the 2023 poetry collection book |
|
below is a listing of the accepted writers and titles
| |||||||||
| AUTHOR | TITLE | ||||||||
|
poetry | |||||||||
| Linda M. Crate | i’m not okay with any of this | ||||||||
| Bill Tope | The Blink of an Eye | ||||||||
| Eric Bonholtzer | IMG_2186 photography | ||||||||
| James Mulhern | Moving Forward | ||||||||
| Retta Lewis | Stars Were Falling from My Eyes | ||||||||
| John F McMullen | What Now, My Love | ||||||||
| Michael H. Brownstein | A Loosening of Teeth | ||||||||
| Adam Torkelson | Mantis: A Fable | ||||||||
| Jake Price | Error 404 | ||||||||
| David J. Thompson | 052 photography | ||||||||
| Christopher Hivner | Broad Shoulders | ||||||||
| Kenneth DiMaggio | Ode #2 to the Crows of Hartford | ||||||||
| Danny D. Ford | he joins us | ||||||||
| Susie Gharib | The Cost of Living in Thebes | ||||||||
| Karen Lee Stradford | The Fight | ||||||||
| eddy styx | In The Moment | ||||||||
| Fabrice Poussin | A piece of me | ||||||||
| James W. Reynolds | Mission Accomplished | ||||||||
| Richard K. Williams | Save the Children | ||||||||
| Joanne Holdrige | The Beginnings of Knowing | ||||||||
| Kathryn Holeton | No Bugs | ||||||||
| ayaz daryl nielsen | Untitled (between) | ||||||||
| A.J. Huffman | I Would Buy That Urn for My Dead Person | ||||||||
| John Ragusa | A Life | ||||||||
| Nancy Jo Allen | Palimpsest | ||||||||
| Cailey Tarriane | Winter | ||||||||
| John Zedolik | Fluid Situation | ||||||||
| Peter J. Dellolio | The Smell Was So Bad | ||||||||
| I.B. Rad | “The News” | ||||||||
| Michael Ceraolo | Walter O’Malley | ||||||||
| Frank De Canio | Buddhist Rap | ||||||||
| Thom Woodruff | Tree Leans | ||||||||
| D. R. James | A Couple of October Options | ||||||||
| Zach Klebaner | Even Bitterness Is A Birth | ||||||||
| Travis Weis | Come Hell or High Waters | ||||||||
| Binod Dawadi | City Scape At Night 2 art | ||||||||
| Rayne Affonso | Silence | ||||||||
| Duane Anderson | Alarm Notice | ||||||||
| Annette Gagliardi | I wrote this in the dark | ||||||||
| Sandip Saha | Atomic weapons kill people even when not used | ||||||||
| Gillian Tregidgo | Messages | ||||||||
| Donna Dallas | Nub | ||||||||
| Daniel Princewill | Tell Me Lies | ||||||||
| Roger G. Singer | resurrected | ||||||||
| William Ogden Haynes | Bad Weather | ||||||||
| Miranda Clarity | Silence | ||||||||
| Joe A. Oppenheimer | Blades | ||||||||
| CLS Sandoval | Send the Note (+ image 6412) | ||||||||
| Brenda Mox | On Stones and Bones | ||||||||
| Kyle Singh | Brother | ||||||||
| Michael Lee Johnson | Willow Tree Poem (V2) | ||||||||
| Janet Kuypers | Expression for Loss | ||||||||
| David Jeffery | Marlboro 16’s | ||||||||
| Sterling Warner | The Invisible Waitress | ||||||||
| Vincent P. Désilets | Layers | ||||||||
| Sam Norman | Shrines | ||||||||
| Chaim Jones | A Fairy Tale | ||||||||
| Nolo Segundo | My Own Small Slice Of Paradise | ||||||||
| Tom Squitieri | Adagio | ||||||||
| Dominik Slusarczyk | Blessed | ||||||||
| Sterling Warner | Michelle’s Navel | ||||||||
| MW Murphy | Mirror | ||||||||
| Christina Culverhouse | Mirror Image painting | ||||||||
| Leigh-Anne Burley | Her Plan | ||||||||
| Oz Hardwick | The Positive Outlook | ||||||||
| Christian Ward | Weaverbirds | ||||||||
| David J. Thompson | Kentucky Swans photography | ||||||||
| Alan Catlin | Abducted | ||||||||
| James Croal Jackson | They Ask What You Are | ||||||||
| Margaret D. Stetz | Links | ||||||||
| Jonathan Odell | Reflections on Deferred Moments of Love and Loss | ||||||||
| Kelley Jean White | Flummox | ||||||||
| Julie Allyn Johnson | i was, as they say, with child | ||||||||
| Gerald George | Golden White Purity | ||||||||
| John Grey | Catching My Drift | ||||||||
| NASA | Comet C/2020 F3 NEOWISE | ||||||||
| Janet Kuypers | Mary’s Perspective | ||||||||
| Tony Tinsley | On That Day | ||||||||
| Ron Riekki | I used to be in a punk band and we’d yell, | ||||||||
| Shakti Pada Mukhopadhyay | A Song of Humanity | ||||||||
| Brian Lee | notes on reclaiming a lost letter | ||||||||
| Donna L. Emerson | Integrity at Seven | ||||||||
| Samuel Sprague | Family | ||||||||
| Hannah Jane Weber | Trash Receptacle at Waldo Library | ||||||||
| Lynn Hoggard | Dirt | ||||||||
| Bill Garten | Pseudodysphagia | ||||||||
| Kathylynne Somerville | A Hat for Every Occasion | ||||||||
| Sharon Kennedy-Nolle | Nick, Patrick, and the Nightmares in Building 57 | ||||||||
| Alison Hicks | Invasives | ||||||||
| Maureen McDole | Great Grandmother | ||||||||
| Gail Nielsen | Goodbye in Two Parts | ||||||||
| Jeanne Rana | The Old Woman Speaks of Privilege | ||||||||
| Robert Nimmo | Hospice Departure | ||||||||
| Leila Farjami | You in Space | ||||||||
| Sa’Mya H. | She’s Made Her Appearance | ||||||||
| Mary Paulson | Distances | ||||||||
| Eva-Maria Sher | When I Laid My Blue-Veined Hand | ||||||||
| Robert Beveridge | Genetics | ||||||||
| RM Yager | Maneuvering the circles and Spaces around my parents Significant Others |
||||||||
| J.P. Hill | Mystery | ||||||||
| Benjamin Harnett | The Ancient Model | ||||||||
| Lucy Sage | Sunday at the Beach | ||||||||
| Christopher Kuhl | Disconnect | ||||||||
| Gil Hoy | Smoke and Whiskey | ||||||||
| Matt Stanley | Itchy (Trigger) | ||||||||
| Suzanne O’Connell | Not Like Her Flesh | ||||||||
| A.R. Williams | Four scenes outside my office window: 4:38 pm | ||||||||
| Mark Belair | The Living Shadow | ||||||||
| Robert Rothman | Memorial Day | ||||||||
| Appadoo Leyanah | Cigarette park | ||||||||
| Alan Swope | The Near Future | ||||||||
| Donna M. Davis | The Pope and the Poster | ||||||||
| Sean Simpson | Why Us? | ||||||||
| David Blake | low tide at atlantic beach | ||||||||
| Helen Bird “inksanity” | Blue Whale ink drawing | ||||||||
| Susan Anmuth | Family Dinner | ||||||||
| Alayna Hinson | Lurking | ||||||||
| Eric Bonholtzer | IMG_0682 photography | ||||||||
| Jacquelyn Shah | All You Can Do | ||||||||
| John (“Jake”) Cosmos Aller | Madmen with Guns Madness | ||||||||
| Brian Daly | “Save the Last Swig for Jesus!” | ||||||||
| Ben Nardolilli | The Unusual House Paint | ||||||||
| Alexander Wijangco | Pencil Dreams | ||||||||
| John Sheirer | It’s All About the Butterflies | ||||||||
| Daniel de Culla | Eviction Eviction photography |
||||||||
| Brian J. Pilling | Reporting The News | ||||||||
| Deborah H. Doolittle | Cinderella’s Lost Slipper | ||||||||
| Kristia Vasiloff | 1990 Crawls To Me Singing Don’t You Ever Let It Be | ||||||||
| William Doreski | Casting Off | ||||||||
| Dr. Steven M. Gerson | And the morning sun trailed her bus in shadows | ||||||||
| Isaac Breaux | Breakdown | ||||||||
| Brian C. Miller | The Moment | ||||||||
| Janet Kuypers | Oganesson, bending time inside | ||||||||
| Thomas Elson | One Damn Photograph | ||||||||
| Dee Artea | Scipio & Tuppence | ||||||||
| Noelle Shoemate | Unnamed | ||||||||
| John Kucera | The Old Ones Claim | ||||||||
| Robert H. Guard | Two Dream | ||||||||
| Janet Kuypers | Elevating the Fetus Goes Against Religion Evidence as Testament Ultimately, the goddamn particle |
||||||||
Order “On Stones and Bones”
| |||||||||