writing from
Scars Publications

Audio/Video chapbooks cc&d magazine Down in the Dirt magazine books

 

This writing was accepted for publication in the
108 page perfect-bound ISSN#/ISBN# issue/book

Respect Our Existence
or Expect Our Resistance

cc&d, v272
(the June 2017 issue - the 24 year anniversary issue)

You can also order this 6"x9" issue as a paperback book:
order ISBN# book


Respect Our Existence or Expect Our Resistance

Order this writing
in the issue book
Nothing
Lasts

the cc&d
May-August 2017
collection book
Nothing Lasts cc&d collectoin book get the 4 page
May-August 2017
cc&d magazine
issue collection
6" x 9" ISBN#
paperback book:

order ISBN# book

Order this writing in the book
Negative Space
(the 2017 poetry, flash fiction
& art collection anthology)
Negative Space (2017 poetry, flash fiction and art book) get the 298 page poem,
flash fiction & art
collection anthology
as a 6" x 9" ISBN#
paperback book:

order ISBN# book

[It was some kind of human noise...]

John Lowther, Sonnets from 555

It was some kind of human noise that was happening all over the place.
It is no dense to say that the listener is getting the broadcast free.
No pecking order, in other words.
It’s like listening to ice water.
Transfixed between pure rapture and anguish.

It is a concept on the way.
In other words, a memory.
Jump, and you will find out how to unfold your wings as you fall.

The transcendental and the transcendent are not synonymous.
Let’s not look for the summing up of things.
The quest for certainty blocks the search for meaning.

 

555 is a collection of untitled sonnets whose construction is database-driven and relies on text analytic software. I crunched and analyzed Shakespeare’s sonnets to arrive at averages for word, syllable and character, these averages became measures for three sets of sonnets. The lines are all found, their arrangement is mine. Values for word, syllable and character were recorded. Typos and grammatical oddities were largely preserved. The line selection isn’t rule-driven and inevitably reflects what I read, watch, and listen to, thus incorporating my slurs and my passions as well as what amuses and disturbs me. These sonnets were assembled using nonce patterns or number schemes; by ear, notion, or loose association; by tense, lexis, tone or alliteration. Think of Pound’s “dance of the intellect among words”— The dance in question traces out a knot (better yet, a gnot) that holds together what might otherwise fly apart. I espouse only the sonnets, not any one line.



Scars Publications


Copyright of written pieces remain with the author, who has allowed it to be shown through Scars Publications and Design.Web site © Scars Publications and Design. All rights reserved. No material may be reprinted without express permission from the author.




Problems with this page? Then deal with it...