with a limp in your walk.
You, with a patch over your eye. You, who
stared at me for always just a bit too long.

They told me the patch was from eye surgery
with complications and now you had to cover
your shame, cover someone else’s mistakes,
cover a wrong you didn’t commit, cover a
problem not of your own doing. The problems
were never of your own doing, were they.

I heard these stories and I thought it was sad.
I heard these stories and thought you had to be
a pillar of strength. And then I saw you drink,
straight from the bottle, fifteen-year-old
chianti. And I saw you smash your hand into
your living room wall. This is how you lived.
The house you lived in was littered with
trash. Why bother to clean it up anyway. It
detracted you from the holes in the wall, the
broken furniture from drunken fits. This was
how you reacted to life, to the world. You didn’t
know any better. This is how you coped.

I never really liked you. You would come home
from work, tell us about a woman who was
beautiful and smart that liked you, but she
wasn’t quite smart enough. And I thought: We
believe anything if we tell ourselves enough.
We weave these fantasies to get through the days.

I never really liked you. Every time you talked
to me you always leaned a little too close. So
I stayed away from the house, noted that those
whom you called friends did the same. I asked
my friend why he bothered to stay in touch.
And he said to me, “But he has no friends.”

This is how I thought of you. A man who was
dealt a bad hand. A man who couldn’t fight
the demons that were handed to him. And
with that I put you out of my mind, relegated
you to the ranks of the inconsequential. We parted
ways. You were reduced to a sliver of my youth.

I received a letter recently, a letter from
someone who knew you, someone who wanted
me to tell my friend that they read in the
newspaper that you hanged yourself. Your
brother died in an electrical accident, and
after the funeral you went to the train

station; instead of leaving this town you
went to a small room and left us forever.
Strangers had to find you. The police had to
search through records to identify your body.
The newspaper described you as having “health
problems.” But you knew it was more than that.

And I was asked to be the messenger to my
friend. The funeral had already passed. You were
already in the ground. There was no way he
could say goodbye. I shouldn’t have been the one
to tell him this. No one deserved to tell him.
He was the only one who tried to care.

I never really liked you. No one did. But when
I had to tell my friend, I knew his pain.
I knew he wanted to be better. I knew he
thought you were too young to die. I knew he
felt guilty for not calling you. He knew it
shouldn’t have been this way. We all knew it.

I never really liked you. But now I can’t get
you out of my mind; you haunt me for all the
people we’ve forgotten in our lives. I don’t like
what you’ve done. I don’t like you quitting.
I don’t like you dying, not giving us the chance
to love you, or hate you, or even ignore you more.

My friend still doesn’t know where your grave is.
I’d like to find it for him, and take him to you.
Let you know you did have a friend out there.
Bring you a drink, maybe, a fitting nightcap
to mark your departure, to commemorate a life
filled with liquor, violence, pain and death.

I never really liked you, but maybe we could get
together in some old cemetery, sit on your grave
stone, share a drink with the dead, laugh at the
injustices of life when we’re surrounded by death.
Maybe then we’d understand your pain for one brief
moment, and remember the moments we’ll always regret.

OEUVRE

Janet Kuypers
http://www.JanetKuypers.com
JKuypers@scars.tv
ISBN# 1-891470-22-1
$16.22

Scars Publications and Design
827 Brian Court, Gurnee IL 60031-3155 USA
Editor@scars.tv
http://scars.tv

in conjunction with Penny Dreadful Press
and assistance from Freedom & Strength Foundation, Troy Press, Hawthorne Press & Dried Roses Press

first edition
printed in the United States of America

copyright @ 2004 Scars Publications and Design
writings @ 1979-2004 Janet Kuypers
book design @ 1998-2004 Scars Publications and Design

This book, as a whole, is fiction, and no correlation should be made between events in the book and events in real life. No part of this book may be reproduced or transmitted in any form or by any means, graphic, electronic, or mechanical, including photocopying, recording, taping, or by any information storage or retrieval system, without the permission in writing from the publisher.

Information about past books is available upon request through Scars Publications and Design. Materials from the literary magazines “Children, Churches and Daddies” and “Down in the Dirt” are available on line at http://scars.tv, as are .mp3 files, .ra files, .aif files, .au files, .wav files .mov and mpeg files of Kuypers, both reading her work and singing with three sets of musicians.

Oeuvre is published through Scars Publications and Design, whose publisher is a member/minister through the Universal Life Church. Scars Publications and Design, the logo and associated graphics @ 1979 - 2004. All rights reserved. Kuypers and Scars Publications and Design welcome your comments, tips, compliments or complaints. Direct all comments and suggestions to the e-mail addresses listed above.

The definition of oeuvre (the works of a writer, painter, or the like, taken as a whole) is from the Websters Unabridged 2001 Dictionary.