Dusty Dog Reviews
The whole project is hip, anti-academic, the poetry of reluctant grown-ups, picking noses in church. An enjoyable romp! Though also serious.





Nick DiSpoldo, Small Press Review (on Children, Churches and Daddies, April 1997)
Children, Churches and Daddies is eclectic, alive and is as contemporary as tomorrow’s news.


Volume 212, September 2010

The Unreligious, Non-Family-Oriented Literary and Art Magazine
Internet ISSN 1555-1555, print ISSN 1068-5154

cc&d magazine












see what’s in this issue...


Note that in the print edition of cc&d magazine, all artwork within the pages of the book appear in black and white.


Order this issue from our printer
as an ISSN# paperback book:
order issue


or as the ISBN# book “Six Six Six”:
order ISBN# book



















cc&d

poetry

the passionate stuff
















Source

Je’free

The voice that governs the hierarchy
Of the heavens is also the language
That is whispered into my head

It commands the sun to own the day;
The silvery moon and stars, the night
Tide is summoned to ebb and flow

Words spoken to the changing seasons,
Spinning in a designed-cycle trigger
The flying Mayas in Manila as well

That which permits the phenomena
Of Madagascar Rainbowfishes breeding
Allows the same miracle in a mother's womb

Authoritative order is inside me and everywhere
Blue skies or gray clouds, grace showers upon me
As I marry the core of cores, the cause of causes





Tranquility Haiku (verse 1))

Je’free

Busy world of noise,
I run away far from you
Into nature’s arms.












Some of my Favorite Things

kalifornia

     snort some heroin for dinner have a hooker for desert put her straight in the oven no time to flirt 375 for 3 hours 1st hour screamin but i don’t hear it i’m in my heroin nod dreamin of popsicles beef jerky sushi and mountain dew can’t afford my favorite treats cause i blew all my cash at the casino now all i have is a half pack of smokes and a half a bottle of vino that i took off a bum after slashing his throat....i smoke my smoke my life’s a joke fuckin broke with a hooker in the oven well her tits just poped she must be done fuck!!!! i wish i would’ve budgeted my money better mounten dew and sushi are way better than hooker












Knobs, art by Paul Baker

Knobs, art by Paul Baker












A Culture Named Sue

CEE

The standard
‘Murrican snapback:
“I’monna sue!”
The irony in the grunt,
Is that
If you borrow from Mother’s wisdom
and
“Just walk away from them”,
The same thing happens
That happened at school, i.e.
They jump you from behind
Which is an actual felony
But, won’t result in much
Unless you sue them
You could, you know
You’re a ‘Murrican





And The Truth Shall Make You Free of Friends

CEE

No
No, I don’t wanna play chess

Because you’re stupid and
Easy to defeat, that’s why

Huh??? Why are you angry?
It’s the Truth

(5 hours later)
It’s still the Truth
And you made me miss ‘Idol





The Wehrmacht Weren’t So Tough

CEE

The Balkans must’ve been easy to conquer
Hessian boots tromping hurried, messy
As into someone’s foyer:

One goose-step, Two goose-step
Three goose-step, Four
There                Boom
You’ve invaded the whole thing
I hope you’re satisfied
How very rude

Yes, you’re in charge
Wipe your feet





Achtongue

CEE

Nazi marching tunes
If you get by mass murder
If you get by that
Nazi marching tunes
Are a lot of percussion
Banging jinglethingies
Like some frat party porn
While the tubas hang around and
Laugh












dirty little girl scouts

Casey Cole

I am told that by doing this, my boogers will be orange tomorrow,
taking refuge in a community of strangers that sit smoking
in a bedroom that smells of soccer and funerals.
And I eat too much pizza before I witness
a young, Hispanic girl get pistol-whipped
with a hunting rifle on the Southside.

Looks like somebody lost their ponytail.

Whiskey paints birthday flesh red in the mirror, and we ride.
A girl named Mary tells me about the different dimensions,
pleading with herself to pay better attention in physics.
She throws a phone at me, talks about rape.
Her shoes break into a million little pieces
right before she gets cuffed next to
an ATM at one in the morning.
Nobody seems to care.

A homeless man tells us that we are about to go to the moon.
He follows his declaration with two consecutive rebel yells,
and we all laugh.

Stewart starts confessing his aspirations of pursuing a career in hip-hop.
A small congregation of close friends listens intently
as he spills lines of school-buses and hair salons.

I proceed to purposefully project my car keys at a young woman’s feet.
Her midriff sings songs of sorrow in a dimly lit atmosphere.
Her shoulders are colored simply, telling onlookers
stories of her past four years.

She has no interest in my creative social advances.
Her hair is a brunette spring rain.
We cross the street.

School teachers buy me drinks that create aftertastes of thin mints.
A girl vomits in a fresh can liner thirty minutes passed close.
Our cab-ride home costs nineteen dollars and some cents.
We split the fare between the six of us.
We do not stop at White Castle.

The following morning, a man on a motorcycle drops off
some car keys in an abandoned parking lot.
I proceed to drive recklessly home
in lunchtime sunlight on
a southbound interstate.

The youth of America is a sad, sad tale.





About Casey Cole

    Casey Cole maintains average grades during the day while spreading his time amongst bars and casinos in the evening. He has a poor metabolism, decent eyesight and an impeccable financial irresponsibility that has been years in the making. The nature of his character is light-hearted and loving, though his physical appearance might deter strangers from seeing such beautiful qualities. His knowledge of automobiles is minimal. He can often be found watching Operation Repo. His love for Bill Cosby is insurmountable. He attempts to play the accordion, auto-harp, clarinet and banjo.












Backlot 52, painting by Jay Marvin

Backlot 52, painting by Jay Marvin












TXT MSG 2 GOD

Max Evans

dear Gd...i scrwd up!!!
i messd aroun
on my wifee
&now she h8s me//
wants haf my $$$$$
PLz 4give me Gd!!!!
i promise never 2
do th@ again :-(












Fluidity, art by Tray Drumhann

Fluidity, art by Tray Drumhann

About Tray Drumhann

Tray Drumhann’s work explores the dimensions and depth of human nature. His goal is to communicate the personal and cultural dynamics that condition how we view ourselves and others as well as how our individual experiences condition such perception. Notable publications featuring Drumhann’s work include: The Pinch Journal, Tiferet & Adagio Quarterly.












Why We Follow Them

Christopher Woods

The road leads home
Just as it leads away.
Eloquently, through trees,
A field.

Trees must understand
This compulsion we have
For going,
For roads and why we follow them.





Christopher Woods Bio

    Christopher Woods is a writer, photographer and teacher who lives in Houston and in Chappell Hill, Texas.

www.moonbirdhill.exposuremanager.com












Haunted Home for the Troubled, art by Mark Graham

Haunted Home for the Troubled, art by Mark Graham












She loves you and doesn’t want it to end

Rose E. Grier

I see you like the ebb and flow
Of the tides
Crumbling, tumbling
Shards of shell and glass
Smoothened with time
Elemental influences
On nature’s path

The weather
Or not
Of it all
Rich in wisdom
Ripening earnestly
Upright towards the
Warm sun
Roots feeling their feet
Sinking in the sand.

Little footprints
Pattering by
Disappearing
As you take
Your place
On this dynamic
Earth
Ever changing
Like the tides












BOLT BUS Thanksgiving, 2009

Douglas Holder

Sometimes—
There is nothing sadder
Than a rest stop
In some nondescript
Nook of cement
Outside of Hartford
Walking out of the rain
To see a lone,
Pimply kid
Wearing the paper crown
Of the Burger King franchise.

And the help
Bursting at the seams of their uniforms
So fat
And unformed,
Yelling hello
To the driver
Their own Magellan—
An exotic
Who stops on his way
From Boston to New York,

And the rain comes down in torrents
And you are neither
Here or there
And really
Much too tired to care.












the train ride to elsewhere

John Thompson
author of ‘black petal rose’

the train went through the tunnel
it was dark. your shadow fainted away
your skin drew a grayish outline
             the gray contoured your skin.
             it was one with the seat.

we casually held ands
to make it know that we still existed.
the train was loud. it made everything else die out.
             we exited the tunnel. i glanced at your face.
             your posture seemed rather alive now.












Together, art by the HA!man of South Africa

Together, art by the HA!man of South Africa












How To...

Kevin Michael Wehle

I know how to love myself
I know how to sleep alone
Swinging from
One would be love affair
To another
I know how to cry
Ready to love
Each time I’m not that girl
Each time I’d get closer
To him.
To me.
To begin the life I long to live
I know how to heal my heart
After all this time
I know the true meaning of patience.












art by Eric Bnoholtzer

art by Eric Bnoholtzer












hurt less then

Janet Kuypers
05/10/10, edited 05/11/10

when you have to watch death regularly
when you have to see it happening
when you have to adjust yourself
       to this living thing not being around any longer
well, that’s when you have to
       find a way to get around it
when you have to separate yourself
       from the details of death

it’s hard, you know
turning yourself off like that
turning yourself off to death
but you have to
it will hurt less then

i’ve been told
that when you see someone
whose life has to end
well,
then you have to look at it

logically

as cruel as that sounds
you have to think
that even if this is someone you love
you have remember that this is life in general:
it starts, there’s growth, then conflict, often trauma
culminating in death
face the facts
that’s the way it goes

when you have to think of what you have to go through
think of it as a boxing match
think of when you have to
       practice for a violent battle
even if it’s just practice
and in practice you’re battling a friend

when you are in battle, even in practice
the one against you is no longer your friend
and you have to fight them
like they’re your worst enemy
you cannot think they’re your friend,
you cannot think that you cannot hurt them

you are in battle
and you know you’re on the right side

because even when you practice for battle
you’re in battle

you have to remember
all of the things you hate about them
all of the things that are wrong with them

remembering that quells the internal struggle

that makes it easier to do what you have to do

you keep seeing their face
for days before this battle they face

what you’ll have to go through
you know it’s right
you know what you’ll have to put them through
even though it ends with their death

really, you have to stop being so emotional

that’s what you have to keep telling yourself

it isn’t fun
this isn’t what you should have to go through

and i know it’ll be hard
turning yourself off like that
turning yourself off to death
but you have to
they say it’ll hurt less then





the Janet Kuypers poem
Hurt Less Then
video videonot yet rated
Watch this YouTube video
live at the Café in Chicago 05/11/10











No Heat in my Heart

Janet Kuypers
05/11/10

his scalding hand
lay on my leg

and he said he wanted
to burn his fingerprints
into my flesh

so I took my hot palm
pressed it ot his forehead
looking for a cold place

his head was scorching

so I asked
is there any place on you
that’s cold?

and he said
my heart





the Janet Kuypers poem
no Heat in my Heart
video videonot yet rated
Watch this YouTube video
live at the Café in Chicago 05/11/10











Swallowing Sand & Pebbles

Janet Kuypers
05/18/10

I didn’t want this world to hear me anymore
they’re not worth it
so I ate a spongeto absorb my words
I ate a candle
to melt me down
but softness wasn’t working
so I ate a Brillo pad

this was too rough
but nothing’s rough enough,
I tell you

I’ll keep swallowing sand & pebbles
I won#8217;t even wash it down with gasoline





the Janet Kuypers poem
Swallowing Sand & Pebbles
video
videonot yet rated

Watch the YouTube video
Live at Twtter Inside Chicago feature 05/21/10


(2:01) Live at Twtter Inside at Regins’s Place, live in Logn Square in Chicago 05/21/10











You Cannot Burn Me

Janet Kuypers
05/27/10

how many times
do i have to travel around the sun
spinning, moving away
how much time will pass
for you to see
that you cannot burn me





the Janet Kuypers poem
You Cannot Burn Me
Read he 09/10 (v212) issue of cc&d magazine
(also released as the ISBN# book Six Six Six
video videonot yet rated
Watch this YouTube video
live at the Café in Chicago 10/05/10
video videonot yet rated
Watch this YouTube video
of the intro from the open mic @ the Café in Chicago 10/05/10, w/ Kuypers reading her poems “You Cannot Burn Me” & “Rushed”













papa listens to Don Giovanni in the dark

David E. Cowen

caruso crackles under the needle
the last ashes from papa’s luckys
adding one more hole to the yellowed armchair
a single line of smoke looping like a thin noose
the bottom of his glass
overlapping traces of old rings
       it has been a bad night

tears in the mirror
mama gently smoothes her pancake cream
over the darkest swells
wincing as she tries to hide
the topic of the evening
       it has been a bad night

the oldest have already fled to the street
leaving two faces in shadow
quietly waiting
for the sound of the player
retracting from the vinyl
signaling the Cuervo stupor
so they can return to bed
       it has been a bad night












where i’m sitting tonight

John A. Grochalski

he says
but that was long ago
back when the people
in this bar
could talk about
books and music
and politics
and such
but now,
he says, looking around
the joint

there are two guys wrestling
by the poker machine
the bartender is doing shots
with his coke dealer
and another old drunk
is manhandling
a chinese woman
selling bootleg movies
telling her that black people
don’t have it
so bad

but now,
there’s no one in here
but fat drunks
and racists
and not one of them
could tell a synonym
from a hole in their
head.












AS IF...

R. N. Taber

They say he died of AIDS
and that’s why some people speak of him
as if he were a dog that caught rabies
and had to be put down

He was a good man
some people say, often whispering in my ear
(as if loath to confide a great sin)
that he was gay

He was a kind man
some people seem anxious I should believe,
as if making reparation of the kind
worn on a sleeve

He was an honest man
some people waste no time in pointing out,
as if on the defensive after being
caught out in a lie

He was a friend, who died
of AIDS although some people will not say that,
as if in denial of a word that deserves
they get it right

A good, kind, honest friend
dies of AIDS and still people blaming gay men,
as if any minority ever had a monopoly
on promiscuity












Dust

Christopher A. Scarber

Time has changed me
into an unknown season
where days lap
endlessly
over
my body
as it lies
underneath
blankets & blankets
of
dust












image from Oaxaca by Brian Hosey and Lauren Braden

image from Oaxaca by Brian Hosey and Lauren Braden












Into the Blue

Michael S. Morris

I forgot to tell you that I left a shark in the bathtub
It probably skipped my mind while I was cleaning my gun
You see the brassy bullets spilled on the floor by the cannon
Just as the fuse was being lit by a long list of expletives
Fired from my lips; invectives I should say; words triggered
by the thrashing in the bathtub. Questions arising like did
one really need a shower? Perhaps I should leave an elephant
in the elevator, or a barrel full of monkeys on a stairwell
full of junkie poets. Oh, I know, I’ll build a needle as big
as a rocket and boot their asses high into the blue
By the way there’s an alligator biting your alligator shoes.












Herbert, art by Nick Brazinsky

Herbert, art by Nick Brazinsky












Edmonds Downtown

K.D. Iredale

The fall morning settles
With the smell of chimney smoke
8:30 am
And an elderly man walks his dog
The horn blows
Of decaying leaves about your feet
And crying from selfish seagulls
The waves move on idle moon’s whim
The fog is gloomy
And at the corner of the street
A lone child stands and observes












art by Üzeyir Lokman ÇAYCI

art by Üzeyir Lokman ÇAYCI












Sans Solitude

Tom (WordWulf) Sterner

I have grown so used to their voices
I find myself startled by silence
whose true voice I have always
learned never to ignore

I don’t know what they’re saying
but the tone of their laughter
visits my ears ecstatic
and warm, a good song sung

In these moments together
when the silence I seek is expelled
I have time to wander alone and wonder
if silence is a greed for spaces

I have grown so used to their voices
they fill the still air around me
I ignore my hunger for silence
and speculate: are they real, the voices
or an indication of loneliness
a dependence upon memory
an inclination toward the down












Tails of Wee Captured Creatures

Michael M. Marks

Baby Sumatran tiger twins bond
with infant orangutan sisters
in the nursery of an Indonesian zoo
all abandoned by their mothers,
nipping, teasing, and sharing a nap
on judgment day, when the kittens
turn the orphan apes into dinner.
A Queensland cockatoo hen missing a wing,
garden caged, petted, and fed
gets a clever suitor from the wild
who opens her tamper-proof latch
to court and mate and raise a son together.
A mice herd takes the warm road to my Akron basement,
later becomes hari-kari peanutbutter baited sandwiches.





About Michael M. Marks

    Starting in Cincinnati, still entrenched in the Midwest, Michael M. Marks was schooled during the cold war/fallout shelter era evolving to anti-Vietnam war college days, from Elvis to the Rolling Stones.  The first of the baby-boomers, he is the middle child of five born in a six year span, always fighting to be heard.  Now seriously younger than each of his own five children, he recently celebrated his fifteenth birthday for the forty-ninth time.

    With about forty poems published in the last few years, he is nearing his first poetry book tentatively titled “The Peanutbutter Chronicles.”
















cc&d

prose

the meat and potatoes stuff
















The Knot

Skibo LeBlanc

    She left her house at a little past three, with shoes on her feet and a knot in her stomach, the knot of all knots, with a purse over her shoulder and indecision on her mind. Summer was on the way, that time of the year when the morning’s cold but the afternoon ain’t, when what you wore to school was much too heavy by the time the bell sang its glorious song. It was the time of year when the pools were starting to open, play for the children, escape for their mothers. She’d just gotten out of school for the day, actually, to change out of the sweater she had put on when the weather permitted.
    Oakenna High School, a mere 100 or so yards from Dana Nolan’s modest home, was not large enough to contain the amount of apathy towards academics that existed during those last few weeks, with more checkouts than the Outer Banks after beach week. The thoughts of her friends and peers were filled with plans, plans of parties and trips, with the worries of obtaining jobs and heading off to big bad college hidden away, stored for a later date.
    She too had worries, as evidenced by her shaking hands as she tried to lock the door behind her, missing the key hole not once, not twice, but three times. She had to lock up, as her mother wouldn’t be home until later that night, and her father, well, he hadn’t shown up for dinner in 14 years, an unstable criminal on the lamb. Her mother had discarded all pictures of the man, and any other reminders of his existence, aside from Dana of course, and the child had no recollection of him. He came back every once in awhile they thought, left clues around the house, missing statements, or broken doors, windows, different signs of forced entry. They’d never seen him there, but thought he may not be too far away. The man she would have called father was not even near the borders of her thoughts right now, though, as she had bigger fish to fry.
    She stopped on the sidewalk, fuddled through her purse, and fished out a pack of Virginia Slims, bringing one to her trembling lips. God, get a hold of yourself, she thought, you got yourself into this and you can get yourself out.
    She felt better once the cool smoke cascaded down her throat and the appealingly greasy aroma reached her nose. The shaking decreased substantially, and she got to walking again. She turned left from her house, down Apple Drive, where no apples grow, and, after a few hundred feet, a left onto Chain Bridge Road, more commonly known as Route 123.
    Her destination lay on the opposite end of this street, a mile and a half away. Chain Bridge Road ran straight down the middle of Oakenna, cutting the town in half. She’d made this walk plenty of times, as she had a friend who lived that way, and had never had a consistent mode of transportation. She’d never made this journey, however. This would be different.
    There was a sizable amount of traffic running down 123 at this time, through Oakenna, but never to it. They were either headed north to the city or south to the county seat, the town just a blip on the map to the drivers, unseen, not paid attention to.
    The exhaust and horns from the cars made her head swim and her stomach curl, so she stepped into the nearest establishment, which happened to be Marty’s Bagels. She had no intention of eating, felt as if she’d never be hungry again.
    The first thing she noticed upon entering the restaurant was Fleetwood Mac’s “Sara” playing softly in the background, setting the mood of the place, though it had to compete with the noise from the customers and ovens. Stevie Nick’s voice rose above them all like an angel, and Dana wondered what made her write this song, wanted to know everything about it.
    “Wait a minute baby, stay with me awhile
    Said you’d give me light but you never told me about the fire”

    She grabbed a table next to the large window that looked out upon 123 and ran her hands through her long black hair. She was a pretty, petite girl, with pale skin and freckles, and dark, mischievous eyes. She looked through that window, at the movement on the street, and wondered if she’d be able to go back out there, didn’t know if she had it in her, but alas she must, she told herself. She got up to leave.
    It was at this time that a severe looking woman in a blue suit blouse, matching skirt and high heels, took notice of her. Whether she was a local or passerby Dana could not tell. The woman looked like her mother, as if she were in a perpetual state of stress. Maybe she’s been in my position before, Dana wondered.
    She had just fixed her coffee, closed her cell phone, and too was on her way out the door, when she approached the girl. “Are you alright, honey? You look like you’re having a rough day.” She gave Dana a sincere smile from a mouth that lacked the experience.
    “I’m ok, just got a lot on my mind right now.” She forced a reciprocating smile upon the woman, who, for some reason, seemed to be on the same wavelength as her. Dana was disconcerted by the amount of knowing on the woman’s face, didn’t like it one bit. It was a childish look, as if they were just school girls sharing secrets on the playground. The nonchalance on the woman’s face disgusted her, despite her friendly nature.
    Despite Dana’s best efforts to terminate the conversation, the woman wasn’t finished. She leaned into the nervous girl and with an eyebrow pointed in the direction of the speakers on the ceiling, whispered with that terrible smile, “Do you know what this song’s about?”
    Surprised by the question, she shook her head, “No, I guess I don’t. It’s nice though.”
    The woman just kept on smiling. “It’s telling you to do what you want to do, live for yourself. It’s up to you, to have fun! Live. Your. Life.” She dragged out that last command, her smile spreading as wide as the Cheshire Cat’s. She grabbed Dana’s arm, looked in her eyes, and said, “‘I know the plans I have for you, declares the Lord, plans to prosper you and not to harm you, plans to give you hope and a future.’ Just think about that honey, ok, go forth and do what you have to do.”
    Terrified, Dana shook free from her grip, and bolted through the door, the bell ringing wildly. She took off back from whence she came, mind set on what she was now going to do, which was nothing, to just deal with it. She did not want to become that.
    The knot in her stomach eased slightly during her jaunt. She slowed to a walk, feeling somewhat better despite the tarry taste in her mouth. Not wanting to have that cigarette smell on her breath, she decided it would be a good idea to pick up a packet of gum at the Shell station at the corner of Apple and Chain Bridge, right close to her house.
    The good feelings of the return home began to subside as she crossed the street and pulled open the door to the Shell, the terror and the knot entering with her.
    As well as gum, candy, drinks, magazines, newspapers, etc, the store also sold baseball caps, including University of Virginia baseball caps, the place of higher learning Dana had applied and been accepted to. She stared at those hats, their orange and blue fabric, the colors she would wear to football and basketball and lacrosse games, to parties, to the best four years of her life. These colors encompassed all her senses, drowning out the loud sounds and mechanical smells coming from the accompanying auto body shop.
    The man behind the counter brought her back to reality. “May I help you honey? Do you need anything? You don’t look right.”
    Well, you don’t look right yourself, was her initial thought. He was a stocky, yet muscular middle-aged man, with graying beard and hair, and glassed over eyes. He looked to be in a trance, with his vacant stare and slow manner of speaking. His red collared shirt, with its yellow logo, said his name was Sam in white thread over his right breast.
    Flustered, she rifled through the candy shelf and picket out the first breath freshener she could find, which happened to be Wrigley’s spearmint. “Yeah, I’m fine – this is all.” She handed him the packet but he did not take it from her for an uncomfortable period of time. He was staring at her, she thought, but couldn’t know for sure with her eyes glued to the floor. She couldn’t look at his eyes, eyes that looked like they were in a perpetual dreamland.
    He finally took it from her and rang up the purchase with a smirk on his face. He handed her change and the gum, but did not let go when she grabbed it. He looked at her again. “You look like you’ve had some tough decisions to make, and from the look on your face, I can tell you made the hard one. But I’ll tell ya, the hardest one is usually the right one, in my experience.”
    He kept on smiling, and still she could not pry it from his cold hands. “Yeah, thanks. I’ve really got to get going, I have to –”
    “‘Go forth and multiply my dear, for ‘God hath given to us eternal life, and this life is in his Son’.”
    She continued to pull on the gum, never occurring to her to let go of the green packet herself, as the man became more passionate and deranged. His smile, like his hands, turned cold, as he looked her in the eyes with his of equal darkness. “Upon the wicked He will rain snares; Fire and brimstone and burning wind will be the portion of their cup.”
    She finally ripped that Wrigley’s from him, and once again bolted out the door, as Everlast’s “What It’s Like” played her a departing serenade from the speakers in the auto body.
    “He said don’t worry about a thing baby doll I’m the man you’ve been dreamin’ of”
    She distantly, as if from another universe, heard the man shout “I’m proud of you” right before the Bud Light ad covered door slammed shut.
    Tears poured down her cheeks as she ran, running, movement, being the only activity to keep the knot at bay. She ran aimlessly for the longest of times, unaware that her mindless legs were carrying her in the direction of her original destination. She slipped onto Windover, a smaller back road that ran parallel to 123, one block to the west. She found a park bench next to this heavily wooded, heavily potholed road, as well as a semblance of peace. The knot was still there, very much so, but she felt in control of herself, away from the spinning sounds and smells of the town. This road was quiet and the only scent was that of the trees and their colorful blossoms. She’d be able to make most of the remainder of the journey on this road, and she felt as if she could go through with it this time. Crazy-assed Sam had shown her the way.
    Just as she was about to get off the bench and go her own way, a familiar ratty green pickup truck came cruising down the road, in the opposite direction as she, with Tim McGraw’s “Red Ragtop” blaring from the radio on 98.7 WMZQ. The boy inside noticed her and pulled over to the side of the road. Dana’s recently estranged boyfriend Ronnie got out with hands in Levi’s and a look of shame on his face. “What’re you doing over here?” was all he asked.
    “Oh you know, just on my way to take care of some business. Don’t worry about it. I was just about to get on my way.” Despite the sarcasm, she hoped that he’d give her a ride, shorten the journey, help her out. He was better than nobody.
    The song continued to play softly in the background:
    “We took one more trip around the sun
    But it was all make believe in the end
    And no I can’t say where she is today
    I can’t remember who I was that day”

    He looked at her for a long hard minute, the look of a scared boy, or a dog with its tail beneath its legs, and spoke his last words to her. “Of this blood I’m innocent, hun, the responsibility’s yours.”
    With that he turned away from her, hopped in the cab, and drove off just as the song ended.
    “Fuck you,” was all she could think to say, but he was long gone by the time she found the right words.
    She was now on a mission, driven by abandonment and hatred. She no longer noticed anything on this residential road; not the vibrant colors of the trees, nor the children playing in the yards. They were blurs as she made her way. The faster she moved, the less she felt the knot, and that was good, the way it was going to be.
    She eventually came to the intersection of Windover and Glebe, turned right and walked the one block east to 123, which had turned into Maple Avenue somewhere along the way.
    The building stood right across the street, next to Meadowlark Gardens, with its sprawling greenery. It was a plain building, nothing remarkable about it, nothing noticeable, except maybe the signs placed in the dirt of the front yard. The building was white, with windows revealing a lobby area. Normal enough, she thought, though upon actually seeing her place of reckoning, the knot returned.
    When the walking man at the cross walk beckoned her forward, she hesitated, doubt replacing her prior determination. As the man began to blink and his timer neared zero, she made her decision, and sprinted across the street.
    The building seemed dead, no movement, no color, nothing. Nobody was going in and nobody was going out – a slow day, she thought, maybe she’d be quick and make it home before her mother. She’d ask how school and the rest of her day had been, what she’d been up to. She would lie of course, would forever lie, but after awhile it would be as if this day had never happened. She’d be able to erase it from her memory. She’d get through this, in spite of everyone, or to spite everyone.
    She took a step towards the door – then another, and another. The blast knocked Dana on her back before she could take a fourth. Now there was sound and color, as screams rang through the air, and fire and brimstone fell through the burning wind.












Another Guy, collaborative piece by Aaron Wilder with Kim Rottas

Another Guy, collaborative piece by Aaron Wilder with Kim Rottas












letter 09/16/06

Janet Kuypers

    I’m 36 years old, and I played gin with dad for the first time ever today. All my life I have remember mom and dad playing gin with another couple coming over, playing at our poker table (not turned over, of course), and I learned how to play, it’s the same thing as rummy, but instead of 8 cards there’s 10, and you can’t put 3 of a kind (or a series of 3 or more) down during the game, and you can’t take all of the cards on the discard pile, you can only take the top card. So if a card has been discarded, you’re out of luck, there’s no chance to get it back. Anyway, I think I never played gin with my parents, but I knew how to play it, and I probably played with my sister Sandy (but I can’t remember specifically ever playing with her), but now all I do is teach my husband to play gin. And we play together when we want to feel like we’re at a bar and want to spend time doing something other than talking or listening to music (only rarely are we dancing, so I didn’t bother mentioning that). Anyway, I asked my dad after mom died if he wanted to play gin, because I hear that he played cards with people before, when people were around and people hadn’t died yet. But they played pinochle, and like how they played gin, they don’t just play with two people (even though gin is a two person game), when he played gin in the past he played with partners, and they counted points, so that whatever team got to 500, then they’d win. Well, when John and I play, we don’t bother counting points, we just see each game who wins and leave it at that. And probably because I knew the game and taught the rules to him, I win more often. But when we play as a pair without counting points, we call all the time, because why not? It’s just a game, right?

    So anyway, because dad has been trying to find things to do after mom died, I didn’t know what to do for him. Some of his friends asked for suggestions, and I said, “find people to play cards with him, because it would give him something to do other than playing computer games or drinking,” but no one knows pinochle other than one guy, and he couldn’t think of two other people. I don’t know pinochle, but apparently, like gin, you have to play in a large group. But anyway, I’ve asked dad a few times if maybe he’d want to play gin, and he always says no. Yesterday even, he was playing a computer game, and I offered to play a game of gin with him, and still he said no. But today, my second to last day here, he was playing a computer game and I thought, okay, I get into a rut, and they say I’m like him, so I should take some initiative. So I went and got a deck of cards and sat down next to him and just started shuffling. And he finally paused long enough form playing computer solitaire (you know, you can always pause that game, like you really are so caught up in solitaire that you need to be distracted) to see what I was doing, and I said, “I got a deck of cards. Want to play a game of gin?” and he said, “let me finish what I was doing, and okay.” So I kept shuffling until he was finished playing, and dealt.

    I actually ginned the first game, when I got the winning card form his discard I said, “I’m sorry, but gin,” and then we played again, he called and beat me because I had absolutely nothing in my hand. And then we played a few more hands and then he said he was wanted to watch the game, so we stopped playing after about 4 or 5 games.

    And I talked to John on the phone long distance this evening, and I said that this was probably the first time in my life I had ever played gin with my father.

    Interesting, I learned this game from my father, without him trying to teach me, and this was the first time I had ever played gin with him. Interesting.












SIXXIS

Rufus Ryan

    Death-metal music was playing on Sixxis’ stereo as I sat on her bed and watched her cut her arms. As I watched her cut, I thought about how she was slowly destroying herself. I still couldn’t fathom why six sexual predators ravished her psyche; why they killed the peaceful and loving Sativa.
    After I watched her make several cuts, I asked, “Sixxis, where is your TV remote?”
    Sixxis glared at me. “AHHH! I don’t know! Shut the fuck up, Elbert!”
    I shook my head. “I’ll find it myself.”
    After I found the remote under her bed, I turned on the TV. But the distraction still didn’t take my mind off what Sixxis was doing to herself. I said, “Hey, Sixxis. Will you put on one of those tie-dye dresses that you used to wear all the time?”
    She flicked me off. Then she started cutting again. I said, “You’ve seen enough blood already! Come watch TV with me.”
    She put her bloodstained pen knife onto a bloodstained towel. Then, with a scowl on her face, she got up off the floor. Moments later, she was standing right in front of me. Before I could say anything, she snatched the remote out of my hand. She said, “Fuck them!” She turned off the TV and tossed the remote under her bed. “I’m going to burn those fucking dresses! And I’m going to kill that fucking TV!”
    She walked to her dresser. And as she put on her pants, she continued to yell at me. “I’m never going to wear a fucking dress again! Do you think I want to make it easier for the rapist to rape me! Ahhhhh!”
    I sighed. “I’m sorry I asked. Fuck!”
    “You should be!”
    She put on a white tank-top: a shirt she referred to as her man-beater. Then she sat next to me on the bed. I kissed her cheek. “I’m sorry.”
    She fired up a cig. “What the fuck, Elbert. Are you becoming a TV zombie?”
    I fired up a cig. “No fucking way! I got brainwashed enough by TV when I was a kid.”
    As she stared at the TV, she said, “Fuck TV! It inspired those fuckers.”
    “Yeah, probably.” I grabbed the remote from under her bed and turned the TV back on. “It won’t inspire me.”
    She yelled, “Turn it off, Elbert!”
    Sixxis grabbed the remote from my hand and threw it at the portraits of her six rapists. Then she got off the bed, put her cig in the ashtray and opened her window. She yelled, “Fuck them!”
    Sixxis unplugged the TV and tossed it out the window. I started laughing hysterically after I heard the TV smash against her concrete driveway.
    When I stopped laughing, I looked at the gloomy expression that was on Sixxis’ face. I said, “Come on! That was fucking hilarious!”
    Sixxis glared at me. Then she grabbed her cig from the ashtray and she sat on my lap. I pulled a joint from my cig pack. “Hey! Can you throw your TV out the window again after we smoke this joint?”
    She surprised me with a genuine laugh. She said, “That was funny, huh?”
    I fired up the joint. “Yeah, it was.” I hugged her. “I’m so happy that your sense of humor and your love for me survived.”
    “Me too.” She kissed me. “Thanks for putting up with my hostility.”
    We passed the joint back and forth to each other until we inhaled all of its smoke. Then I asked her, “What do you want to do tonight?”
    Sixxis stood up and screamed at the pictures of her rapists. Then she yelled, “I want to go rapist hunting!”
    She grabbed a knife from under her pillow. Then, as she stabbed her rapists, she said, “I want to cut off every dick that’s out there searching for a woman to rape.”
    “You serious?”
    She stopped stabbing the rapists. Then she slowly turned around and looked at me. “Fuck! I love you, Elbert. You’re the only man in this world that I love. But when are you going to realize that the rapists need to be stopped!”
    Sixxis stuck the knife into her wall. Then, as she used both of her hands to pull on her long, orange hair, she said, “They’ll never stop unless we show them that there will be vicious consequences for their actions.”
    As she continued to pull her hair, she started pacing around the room. I said, “Chill out, Sixxis.”
    She glared at me as she walked towards me. I knew she wanted to hit me. I said, “Don’t!”
    She stopped walking towards me. Then she looked at her rapists. “Fuck them!” She smacked her face. “We punish them by giving them shelter and food. And when they get out of prison they just rape, rape, rape again!”
    “I know, Sixxis. It’s—-”
    “They’re still raping me every fucking day!” She sat next to her bloodstained towel and she took off her pants. “Happy sixteenth fucking birthday, Sativa! They scream and laugh as they fuck me. Ahhhhh!” She grabbed her pen knife. “More pain and blood is what I need!”
    Sixxis started cutting her thighs, and she didn’t stop cutting until she had the amount of blood that she desired. Then she started putting the blood on her eyelids and lips.
    When Sixxis was done putting on her make-up, she sat by me on the bed. And after she fired up a cig, she calmly said, “Elbert...get that red piece of paper that’s on my desk, my strap-on dildo, two butcher knives, some rope, and one of my gags.”
    “Why? Do you have to dominate a guy at the dungeon tonight?”
    She laughed. “Yeah, I’m going to dominate a guy tonight, but he’s not going to pay me with paper. He’s going to pay me with his blood!”
    I knew she was going to get her revenge one day, and I just hoped that after she got her revenge, that she would be able to resurrect Sativa.
    I stared into her icy light-blue eyes. “Tonight is the night, huh?”
    She gave me a cute smile. “It’s time to start my fucking avenging. Are you going to be at my side when I’m fucking them up?”
    “I should have been at your side that night it happened.” I held her hand. “I will be at your side tonight.”
    She kissed me. “I love you, Elbert.”
    “I love you, Sixxis.” I touched her lips as I looked into her eyes. “Your rapists will receive cruel and unusual punishment.”
    After I put her tools in her backpack, I said, “This is going to be crazy!”
    Sixxis slowly ran her knife-like fingernails down the side of my face. “It’s going to be fucking righteous!”
    “Hey! We better bring our ski masks.”
    She laughed. “You can wear one. But I want him to know that I’m taking his blood.”
    “But then the cops will be after us.”
    “Yeah, they’ll want to punish us for our righteous crimes. But they won’t be able to find us.”
    I gave her a confused look. She said, “Remember that fucked-up dream that I told you about?”
    “The one where you were possessed?”
    She grinned. “That supernatural force is still within me. And it will prevent them from capturing us.”
    As I caressed the cuts on her thigh, I asked, “Where will we go?”
    “There are a lot of places where I can find a job as a dominatrix.” She handed me her car keys. “You drive.”
    After we walked out of her house, I picked up her TV off the driveway and tossed it on her lawn. I laughed. “You almost hit your car with the TV.”
    Sixxis shrugged her shoulders. Then we got in her car and drove off. While I drove, Sixxis told me the directions to the sex offender’s house.
    When we got to the house, we parked across the street from it. And after we assumed that the rapist wasn’t home, because we saw no car in his driveway, we got out of the car. Sixxis said, “Let’s go hide by those tall bushes that are on the side of his house.”
    After we hid by the bushes, I asked, “What’s next?”
    “We wait.” She kissed me. “Now get the knives out.”
    I got my ski mask and the butcher knives from the backpack. I handed her a knife. She asked, “You ready?”
    I put on my ski mask. “Yeah...are you?”
    “You fucking know I am.”
    With our butcher knives in one hand, and our cigs in our other hand, we waited for the rapist to come home. And as we waited, we stayed as silent as the night that we were living in.
    After about five minutes of staying silent, I said, “This is boring.”
    Sixxis glared at me. “You’re bored, huh.” She grabbed my lad. “I’ll cure your boredom.”
    After she stopped fondling my lad, she said, “Close your eyes and put out your tongue.”
    I obeyed, and after I felt her put something on my tongue, I opened my eyes and looked at the blotter paper that was on the tip of my tongue. I grinned. “Did you eat one?”
    She stuck out her tongue. I said, “You took three! Fuck! How strong is it? Who did you get it from?”
    She grinned. “From some guy who pays me to put metal rods in his dick hole.”
    I grimaced as I grabbed my lad. “Ouch! Fuck that!”
    About an hour after we ate the paper, insanity started creeping into my mind. And I knew that the insanity would most likely create chaos. I said, “Sixxis!” I sat on the ground. “What if our behavior becomes murderous?”
    Sixxis sat next to me. “I can already see his blood.” She put the tip of her knife under her eye. “I’m going to put on a mask, too.”
    I could feel my senses start to alter as Sixxis started cutting her arms with her butcher knife. I said, “Fuck! Be careful. You might cut your whole fucking arm off with that thing.”
    She slapped me. “I didn’t bring my pen knife. So shut the fuck up!”
    “Alright...fuck!”
    When Sixxis was done cutting, I watched her smear her blood all over her face. I said, “A blood mask.” I ran my fingers through her hair. “So fucking sexy.”
    She kissed me. “You want some of my blood on your face?”
    I watched the features of her face distort as I thought about her question. I said, “Yeah, I do.”
    After she made some new cuts, I took off my ski mask. Then she started smearing her blood on my face. I said, “Fuck! We might not even need the knives. We’re going to scare him to death.”
    By the time she was finished with my blood mask, I was definitely living across the street from sanity. Gravity was still holding my body down, but my mind had escaped my head and it was flying through colorful gases in outer space. I slowly said, “Whoa...look at the stars sparkle...look at the moon shine...look at the—-”
    Sixxis punched me in the arm. “Look at the headlights.” She pointed at the glaring lights. “He’s home.”
    After I put on my ski mask, we walked from the bushes and to the corner of the house. And after Sixxis peeked around the corner of the house, she turned to me and said, “That’s him. Let’s get him.”
    With our knives in our hands, we ran right at the guy. When the guy noticed us, he stumbled backwards and fell to the ground. Sixxis and I stood over him. I said, “Stay quiet and obey our commands and you won’t get hurt, rapist!”
    Sixxis kicked him. “His name is Greg!”
    Greg looked at Sixxis. “How, how, how do you—-”
    Sixxis slapped him. “You don’t recognize my blood, do you?” She put her face right in front of his. “Do you remember Sativa!”
    Greg didn’t respond verbally; he just continued shitting his pants.
    Sixxis pulled Greg’s hair. “Get up!”
    After Greg got up, Sixxis held her knife to his throat. “Take us inside you fucking rapist.”
    Once we were inside his front room, Sixxis ordered Greg to get completely naked. Greg reluctantly obeyed, and as he started taking off all his clothes, Sixxis said to him, “You and your friends fucked up my life!” She screamed at him. “Now I’m going to fuck up your mind!”
    Greg trembled as I tied him to a chair: he knew he was fucked.
    After I tied Greg to the chair, Sixxis started punching him in the face repeatedly as she screamed at him. I cheered her on as I watched ecstasy glisten in her eyes. “Yeah! Punch that rapist! Punch him!”
    Greg whined as he received Sixxis’ fury. And when she was done punching him, she asked him, “It’s hard to defend yourself when you’re tied up, huh?”
    Greg didn’t respond; he just hung his head and whimpered. But Sixxis stopped his whimpering by putting the gag in his mouth. She said, “I’m going to brand you so you don’t forget what you are.”
    Tears started falling down Greg’s bloody face as Sixxis started carving the letter R into his chest. And when she finished carving the word RAPIST into his flesh, she took the gag out of his mouth. She said, “I’m going to give you a chance to escape my wrath, rapist.” She grabbed his throat. “If you can tell me one good reason why you raped me, I won’t hurt you.”
    I knew Sixxis was playing with Greg’s mind; that he couldn’t possibly come up with a valid excuse for what he did to her. But, with fear dominating his mind, I knew he didn’t realize that his words could not save him.
    Greg looked at the floor while he said, “While I was in prison...I told my cellmate that I raped you because...because of the alcohol, the peer pressure, the environment at that party...because you were being so provocative.”
    Sixxis slapped him. “You’re blaming me!”
    Greg looked at Sixxis. “No, no, no. I’m not blaming you. I blame myself....and my ancestors.”
    Sixxis slapped him. “What the fuck are you talking about?”
    “My cellmate told me that I raped you because my ancestors raped. Something about natural selection. I don’t know...it was hard to understand. But he told me that I could prevent myself from raping again by understanding why I raped you.”
    Sixxis slapped him. “Your ancestors don’t excuse your behavior, and this isn’t about figuring out how to prevent you from raping again.” She spit on him. “This is about pure fucking revenge!”
    Greg pleaded with Sixxis. “Come on, Sativa. Please!”
    Sixxis slapped him. “You killed Sativa!” She punched him. “Now, you have to make a choice. I either cut it off, or I fuck you with my strap-on dildo.”
    Greg yelled, “Nooo! Please! Don’t do that to me!”
    Sixxis and I laughed in unison as we watched Greg’s eyes fill with terror. I said, “Sixxis, this is going to be very therapeutic for you. Did your psychiatrist tell you to do this?”
    Sixxis laughed. “My sick mind thought of doing this. The sick mind that this rapist helped create!” She slapped him. “Make your decision, rapist!”
     It didn’t take long for Greg to make his choice. I laughed. “I’d make that choice, too.” I spit on him. “But YOU want to keep it so you can rape again!”
    With despair showing on his face, Greg asked, “How did you find me?”
    “Technology.” I showed him the red piece of paper. “The great state of Oregon let’s its citizens know exactly where all the convicted rapists live.”
    Looking despondent, Greg hung his head. I said, “Sixxis, I’ll be in the kitchen if you need anything.”
    “Wait!” Sixxis grabbed my arm. “Help me tie him to the chair in the position that they had me in when they raped me.”
    Sixxis held her knife to Greg’s throat as I untied him and repositioned his body. And after I tied him to the chair again, Sixxis put on her strap-on dildo. I said, “Have fun, Sixxis. Tell me when you’re done.”
    Sixxis laughed. “When I stop laughing you’ll know I’m done.”
    I went in Greg’s kitchen, and before I could sit down in a chair, Greg started screaming and Sixxis started laughing. I yelled, “Sixxis! Put the gag in his mouth. He’s going to wake up the neighbors.”
    I started laughing hysterically.
    After I stopped laughing, I fired up a cig. Then I started asking myself questions as I looked around at my surroundings. “Where the fuck am I? Who the fuck am I? Where the fuck and who the fuck are we?”
    After about an hour of entertaining myself by watching random and inanimate objects melt, Sixxis stopped laughing.
    I went back in the front room. Greg was unconscious, and blood was dripping from his anus. Sixxis was sitting on the couch. She calmly said, “Come here, Elbert.”
    I sat by her on the couch. She grinned as she looked at Greg. “Would you stab him for me?”
    I took off my ski mask. “I’ll do anything for you.”
    She kissed me. “Would you die for me?”
    As I looked at her dilated pupils, I slowly ran my finger down her spine. “I have already envisioned that I will follow you to my death...”












Once Her Life, art by Edward Michael O’Durr Supranowicz

Once Her Life, art by Edward Michael O’Durr Supranowicz












Twinkles

Brian Duggan

    The summer Marilyn Monroe was staying at a farm in Westport was the summer that our mysterious next-door neighbor, Evelyn Patton, became a problem. It was 1956 and I was fourteen, Marilyn was residing at the home of her new business partner, photographer Milton Greene, while attending classes at the Actors’ Studio with Lee Strasberg in New York City. I met Marilyn only once, but that’s all it took.
    I was visiting my aunt on Ocean Breeze Walk in Ocean Beach, a mostly weekend community on the western end of New York’s Fire Island. Cars were not allowed on the island, which added to the closely-knit community’s charm. My cousin Peter, Bill Adie Jr. and I were talking in Adie’s grocery store as I selected the biggest limes I could find for the grownup’s gin and tonics.
    Marilyn came down the aisle and to my surprise nodded a quick hello pulling pink sunglasses to the tip of her nose. Blue eyes sparkled in a lightly tanned face as blonde pigtails swayed behind a black silk scarf. She was wearing a red bikini under a white blouse and people were staring at her. My eyes followed her shapely legs with a sugarcoating of white sand to brown leather sandals; later that summer I would get a glimpse of her naked. She passed me on the way to a pyramid of oranges whose scent was blending with her warm coconut butter. She turned, moved closer, and asked, “Aren’t you the boy I saw through that fence today with a red wagon?” Her voice was low and breathy with something playful in it and people turned away as if it were a private matter.
    “I don’t know.”
    “You met the Fire Island Belle from Bay Shore at three-thirty. I watched you from the deck; your face was all wrinkled up. Were you docking that boat in your head?”
    “How’d you know that?”
    “I notice people lost in thought. I listen in to help them think, but I may give it up if somebody doesn’t start returning the favor.”
    “I wouldn’t need help docking that boat, I could do that in my sleep,” I bragged.
    Her eyes lit up and a wonderful smile erupted. “Is that so!” She blew me a kiss saying, “So long Captain.” I waved goodbye, but she didn’t see it from the counter where a line of shoppers had stepped back in astonishment, and in seconds she was gone. The store fell silent and like the others I already missed her.
    I should have kept that encounter to myself, but it flashed through the neighborhood after my telephone call home. The day after I got back home to Fairfield our seldom seen next-door neighbor appeared outside our screen door insisting that I call her Evelyn. No one knew much about her then except that she had lost her husband during the Second World War. We’d heard she’d been a photographic model and dancer, she was said to be in her mid-thirties. The early morning breeze tousled auburn hair in front of a serious face. She wore no makeup, nail polish or shoes. A simple blue pullover and matching skirt clung above a narrow waist supported by slender legs. I took in the white gold earrings, necklace and bracelet that gave off a dazzling blue color as she stood in place. My sister later informed me that those topaz gems were a big deal, but she was wrong, it was her skintight pullover. As I repeated my conversation with Marilyn she committed it to memory. She stood silently with emerald eyes adrift as if rummaging for misplaced memories. After that Evelyn began appearing while I struggled through morning piano lessons with Mr. Dwyer on our screened-in sun porch.
    Albert Dwyer claimed to have been a well-paid musician in an earlier life, but he was now consigned to the piano keyboard at the Ships Lantern in Westport on weeknights across from the Y.M.C.A. where a downstairs room, an upright piano and a meager life awaited. Jules Munchin, the Westport Playhouse’s founder, offered a limited paycheck, but only if the summer stock production was a musical. On special occasions Mr. Dwyer would show up wearing white, fingerless gloves in front of the organ at Trinity Church in Southport or behind the Baldwin piano across the street at the Pequot Library. He was fifty-something with a grey fringe of circling hair that was kept short above red-rimmed eyes. A five o’clock shadow covered sunken cheeks ending at a chiseled chin. His swanlike neck flexed at odd angles behind the keys; he looked at everything with a sideways glance.
    His drooping shoulders were always packaged in a worn, blue sports coat covering a wrinkled short-sleeved, white shirt. His hands appeared to have evolved for keyboards. The fingers would abruptly cease activity to lay in wait. They remained at the piano’s edge hidden under flattened palms until the very last second at which time they would pounce on black or white keys from memory. Grey slacks showed white sock and hairless, skinny legs above scuffed penny loafers. Vocal accompaniment was out of the question; a rasping monotone was all tobacco-stained vocal chords could muster.
    It was obvious from that first day that those two didn’t like each other. Evelyn would sit in our living room shuffling newspaper and magazine clippings running the gamut from laughter to tears as she chronicled Marilyn’s early life, which I learned had started with another name. Tidbits of information would sneak in between struck piano keys reminding us that Marilyn’s life had paralleled Evelyn’s. When either life entered into what she declared were the heart’s darkest waters, the pace quickened. Unhappiness that entered Marilyn’s life was first transported on barely audible murmurs, which rose in volume with Evelyn’s own remembered suffering into louder cries at which point Mr. Dwyer would abandon my lesson and throw up his hands. The hands would then descend on keys breaking into what he called, “Twinkles.” These consisted of several bars of Green Eyes, which were masterfully adapted to Evelyn’s present port of call. The range was sweeping; jazzy notes accompanied a merchant ship leaving New Orleans for the Mississippi Delta’s brown, unhurried waters, Hawaiian overtones, a tanker departing a South Seas anchorage and a Boogie-woogie with pumping pedals meant Lady Liberty was surveying a bigger torch.
    Twinkles prompted moments of icy silence from Evelyn, and Marilyn’s life would leave the world’s shipping lanes to head for California, but that voice would again seep back into the sun porch rising in volume until another Twinkles arrived. Evelyn declared with great authority that Marilyn would never find happiness until she left Hollywood, and she directed me to tell her to stay put in Connecticut. We laughed at the suggestion, but Evelyn wasn’t amused. After a two-day disappearance she returned, this time with makeup and a midriff that cancelled Mr. Dwyer’s tutoring. Later, my mother, sister and I were glued to her first scrapbook dedicated to Jimmy Dougherty, a neighbor of Marilyn’s whom she married in June of 1942. I discovered that Marilyn had been born Norma Jeane Mortenson that same month sixteen years earlier. Her mother, Gladys Baker, lived in Los Angeles. Nobody knew Norma Jeane’s father, so she was baptized Norma Jeane Baker.
    We found out that Norma Jeane’s mother had lost her job as a film cutter due to mental issues that landed her in an institution. According to Evelyn, who jealously guarded her sources, Norma Jeane had passed through an unhappy childhood living with foster parents or in orphanages until at age eleven she had moved in with a girlfriend named Grace something-or-other. There was more bad news, Grace’s husband was transferred to a job on the East Coast in 1942, and Norma Jeane faced a difficult choice, drop out of high school and get married, or return to the Los Angeles Orphans’ Home. She chose marriage and we had the impression this didn’t set well with Evelyn because subsequent misfortunes involving Jimmy and Marilyn brought smiles when she thought we weren’t watching. A newspaper account said the two had been dating for some time and were described as happy until he joined the Merchant Marines and was sent to the South Pacific in 1944. “It was that damn war, their marriage ended the day that fool joined the Merchant Marines; they just had to do it,” Evelyn said.
    My whole family became concerned, but nobody knew what to do about her growing urge to reveal Marilyn’s life. Mr. Dwyer banned her permanently from our house during my lessons, while I clung to a selfish interest. The only things that had worked for me over at the Patton place were the cherry trees and an unseen kitchen; no one had ever been allowed inside. If anyone had any doubts about their being welcomed, one look at the two front door locks convinced him or her. Occasionally I would find a few dollars for pruning or bug spraying those trees in a white envelope jammed into an empty milk bottle on the back porch, but usually they wound up in the driver’s pocket who got a real paycheck from Wade’s Diary. Money for delivering The Bridgeport Post never appeared at either door on collection day. There were six trees bordering our yard and I kept an eye on kids who would fly off the street on bikes and cut across her weed patch to strip off ripe cherries.
    With the success of her first scrapbook, newspapers, mail and bugs piled up under the porch light as Evelyn glued Marilyn’s years on thick paper. It was a blessing because I finally mastered the piano’s proper fingering; Mr. Dwyer disagreed, “She’s warming up for the same old tricks.” Things were never the same after Evelyn began showing up each night after dinner. The scent of a cherry pie with sugared crumbs on top at the front door would water my mouth and then the scrapbook routine began with the arrival of vanilla ice cream. She’d open her hardcover collection and watch our eyes, delighting in every reaction, and somewhere in her head the three of us multiplied— as she looked beyond us at an unseen multitude— to hundreds or maybe thousands. “I’d let her know straight out, ‘Marilyn you’ve got to figure this fame thing out. Forget that Hollywood’s glitter, its just greedy producers, artsy-fartsy playwrights and lying big shots. You stick to acting lessons, try the stage and practice your dancing or it’ll be the death of you.’” She finished with a puzzling grin, “It’s all so simple.”
    As June rushed by I stood behind the sofa breaking in a new outfielder’s glove. I kept the glove with a baseball wrapped in rubber bands in my hands as Evelyn exhibited her completed history of Jimmy’s questionable contribution to Norma Jeane’s earlier life. Later, as I folded papers for delivery at the end of June, I read that Marilyn had entered into marriage a third time with playwright Arthur Miller whom she had met through Lee Strasberg. I hoped Evelyn’s dire warnings wouldn’t hold up, I wanted Marilyn to abandon Hollywood for Arthur’s New York. Maybe this New Yorker would think it through for her, you know, “Start returning the favor.”
    Evelyn was cutting and pasting mostly yellowed pages printed just after the war at a record pace. I say, “mostly” because she had taken to hurriedly skipping past the rare postcard, telex, or dog-eared photo. These were shielded with a protective hand and weak patronizing smile. It was a sticky situation, she designed the scrapbooks and produced a nightly entertainment hour guiding us personally over Norma Jeane’s previous pitfalls and triumphs, but you could see there were some things Evelyn could never share. We flew past Norma Jeane’s divorcing Jimmy Dougherty, but stalled before the happy faces at Twentieth Century Fox on August 26, 1946, when she signed her movie-making contract.
    On the opposite page I saw Norma Jeane’s recently dyed blonde hair and her new studio-assigned name. She was now Marilyn Monroe and was given little notice in bit parts for Columbia and Fox. Evelyn seemed pleased when Marilyn was forced to meet expenses by returned to the still camera as a model. Evelyn’s mood changed quickly when Marilyn’s nude photograph on a calendar lead to her being cast in a minor role in a forgettable film, Scudda-Hoo! Scudda-Hay!
    The brief connection that this movie star and I had shared on Fire Island appeared to have sparked a neighbor’s obsession, attracting makeup, sexy clothing and chic jewelry. We all agreed, the face seemed prettier; the shape more sculptured, and strange as it seemed, she looked almost youthful. I didn’t want to enter Marilyn’s darker waters and I dreaded the thought that someday there might be millions receiving perverse enjoyment scrutinizing lost innocence. I was in Marilyn’s corner no matter what happened and as the past caught up with the present, I thought about her.
    One night as I shut my bedroom window on the tongues of my black and white high-top sneakers for their airing, I happened to look over at the Patton house following darkening rooms that ended with the opening of a Venetian blind. Incredibly Evelyn proudly held up a scrapbook for me to see. The only thing missing was the applause from her unseen audience, but she bowed her head blowing kisses from a cold creamed face so I knew she heard it. She sat on a bed’s edge dabbing her eyes near a growing pile of Kleenex tissues.
    The next night I learned the reason, Marilyn’s uncredited minor role in The Asphalt Jungle had rekindled her career. I nodded off before that small-lighted rectangle some sixty feet away and awoke to see Marilyn’s pages flying from the scrapbook and out her window. They floated in midair like movie-screen-stepping-stones. I watched as Evelyn dropped from her window on to the first animated image. A thin nightgown fluttered over a bridge of Marilyn’s grimacing faces. I raced from bed to window, twisted the lock and closed the curtains. After that I sleep on the sun porch.
    Other people were drawn to that house. A fat neighbor on the other side of her peeling sanctuary would stop his lawn mower and lost in thought slowly march through knee-high vegetation to weave under my cherries. He arrived with red fingers to add his two cents to my growing knowledge of Evelyn. He knew all about the war’s early years when he said she had left starving cats and quizzical neighbors, seemingly at a moment’s notice, to meet Bobby Patton’s ships in Perth Amboy, New Haven, Brooklyn or even West Coast anchorages. Folding the next to last newspaper and still thinking about that dream, I wandered off.
    A sudden gust of wind stirred the branches under the cherries to fan out over the tall grass. Newspaper pages floated in the air just like those stepping-stones, but I kept walking toward her window. Figurines watched as I ignored the frantic hand motioning me toward an opened front door. Turning my back, I walked away. The door slammed and I saw her furious face framed in closing drapery.
    Although banished from the nightly melodrama, I stole a slice of pie and listening from the kitchen learning how Marilyn’s appearance in All About Eve after The Asphalt Jungle had prompted another contract from Fox. Evelyn’s envy grew into disgust as rave notices for Let’s Make It Legal and Love Nest signaled growing achievement in 1951. The next night I hid behind the sofa as Clash by Night brought star billing in 1952 and a year later Niagara pleased bosses who had transformed a struggling actress into their own sexpot. I wished that piano had been handy for Twinkles three nights later when appearances in Gentlemen Prefer Blondes and How to Marry a Millionaire triggered mocking snickers from Evelyn for screen work Marilyn had completed in 1953.
    Two nights later we all suffered with Evelyn as There’s No Business Like Show Business the following year created a sensation in Hollywood that spread overseas. Overwhelming fame was unavoidable from 1954 when she married one of my heroes, second husband and baseball star Joe DiMaggio. Publicity surrounding this event was too much for Marilyn who now had every reason to question a Hollywood career and the image it had created in people’s minds.
    That night I walked along the shoreline looking at the flickering lights on the trio of tall smoke stacks in Port Jefferson, New York, some sixteen miles across Long Island Sound. Right then and there I made up my mind, no more craziness. I would sell my paper route and be Marilyn’s Captain heading out to sea in an Amesbury dory. Those stacks grew fatter as Mickey Rooney, Freddy Bartholomew, and I plowed through the waves. I knew all about the boat that those Grand Banks fishermen had treasured in I had read the book by Rudyard Kipling and watched the movie on television twice. Long Island Sound’s roughest water wouldn’t have a chance with that high freeboard. The gunwales could easily be pushed to the water’s edge allowing me to dive off and get back aboard. I was ready to varnish oak trim and paint the lapstreak planking white that rendered a sheer line to the transom.
    The next day as the newspaper bundle tumbled from the truck to my lawn, I peeled open the top newspaper tearing through to the classified section. I held my arms straight out and sure enough, there at the third column’s top were words blaring it out, “AMESBURY DORY FOR SALE.” When I finished delivering papers I ran upstairs for my passbook saving account discovering I would rarely use an oarlock. Two ads killed time in my pocket, one for the dory and another for a used Evinrude outboard and a five-gallon tank. My father, who’s dream had always been owning a sailboat, had designed and built a wooden model to scale, so it was easy to sell him on mine. I closed my savings account on Tuesday and pocketed ten crisp fifty-dollar bills. A man answered the phone and I wrote the address down promising to stop by on Thursday, I would return his trailer later.
    We wrestled with a trailer hitch in the afternoon and the neighborhood spent that Fourth of July on blankets at Jennings Beach watching fireworks illuminate the night from Bridgeport’s Pleasure Beach all the way down to Norwalk. Mr. Dwyer began his own tribute to independence, sandwiches streamed out of his dented Hillman Minx from Angie Mecurio’s market to fight for space in our kitchen with his liquor, which encouraged the lighting of rockets and firecrackers from ladyfingers to cherry bombs.
    At two o’clock in the morning I woke up. A flashlight beam was on my face through the screen. Evelyn stood silently outside in her nightgown. Next door I found Mr. Dwyer curled up on her porch behind two uniformed policemen. She retrieved a brass key from a dead-to-the-world hand and stepped over the body giving me a dirty look as she disappeared inside. I left a note for my father and rode up front with a sergeant who stopped at the Fairfield Diner for coffee. I got a chocolate shake and turned on the blue lights as we sped down the Post Road to Westport. The limp body went down the Y.M.C.A. back stairwell to a basement room where it fell to a sagging love seat.
    “I’ll take you back home, he can get his British contraption tomorrow.”
    Mr. Dwyer ratcheted upright in short bursts to survey the opened door. He staggered to the piano bench, and there on top somehow managed to curl up in greater comfort.
    “Suit yourself Albert.”
    “Damn right, Sergeant!”
    I was all set to leave when I saw them in— the only object he appeared to value— a polished silver frame. Evelyn sat on top, a white long-sleeved shirt covered her torso and black leotards her legs, which were drawn up to her chin revealing metal taps that glistened on silver colored dancing shoes. Mr. Dwyer’s legs hovered over countless pedals: short, long, slender, and cylindrical that branched out above bare shins and drooping white socks within the curved recess of a gigantic organ. Mr. Dwyer’s face, bordered by black hair and a cultivated goatee, beamed above multi-layered keyboards.
    “Goodnight, we’ll manage,” he blurted from the bench following a long gasp.
    “You alright with that?”
    “Yes Sir,” I said, unable to leave that black and white glossy.
    Burnt coffee boiled away on top of a glowing electric ring balanced on the edge of a cracked porcelain tank behind a repulsive toilet bowl. Soup and tilting sardine cans were heaped alongside and were even visible in the bathtub’s corners behind the torn shower curtain where a flotilla of soaking underwear, white fingerless gloves and socks floated. Zipping up I held my breath avoiding even one whiff as a remarkably clear-headed narrative continued through the opened door. “That Radio City Wurlitzer was like the second coming of Christ, biggest music box I ever saw. Took up the whole flatbed, Tonawanda all the way down to the Fiftieth Street side door with three gorillas pushing.”
    He raised the piano bench lid and slumped— into a ruptured wing chair— handing me a copy of Playboy. He had paid fifty cents to see Marilyn nude in the first December edition three years earlier. He swayed waiting wide-eyed for my reaction, and before chin-hit-chest, he blew a kiss at the picture frame on the piano, “Happy Fourth, Twinkle Toes.” I opened glossy pages, took one look at Marilyn and hid temptation under sheet music. I was lured to lift that lid, but never went near it; I found other things to look at.
    It was starting to fall into place. There was a postcard addressed to Bobby’s mother in Jackson Heights, Queens, New York, from San Pedro, California, saying Evelyn was sorry, but her son had lost out to an older boy named Jimmy whom she had met with her new friend, Norma Jeane. She wanted all the Japs in America rounded up and sent back home after Sunday’s sneak attack. There was a small photograph of a girl in a tight sweater and overalls in front of a factory whose lettering on the brick spelled out Radio Plane Munitions.
    The ink was blurred on the back, but if you saw the front you got Evelyn’s message, there was a white patch where she had scratched off a head. That body definitely belonged to Norma Jeane. I shut the lid and sat down. Evelyn was nuts; she hadn’t dumped Bobby Patton for Jimmy Dougherty she had married him. Norma Jeane had married Jimmy and later divorced him; I had seen his scrapbook. Mr. Dwyer would be no help unraveling this mystery; he was dead to the world.
    The piano at the room’s center looked as lonely as I felt. The piano’s keys were now a dull yellow and had dirt filled fractures. The worn pedals and the cigarette-charred potholes were silent reminders of a long abandoned musical machine. Lifting the lid exposed a tarnished harp lying on its back below felt-tipped wooden hammers. Suspended cigarette stubs lay above a collection of gum wrappers, beer caps and dissolved tobacco. I was poised for a session of subdued Chopsticks when church bells overhead announced four o’clock. Later the sound of a running shower woke me up.
    At nine o’clock we piled into the backseat of my father’s green, four-door, Plymouth Savoy expecting an angry lecture, but Mr. Dwyer wouldn’t or couldn’t stop talking. His head shot back and forth from the backseat as he roamed the dying vaudeville circuit just as the war ended in Europe. When we crossed into Fairfield he was fondly recalling gigs in Greenwich Village. He told us that he had found Evelyn dancing as a Rockette in Radio City Music Hall where he tickled that Wurlitzer’s ivories as heaven danced by. “Just a common hoofer, that one! Him out there floundering on the high seas and her acting like a whore on holiday up in Harlem. Christ! She couldn’t show up for a burial ceremony, he was a good kid?” My father said, “Al, let it pass, it’s not worth the bother; she’s been through a lot.”
    My father never shared his knowledge of Evelyn with me, but Mr. Dwyer said Evelyn was originally from Los Angeles and had been working in an aircraft factory before she had married Bobby Patton. I wanted to know just who had attended that wedding. She had moved to St. Louis where her older sister had made her show business debut years earlier with Russell Markert’s Missouri Rockets, and then east to stay with Bobby’s mother while he dodged almost every torpedo and each floating mine. After he died Evelyn had moved to Jackson Heights in Queens and auditioned for Mr. Markert winning the coveted position at the chorus line’s center in the transposed Rockettes’s new home, Radio City Music Hall. Bobby’s widow, if that were true, had used his insurance money to buy the place next door to us.
    “What happened between you and Mrs. Patton in New York, Mr. Dwyer?”
    “Carried off by a Stage-Door-Johnnie, the worst kind a . . . mechanic.”
    The steely-eyed gangster started forming in my mind until I noticed my father’s reproachful eyes. Mr. Dwyer fell silent slumping in the backseat so I would never know which stage door Johnnie she had met, what color he might have been, or if all this had happened before or after Bobby died. The fat neighbor told me when she settled in next-door she was taking the train to New York. She could return the following night or sometimes weeks later and once several months had passed until the lights went on inside and a suitcase disappeared behind the locked front door as neighbors manned their windows. Mr. Dwyer volunteered that she’d frequent Times Square after rehearsals or ride uptown on the A Train to visit familiar haunts, but I didn’t care. She was nuts and my piano teacher was close behind, besides I had a boat to buy.
    My father and I headed down the Shore Road through Greensfarms into Westport. Within sight of the recently completed Connecticut Turnpike we turned left over a narrow stone bridge onto a dirt road that ended at a silk-topped wall. Behind the corn, a small brook between an old barn and a new farmhouse made its way towards the marshes at the shore. Birdseed was scattered on wood planking awaiting new paint on the front porch. Bright red-winged blackbirds and drab starlings making the most of shimmering neck feathers were swarming resident chickens. A honey-colored Cocker Spaniel puppy danced behind the opening door. Kneeled down to pat the space between flapping ears, I watched it make a beeline for my father. He had frozen in his tracks. Pawing and yapping went on around his knees; his mouth was wide open.
    “Hello, Captain! You’re too late, I sold the last ferry an hour ago.”
    Marilyn stepped through the doorway. Row upon row of plastic curlers populated the blond hair over that smile. She wore a white terrycloth robe and walked barefooted relishing the antics on the front porch where birds zoomed, a puppy leapt, and a surprised buyer stood near his immobilized father. She introduced herself shaking a bewildered hand as I moved away toward the barn. There in the open doorway on an aluminum trailer sat the most beautiful Amesbury dory I could have ever imaged.
    Marilyn had bought her from a boat dealer in Cos Cob months ago, but it had never been on Long Island Sound. Between photo-shoots, acting classes, and marrying Arthur Miller the extent of her voyages had consisted of bare-footed harvests and egg hunts on dry land. Somehow she had also found time to finish Bus Stop, which critics would point to as proof that Marilyn was miscast as just a sex symbol. Director Josh Logan’s and acting coaches Lee and Paula Strasberg’s dedicated student had won rave reviews as Cherie. She left Don Murray’s side to sit between oarlocks happily rowing towards recognition as a talented actress. “Four-hundred, Milton will need his trailer back.” I handed over the money and she disappeared inside while we connected the trailer to the bumper’s hitch.
    Marilyn returned in dungarees tying the long-sleeved blue shirt’s shirttails in a knot before a flat stomach. Curlers were hitting the ground. Was she planning on going with us? As if she had read my mind, she turned and ran inside shouting, “Don’t you boys dare leave.” Minutes later she returned out of breath carrying a paper bag loaded with vegetables to ask, “Can I go for a ride . . . sometime?”
    “Of course she’ll be in the water, we have your phone number. I’ll call you.”
    Turning, I opened the passenger door, struggling to think of something cheerful anything as long as it was a million miles from that postcard and headless photo. She stood outside, but I was certain she was inside my head. Behind closed eyes Evelyn and Jimmy walked hand-in-hand beside Marilyn silhouetted against the distant outline of San Pedro. On a storm-tossed Pacific, a torpedo rammed into Bobby’s ship and flames broke out. He sank to his graveyard covered in oil. Opening my eyes, I spat it out, “Did Jimmy love Evelyn?” Marilyn’s stark outline on the sunlit earth seemed to have invaded the car, as a numbing silence grew more painful with each passing second.
    “I listened in. She loved Jimmy, but he loved me more. I helped her think “
    “Did she really marry Bobby?”
    “She was a born dancer, wonderful singer and should have been an actress. It’s a shame, she just couldn’t think, but you already know that.”
    She leaned in and my answer to Evelyn’s questionable marriage was a kiss on the cheek. Then she held out her hand for me to admire the latest wedding band. That wonderful smile was on her face and the glow in her eyes matched the gold. She danced with the puppy to the front stairs waving goodbye. We dropped the trailer off two days later. I walked back from the barn alone, hoping she would come out, but Mrs. Miller had left. I spent the first week of August cruising up and down in Southport alone and then I filled the gas tank at the town dock.
    The dory’s bow was a foot above the water as I rounded the bell buoy at the harbor’s entrance. The Buxom Lass settled down to plane on a glass surface all the way to Port Jefferson, but blonde hair wasn’t flying in the wind and those pink sunglasses didn’t drip salt spray because my sister had seen her that afternoon opposite Joseph Cotton in the role of Rose Loomis. Evelyn had plastered 1953’s Niagara billboard across two pages. I was getting very nervous as Evelyn’s obsession gathered speed moving ever closer to the present.
    When I returned to the harbor’s entrance Tritona’s twin Detroit diesel power plants were pushing the sixty-five foot cruiser closer to Florida. It was a sure sign of an approaching autumn and potential hurricanes. James Milton, the yacht’s owner, sang with the Metropolitan Opera only during the summer season. I had followed in his wake many times passing sailboat keels buried in muck alive with fiddler crabs as he lifted my piano scales above the gurgle of ejected engine water with a heaving chest. We piloted stinkpots to the dismay of Southport’s elite rag-and-stick men, but on windless days our boats would glide down the middle of that narrow channel bordered by stonewalls to explore the shoreline.
    We left Trinity Church’s white steeple poking out of green trees tops to cruise by the Gold Coast toward Westport’s seaside mansions. I took my first swim off Cockenoe Island as Mr. Milton’s Funiculi, Funiculi boomed before the faint outline of Manhattan. Fresh oysters from a silver platter disappeared as I learned the history of Peppino Turco’s and Luigi Denza’s 1880 collaborative effort. I had seen enough opulence aboard that craft to last a lifetime, but there was more to come.
    As the Tritona’s stern grew smaller I spied a 1952 Rolls-Royce Silver Wraith, the winning car at the New York Auto show a few years earlier— without a doubt Mr. Milton’s pride and joy— sparkling in the afternoon sun at the bottom of the empty pier’s gangplank. The right-hand drive, four-door saloon’s sable colored top and long hood were encased in wax as was the burgundy colored body curving from a sloping front fender to the stylish truck. Radiating chrome-spoked wheels centered in white-walled tires supported the masterpiece. Mr. Milton had told Howard Burr that H.J. Mulliner, his favorite Rolls-Royce coachwork designer, had, “Eclipsed his own brilliance.”
    Fifteen minutes later I wheeled my bike into Howard’s tool shed for the night to enter a coveted world. The Rolls was on its way to freight forwarder in New York City, but not before I rode home on fawn tan leather. When we arrived every matched walnut tray table was violated, each monogrammed glass in the recessed bar was smudged, and not one gold-etched dish evaded a scratching fingernail, but I guarded the silver-plated brush and comb inside the felt-lined grooming kit. Mr. Milton’s driver patted heads, returning a gold nib with platinum inlay set in a black resin barrel inside its gold-plated top. His writing instrument, which I had mistakenly called a mere pen, regained its rightful place within the secretarial kit just as the police cars arrived.
    A thin man somewhere in his forties marched from the police car through the tall grass parting neighbors. That proud copper face took in what appeared to be familiar surrounding. He was blasé about a Rolls in front of my house and definitely disinterested in my face, which poked out the back window. He wore a red felt fedora hat creased lengthwise down the crown and pinched in the front on both sides. The hat had a purple 4 and one-half inch hatband with a bow at the side. A rust colored business suit, which my sister declared was sharkskin, shimmering in the twilight over suede shoes that matched the hatband. He offered a second key to a white uniform and returned to the patrol car’s backseat. Mr. Dwyer stood on the front steps and hung his head. Minutes later the men in white wheeled a body draped in a white sheet outside.
    That first week in September was brutally hot with high humidity and too many disappearing people: Marilyn in Arthur’s care, Evelyn in a coffin, James Milton in the Tritona and that anonymous man who I believed was the piece that would complete Evelyn’s puzzle. Just one week from the start of my freshman year in high school someone else disappeared. Howard Burr shook his head walking from the red telephone booth near the front of his tool shed and waved to me. The outboard sputtered to silence and I ran up the gangway from the dock. Mr. Dwyer in a raspy panicked voice that competed with a fire alarm told me to hop the next local train at Southport and meet him in the last car at Westport. He hopped aboard dropping coffee-stained gloves and underwear, pointing to a column of dark smoke that rose in the sky.
    “Sears Roebuck and their bullshit appliances can go to hell!”
    We took the only empty seat by the lavatory, which held a chrome tank of passenger waste that had accumulated hours earlier. It reeked, it sloshed, and then utterly vanished from consciousness as he leaned closer on the verge of tears. “She called me, said she had no reason to live— I slept on it— how was I to know she’d do that?” Then he pulled it from the sport coat’s inside pocket. He waved a twisted white envelope with my name written on it in big, hand-printed letters. I had seen that handwriting before.
    “Wade’s driver found it, dropped it on my piano.”
    “When?”
    Mr. Dwyer glared at me as my fingers started opening it and he tried to snatch it back. “Christ not here, not now . . . that’s a will! Don’t screw it up; he put his hooks into her, there’s no telling what he’ll do to you, Hot Shot.” He slapped a one-way ticket to Grand Central Terminal in my hand. We rode in silence after that with him hiding behind The Daily News. When we crossed over the steel bridge into Hell’s Kitchen he tossed a ten-dollar bill into my lap and left. The burned out shell of his basement room at the Y.M.C.A. took shape on the outside of the train’s dripping glass. A piano smoldered near sunken tin cans as the train squealed approaching 125th Street.
    Looking beyond the polished northbound tracks, I saw blank eyes look up from a ironing board over the radio, flowerpot, and mattress that adorned a rusting fire escape. Peering between the steamy tenements I saw black people rushing to sample gushing fire hydrants, tambourine-wielding missionaries and air-conditioned bars. I wondered if Evelyn’s taps had been behind that glass brushing sawdust into a jukebox’s curved rainbow.
    The car darkened as we dove underground. Distant greens and reds grew bigger flying out of the darkness. We left air-conditioning to trudge up that worn ribbon of steamy concrete into the vast terminal where I hopped the express to South Ferry. Heat from the city’s canyons rose beyond the blurry skyline into a scarlet sky. Bent over the bow of a Staten Island ferry that was rushing across that deep harbor’s cold water, I felt a welcomed chill. The fire escapes were crowed at eleven. I looked but never saw a white face.
    One morning, several months I awoke at dawn. Silver frost glistened on fading grass under a canopy of crimson and orange. Someone had heaped trash at the curb before the Patton house during the night and two men were loading it into the back of a garbage truck. Dressing quickly I cautiously approached a man in a full-length black leather coat. Honey red hair had been combed into a high pompadour and when he turned around green eyes sparkled for an instant and then narrowed to focus on a twisted envelope that was inching its way behind my back.
    “Real show starts at three, but I’ll give you a peek.”
    “You knew her?”
    “No. I married her.”
    We entered a bare living room. Not a stick of furniture or a single figurine remained, only closed curtains. The kitchen was cluttered, but organized; it had been put to good use. We walked towards two locked doors, he stopped at the one to the left, which he opened with a key. Inside were three rows of metal pipe racks holding hundreds of dresses, woman’s slacks, sweaters, jackets and coats. Against each wall a brigade of shoes three feet thick standing in formation, each one commanded by a pair of dancing shoes like the one I had seen in Mr. Dwyer’s photograph. We moved up a stairway beside a wall completely covered by Marilyn’s movie posters. At the top of the stairs he paused to take a deep breath, then suddenly he pitched forward.
    The bedroom door was painted a pale blue. He turned the key remaining outside and gently pushed me through the doorway. Twin cribs painted white were wrapped in clear cellophane. Blue sheets and baby blankets were folded neatly against each headboard. A bassinette was piled high with stuffed animals. A closet held blue baby dresses and a row of sunbonnets. An overpowering sympathy for Evelyn told me it was time I left.
    “Got no time to screw with this. Stuff’s all yours.”
    “I don’t want it.”
    I dreaded the next door, but he opened it with disgust approaching a circular bed on a raised platform. The walls were white until he hit the wall switch and then a rotating mirrored ball spewed jagged pieces of multi-colored light out onto the mirrored ceiling. Shards of colors raked a single bed with a stained mattress before the window.
    “That’s where . . .?”
    “Stinks like it, don’t it, Son.”
    I heard the Savoy’s horn and hurried down the stairs. “See you at three,” I said darting out the door into fresh air. When I returned there was a black Buick with New York plates and a police car with a familiar sergeant sitting on the hood. Our fat neighbor sat in the police car’s backseat nursing a bleeding nose.
    “What’s going on?”
    “Lawyer’s inside, get in there.”
    “What happened to him?”
    “Pissed off the owners’s representative.”
    Three heads turned as I opened the door. The attorney sat in a camel’s hair coat reading his copy of the will in a thick accent that belonged to the Bronx. He quoted directly as I followed along reading Evelyn’s handwritten copy. He concluded with a nod to two light skinned teenagers. They were the only twins I had ever seen in person. Both girls had green eyes and auburn hair. The trio departed, but their father barred my exit locking both deadbolts from the inside. I stood uneasily, awaiting my punishment and finally looked past him to see both cars pulling away. He jerked the drapes closed and with a burst of energy and unlocked the door he had avoided before.
    “I ought to plant your butt near hers.”
    “What did I do?”
    “She was doing fine, till your white ass did her in.”
    Without a warning, a closed hand grabbed my shirt dragging me past the open door. A large blue circular sheet held my inheritance, that’s right, another scrapbook. There was no time to catch up with Mrs. Miller’s past. He had positioned me in one corner of the room and his hand was inside the coat moving a noticeable bulge. Mr. Dwyer disappointing as he was, had warned me. My life unfolded before me as I held that scrapbook in front of my face.
    “Put that crap down, let’s get this over with.”
    After agonizing seconds I heard the definite chink of metal pieces being joined, of course a silencer— he’d have needed that. Was his stub-nose 38 already cocked? A stronger hand lowered the last vestige of Evelyn’s obsession as I slid along towards the room’s center. I heard that satin sheet’s hushed descent above my pounding pulse. Was it meant to conceal my dead body? Looking around the scrapbook, I saw him arranging metal tools near a black leather pouch on a polished upright piano.
    “Got my trusty gooseneck tuning hammer and stand-by tuning fork. Take a peek at those initials, My Man. Course I got four rubber mutes. Oh yeah! We got us a 5/8 inch muting felt.”
    He kissed it as I sighed in relief easing my grip on the piano’s edge. He apologized to the Steinway piano for not having brought higher quality tuning equipment that would make precise adjustments to the tuning pin.
    As he pampered the piano, I learned Evelyn’s daughters had become wards of the state after her third stint at Bellevue. Our fat neighbor and the infamous Mr. Dwyer had teamed up to forge a marriage license for a troubled lady who had no idea she owned a house. Neither of us mentioned any upstairs activities, but he locked that sheet in the other room and seemed happy enough with one broken nose to his credit. Minutes later a big moment arrived; the first piano he owned was primed for action. I sat next to him and somewhere; I would like to think just beyond Fire Island’s breakers, my feeble Chopsticks turned into the most moving Green Eyes I ever heard. Both of our spirits were reborn as his tears baptized new ivory.
    More summers went by as I endured high school. The twins sold out to our fat neighbor at an inflated price. Arthur toiled repackaging Marilyn, who was again sharing phone calls with Joe DiMaggio, as Roslyn Taber for a role in The Misfits. Clark Gable and Montgomery Clift co-starred with Marilyn who bowed out as Mrs. Arthur in early 1961. As the next summer neared its end, on August 5, 1962, Marilyn died in her sleep at her home in Brentwood, California. Three days later her body was laid to rest in the Corridor of Memories at Westwood Memorial Park in West Los Angeles. I wouldn’t need help remembering that lady, I could do that in my sleep.












Leavings

Michael Hoag

    The one stopped the other leaving the bathroom.
    “What did you settle on while you were gone?”
    The one waited and the other stood and decided to go and say it.
    “I think I need to go.”
    “What does go mean?”
    The one sat in the armchair and the other fingered the bolt attached to the white handle of the cold water faucet.
    “It means I need to leave.”
    The one held still and the other twisted the bolt by the head.
    “Are you moving away?”
    “I think yes.”
    “For how long?”
    “I don’t know.”
    “For a day?”
    “I think more.”
    The bolt on the faucet turned in, seated and turned out.
    “Are you leaving?”
    The bolt released from the tap. The other carefully realigned the threads, twisted, reset and nodded.
    “Do you still love me?”
    The one sat fixed and the other stopped turning the bolt and began fingering its small flat head.
    “I think you are amazing.”
    “I know I am amazing but do you love me?”
    The other ran a fingernail up and down the bolt slot and nodded.
    “Do you have another?”
    “No.”
    “Are you depressed?”
    “No.”
    “I think you are depressed.”
    “I’m not depressed.”
    “Are you tired of the house?”
    “I guess.”
    “Do you hate my family?”
    “No.”
    “Do you still love me?”
    “I believe.”
    “Do you love me less?”
    “I don’t know Mary.”
    The one sat silently waiting.
    “What should I tell your child?”
    The one sat and the other turned away from the faucet. The drywall was up and painted. The trim was in place and the fixtures set. Across from the sink was the ebonized rosewood and ormolu Sheraton. To the right was the new toilet and to the left in the corner was the Bergère. The contractor initially refused to allow for a bathroom Bergère but the two persisted and the contractor finally relented and agreed to design a room large enough to hold three standard bathroom fixtures and a Bergère. Everything looked beautiful but nothing worked because the money ran out before the final plumbing was set. The two called the room their faux bathroom since none of the fixtures ran, nothing was ever used and nothing ever needed cleaning.
    “What should I tell your child?”
    “I don’t know Mary.”
    “Do you want me to wait?”
    “Yes wait.”
    “For how long?”
    “Maybe tomorrow.”
    “Will you call?”
    “I don’t know.”
    “Do you want to stay the night until you find a place?”
    “No.”
    “Do you have a place?”
    “I think I do.”
    “Where?”
    “Away.”
    “I know you will be away but where will you be?”
    “By work.”
    “Can you tell me the address?”
    “I don’t know Mary.”
    “Why won’t you tell me your address?”
    “Because...you might come by.”
    The other turned farther away.
    “I think I will leave now.”
    “Will you come back tonight?”
    “No.”
    “Will you come back tonight to get your stuff?”
    “Yes.”
    “And then leave?”
    “Yes.”
    “Leave for your new place by work?”
    The one sat in the Bergère in the corner and the other stood in front of the pedestal cast iron sink. The beveled mirror on the wall was set in an oak frame. The toilet was factory stock. The one wanted a factory toilet and since the other had no time to repair and install an antique they bought new. The two found the roll top bathtub at a salvage yard and had it refinished. It sat at the far end without plumbing.
    “Leave me?”
    The two bought a gouache on Rives three hundred weight lignin free paper with deckled edges. The gum Arabic based binder put off a slight blackberry honey scent.
    “Are you leaving me?”
    The two pulled up a hardwood floor from another house and hauled, cleaned, sanded, nailed and varnished one hundred and fifty square feet to finish the new bathroom. They decided many years ago to tint the flooring and trim of the house osage orange, which was not a hard orange but was still orange enough to draw criticism.
    “Leaving now?”
    The two attached three mop handles end to end to clean out a Sparrow nest from the bathroom fan vent.
    “Leaving?”
    And installed porcelain chicken hooks for pajamas and robes.
    “Now?”
    And baseball mitts on the wall for the smell.
    And a coffeemaker because coffee belongs in a bathroom.
    And photographs of state fair prize pullets.
    And a plastic Buddha bought in Thailand.
    And a shallow relief carved in the plaster drywall of the Virgin Mary painted in vivid purples, oranges and pinks.
    And cut dill, clover and Golden Jerusalems.
    And scented dried apples and strawberries.
    And cut red peppers in mustard sauce.
    And a hundred pound wedge of copper.
    And three sets of curly telephone cords hanging like bunting.
    And knitted newspaper doilies.
    And plaster casts of envelopes and milk cartons.
    And a bad unpublished translation of Lorca.
    And jade air vents.
    And bone folders and scorers.
    And binder’s needles.
    And stumps and tortillons.
    And pictures and thoughts.
    And questions asked and questions answered.
    And murmurs and mumblings in the night.
    And light in the air and dark underground.
    And running and walking.
    And green sky and blue earth.
    And nothing here and nothing there.
    And which and that and when and those.
    And wanting and wishing and praying and squandering.
    And seeing and seeing and seeing and not ever seeing again.












Union of the Snake

Jason Marc Harris

    When I heard from my old friend Paulo that he was finishing his graduate studies at the University of Central Florida in anthropology and that he would like me to accompany him to observe the folkloric practices of an almost unknown tribe in the Everglades . . . I was interested, to say the least! I drove down alone to Homestead, FL, which was where I’d agreed to meet Paulo before heading to Flamingo and then deeper into the swamps.
    Paulo showed up at the Subway shop in Homestead wearing one of his in-your-face political shirts: a Native American warrior brandishing a spear and a scowl beneath an American flag with a pile of skulls on top of it. The words, “our country,” stood out in dark red blood-dripping letters beneath the flag. Paulo’s smiling chiseled face was a cheery movie-star contrast to the totem of political activism he brandished on that shirt.
    “Glad to see you’re still militant,” I grinned and shook hands with Paulo.
    After some small talk, Paulo gave me the lowdown about the trip.
    “This trip isn’t just for the fun of gathering stories from old timers. There’s some adoption issues I’ll have to deal with while we’re there. Some complaints got made somewhere about disappearing kids. I’m sure it’s just some miscommunication. Also, there’s an environmental dispute. It’s bizarre: this tribe doesn’t want the pythons that have been overrunning the Everglades to be removed.”
    “Why not?”
    “Religious values.”

    “This tribe is a real reclusive bunch,” Paulo continued. “They haven’t been in touch with the modern world much at all. We’re talking no cell phone coverage, no running water, no awareness of political events beyond what affects them locally.”
    The sun was blazing hot by the time we entered the boundaries of the national park. I looked out at the waterlogged grasslands sprawling on the left side of the car but coming up around the bend was a section of somewhat firmer prairie—pine trees were sprouting in bristly clumps. And a swamp buggy was waiting with a National Park emblem on it. I know the Park Service blabs on about how those are bad to use for the environment, but they let us use it to get over a mucky section of land that brought us to a dock where there was a canoe waiting for us and a Native American guy who was fishing. He was a Miccosukkee and explained he did some boat maintenance for the Park Service. He looked real nervous when we talked about the Chazga-whatchamacallits and muttered something about “bad blood.”
    Paddling in that dirty bronze water was almost refreshing: scooping up that brown thick stream like a spoon in some thick soup and feathering that paddle deftly—feeling like a pro or one of the natives—before reaching out for another deep stroke. Even though it wasn’t hot by Florida standards, I was sweating. The cotton shirt sticking to my back felt like a wet balloon that partly inflated with every movement I made with the paddle. The air grew heavier with a sulphurous stench as we plunged deeper into the mangroves.
    There were a few startling moments on the trip, such as seeing a cottonmouth swimming along the shore, and then later a terrific splash announced the launching of several alligators into the water as we paddled by.
    “Damn, Paulo, you don’t think they’ll ram the boat do you?” I gripped my paddle in readiness, prepared to smash the hard wood down on the nose of any nasty green snout that dared come rising up next to the boat.
    “I’ve heard about that in mating season, which it is, but looks like they’re just going about their business. Just like us. Cruising along, not a care in the world. Harmony of nature, Clay, no worries.”
    “You really believe in all that, huh?”
    Paulo paused to raise his paddle with his right arm, and as he let it hang on the edge of the canoe, he patted his left hip with his left hand and pulled up his shirt to reveal the bottom of a sizable pistol.
    “Sure do, and if things don’t get quite as harmonious as they should be, there’s the equalizer, baby.”
    The next day as I paced outside the tent and snacked on one of the several power bars I had brought along, a stocky bald man with a goatee came slouching over towards us. His face was burned a rather comical shade of orange, that made him look like a tough pumpkin. I’ve noticed a lot of people in Florida have this odd orangish skin, maybe from some combination of sun damage and fake tan sprays, but this guy’s facial problems went to a whole other level. With each step he took, a new wrinkly ridge, fold, or pockmark caught the light of the morning sun.
    Behind him about fifty feet back near the shore of the swamp by a camouflage-painted canoe stood what I suppose was his wife and child: a red-haired chubby woman who was both sunburned and angry-looking. The kid looked maybe three-months old.
    “What’s up, brother?” He nodded his head as Paulo raised his eyebrows skeptically at the tough guy’s rattlesnake tattoos on his arms, which were prominently displayed because of the dirty sleeveless white t-shirt he wore.
    “What’s up yourself? We’re on a trip.”
    “Oh yeah man, we’re all on a trip. You here for the festival?”
    “What do you know about that?” Paulo asked.
    “Hey man, I’ve been coming to this Indian powwow for five years. I just wondered if you guys wanted to buy some decent herb.”
    “No, that’s ok,” I said, wishing the guy would get out of my face.
    “The Chazgas have some damn powerful shrooms. Some German doctor did studies on it. It can tear you up good. They like mixing it with the mary jane that I bring them. It’s one groovy festival let me tell you.”
    “You’ve been staying at the village? Have you met a guy named Ezekiel Palataka?” Paulo asked. A mutual friend of Ezekiel and Paulo had been the one to let Paulo know that this weird festival in this remote village even existed. Ezekiel supposedly came back from the village once to visit Orlando, and then disappeared again.
    “Yeah, I know Zeke. You’ll probably see him tonight at the mound dance.”
    The paddling we did following this guy took us through some spots I would have thought were impassable, but our canoes slid right through the thick grass beneath the overhanging mangroves. My shirt was already stuck to my back with sweat, and my shoulders burned and ached from the renewal of paddling again, but finally we came to a virtual cavern of the twisted trees and ran aground.
    After securing our boats, we followed Mr. Cheerful out through a muddy path that emerged in glorious daylight, and we saw the junky settlement that apparently qualified as a village. It was a combination of a restaurant I ate at once on an Indian reservation near Death Valley and a bunch of rejects from the Burning Man festival: you know, that bunch of performance-artist freaks and merchants who gather out in the Nevada desert once a year. Mr. Cheerful was just one of a few dozen leftovers from Mad Max or some other cheesy post-apocalyptic B-movie. The smell of cured meats, tobacco, and some sweet-and-sour odor wafted in the air—perhaps the famous shrooms?
    I was glad to get away from Mr. Cheerful and the wacked-out white folks I saw lazing around and go to meet the mysterious tribesmen who were sitting out in the sun, soaking up some rays and smoking something or other in their pipes, as though they weren’t perpetually suntanned and stoned enough. “In-breeding” was the first thought that leapt to mind. Abnormally high foreheads and bony browridges seemed to be a requirement here. And such strange sunken eyes staring out of sun-damaged sockets. None of them seemed to blink.
    All the people past about thirteen in this tribe had rough markings on their skin. Only parts of their arms and throats were visible beneath the loose-fitting, green-and-white clothes they wore, but I could see what looked like a row of dull red and black raised hard blisters formed into some pattern.
    I whispered to Paulo, “What do these people do to each other, branding maybe?”
    “Beats me Clay, maybe we’ll find out tonight.”
    “At ye old mound dance huh?”
    It turned out that there wasn’t too much to see in the village after all. Well, there were the junk-art sculptures of snakes and alligators, the drum circle where the white-trash druggies were swaying, and the alligator-wrestling arena, which was just an area of straw-covered dirt with a ring of tires around it. A muscular cracker-jack with a cowboy hat was drinking out of a vodka bottle and watching a couple of natives taking turns wrapping their arms around an alligator’s closed snout. The alligator seemed rather bored with the whole situation until suddenly it whipped its tail and raised a nasty welt on one of the native’s cheeks. The cracker-jack let out a loud “har!” Nobody was selling any hotdogs, popcorn, or alligator jerky, but it felt like somebody should be. The whole so-called village had all the class of an amateurish carnival in some back alley.
    We walked in front of a hut that had red handkerchiefs tied to the posts that poked from the top of the roof. There was a porch of sorts: a raised platform over some lumpy logs that were set down deep in the earth.
    “Looks like it’s the women’s retreat,” Paulo whispered.
    Two men stood outside. There was nothing remarkable about them in their faded khaki shirts except that they were holding staffs with serpent-carvings. No doubt the staffs had some ceremonial function, and the patterns were actually pretty interesting: I recognized the diamond-back rattlesnake pattern on one staff, and it looked like some constrictor-type snake on the other because it was wrapped around what looked like a rather unhappy pig. I pointed at the staff with the constrictor-snake design and nudged Paulo.
    “9000 psi, Paulo.”
    “What’s that?”
    “9000 pounds per square inch is how strong an anaconda squeezes.”
    “If they play reptile trivial pursuit at the mound dance, you might be the winner Clay.”
    I was about to come up with some brilliant retort, but as we passed directly in front of the entrance, my attention shifted to the glimpse I got of the interior. The door was ajar, and a rise in the breeze blew the door more fully open.
    We both paused to stare inside the place.
    I saw a fat old woman sitting on a chair in the middle of the room. She glared vaguely ahead while a middle-aged tall thin woman stood over what looked like a cradle between them. The thin woman had small hard eyes, and her bronzed face stretched into a series of cracks, and grinned as I peeked at them. Her throat had some of those dark blistered marks that other members of the tribe sported. Mr. Cheerful’s wife was inside there talking excitedly to the two women while Mr. Cheerful himself was counting money in his thick sun-cracked fingers outside the door in a corner of the porch.
    The guards closed the doors to the building when I guess we had paused too long. One of them spoke in their language to Paulo, who nodded and replied in a way that the fellow seemed to accept because he smiled, then he laughed and said something that also made Paulo laugh. The husband didn’t even look up to acknowledge us. He was studying the bills like he was reading the future or studying the secrets of all creation.
    Paulo and I walked on.
    “That’s where the Chief’s daughters live, Clay, so no poking around like our crackerjack guide said earlier.”
    “And what exactly is going on there anyway, huh?”
    “It’s a retreat for the women like I said. Men aren’t supposed to go in.”
    “Yeah, I get that, but where were the teen girls who are coming of age?”
    Paulo hunched down and raised his hands dramatically, whispering, “I don’t know, Clay, maybe they’re kept in the dungeon till they have their first period? Maybe the old women feed them the flesh of gringos first.” Paulo grinned at me mischievously.
    “Well, I’m not too excited about the female prospects here, I gotta say.”
    “You may be right about that, that guy back there said the younger sister is too skinny and the older one is too fat, but if they were put together they’d be just right.”
    “If those were the sisters, they’re both way too old,” I replied.
    After passing several other awfully uncomfortable-looking decrepit huts—messes of splintery wood and aluminum—we came to a wide squat building.
    “That’s the lodge, Clay. I’ll introduce you, but then I’ll need to get busy with this whole mediation thing.”
    There were two more guards here, and they had the same style of staff. Unlike the previous guards, they chose to speak English.
    “Go right in. Chief Ungriluzu is meeting with the elders.”
    We entered the lodge and came into a room filled with rows of books, a library, though a small one. There was a curtain hanging down and from behind it we heard the chatter of the tribe meeting. I followed behind Paulo who bowed to the chunky grey-haired man in a flamingo-print shirt, Chief Ungriluzu. He rose from his thick oak chair and raised his hands.
    “Ah Paulo, hello to Paulo and his friend. I would introduce you to my two daughters, but they are in the time of renewal.” The tribe elders smiled and laughed, exclaiming “hello Paulo! Hello friend!”
    “This is Clay, from the university,” Paulo said, patting me on the shoulder.
    “Clay, very good. And from the university—even better. One of my daughters, Trixla, she might go to university one day. Probably not the other daughter, Agru. But Trixla, she reads Shakespeare, ha! There is a library, you probably noticed, when you first came in. Please do read as much as you can of our tribe there. The world knows far too little about us. Now, Paulo has business here, but you go read and you might help with business in the future? Ah ha.”
    “Thanks Chief,” I didn’t know what else to say. I know it sounds funny, but he just smiled and nodded, and pretty much waved me out. Before I walked out, I glanced over my shoulder and saw Paulo sitting down at the table as Chief Ungriluzu with his pink and red shirt billowing in front of him leaned back on his sturdy throne.
    The library was quite a hodge-podge: hunting and fishing magazines, color atlases, encyclopedias, history books, photo albums, the works of Shakespeare, and some leather-bound volumes, that seemed to be the official history of the tribe. The biggest of these volumes had rattlesnake-skin as the binding. I admit I found this both creepy and compelling.
    I sat and flipped quickly through the snakeskin book. The opening pages identified the book as somebody’s personal property: Dr. Cornelius Baxter, 1868.
    It was some weird shit: diagrams of various reptiles, mainly snakes—especially diamondback rattlesnakes and some sort of massive prehistoric fossil Dr. Baxter called the Serpens Imperator, or as he wrote in parentheses, the “Ruler Snake.”

 

    The Serpens Imperator retreated from the arid landscape to the caverns beneath these swamps—caverns which only last week I have proven to exist. I have marked the entrance where the exiled Seminoles have their jewel mine. How the government would shudder with avarice if they only knew of the impermeable rock-sealed network of caverns that lurks beneath this precious section of prairie and swamp.

    The size chart of the fossil that Dr. Baxter had drawn was pretty daunting: he had marked 30 meters next to the tail’s end. After having read recently about Titanoboa on the internet, I began to wonder if this thing, if real—were known to other scientists or perhaps Dr. Baxter was just some kook spinning dubious hypotheses out in the heat and humidity of this mosquito-ridden swamp.
    I turned the pages faster. Any minute I figured one of the tribe might come in and declare that’s the one book I should not be reading.
    I stopped at a page where there was something stuck: an old piece of snakeskin with a wavy red and black corkscrew pattern. Next to this insert Dr. Baxter had inscribed: “as regards the fountain of youth: Eureka I’ve found it!”
    Naturally, I had to read the next full page or two where he rattled on about how evolutionary theory was the next step in the quest of the alchemists, and that he always knew Ponce De Leon’s legendary quest for the fountain of youth was not altogether misguided:

 

    And what then, if indeed it was Fontaneda’s story of the sacred river that was falsely attributed to De Leon? The perturbing question remains: why were so many explorers of this accursed peninsula alchemists and doctors? Klezger’s mushrooms were just a phantasm. An illusory nirvana. Smoking oneself into languid oblivion was surely not what appealed to the alchemists.
    What must be answered is this: why did men of reason and vision seek out these sweltering watery wastes? I now know. Because of the true elixir. It is no mere myth. Because these travelers had heard the stories from the natives whose chiefs lived one-hundred years or more in these fetid and pestilent marshes.
    It is here, in the deep swamp, that I have learned the secret of renewal. The union of man and snake. From the skin to the blood a man who is bold enough to take that step can be reborn again and again. Why does the infant cry but to alert his mother for the milk of life? And why cannot the infant also feed the mother? The natives—are they Seminoles? Are they even what we call Indians?
    Their physical features puzzle me. And their rituals show a deep understanding of reptilian paleo-biology. They are right to venerate both venom and constriction, for these old fossils of the mound indicate that what the natives call Chazga was a self-sustaining organism, an amalgamating parthenogenetic hermaprohodite—a complete being, a god of the earth!”

    I heard the sound of a baby wailing outside, and I almost dropped the book. Damn, that sound always bothers me. I know—as Dr. Baxter suggested—that nature intended the infant’s cry to be upsetting to get the attention of an anxious parent, but out there in a creepy lodge in the middle of the swamp with snakes, wacko-jack-crackers, and mysteriously-branded Indians-but-not-Indians, I especially didn’t like it.
    The baby’s wail dwindled, and I continued inspecting the book. In the middle of the tome was a picture of Dr. Baxter. A self-portrait, to be exact, his signature was at the bottom of the drawing, which was labeled: “Day 30 of the Imperator Serum.” He looked to be a man in his 50s who had recently lost a lot of weight: his cheeks hung loosely past his jaw bones in a peculiarly unpleasant way. His unusually large and furrowed forehead seemed to boast a capacious brain, as well as suggesting that a frown was his natural expression. It struck me as rather funny that he was willing to draw such an unflattering self-portrait. Surely, he couldn’t be much uglier in person.
    His frowning face of fleshy folds made me all the more self-conscious about reading his journal. He seemed to look so disapprovingly from his portrait. But I had to see a bit more. I flipped towards the end and stopped at the heading in large words at the top of the page: “The Union of the Snake.”
    The phrase caught my attention not only because I had noticed it in my earlier skimming of Dr. Baxter’s nutty journal but also because as a kid I enjoyed the Duran Duran song, and besides beneath this label were a series of bizarre pictures. Truly bizarre. Above the label “primary amalgamations,” was a sketch of a rattlesnake’s head overlaid with some kind of python or constrictor, and then there were the following crpytic notes: “Seminoles? Remnants of the Calusa? Hardly! The deep history I have taught and learned from the natives. The venom cleanses the mind wonderfully. Chazga is truly the union of the snake. I shall be the bride of that union.”
    After this entry there were only a few more pages and the signature is that of “Neal Hearn, Dr. Baxter’s assistant.” I skipped to the final entry from Hearn:

 

    It has been three weeks since Dr. Baxter disappeared into the mine inside that mound. I don’t command the respect of the natives the way he does. They whisper behind my back and grin at me openly. The only one who knows English well is the Chief Ungriluzu, and he tells me Baxter will come to us again at the end of the spring.

    Yes, I noticed it was pretty damn weird that Dr. Baxter also mentioned a Chief Ungriluzu, but hell that could just be a family name! Right?
    Hearn continued:

 

    “‘Dr. Baxter is a wise man,’ Ungriluzu says. ‘He takes the snakes, white man medicine, and your Jesus. And our Chazga, he takes Baxter and becomes better, bigger, we get more jewels. You stay here, and you will see. Then you go back and tell others to come for every spring festival.”
    I don’t know what the Chief means by Chazga and Baxter, but I’ve read Baxter’s journal, and he really believed these natives live so long because their snakeskin rituals are more than a matter of faith.

    The baby’s wail rose again outside in a screaming caterwaul. The hairs went up on the back of my neck. I closed the book, bit the inside of my lip slightly to calm myself down, and then opened the door to the outside. I saw the sunburnt red-haired woman struggling with her husband or boyfriend or pimp or whatever exactly Mr. Cheerful was.
    I circled in the opposite direction from them around the hut where the two sisters lived. As I passed by a window, I saw past the hanging flap of cloth that was fluttering in the breeze and had disturbed a curtain of black beads. Smelling the sweet-and-sour scent again of what I thought might be the Klezger shrooms, my nose wrinkled, and then I saw in the candlelight that illuminated the room beyond something to this day that I can’t comfortably explain.
    The hulking body of a woman—it must have been the fat older daughter of Chief Ungriluzu —leaned over the cradle where the screaming baby lay. The skin of the woman’s face was stretched back as her jaw hung open so widely that you could have shoved a football inside. But worst of all: what were her cracked swollen lips closing around but the soft downy head of the whimpering child? And beneath her oversized clothes, her bulk shifted strangely, as though her guts were writhing in an ecstasy of anticipation at gobbling down this abominable meal.
    I gasped. I couldn’t help it. Who could? And why cannot the infant also feed the mother? I felt my stomach start to lurch, and I felt dizzy. Suddenly the lean-looking sister appeared at the window, except it couldn’t have been her because she looked much younger as her hard black eyes stared directly at me. Her cheeks now looked soft and smooth, but the pattern of scaly welts was still bulging on her throat. Perhaps even more so than when I saw her earlier. The last thing I noticed before I turned my head away was something that glinted in the far corner of the room behind her— it looked like snake scales that had glistened for an instant.
    She drew the curtain of black beads back in place, as I shrunk away from the window. I was afraid she’d come running out to chase me down and cause some kind of very unpleasant scene, so I came round to the main lodge where I saw through the windows that Paulo was inside still busy with the mediation.
    Outside by the door, two of the natives sat on a bench smoking while ignoring the red-haired woman who was still sobbing, and the sweaty bald man with the goatee with her who was shaking some shiny bracelet in front of her face.
    “They paid us good Wendy Sue. C’mon, quit that blubbering. They paid us so good we’re set for a long time.”
    I hustled past both the dysfunctional couple and the possibly stoned-out-of-their-minds doorkeepers. Paulo looked up surprised as he saw me coming into the meeting room, and he frowned when I walked right up to him and whispered in his ear: “I saw that woman, that woman stuck in her house. . . she was trying to eat a baby!”
    Paulo tilted his head, and the lines of his forehead contracted in a ripple of exasperation as he looked at me before making a gesture and saying something to his Indian comrades in their common language. Then he tapped me on the shoulder and led me to the side of the room and looking pretty damn mad as he growled, “Don’t be freaking out on me here Clay. I’ve got my hands full with smoothing things through with this adoption case, and if you’re having hallucinations from the heat, humidity, or the Klezger shrooms, I can’t get into that right now.”
    “I don’t think I was hallucinating Paulo—oh shit, there’s her sister, and look how she is younger now . . . . “
    I pointed as that tall lanky woman strode into the lodge. She made an announcement at the doorway—again, in that language of theirs. The natives hooted and clapped. Then, she pointed at me and said something else. I wasn’t liking this one bit, but the natives only laughed; they didn’t rush at me and tear me limb-from-limb, so I relaxed a little. The chief smiled and spoke to Paulo who nodded.
    I poked Paulo in the shoulder and muttered, “that weird bitch saw what I saw.”
    Paulo sighed and turned his head back towards his shoulder to dismiss me, “Look, you’re embarrassing me, Clay. Put your anthropologist hat back on. Sure you saw something outside your experience, but really all you saw was a coming-of-age ritual. And Chief Ungriluzu’s daughter here thought you were more than a little nosey, but since you’re cute she said she’s not angry.”
    “These women are a little old for a ‘coming-of-age’ Paulo!”
    Paulo hesitated a moment and looked away, then he pointed his finger down at the table.
    “Look, we’ll talk about this later, but c’mon, no one died. No one got eaten.
    Whatever you think you saw was just their way of defining puberty. We’ve got a rare opportunity here to learn things about the Chazichentees, let’s not blow it, ok?”
    I didn’t know what the hell to say to that. I started to think, maybe I hadn’t seen too clearly in the moving shadows flickering about in the candlelight? Maybe they did an amazing make-up job with the one sister? Maybe there was something about breathing in the fumes of that crap they were smoking?
    “Alright Paulo, it’s your show.”
    Paulo patted my shoulder and smiled, “Tonight we’re going to the place they call Chazga’s mound. It’s where they say Chazga gives them jewels every spring.”
    “I was reading about that. It’s some kind of mine.”
    “Great, Clay. You go back there to that library and keep reading. That will help. I’ll see you in about an hour. Then, we’re going to paddle to the mound.”
    I felt like a fool walking back to the library to look more into Dr. Baxter’s journal. Shouldn’t I be grabbing a gun—maybe taking Paulo’s—and shooting each of these freaks or burning down the whole damn village? Had I been hallucinating or was some sick-as-fuck creep-fest going on here?
    As I walked back into the library Mr. Cheerful was there with Cowboy Crackerjack gathering up the tribal records, including the journal of Dr. Baxter. With his chin thrust out as he heaved up the stack of books, I saw that this creepy cowboy had some thick pulpy scar tissue on the underside of his throat.
    “What’s happening?” I asked.
    Mr. Cheerful smirked, “Chief wants to review the record books before the Mound Dance tonight. He likes to give a big speech that gives a nod to the history, ya see? And hey, this is Zeke Palatka, you can tell your buddy he’s here.”
    Crackerjack Cowboy, Zeke, sneered, “I’m always here p-p-ard-nerrrgh.” His voice trailed off into a strange vibrating growl as the protuberances beneath his chin shook.
    I nodded a hasty goodbye and moved outside and found myself staring at the alligator arena where something was afoot.
    Five natives were carrying something very large over the tires, drawing it out of one of the flimsy-looking storage units. It was a really big greenish-brown snake. Zeke showed up behind me unencumbered by his load of books. “It’s an anaconnnndarhgh,” he growled, and gave me the thumb’s up sign.
    They set the snake down and poked with sticks at the back of the alligator that was lazing in the sun nearby. The snake slowly shifted its coils as the alligator crawled a little forward, irritated by the prodding. With a sinewy roll, the anaconda sprang into action: wrapping loops around the alligator like it was a prey animal such as a pig or a deer. But the alligator immediately was twisting in its own death roll, though its jaws had not had a chance to open and close on the scales of the snake that had bound it up in a cat’s cradle of ropey horror. The anaconda tightened its tubular pretzel-formation and the alligator’s thrashings decreased. I watched fascinated, as did the natives and crackers who stared intently. Then I almost gagged as I smelled the sour sweet odor of Zeke Palatka puffing his pipe’s smoke in my face.
    “Whatsamatter, huh?” He demanded, “gotta problem with the Klezger shrooms?” He clapped me hard on the back, and I felt faint at the scent of his mildewy-smelling armpit. I backed away, and I caught a glimpse of Trixla, the leaner now-sort-of-pretty sister, looking out stoney-faced from her dark cottage. I saw her tongue dart slightly out of her lips. Or was this another hallucination? Damn it. I’ve never had to question my senses before those cracker scum and looney natives had their stinking shrooms spouting all over the oxygen real estate.
    I didn’t wait to see if Trixla’s beady eyes would glance over at me. I walked to the other side of the lodge, staring out at the marsh, which hummed with the croaking, peeping, and grunting of frogs, calling out in a perpetual cacophony from their invisible perches in the dank waters. I heard the sound of drums begin, and I took a quick peek to see now what kind of crazy nonsense was going on. There were all the crackerjacks dancing around, along with a few natives, while Zeke, Mr. Cheerful, and some more natives played the drums, slapping the tops of these barrels or buckets covered by some taut dirty-gray leather. Trixla was dancing too, out there near where the anaconda was still ingesting or digesting its alligator meal. She straddled the tail of the huge snake and rolled her head from side to side. I didn’t want to watch this in case I got turned on and . . . I don’t know what.
    I returned to the far side of the lodge. I just wanted to lay low for a bit. I stayed there watching the sunset reflecting purple and orange on the dying thunderstorms in the distance till I heard the shuffling of feet and buzzing of voices announcing the end of whatever-the-hell conclusion had been reached in that mediation with Paulo.
    “Time to get paddling,” Paulo announced cheerfully as he rounded the corner of the lodge with his backpack hanging off of one shoulder.
    “Come to any agreements in there with the baby-killers?” I asked.
    “C’mon, Clay, this may not be exactly a civilized place, but there’s nothing going on so bad as you thought you saw. People here smoke too much pot and those Klezger shrooms, sure. And maybe sometimes they adopt kids here just to get state checks, but white folks do that too. I came up with a great proposal for them about the Burmese and African rock pythons: the tribe can apply to the legislature to alter the invasive species rules for any sections of the Everglades that are part of reservation land.”
    “Swell! Big snakes and drugged-out natives eating babies go well together. Well, at least the mosquitoes aren’t too bad around here yet.”
    Paulo pointed past the village where there were about a dozen canoes and the natives were assembling.
    “C’mon, Clay, just put your anthropology hat back on here and get with the program. Yes, some of these people seem a little messed up.”
    “A little huh?”
    Paulo sighed, and pulled up his shirt where it had been hanging over his cut-off shorts. The butt of his revolver protruded from his belt.
    “Remember, Clay, I’m still prepared.”
    I didn’t exactly feel better, but it was nice that Paulo at least seemed to acknowledge that something might be wrong with these people. I took a swig of water from one of the bottles in my backpack and counted the seven powerbars left to tide me over for the rest of this swamp adventure. Then, I followed Paulo to where Chief Ungriluzu, Mr. Cheerful, Zeke, and several natives were stepping into the canoes. Chief Ungriluzu gave a broad smile and pointed to a canoe for me to share with Paulo, Mr. Cheerful, and one of the native guards. I don’t know where his wife or girlfriend had gone. So, there I was sitting in the middle of the canoe with Paulo and our respective backpacks as we pushed off out into the water. The drummers were still carrying on behind us, and I guess they made their way on the next bunch of canoes.
    “Since this is your first time, gonna have to wear these over the eyes, fellas, just how it is,” Mr. Cheerful announced from the back of the boat. He passed dirty-looking green handkerchiefs for me and Paulo to put on.
    “For how long?” I asked.
    Mr. Cheerful shrugged, “When you feel the canoe hit shore, you can get ‘em off.”
    So, we obliged, and I felt strangely serene feeling the canoe sway slightly from left to right from the opposing forces of the paddling of Mr. Cheerful and the native. The trip seemed to take a very long time, and as I heard the beating of the drums fading behind us, along with some strange vibrating guttural hum, I almost felt like I was drifting off to sleep into some minor nightmare.
    I tipped forward sharply as the canoe ran aground. I eagerly pulled the handkerchief down and looked around. Twilight was almost over now, but the moon was rising, and someone had started a fire. I could see the drummers and dancers had set up around some object lurking behind the flames. It was tall and wide, almost igloo-shaped but a lot bigger.
    “Is the mound back there?” I asked.
    “I think that’s it for sure,” Paulo replied.
    “Not a time to be talking now,” Mr. Cheerful shook his finger at me and Paulo and turned around towards the fire.
    I shuffled along with Paulo, as Mr. Cheerful and the native led the way. As we got closer I heard that strange call again, sort of a belching vibrato, which made me almost want to laugh and cover my ears at the same time. There by the fire I saw Zeke Palatka, and he was resting his hands on his knees in a squat that looked like he was doing some sort of yoga position or contemplating fertilizing the swamp. Then, that odd sound came again as he opened his mouth, and the underside of his maimed throat jiggled.
    I poked Paulo in the back.
    He turned around and whispered, “Yes, that’s really bizarre, but we got to stay quiet, ok?”
    Mr. Cheerful stopped about a dozen feet back from the edge of a gravelly circle that shone slightly in the growing moonlight. He glanced back at us and held the palm of his hand up like he was saying we were close enough. And that was fine, I didn’t want to get any closer to indulge the perverse fascination of watching Zeke’s underthroat vibrate as he kept making that freaky sound. He gave a new meaning to the term throat-singer. I’ve seen those guys from Tibet, and this Zeke was way weirder, and he could hold his discordant notes even longer than those guys.
    Two swaying shapes appeared in front of the fire. There was some kind of tarp or cloth which the guards were holding up, and then suddenly they tugged, and it dropped. There now were the two sisters: Miss gross and obese next to Miss pretty and wiry. And yes, they were naked, or nearly naked. They were wearing some snakeskin girdles while their breasts bobbed freely amid the curling tendrils of smoke. I felt frozen in time for a moment while I felt a primal thrill standing there close to the looming mound and seeing these dancing women. The fat sister, Agru, reminded me of some great earth mother while the other one complemented her as the erotic priestess of desire. In the dark I didn’t see their blistered brands too well, so again, for a moment nothing was spoiled.
    And then I remembered my fears about these people, what exactly they might be capable of. Panic rose in my chest, and my heart thumped faster, as I wondered how much I had become deluded from the fumes of those shrooms. I felt increasingly disoriented as I watched the squishy wide fat rolls of the large sister undulate as she stepped forward and back while the pretty sister began to whirl in circles, like some strange satellite around her earth-goddess-sister.
    A man rushed up out of nowhere, wearing snake rattles hanging from his earlobes, and a head-dress that bloomed out like a great mushroom. Vulture heads hung from cords beneath his headdress, and as he began to dance I thought I was seeing some sort of avatar of madness and death before me. All the people except for me and Paulo were chanting, moaning, or just shrieking out whatever hissing inspiration came to them.
    As the two women writhed about like strange sea stalks twisting in a current, the shaman danced frantically in front of the mound, his hard yellow toe nails kicking up clumps of mud. Zeke stood behind them squatting in a wide stance while his jaw continued to lower more and more unnaturally, and that hideous mass of goiters underneath his chin vibrated as a deep buzzing issued from his gaping mouth. I clenched my nails into my palms to stay calm, and I glanced at Paulo. He leaned forward clutching his hands at the muggy air, his shoulders bunched up and his legs slightly bent as though he were poised to either rush in to break up the pandemonium or sprint away into the mucky wastes of the swamp.
    And then, beneath the firelight in the depths of that hidden island on that hot humid night of crazy ritual, something made the ground shake. And it wasn’t the dirty-dancing of the shaman, the serpentine twisting of the women, or the bellowing of Zeke: they had all stopped moving and were staring straight ahead at Chazga’s mine. The mound of earth itself was shifting. Mud clusters were sliding down the steep face of the slope, and the open door on top began to creak.
    A breeze blew softly across my face as the assembly of people waited in tense expectation. I wondered if there had been earthquakes historically during this month before—maybe they kept a calendar and . . . .
    Suddenly, the packed dirt at the top of the mound crumbled away, and the door folded down into the dissolving earth. But the mound wasn’t falling. There was movement upwards too. And then I saw it.
    Everybody saw it. You couldn’t miss it. Wide as the cargo tanks of fuel on a tractor trailer, the thing swayed there in the air above the mound from which it extended. Brown and grey spiral scales were brightened by red splotches. Its lower bulk remained in the mound. I could see through the crumbling holes in the dirt that the girth contained between the pattern of swirly scales had swollen the entire mound, and the earth itself served as a sheath for this thing. Whatever it was, I wouldn’t call it a snake.
    “Jesus fuck,” Paulo moaned next to me. His lips quivered, and his hands shook.
    The shaman stared upwards at the immense shape above him while Zeke backed away to crouch low like some statue of a giant toad. The two women, if you could call them women anymore, let out howls and screams of what sounded like fierce ecstasy as that leaning weight of sand and scales lowered its head to inspect them.
    And then I saw its face. The mouth bulged at the sides, giving an angular look to the jaw, while the opening was smooth with a look of burnished bronze, the nose was mere slits, the eyes were orange lantern lights of disturbingly focused intelligence, but the forehead was the horror. I was sure I recognized the fleshy brow ridge of Dr. Baxter on the bulbous head of that thing. Cracked leathery skin was fused with the scaly membrane of that horror that loomed from its muddy hill.
    And then it spread its jaws. I caught a glimpse of tremendous fangs, hanging like stalactites in a limestone cavern dripping with the accumulated moisture of centuries. A tongue that forked in three directions flapped out and spat its foamy matter on the two women who shrieked—in horror or ecstasy, I could not really tell—before this abomination. Whatever venomous substance the behemoth had expectorated quickly went to work on the intended targets—completing their transformation.
    And then they truly were women no longer. Wriggling out of the foamy froth were two things with shiny wet coils from which bits of pulpy flesh fell as they arose to sway in the night air. With a twisting roll before the fire, their coils intermingled and what rose up now appeared as a single serpent but with two heads. The larger head was cushioned by flabby folds of fat, and its gaze drifted dully to its master at the mound which watched silently as this transformation became complete. From the smaller head of this snake flicked a thin black tongue and stared the beady hard eyes of Trixla. Her form was almost lost in this foul amalgamation, but her hair still hung in clumps from the bulging skull of the serpentine thing that she had become. She looked up across the circle of dust and stones and stared directly at me and Paulo. With a hissing screech, she lurched forward. She was in front of us now and coiling up with her sister-head limply bobbing below her own.
    Paulo let out a yell and staggered back.
    I tugged at Paulo’s arm, trying to pull him away from this mad scene.
    He was struggling to pull out his gun.
    “Get out of here, Clay, just go!”
    I dropped my hand from his arm just as she struck. He screamed again, but I heard the shot. Then another. More screams. More shots. I looked once behind me and saw the wrinkled swaying monstrous face of Dr. Baxter beaming in that moonlight as he grinned unfathomably like some gargantuan child’s toy left out in the backyard. Some surreal mixture of human and animal features that only exists in the mind of a toymaker or a madman. And there was Paulo on one knee while the shrieking double-headed serpent wrapped around him. Another shot. There were shouts, shrieks, and screams.
    I ran to the canoe where our backpacks were. I got in and startled paddling.
    I don’t know how long that foul eruption of horror defiled the night in the swamp but as I paddled frantically as far away as I could, I still saw the glow of the fire in the distance until the moon had set, and dawn started to lighten the way ahead.
    As I pulled in the paddle to rest my blistered hands and watch the sun come up, I relaxed finally. I’d gotten away. The horrible things that had happened in the night had dispersed with the shadows, but the power of self-preservation still burned fiercely within me. A little rest, a meal of one of the power bars I still had in my backpack in the canoe, and a drink from one of the water bottles remaining in the canoe—I had faith these measures would keep me going until I made it back to Flamingo. Cell phone reception would soon be back.
    Suddenly, I lurched as I heard a loud splash and saw a shape wobbling through the water toward the canoe. I rose to a squat and raised the oar and beat at the advancing intruder. I only got a few glimpses of the freakish thing. It seemed to have the features of a giant tadpole, a manatee, and a reptile, as well as a face that was a mangled mockery of Paulo’s.
    I don’t know how to describe the expression on its ruined visage as I beat again and again with a thick-sounding squish and a crunch against its face and neck. I don’t know how much of Paulo’s mind was trapped in that shuddering monstrosity. I don’t know if he were there pleading for death or coming after me with some last warning or irrational hostile attack on the one living thing he had known in that swamp as a friend. But I did my best to give him peace as I retched and cried and beat that horror down into the turgid water till it surfaced no more.

Enjoy the Radio Play / Audio CD link of this through Amazon.com












The Growth

Jim Meirose

    Waiting for change always seems to take longer than you would expect.
    And brings forth strange emotions.
    So Marva—when is it really going to happen? he said.
    When you least expect it, she said. One day you’ll wake up, look down there, and it’ll be gone. And then you’ll have what you want—so don’t worry. Let it go.
    But it should have been gone by now—
    She raised her hand to silence him.
    It’ll be gone soon enough. You’ve just got to let the cream work for a few days.
    He rose and went to the bedroom window, and looked down. Snow covered the tops of all the cars parked up and down the road. He turned back to Marva.
    But I’m sick of it, he said. I want it gone. There must be some other way.
    Could have it cut off, she said. Doctor Morehead would cut it off for you—
    No, he said. No cutting—
    Well then—go to sleep. Come on, get back in bed—switch off the light, roll over, and who knows—it might be gone by morning.
    Okay. Good night Marva.
    Good night.
    The light went off with a click.
    They slept.
    Days passed. And more days.

###

    Another day dawned, and he didn’t look for it. He knew it was there. He could feel it. He applied the cream without looking at it—the feel of it was bad enough—and he got dressed, and went downstairs to Marva, who had gotten up an hour before.
    Good morning, she said. I’ve been waiting for you. Want to go down to the Phoenix for breakfast? I don’t feel like cooking.
    Sure, he said. Let me get my coat—
    Twenty minutes later they sat in a booth at the Phoenix drinking their coffees and waiting for their bacon and eggs.
    Marva, he said.
    What—no. You’re not going to talk about that thing again are you.
    Well, to tell you the truth—
    I knew it, she said. Why don’t you just not think about it? It’ll go away in time.
    It’s taking a lot longer than I expected. Plus, I think it might be bigger.
    She took a sip of coffee before answering.
    Remember the doctor gave you the mild cream, because of your skin—
    I should have got the strong cream.
    But your skin.
    I know, I know.
    The bacon and eggs came. They dug in hungrily.
    So what are we going to do today Marva, he said with his mouth full.
    You know that’s a bad habit.
    What?
    Talking with your mouth full.
    He chewed a moment more, then swallowed.
    Sorry, he said—so anyway what are we going to do today?
    Oh, it’s up to you.
    How about the museum.
    Mmmm—I don’t know if I want to go into the city. Besides—the doctor said you should rest that foot. There’s a lot of walking in the museum.
    True. What about a movie?
    Oh—there’s no movies I want to see.
    You don’t want to do anything today do you?
    She looked up with a forkful of eggs lifted before her.
    Not really. I’m for resting today—
    Suddenly, his face writhed.
    —what’s the matter? Why that face? What’s the matter is something wrong—
    I—I can’t believe it.
    What?
    It’s fallen off.
    How do you know?
    I felt it. Here—
    Reaching down, he shook his pant leg.
    There, he said. It’s gone. I can’t believe it—
    Where is it?
    It fell out my pants leg.
    You mean it’s on the floor under the table?
    Yes.
    Eeewww—lets get out of here—
    Why?
    I can’t sit here with that thing on the floor under here. What if I touch it with my foot.
    I still need to finish my eggs.
    Then I’m going to go out and wait for you in the car. Do you mind?
    I don’t get it, he said.
    What?
    When it was on me you weren’t this disgusted.
    Sure I was. But that was different. Now that it’s off you, it’s just—just a disgusting thing on the floor. I’m going. I’m going before I puke.
    Marva wouldn’t look him in the eye as she rose and left the booth and went out the door toward the car. He dug into his bacon and eggs; the remaining food would take about ten minutes to eat, he thought. Chewing, he thought of the thing under the table. Someone would sweep out under the table—somebody would see it there on the floor—would they even know what it was? Then it would go in the dustpan and go into the trash can—then it would be dumped into the dumpster out back, where all the feral cats came to forage at twilight. What if one of the cats found it, got it—what if the cat ate it, would it fall ill? Chewing, he thought of the cat writhing and twisting and flopping around—he hoped it wouldn’t fall out of the dumpster and be gotten by the cats. It’s much too dangerous for the poor beasts. It should stay in the dumpster and be brought to the dump, and buried with the other trash under a thin layer of earth—and he suddenly felt sad for it, because it had been part of him for so long—it had gone wherever he had gone. He had rubbed cream on it twice daily. He had kept it clean. It had given him something to talk about. He had cared about it. He popped a piece of bacon into his mouth and realized his eggs were almost gone, and he would have to leave, and leave it under the table and his stomach sank thinking of leaving it here, but he would, and he did. He really should be glad it’s gone—and he made himself be glad as he laid down the tip, drained his coffee and headed for the register up front to pay, leaving it. He left the diner. He left it behind forever and gradually it faded from his mind.
    After he left, another couple came into the restaurant and were seated in the booth. After ordering and getting their coffee the woman frowned and spoke.
    I suddenly feel terribly sad, John.
    Why?
    I don’t know. I have this funny feeling that—something terrible is going to happen.
    Did you take your pills this morning, said John.
    Yes. I did.
    He stretched his hand out across the table, and took hers in his.
    It will be all right, Wendy.
    Everything will be all right.
    As they sat there eyes locked, smiles playing about their newlywed faces, it moved under the table and began the long crawl up his shoe toward his pants cuff. From there it was just a brief crawl to the top of the sock to the skin, the clean skin, where it would attach itself again. And over time John also would be taught that waiting for change always seems to take longer than you would expect, and brings forth strange emotions; because such teaching was the lonely, long mission, of the growth.












Jazz Through A Window, art by Cheryl Townsend

Jazz Through A Window, art by Cheryl Townsend












The Real Convention

John Duncklee

    The panel sessions during the annual convention of the auspicious Horseshit and Gunsmoke Writers of the West had been going full blast all morning and half the afternoon. It was the third day of the week-long meeting at the Cowpie Palace Hotel in Denver. Not all the writers, editors and agents attended the panel sessions. There was always at least one table in the lounge occupied by those more interested in networking (a P.C. Word for ass-kissing), than listening to such topics as “Women of the West Smell Like Horseshit Too”, “Horseshit and Gunsmoke Markets in Belize”, or “What Does a Horseshit Editor Look For?”.
    The group clustered around the table in the lounge was a mixed bunch of Horseshit and Gunsmoke Writers, most grizzled from years of formula, genre writing, but there was one old former cowboy who really knew horses, cows, barbed wire fences, government forms, and above all, how to saddle a horse. He also knew that cattle drive toward water easier than away from it. Zemo Doyle was the envy of ninety-percent of the members of the association because they could not think of a pen name that would sell their books to constipated New York editors as well as Zemo could.
    This particular afternoon, Zemo was “holding court” in the lounge of the Cowpie Palace. Some of the participants wondered how Zemo’s place at the table always gave him a dominant position in the conversation, not realizing that it was Zemo who dominated most any conversation he was involved with. Zemo was a true storyteller with the ability to hold just about any audience spellbound.
    Through round after round of drinks, Zemo kept his stories going. When it was his logical turn to order a round, Zemo managed to manipulate his story line in such a manner that one of the others at the table would always signal the waiter and put the round on his own tab. Zemo continued without interruption. Zemo enjoyed The Glenlivet.
    “What made the bottom fall out of Westerns?” Spade McCutcheon asked.
    All eyes were on Zemo, waiting with fervor of anticipation for Zemo’s analysis. “Probably ‘cause the bottom fell out of the West,” Zemo answered. “Actually jet-travel is the culprit. People fly out West and don’t see cowboys driving trail herds to Dodge City, the Marshall drives a souped up Ford, and the only people wearin’ cowboy hats are the truck drivers.”
    “Louis L’Amour and Zane Grey are still on the shelves in the Western section,” Fairley Hunkerdown added. “I don’t even see your books there, Zemo.”
    “You won’t ever see my books there, you’re lookin’ in the wrong section. Mine are all in the litrichure section.”
    Groaner Whistletooth shook his head in dismay. “Ya know, Zemo, I ben writin’ Westerns fer thirty odd years now, and I can’t get an editor ta read my stuff. Should I git a agent?”
    “Where are you from, Groaner?” Zemo inquired.
    “Providence, Rhode Island.”
    “I don’t reckon an agent would help you much, Groaner,” Zemo pronounced. “Did you ever consider writin’ romance novels or self-publishin’?”
    “Hell’s fire, Zemo, I ben puttin’ a bunch a sex in the saddle and it still don’t sell,” Groaner lamented.
    “Sex in the saddle might be a bit awkward, even for an editor,” Zemo remarked.
    The waiter came up to the table. Rafter Oakes ordered another round. “I’ve been reading Cormac McCarthy lately, and I think I’ve got it all figured out.”
    “How’s that, Rafter?” Hunkerdown asked.
    “Use big words, very little puncuation, and don’t capitalize indian.”
    “I don’t use Indian anymore, it’s not politically correct,” Godown Fanning announced.
    “Don’t tell me you write about ‘Native Americans?” Rafter Oakes asked.
    “I’m not taking any chances. I use the term ‘Aboriginal Occupant of the Western Hemisphere’.”
    Zemo laughed. All eyes snapped back toward him. “That oughta be safe enough. Nobody can understand it so nobody’s gonna get pissed off.”
    Godown Fanning smiled in his victorious moment, having gleaned a positive response from Zemo Doyle.
    “Pretty soon a feller won’t be able to write about cowboys,” Fairley Hunkerdown remarked.
    “What are ya goin’ ta call ‘em, ‘bovine persons’?” Zemo added, and laughed again.
    Rumen Abomasum pulled up a chair and squeezed in between Rafter and Fairley. Not realizing that the market for their writing had already been discussed earlier, he asked, “What about the dead market for genre Westerns?”
    “A dead genre’s like a dead horse,” Zemo answered.
    “How’s that?” Rumen asked.
    “Don’t walk, trot, or gallop. But, ya don’t have ta feed the son-of-a-bitch after it’s dead.”
    “I always research the weaponry my characters use,” Rafter implored the group. “I get the calibers right and when the guns were invented. The editors can’t reject my weaponry, but they ain’t buyin’ my stories.”
    “Did ya ever think ya might be concentratin’ too much on yer weaponry, and not enough on yer stories?” Zemo asked. “Mebbe ya outa write a gun catalog.”
    Fairley Hunkerdown interrupted. “Seems to me you have to be a woman writing about how women won the West, or write about women who thought they won the West.”
    “You fellers have killed the cowboys, uncapitalized indians, pissed off the women,” Zemo remarked. “Why don’t ya write about gay cavalry troops at Little Big Horn?”
    It was Rumen’s turn to buy a round of drinks. Godown Fanning scowled as he thought about what to say. “I had a durn good series goin’. Had nine books out and I sent the tenth one in. My editor sent back the manuscript tellin’ me they’d decided to end the series. They said they couldn’t afford an advance ‘cause Newt really got more than a dollar.”
    “Ya can always run for Speaker of the House,” Zemo interjected. “Speakin’ of Newt, the HGWW board of directors gave him an honorary membership. And, at the Awards Banquet, Newt’s gonna get The Golden Green Road Apple Trophy, and he’s bein’ inducted into the Smoke Blower’s Hall of Flame.”
    “Ya outa be durned happy ya had nine of ‘em in print,” Groaner Whistletooth said, trying to get the conversation back on track. “I’d be happy ta git one on the shelf.”
    “Maybe you fellers oughta go out and learn how ta ride a horse,” Zemo murmured, The Glenlivet beginning to make him more caustic.
    Godown Fanning waved his hands at the group. “How does Gingrich get all these awards when he doesn’t write Westerns?”
    “Horseshit fits a broad spectrum, Godown,” Zemo answered. “I’d say a four million advance for his kind a horseshit deserves somethin’.”
    Rafter Oakes took a sip of his drink, tipped his new straw Stetson to the back of his head, and began waving his hand at Zemo Doyle. “Dammit, Zemo, I can’t figure you out. You sell your books as fast as you write the damn things. These HGWW conventions are for networking, something you have no need of at this point in your career. How come you’re here?”
    “You’re puttin’ me on the spot, Rafter,” Zemo said, as he rose unsteadily from his chair. “What ya say is damn shore true, so I’ll level with all you fellers. It’s my once a year party. I shore enjoyed The Glenlivet, and I’d like ta thank all you fellers fer yer horsepitality.”














Nick DiSpoldo, Small Press Review (on “Children, Churches and Daddies,” April 1997)

Kuypers is the widely-published poet of particular perspectives and not a little existential rage, but she does not impose her personal or artistic agenda on her magazine. CC+D is a provocative potpourri of news stories, poetry, humor, art and the “dirty underwear” of politics.
One piece in this issue is “Crazy,” an interview Kuypers conducted with “Madeline,” a murderess who was found insane, and is confined to West Virginia’s Arronsville Correctional Center. Madeline, whose elevator definitely doesn’t go to the top, killed her boyfriend during sex with an ice pick and a chef’s knife, far surpassing the butchery of Elena Bobbitt. Madeline, herself covered with blood, sat beside her lover’s remains for three days, talking to herself, and that is how the police found her. For effect, Kuypers publishes Madeline’s monologue in different-sized type, and the result is something between a sense of Dali’s surrealism and Kafka-like craziness.



Debra Purdy Kong, writer, British Columbia, Canada
I like the magazine a lot. I like the spacious lay-out and the different coloured pages and the variety of writer’s styles. Too many literary magazines read as if everyone graduated from the same course. We need to collect more voices like these and send them everywhere.

Ed Hamilton, writer

#85 (of Children, Churches and Daddies) turned out well. I really enjoyed the humor section, especially the test score answers. And, the cup-holder story is hilarious. I’m not a big fan of poetry - since much of it is so hard to decipher - but I was impressed by the work here, which tends toward the straightforward and unpretentious.
As for the fiction, the piece by Anderson is quite perceptive: I liked the way the self-deluding situation of the character is gradually, subtly revealed. (Kuypers’) story is good too: the way it switches narrative perspective via the letter device is a nice touch.



Children, Churches and Daddies.
It speaks for itself.
Write to Scars Publications to submit poetry, prose and artwork to Children, Churches and Daddies literary magazine, or to inquire about having your own chapbook, and maybe a few reviews like these.

Jim Maddocks, GLASGOW, via the Internet

I’ll be totally honest, of the material in Issue (either 83 or 86 of Children, Churches and Daddies) the only ones I really took to were Kuypers’. TRYING was so simple but most truths are, aren’t they?


what is veganism?

A vegan (VEE-gun) is someone who does not consume any animal products. While vegetarians avoid flesh foods, vegans don’t consume dairy or egg products, as well as animal products in clothing and other sources.

why veganism?

This cruelty-free lifestyle provides many benefits, to animals, the environment and to ourselves. The meat and dairy industry abuses billions of animals. Animal agriculture takes an enormous toll on the land. Consumtion of animal products has been linked to heart disease, colon and breast cancer, osteoporosis, diabetes and a host of other conditions.

so what is vegan action?

We can succeed in shifting agriculture away from factory farming, saving millions, or even billions of chickens, cows, pigs, sheep turkeys and other animals from cruelty.
We can free up land to restore to wilderness, pollute less water and air, reduce topsoil reosion, and prevent desertification.
We can improve the health and happiness of millions by preventing numerous occurrences od breast and prostate cancer, osteoporosis, and heart attacks, among other major health problems.

A vegan, cruelty-free lifestyle may be the most important step a person can take towards creatin a more just and compassionate society. Contact us for membership information, t-shirt sales or donations.

vegan action
po box 4353, berkeley, ca 94707-0353
510/704-4444


C Ra McGuirt, Editor, The Penny Dreadful Review (on Children, Churches and Daddies)

cc&d is obviously a labor of love ... I just have to smile when I go through it. (Janet Kuypers) uses her space and her poets to best effect, and the illos attest to her skill as a graphic artist.
I really like (“Writing Your Name”). It’s one of those kind of things where your eye isn’t exactly pulled along, but falls effortlessly down the poem.
I liked “knowledge” for its mix of disgust and acceptance. Janet Kuypers does good little movies, by which I mean her stuff provokes moving imagery for me. Color, no dialogue; the voice of the poem is the narrator over the film.



Children, Churches and Daddies no longer distributes free contributor’s copies of issues. In order to receive issues of Children, Churches and Daddies, contact Janet Kuypers at the cc&d e-mail addres. Free electronic subscriptions are available via email. All you need to do is email ccandd@scars.tv... and ask to be added to the free cc+d electronic subscription mailing list. And you can still see issues every month at the Children, Churches and Daddies website, located at http://scars.tv

Mark Blickley, writer

The precursor to the magazine title (Children, Churches and Daddies) is very moving. “Scars” is also an excellent prose poem. I never really thought about scars as being a form of nostalgia. But in the poem it also represents courage and warmth. I look forward to finishing her book.


MIT Vegetarian Support Group (VSG)

functions:
* To show the MIT Food Service that there is a large community of vegetarians at MIT (and other health-conscious people) whom they are alienating with current menus, and to give positive suggestions for change.
* To exchange recipes and names of Boston area veg restaurants
* To provide a resource to people seeking communal vegetarian cooking
* To provide an option for vegetarian freshmen

We also have a discussion group for all issues related to vegetarianism, which currently has about 150 members, many of whom are outside the Boston area. The group is focusing more toward outreach and evolving from what it has been in years past. We welcome new members, as well as the opportunity to inform people about the benefits of vegetarianism, to our health, the environment, animal welfare, and a variety of other issues.


Gary, Editor, The Road Out of Town (on the Children, Churches and Daddies Web Site)

I just checked out the site. It looks great.



Dusty Dog Reviews: These poems document a very complicated internal response to the feminine side of social existence. And as the book proceeds the poems become increasingly psychologically complex and, ultimately, fascinating and genuinely rewarding.

John Sweet, writer (on chapbook designs)

Visuals were awesome. They’ve got a nice enigmatic quality to them. Front cover reminds me of the Roman sculptures of angels from way back when. Loved the staggered tire lettering, too. Way cool.

(on “Hope Chest in the Attic”)
Some excellent writing in “Hope Chest in the Attic.” I thought “Children, Churches and Daddies” and “The Room of the Rape” were particularly powerful pieces.



Dusty Dog Reviews: She opens with a poem of her own devising, which has that wintry atmosphere demonstrated in the movie version of Boris Pasternak’s Doctor Zhivago. The atmosphere of wintry white and cold, gloriously murderous cold, stark raging cold, numbing and brutalizing cold, appears almost as a character who announces to his audience, “Wisdom occurs only after a laboriously magnificent disappointment.” Alas, that our Dusty Dog for mat cannot do justice to Ms. Kuypers’ very personal layering of her poem across the page.

Cheryl Townsend, Editor, Impetus (on Children, Churches and Daddies)

The new cc&d looks absolutely amazing. It’s a wonderful lay-out, looks really professional - all you need is the glossy pages. Truly impressive AND the calendar, too. Can’t wait to actually start reading all the stuff inside.. Wanted to just say, it looks good so far!!!



Fithian Press, Santa Barbara, CA
Indeed, there’s a healthy balance here between wit and dark vision, romance and reality, just as there’s a good balance between words and graphics. The work shows brave self-exploration, and serves as a reminder of mortality and the fragile beauty of friendship.

Mark Blickley, writer
The precursor to the magazine title (Children, Churches and Daddies) is very moving. “Scars” is also an excellent prose poem. I never really thought about scars as being a form of nostalgia. But in the poem it also represents courage and warmth. I look forward to finishing her book.

You Have to be Published to be Appreciated.

Do you want to be heard? Contact Children, Churches and Daddies about book or chapbook publishing. These reviews can be yours. Scars Publications, attention J. Kuypers. We’re only an e-mail away. Write to us.


Brian B. Braddock, Writer (on 1996 Children, Churches and Daddies)

I passed on a copy to my brother who is the director of the St. Camillus AIDS programs. We found (Children, Churches and Daddies’) obvious dedication along this line admirable.



The Center for Renewable Energy and Sustainable Technology
The Solar Energy Research & Education Foundation (SEREF), a non-profit organization based in Washington, D.C., established on Earth Day 1993 the Center for Renewable Energy and Sustainable Technology (CREST) as its central project. CREST’s three principal projects are to provide:
* on-site training and education workshops on the sustainable development interconnections of energy, economics and environment;
* on-line distance learning/training resources on CREST’s SOLSTICE computer, available from 144 countries through email and the Internet;
* on-disc training and educational resources through the use of interactive multimedia applications on CD-ROM computer discs - showcasing current achievements and future opportunities in sustainable energy development.
The CREST staff also does “on the road” presentations, demonstrations, and workshops showcasing its activities and available resources.
For More Information Please Contact: Deborah Anderson
dja@crest.org or (202) 289-0061

Brian B. Braddock, WrBrian B. Braddock, Writer (on 1996 Children, Churches and Daddies)

Brian B. Braddock, WrI passed on a copy to my brother who is the director of the St. Camillus AIDS programs. We found (Children, Churches and Daddies’) obvious dedication along this line admirable.


Dorrance Publishing Co., Pittsburgh, PA
“Hope Chest in the Attic” captures the complexity of human nature and reveals startling yet profound discernments about the travesties that surge through the course of life. This collection of poetry, prose and artwork reflects sensitivity toward feminist issues concerning abuse, sexism and equality. It also probes the emotional torrent that people may experience as a reaction to the delicate topics of death, love and family.
“Chain Smoking” depicts the emotional distress that afflicted a friend while he struggled to clarify his sexual ambiguity. Not only does this thought-provoking profile address the plight that homosexuals face in a homophobic society, it also characterizes the essence of friendship. “The room of the rape” is a passionate representation of the suffering rape victims experience. Vivid descriptions, rich symbolism, and candid expressions paint a shocking portrait of victory over the gripping fear that consumes the soul after a painful exploitation.

want a review like this? contact scars about getting your own book published.


Paul Weinman, Writer (on 1996 Children, Churches and Daddies)

Wonderful new direction (Children, Churches and Daddies has) taken - great articles, etc. (especially those on AIDS). Great stories - all sorts of hot info!



the UNreligions, NONfamily-priented literary and art magazine


The magazine Children Churches and Daddies is Copyright © 1993 through 2010 Scars Publications and Design. The rights of the individual pieces remain with the authors. No material may be reprinted without express permission from the author.

copyright

Okay, nilla wafer. Listen up and listen good. How to save your life. Submit, or I’ll have to kill you.
Okay, it’s this simple: send me published or unpublished poetry, prose or art work (do not send originals), along with a bio, to us - then sit around and wait... Pretty soon you’ll hear from the happy people at cc&d that says (a) Your work sucks, or (b) This is fancy crap, and we’re gonna print it. It’s that simple!

Okay, butt-munch. Tough guy. This is how to win the editors over.
Hope Chest in the Attic is a 200 page, perfect-bound book of 13 years of poetry, prose and art by Janet Kuypers. It’s a really classy thing, if you know what I mean. We also have a few extra sopies of the 1999 book “Rinse and Repeat”, the 2001 book “Survive and Thrive”, the 2001 books “Torture and Triumph” and “(no so) Warm and Fuzzy”,which all have issues of cc&d crammed into one book. And you can have either one of these things at just five bucks a pop if you just contact us and tell us you saw this ad space. It’s an offer you can’t refuse...

Carlton Press, New York, NY: HOPE CHEST IN THE ATTIC is a collection of well-fashioned, often elegant poems and short prose that deals in many instances, with the most mysterious and awesome of human experiences: love... Janet Kuypers draws from a vast range of experiences and transforms thoughts into lyrical and succinct verse... Recommended as poetic fare that will titillate the palate in its imagery and imaginative creations.

Mark Blickley, writer: The precursor to the magazine title (Children, Churches and Daddies) is very moving. “Scars” is also an excellent prose poem. I never really thought about scars as being a form of nostalgia. But in the poem it also represents courage and warmth. I look forward to finishing the book.

You Have to be Published to be Appreciated.
Do you want to be heard? Contact Children, Churches and Daddies about book and chapbook publishing. These reviews can be yours. Scars Publications, attention J. Kuypers - you can write for yourself or you can write for an audience. It’s your call...

email

Dorrance Publishing Co., Pittsburgh, PA: “Hope Chest in the Attic” captures the complexity of human nature and reveals startling yet profound discernments about the travesties that surge through the course of life. This collection of poetry, prose and artwork reflects sensitivity toward feminist issues concerning abuse, sexism and equality. It also probes the emotional torrent that people may experience as a reaction to the delicate topics of death, love and family. “Chain Smoking” depicts the emotional distress that afflicted a friend while he struggled to clarify his sexual ambiguity. Not only does this thought-provoking profile address the plight that homosexuals face in a homophobic society, it also characterizes the essence of friendship. “The room of the rape” is a passionate representation of the suffering rape victims experience. Vivid descriptions, rich symbolism, and candid expressions paint a shocking portrait of victory over the gripping fear that consumes the soul after a painful exploitation.

Dusty Dog Reviews, CA (on knife): These poems document a very complicated internal response to the feminine side of social existence. And as the book proceeds the poems become increasingly psychologically complex and, ultimately, fascinating and genuinely rewarding.
Children, Churches and Daddies. It speaks for itself.

Dusty Dog Reviews (on Without You): She open with a poem of her own devising, which has that wintry atmosphere demonstrated in the movie version of Boris Pasternak’s Doctor Zhivago. The atmosphere of wintry white and cold, gloriously murderous cold, stark raging cold, numbing and brutalizing cold, appears almost as a character who announces to his audience, “Wisdom occurs only after a laboriously magnificent disappointment.” Alas, that our Dusty Dog for mat cannot do justice to Ms. Kuypers’ very personal layering of her poem across the page.
Children, Churches and Daddies. It speaks for itself.

Debra Purdy Kong, writer, British Columbia, Canada (on Children, Churches and Daddies): I like the magazine a lot. I like the spacious lay-out and the different coloured pages and the variety of writer’s styles. Too many literary magazines read as if everyone graduated from the same course. We need to collect more voices like these and send them everywhere.

Fithian Press, Santa Barbara, CA: Indeed, there’s a healthy balance here between wit and dark vision, romance and reality, just as there’s a good balance between words and graphics. The work shows brave self-exploration, and serves as a reminder of mortality and the fragile beauty of friendship.



Children, Churches and Daddies
the unreligious, non-family oriented literary and art magazine
Scars Publications and Design

ccandd96@scars.tv
http://scars.tv

Publishers/Designers Of
Children, Churches and Daddies magazine
cc+d Ezines
The Burning mini poem books
God Eyes mini poem books
The Poetry Wall Calendar
The Poetry Box
The Poetry Sampler
Mom’s Favorite Vase Newsletters
Reverberate Music Magazine
Down In The Dirt magazine
Freedom and Strength Press forum
plus assorted chapbooks and books
music, poery compact discs
live performances of songs and readings

Sponsors Of
past editions:
Poetry Chapbook Contest, Poetry Book Contest
Prose Chapbook Contest, Prose Book Contest
Poetry Calendar Contest
current editions:
Editor’s Choice Award (writing and web sites)
Collection Volumes

Children, Churches and Daddies (founded 1993) has been written and researched by political groups and writers from the United States, Canada, England, India, Italy, Malta, Norway and Turkey. Regular features provide coverage of environmental, political and social issues (via news and philosophy) as well as fiction and poetry, and act as an information and education source. Children, Churches and Daddies is the leading magazine for this combination of information, education and entertainment.
Children, Churches and Daddies (ISSN 1068-5154) is published quarterly by Scars Publications and Design, 829 Brian Court, Gurnee, IL 60031-3155 USA; attn: Janet Kuypers. Contact us via snail-mail or e-mail (ccandd96@scars.tv) for subscription rates or prices for annual collection books.
To contributors: No racist, sexist or blatantly homophobic material. No originals; if mailed, include SASE & bio. Work sent on disks or through e-mail preferred. Previously published work accepted. Authors always retain rights to their own work. All magazine rights reserved. Reproduction of Children, Churches and Daddies without publisher permission is forbidden. Children, Churches and Daddies copyright Copyright © 1993 through 2010 Scars Publications and Design, Children, Churches and Daddies, Janet Kuypers. All rights remain with the authors of the individual pieces. No material may be reprinted without express permission.