The Unreligious, Non-Family-Oriented Literary and Art Magazine, ISSN 1068-5154 Please send your contributions electronically. Paper contributions are something we SO don’t want to read. When sending submissions to us, send them either (1) in the body of the email (though bolds and italics and special characters may be lost in the body of the email sometimes), or (2) as an attached “.txt” file, “.rtf” file, or as a Microsoft Word file (we accept both .docx and .doc files, but we have to transfer all .doc files to .docx format, so we would prefer a .docx file to a .doc file). (Also, we will not consider PDF file submissions, and we will not consider web page links as submissions — if all you can bother to send is only a web page link and not the actual writing, that shows us how little regard you have to submitting writing for consideration to our magazine.) You can send it both ways (in the body and as an attachment) if you want to be extra-sure we can read it, but these are the ways we can receive submissions successfully. By preferring e-mail subs, this reduces the possibility that Scars and CC&D will inadvertently introduce typing or scanning errors into the copy. Our philosophy is that you either have to just not know what a computer is or you can’t afford to get on-line in the first place in order to send us snail-mail submissions. Email or floppy disk or CD rom or ZIP disk or USB thumb drive submissions are all that we prefer to be accepting... But if you have email, you can email us; it’s a lot faster, you don’t need a SASE; it is more economical.
Please note that our byline is that we are the UN-religious magazine. The name of this magazine is generated from a poem about the dysfunctionality of religion and family life, so this is NOT a Christian magazine. Along those same lines,
Also, after you have sent a submission, please do not send another submission until we have processed and responded to your first submission. SENDING WRITING IN ITALICS: We are totally fine with receiving italics in submissions... some people remember in the past sending submissions where all italicized material is instead underlined, and some do not know this (which is why we’re fine with getting submisions in italics). If your submission has italics as underlines, we will assume (if there are no italics in your submission and there are underlines) that underlined copy should be italicized instead. If this is not what you want (i.e., you do not have or want any italicized copy and you want copy underlined), let us know this when submitting your work.
* ADDITIONAL NOTE on sending images with copy:
Here is the important stuff. Print copies are no longer free, but issues through 2009 can be purchased for a low low price through us, so for older copies, get electronic copies at this site, which are free, by clicking on the text archives and back issues of cc+d. 2010 issues are printed from a printer, so we do not even have spare copies to give away. For 2010 issues, copies can be order through a click to the printer links.
General ThemesOur biases are works that relate to issues such as politics, sexism, society, and the like, but are definitely not limited to such. We publish good work that makes you think, that makes you feel like you’ve lived through a scene instead of merely reading it. If we had to use two words to describe what we want, they would have to be intelligent and powerful. Keep that in mind.
PoetrySend no more than 5 pieces at a time (we will accept a bit more if they are short, but this is a common guideline when submitting poetry to magazines). We accept work of almost any genre, but we’re not keen on rhyme for rhyme’s sake, and we’re definitely not keen on religion poems (look at our current issue for a better idea of what we’re like). We are also not keen (meaning, it’s best not to send it to us for consideration) poems with repeated or intricate indentations. If the poem cannot read well without the mass special indentations, then it’s probably not a good enough poem for publication at Scars. Oh, and we do accept longer works, but within two pages for an individual poem is appreciated.
This was listed at the top of the page, but this is an ADDITIONAL NOTE on sending images with copy:
Prose
Send one story at a time (no matter the length), only 1 story should be sent when submitting prose.
Do not send another submission of prose until we have responded to your first submission of prose. We say keep it under ten pages, if you can, but we really like getting prose submissions, so if you think your piece is good but worry about the length, well, send it to us anyway and let us decide. If it relates to how the world fits into a person’s life
(political story, a day in the life, coping with issues people face), it will probably win us over faster. Oh, and please tell the story like it actually happened. What makes a story believable is the detail given in it that pulls the reader in. Make our reader see the scene, smell the food, feel the wind on their face. They’ll remember the story more when they put an issue down if they feel like they lived the story instead of merely reading it. They can take something from it, and when they do you know you’ve done something right.
This was listed at the top of the page, but this is an ADDITIONAL NOTE on sending images with copy: SENDING WRITING IN ITALICS: Some people remember that sending submissions where all italicized material is instead underlined, and some do not know this. If your submission has italics as underlines, we will assume (if there are no italics in your submission and there are underlines) that underlined copy should be italicized instead. If this is not what you want (i.e., you do not have or want any italicized copy and you want copy underlined), let us know this when submitting your work.
Art WorkDo not send originals. We don’t go for humorous illustrations or comics, unless they’re political and fit in with out current themes. Photography and drawings are usually your best bet; look artwork in past issues online for a better idea of what we most commonly receive.. Artwork in electronic versions (html pages) of Children, Churches and Daddies will appear at 72 dpi in full color, but in print versions, we need the artwork at 300dpi, and artwork on inside pages of print issues/books appears in black and white (greyscale). TECHNICAL DETAILS: images have to be (for printing purposes if we accept them for publication in print issues) 300dpi at 4.5" wide (that’s 18.75" wide for 72dpi images — items sent to us that are 5x9 @ 72dpi are too small). TITLE THE NAME OF EVERY FILE THE NAME OF THE ARTWORK. This means the title is linked with your actual artwork and won’t get lost (us getting a bunch of files titled “IMG_numberseries” means nothing; though if your artwork HAS no titles, tell us this, though in these cases we will have to use the generic file names as the titles of the pieces) — and you don’t have to add your name or the fact that this is art or photography to your file name; we’ll get it (and have to delete all of the extra characters from your art title file name anyway). If you send us art with no names or that are too small, we will not download them and we’ll ask you to send us files we can use in accordance with these guidelines. If you have artwork you wish to send, do NOT place images inside a Microsoft Word file (it is a lot more work for us to pull them out of a Word file), but send us the high-resolution image. QUERY if you have a lot of art to send (like, more than 10 meg total, since the scars.tv servers don’t permit attachments that large) and we can give you an alternate email address to send your art to.
Everyone: Read This Submission AdviceWe’ve received comments from readers and other editors saying that they thought some of our stories really happened. They didn’t, but it was nice to know that they were so concrete, so believable that people thought they were nonfiction. Do that to our readers. Here you even have the opportunity to directly submit writing to cc&d. You can also submit art work electronically by e-mailing it to us...
Boring, Stupid Crap:
All magazine published from Scars Publications are released on the web — an in past issues (pre formal printer issues) as a free downloadable PDF file (e-book, or e-issue), as well as on a web page. In this way people can enjoy the magazine on the Internet for free. Part 2: the really technical details:
Children, Churches and Daddies is a magazine dedicated to showcasing the work of writers and artists, and is published monthly, so submit early and submit often. We don’t go for racist, sexist (therefore we’re not into pornography either), or homophobic stuff. (though we shy away from concrete poetry and rhyme for rhyme’s sake...) We prefer work sent via e-mail or on Macintosh disks. Submit as much as you want at a time. And about copyrights - the work is yours, and we don’t want to ever claim it for ourselves. Simultaneous submissions are cool, previously published or concurrently published works are cool, and the work is always yours. You’re only giving us the right to publish it.
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We know your writing’s good, so send poetry, short prose, black and white art work (electronic submissions greatly preferred for art work), praises or large checks (like poets even have money) to us. Now. What a country!
Copyright Scars Publications and Design. All rights reserved. No material may be reprinted without express permission.
comments on past collection books scars publications and design has done:
Paul Weinman, Writer (on 1996 Children, Churches and Daddies)
Donna Thompson, editor, Challenges Magazine (on Blister and Burn) D. V. Aldrich, Writer I just recieved my copy of the vol. 77 - March issue. First of all, let me say I am impressed, make that throw me up against the wall and do whatever you want with me impressed, by the new layout, design and color. Mighty fine job, mighty fine!
Jane B. Roth, writer (on Slate and Marrow)
John Sweet, writer (on chapbook designs)
Chris McKinnon (on collection book Blister and Burn)
C Ra McGuirt, Editor, The Penny Dreadful Review (on Children, Churches and Daddies)
Ryan Malone, Writer (on Sulphur and Sawdust)
Debra Purdy Kong, writer, British Columbia, Canada (on the magazine Children, Churches and Daddies)
Fred Whitehead, Freethought History (on Blister and Burn and the editor)
Cheryl Townsend, Editor, Impetus (on Children, Churches and Daddies)
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