War of Water
cc&d magazine
v282, April 2018
Internet ISSN 1555-1555, print ISSN 1068-5154
Note that in the print edition of cc&d magazine, all artwork within the pages of the book appear in black and white.
Order this issue from our printer
as a perfect-bound paperback book
(6" x 9") with a cc&d ISSN#
and an ISBN# online, w/ b&w pages
War of Water
|
Second Shift at the Fermilab
M.C. Rydel
We’ve set up picnic tables and chairs
In the old particle accelerator,
Contaminated the ion chamber
With cheeseburgers, soda, and chips,
Brought in a beach ball,
And encouraged the staff to strip,
Lose the lab coats, and form a conga line.
The whole second shift dancing in our underwear,
ID badges swinging on the elastic
As a supervisor flips the switch.
Unhappy management helps insurrections succeed,
And we gauge our success,
By measuring the immeasurable,
Observing the unobservable
As paper plates and sexy lab assistants tumble inside
A two-mile tube at 70% the speed of light.
I am here and I am there.
Everything else is everywhere
Uncertainty materializes as both particle and wave,
Like the moment a hot air balloon launches,
Like a conversation with a heretic,
Or how I imagine an identical twin
Would have turned out had she lived.
I stand in the middle of Fermilab,
A shop steward made of light
Part of a crazy collective,
A cobweb of colleagues, spinning,
Sparkling, time travelling souls.
I just wanted to be part of an experiment,
Put in my hours from four to midnight,
Watch my young co-workers leave to meet at a pub
And never even realize that I just changed everything.
|
Did someone say wind, white sands image by Brian and Lauren Hosey
A Call for Missionaries
M.C. Rydel
For John Shirk
Take to the sea in tall ships
And cross an ocean to get here.
We’re the savages you need to save.
You won’t find us in the jungle,
In mountainside caves, on the plains,
Or frozen in drifts of iglooed snow.
Your ministry’s in the burlesque house,
Coffeeshop, tavern, and smoked-up two-flat
In the heart of Logan Square.
You preach to poets and actors,
Singers and comedians, magicians and artists,
With tattoos and rows of piercings.
You listen to the heresy, blasphemy,
Curses, pornography, and allusions,
Yet you hear the voice of Jesus as a whisper.
He calls to you while you are sleeping,
And enters your dreams disguised
As a soul you haven’t thought about in years.
He traveled to India in his twenties,
Got a lot of strange ideas,
Brought them back home,
Caused a lot of trouble,
And wants you to do the same
For these heathens, smoking outside the bar.
See eternity
In the ink of a haiku.
Repeat until dazed.
See eternity
In the ink of a haiku.
Repeat until dazed.
The best missionaries succeed in saving themselves,
And creating a whirlpool in the river
The natives can’t figure out how to avoid.
|
A Sense of Arcadia
Copyright R. N. Taber 2017
As I walked in a wood
at twilight, a nightingale sang
to me of days gone by,
and I found myself recalling
that first time I told the world
I’m gay, and that’s how it is,
accept or reject me, your choice,
my life
The nightingale sang on,
about the good times and bad
such as everyone gets
to know (be they gay or straight)
so why the big deal
with sexuality? No harm done,
and bigotry doesn’t get to control
my life
Trees began a chorale
of love and peace as a sunset
pinked the sky,
and I found myself recalling
with a heavy heart
how we let prejudice and dogma
have their way with us, promising
a ‘better’ life
An audience of stars
watched as I wound my way
through the wood,
siding with me as I took my past
to task for a present
that only (ever) left me needing
to feel there had to be a kinder way
of life
An owl flew overhead,
hooting its applause, all nature
(or so it seemed)
thrilled for my having turned away
narrow thoughts
and judgemental jibes, consented
to the sum of my selves demanding
a life
Darkness fell, and silence
no less bitter-sweet than a sense
of being alone
in a magical world where positives
cast long shadows
and negatives are as moonlight
on leaves of grass
creating illusions easily read as signs
of life
Footsteps. Who’s there? Oh, it’s you,
my life...
|
Sailor Man
David J. Thompson
I often wonder about the sex life
of Popeye and Olive Oyl. I worry
that he treated her like he would
any shore leave whore in Manila
or Hamburg or Rio De Janeiro.
I hope Popeye never said anything
unkind about Swee’Pea’s real father
or Olive Oyl’s anorexia, and just tossed
some money on the dresser and hurried
back down to the Union Hall with his buddies
to ship out again. But no, that’t can’t be,
I know the sailor man wouldn’t do that
to a woman like Olive Oyl, the object
of so many lonely shipboard dreams.
I’m sure he brought her silver bracelets
and silk robes from his voyages,
and especially ornate Turkish slippers
for her huge feet she loved him
to massage. Popeye must have been
gentle and pleasing as a sea breeze
in the bed where I’m certain a patient
and grateful Olive Oyl scattered
spinach leaves among the rose petals
to help make more than his biceps grow.
|
Beach Front Sunrise (09-23-2013), painting by Allen F. McNair
The Cosmos Cry Maria
Michael Ceraolo
That’s Ma-RYE-a, not Ma-RE-a
Now that that’s out of the way,
we can get started
I was open to the cosmos’ call
from an early age for a number of reasons:
first,
“a love of mathematics,
seconded
by my sympathy with my father’s love
for astronomical observation”
and lastly
growing up on the island of Nantucket,
a place where “people generally
are in the habit of observing the heavens”
(“The Aurora Borealis
is always a pleasant companion;
a meteor seems to come like
a messenger from departed spirits;
and the blossoming of trees in the moonlight
becomes a sight looked for with pleasure”)
There are many things in which I was
the first of my sex,
or the first American
of my sex, to accomplish
I won’t recite those achievements here;
you can find them on my Wikipedia page,
or many other places online,
or in any of the biographies of me
I am proud of them because
they constitute part of who I am,
but I want to talk of other things here
in the hopes that all,
but especially girls,
will receive all the encouragement they need
to follow their talents wherever they lead:
“I should like to urge upon young women
a course of solid scientific study
in some one direction for two reasons
First: the needs of science
Second: their own needs”
I was a computer when computers were human,
painstakingly calculating the future path of Venus
because knowing the exact path was important
for the navigators of that time,
while shaking my head at the fact that
I was given Venus because I was a woman
(For myself and others “it is better
to crack open a geode than to match worsteds
It is better to spend an hour
watching the habits of ants than in
trying to put up the hair fantastically”)
On October 1, 1847
I discovered a comet,
prosaically designated C/1847 T1
or Comet 1847 VI
(someone needs to consult Urania
when deciding what to name comets:
“A mathematical formula
is a hymn of the universe”
but
“It is not all mathematics . . .
it is somewhat beauty and poetry”)
All my life I challenged,
in my numerous published writings
and with the threat of a good example,
the notion that work would kill women,
the notion that educating women
was somehow harmful to their health
(“can the study of truth do harm?”)
And when I learned I was paid less
than the male professors at Vassar,
I fought for pay equity
Given the tenor of the times
I didn’t achieve said equity,
but did close the pay gap somewhat
I and some of my students traveled
to observe the total solar eclipse
of July 29, 1878,
and
stayed home at Vassar to photograph
the rare transit of Venus in December 1882
I believed then and I believe now that
“We shall grow larger if we accustom
ourselves to contemplate great objects—
we shall broaden with the effort to grasp great truths,
even if we fail to envision them . . .”
And
I would like to offer a few precepts,
not restricted to scientific study
but definitely applicable there,
that I hope I have always
done my best to live up to:
“Question everything”
“the more we see,
the more we are capable of seeing”
“Study as if you were going to live forever;
live as if you were going to die tomorrow”
and lastly:
“Be honest—
avoid the temptation to see
what you are expected to see”
|
mush-chines
CEE
I dunno... ...I know
I keep making this point, but
Watching the cavedude
Beat the shit out of the
21st Century convenience
Instills a certain pride,
I certainly wouldn’t want to
Live near the cavedude
I think there are programs
For relocating him
Or, isn’t there subsidized housing?
Something?
He’s useful, though—he’s a hero
I like seeing anything past
Air conditioners, answering machines
Or CD players
Rendered Margeaux Hemingway-helpless,
Jigsaw puzzle of changing Man
Crushed
The way I’d crush a cockroach
Or you would
Unless your high ideals live in filth
Like the cavedude
Fine, o black glove, roll those dice
Ordinances are only The Law
And only a phone call away
Land line, of course
|
No like Like
CEE
Note to the tickle feet thumb fucks
On Faceass:
You’re making “Human” itself
Into a concept
An abstract
A Game of Life spinnable construct
Copy/paste malleable,
If anyone ever
Does the same with “Nazi”
To the point of enforcement,
As enforcement is All, ya see
Then, spin every whichaway, fugitive
As there will be grounded, ice
One Human
One Like
|
The Scorpion and the Frog
CEE
Hey, Shit Happens
Betrayal is Everyone’s nature
Like a dumb little script
About a dumb little character
The old “what’s This do?”
And the universe, gets sucked away
As many find in balancing checkbooks
Or choosing mates
Or friends
There’s No Right Choice To Make
Life’s a pie in the face
Occasionally, a knife in the back
Except it’s Escherlike
Symmetrical
Regressive
Infinite
|
Orange Peel Frog image from worth1000.com
i’m not finished yet
Linda M. Crate
don’t think i’m not aware
that you’re a charming monster,
but i still think of you
every now and again
i wish i didn’t
would make my life easier
simply not to think of you but you haunt
like a ghost always walking to me
unexpectedly
in moments of the heaviest gravity
where i cannot escape
the thoughts
just have to smile and pretend i’m fine
when it feels as if the titantic
has crashed into my soul,
and i am going down with the ship in those
frozen and frigid waters
of what you called love but was actually lust;
threatening to tip the scale of me into dust
so i shattered who i was
building myself up again from the ashes
was the most painful growth i’ve ever endured
but it did it with the elegant grace of the
phoenix burning brighter than i ever have before
you may have broken me but i am not finished
i still have hope, i still have dreams,
will still fly bright into the stars
overpowering them in the shine of my warmth.
|
Linda M. Crate Bio
Linda M. Crate is a Pennsylvanian native born in Pittsburgh yet raised in the rural town of Conneautville. Her poetry, short stories, articles, and reviews have been published in a myriad of magazines both online and in print. She has three published chapbooks: A Mermaid Crashing Into Dawn (Fowlpox Press - June 2013) and Less Than A Man (The Camel Saloon - January 2014), and If Tomorrow Never Comes (Scars Publications, August 2016). Her fantasy novel Blood & Magic was published in March 2015. The second novel of this series Dragons & Magic was published in October 2015. Her third novel Centaurs & Magic was published November 2016.
|
Five Years Sick
Nicole Brissette
Born on September eleventh,
A brilliant baby girl brought straight into this crooked, fiery wreckage of a plane crash existence.
Heroine needles in the kitchen, placed within her tiny fingers’ reach.
But she only grasped for a daddy who turned jailbait by the time she was 3.
Her mother’s narcissistic personality-
a disorder turned unfit for parenting.
Thank you,
selfish sister
for keeping her alive long enough for me to intervene.
You always trusted me with your secrets..
I am not sorry, this one couldn’t be kept,
I had to come clean.
K’lyn Nicole, ten months old,
her middle name, my first.
I picked her up from my sister’s room and gently rocked her in my arms
at 3 a.m.,
I took her in.
Only five years later, I would pluck her from her mother’s nest.
Our family turned the other cheek,
so I called CPS.
Four family fits and one testimony later,
the little one was placed in the care of her grandmother.
Holding my heavy breath for years,
what a waste,
drowning in the hope tank.
Zipped tight until the day I saw you stumble from your bedroom, fumble for food,
and push your daughter down on the bed calling her a bitch.
She was five years old then,
And I was five years sick with the guilt of not turning you in sooner.
Your flavor of the weak fathers
Your drug-induced stupor
You were living to lose her.
You shouldn’t have trusted me with cocaine conversation,
her molestation due to friendship misplacement,
with neglect leading to potty training frustration.
Because a dissection of this situation left me reeling for resolution.
It was you who coughed up motherhood into a pollution.
I will not feel bad for betraying a familial collusion.
Your mother and I have made fine substitutions,
though we were all wishing for a different conclusion.
|
Driving Past the Jefferson Davis Monument
DA Gray
After a summer shower the two-lane road
departing Highway 68 begins to steam.
The road snakes between grazing land, cornfields,
family cemeteries in a crazy-quilt design
bordered by walnut and red oak trees. Seeds,
crushed to the earth, now thrive in fence rows,
where DeKalb and Monsanto signs hang;
a horse-drawn plow rusts in the weeds.
My feet once balanced on the metal frames
of abandoned tools. Gleaming silver blades
would cut fresh wounds in the soil where I rocked
back and forth — and a clevis shackle, useless
without laborers and mules, sang its southern chime.
Beneath these blades, between the weeds,
red clay would seep.
In farmhouses like these,
rising from the roadsides, we took lunch with the hands,
listened to news of a newer oncoming war
which seemed like a videogame on the television.
Someone would say freedom. It sounded honorable
dying for an abstraction.
The whirring brings me back.
A gunmetal grey Chinook passes over, flying west –
Ft. Campbell. The blades slice an unmoving air.
On the ground a Mennonite couple drives
a black carriage pulled by a chestnut horse.
They too travel west from the Elkton stores.
The young man, with the beginnings of a beard
grips the leather reins; the woman has worked
her arm through his. They wave, smiling, as if the world
will wait, before gliding past me. My windows down,
radio up, I read a map and wipe a bead of sweat.
Everything is too slow to provide relief
from a sun just begun to bear down.
And behind the carriage a line of cars inches
forward in a slow fruitless stampede. On-again,
off-again brake lights with warnings of red eyes
glare into the past. Everything hinges
on this carriage, this horse, beneath a tall
white obelisk rising above the trees, a monument
to lost causes, six hundred thousand gone,
no gallantry, only mud.
Inside, his picture
hangs – he must have sat an hour, glass
catching the light, battle orders in front,
battle flag behind, eyes focused on a theory
boys would die from. Another picture exists.
An older white-headed man sits alone, cross-
legged on a bench. Both images are the same.
From this roadside I can see the visitors walk
from their cars to its base. A red truck passes,
slows, begins to turn without a signal. On the tailgate
a bumper sticker colored with Stars and Bars
says Freedom. “Free from what?” I ask
but my voice dies in the thick air. No one hears.
It’s getting late; the tower’s shadow lengthens.
Somewhere Mennonite families extract the last labor
from the last daylight. Fort Campbell soldiers
stand saluting a flag they are willing to die for,
before driving home on Blue Star Memorial.
Here, cars resume their speed, slide
past a tower once designed to mark temple gates.
Purpose forgotten, it stands pointing skyward
where insubstantial clouds slither past.
This previously appeared in the book Contested Terrain (10/2017).
|
my daughter tells me moments before sleep
Elizabeth Kropf
that a boy touched her bottom
she buries her face in a pillow
refuses to talk more
how can she already have to experience shame and unwanted touch?
she is in kindergarten.
she still wets the bed
how can I tell her about the power of girls
when she hears adults say boys are better?
how can I tell her about respect
when I am whistled at?
how can I tell her about boundaries and consent
and send her out into a pussy-grabbing world?
what do I tell her? what do I tell her?
|
Consumerism
Xanadu
(Ofrothkofame) for Scars (September 2017)
(Thanks to Ojārs Ābols 1976 Klusā daba ar ledusskapi un plĪvuru/
Still Life with Fridge and Veil and Latvian National Museum of Art RĪga)
My life is my fridge
my life is my veil
Consuming in ice winter
When emotions freeze to broken
Silhouette shade circumference
of wedding dress draped
Around the box of refrigerator
Imagined without kitchen array
As waiting for a snow man
mirroring life in its door
In deep signs of imprint
that are hidden from surface.
|
Conglomerates
I.B. Rad
A conglomerate can be broadly defined
as a collection of heterogeneous items
joined to form a whole,
or, for the more entrepreneurial definition,
a corporation made up of numerous
different, seemingly unrelated businesses;
and so, taking into account our prevailing view of community
in which every imaginable identity,
whether it be religion, sexuality, race, ethnicity, ...
becomes politicized
and inserted into an entitlement zero sum game,
is it surprising
that the largest conglomerate in America
is America?
|
Absent of Present
Ken Allan Dronsfield
Has anyone seen me?
I know I used to be here,
perhaps there, somewhere.
I feel so lost, gone like old
bones ground into nothing.
Dust in a strong breeze.
I felt like a cat nine tail,
standing straight and tall
bent over by marsh winds
waving to all lake side,
lost fantasy skyward.
Passion blooms; life après.
Depth of a cranky shade
of listless yet excited bliss.
Blessed by the thoughts and
prayers of strangers, love
enhanced by a whisper.
But has anyone seen me?
|
Ken Allan Dronsfield Biography
Ken Allan Dronsfield is a disabled veteran and poet who has been nominated for 2 Best of the Net and 3 Pushcart Prize Awards for Poetry. His poems have been published world-wide in various publications throughout North and South America, Europe, Asia, Australia and Africa. He has been published in The Burningword Journal, Belle Reve Journal, SETU Magazine, Blue Heron, The Literary Hatchet, The Stray Branch, Now/Then Manchester Magazine UK, Bewildering Stories, Scarlet Leaf Review, EMBOSS Magazine, and many more. Ken loves thunderstorms, walking in the woods at night, and spending time with his cats Willa, Hemi and Turbo. His book, “The Cellaring”, a collection of haunting, paranormal, weird and wonderful poems, has been released and is available through Amazon.com. He is the co-editor of two poetry anthologies, Moonlight Dreamers of Yellow Haze and Dandelion in a Vase of Roses also available at Amazon.com.
|
December
Erren Kelly
The farmers are burning the cornfields
I can smell the sweet fire in your hair
We walked around the lake, your hands felt
Like December
My dear tall girl, I like your stride
Long and wistful, like a road
You wear another bandanna
Always carrying the music
On your head
I still smell the fire in your hair
As your body becomes orange in the light
You are a snow angel come alive
I hold hands as if it’s the last time
Though I will see you again
Your body is in the orange light
Again
Long, straight, clean.
You walk around the room
Naked, like a lonely melody
I hold you and we become
Piano keys
I look at you and reflect, ponder, and dream
Your voice is a winter prayer
And I will love you like a religious
Experience
I still smell the fire in your hair
|
Boundless Dream
Allen F. McNair
Tonight, I listen to Ravel’s Bolero
On my way to a vivid blessing of sleep.
As I lie in bed, images start to flash
Before me, a column of many nations.
First Greek soldiers march along
A wide, paved roadway, in black armor.
Their breastplates and shields gleaming.
Then a phalanx of Roman soldiers comes.
Their armor is a deep color of burgundy.
Behind them march medieval knights.
More strut on powerful horses proud.
Along the broad avenue doughboys walk.
Those of the Hun also travel the roadway.
Next march friend and foe of WW II.
After them march men from the Korean
Police action and today’s armed forces.
Finally, American astronauts and Soviet
Cosmonauts stride the wide highway.
Long rockets along the roadway.
They follow the travelers of the heavens.
All during the long march, the Bolero plays
In my ringing head, its rhythm strong.
My very limbs sing to the vibrant chorus.
I feel my head and heart soar to its beat.
Now my spirit is lifted on currents of
Wind and fire, up into the boundless sky.
I see nations and continents become small.
A blue and white globe comes into my view.
Other worlds of a complete solar system
Appear before celestial face and eyes.
A solar wind carries me ever outwards.
Soon other planetary systems are revealed.
Gradually I see a galaxy of stars and worlds.
My spirit itself expands to embrace them all.
My very body tingles with their vibrations.
My mind beholds a truly grand, boundless dream.
I feel as one with humanity and the heavens.
All of the night and day are honestly mine.
Understanding of the all-encompassing universe,
The tiniest atom of life’s matter is also mine.
But soon I awaken to my limited reality.
The bed sheets damp and twisted awry.
The two pillows under my head bunched-up.
The music is gone now, softly lost to my ears.
Tonight, I have only four walls to surround me.
The furniture hidden in the dark shadows.
My aching body once again a finite shell.
But I will always carry my boundless dream.
Into all my tomorrows it enlivens a sense
Of joy for each day that I am alive.
An experience of conscious expansion of
My dreams for the future fills my soul.
This finite shell is not all that I am.
Joy and bliss are my birthright.
Unity with all that I perceive brings
Me closer to an ultimate awareness.
|
About the Artist—Allen F. McNair (in his own words)
I am a self-taught artist and poet who is inspired daily by the wonders of life around me, my present and past experiences, and both the inner and outer beauty of all women. From individual poetic portrayals in my early years of writing, I have graduated to writing an epic saga mentioned below.
I work mainly in marker art on paper, yet I have also worked in watercolor on paper, and acrylic pen and brush on canvas. Those works in marker art have been on 11" X 14" and 14" X 17" Bristol paper. Although painting contemporary subjects, I have mainly created illustrations that depict a future planet earth and other worlds more heavenly. These illustrations reveal a fascinating world of dreams and mental communication between the human and alien characters in our future. Other works of art included in this collection depict subjects from our contemporary world.
I enjoy working mostly in Prismacolor markers for their vibrant color palate and the control I have over the use of this medium. I have most recently worked with Blick Studio Markers and their Studio Brush Markers as well. I also like the control I have when using an acrylic pen. When I am not portraying the interaction between human beings in a future world, I then use geometric shapes to create futuristic vehicles traveling above a pristine world.
My proudest achievement is the self-publishing of my book, I Dream of A’maresh, a science fiction epic poem which is reflected in the several illustrations that can be seen in Chicago in the 27th American Disabilities Act Celebration at the James R. Thompson Center July 17 through July 22, 2017. A few of these works of art were once displayed in the July 2015 ADA Celebration at this same location. Some of them were shown at the Orange Restaurant in Lincoln Park last April 4, 2016. Others were also presented at the Orange Restaurant in Roscoe Village March 10 through May 28, 2015. I have likewise exhibited my work at the Gallery Cabaret in August 2016.
I have performed in an original production based on true stories for the Thresholds Theater Arts Project at the Theater Building. I have also taught classes in creative writing and performance at both the National Alliance for Mentally Ill (NAMI) and at Trilogy.
I love watching science fiction, fantasy, and action in movies and reading those genres in literature in my spare time. I live in a one-bedroom apartment in Chicago with my 6 year-old white and ginger cat, Butterscotch. Previously, I had a black and white long-haired cat named Kit Kat, who lived to be 20 years old.
|
The Growth of Hope
Allen F. McNair
The growth of hope dawned on me one
Dreary night as I lay in my bed after
Weeks of homelessness, when I realized
I was on the thresholds of new housing.
I was soon to be transferred from a shelter
To a newly-created group home on Keystone.
It was proposed to me over a welcome lunch with the
Kind administrators from Lutheran Social Services.
I could not have conceived of such good fortune
Several months living in the Lakeview shelter.
Yet I was given a gentle challenge to stay in
The shelter only if I worked to grow out of it.
I had worked with the city’s social service network
To establish my actual mental disability status.
I had a kindly psychiatrist who understood my true
Nature of mental health with diagnosis of bipolar disorder.
I was now taking the right medication and adjusted well.
Since I had a history of stable employment before
Homelessness found me emotionally stricken and unwell,
I would be working and receiving the benefits of Disability.
As I grew emotionally, I began to write stirring poetry
For a social services’ literary magazine, the Musing Place.
I began to perform my poetry onstage in the Thresholds
Program of Theater Arts at the Blue Rider theater.
I also worked in theater maintenance through this program.
It was a new, productive means of expression for me.
Even before this, I performed my poetry in the ensemble
Work of a collaborative venture called Address Unknown.
I was being highly productive even while homeless
And now I would embark on the new journey of
Actual housing with employment and writing poetry
Has been my lifeline to the shore of home and work.
Poetry has also opened up the door of drawing, painting,
And other such creativity, including my own art exhibit.
The Literary Guild once owned a bookstore on Lincoln
In the jolly old town of rocking Chicago, Illinois.
In their store, I was once in a Thresholds-sponsored show.
Impressed with some of my work, I was given a show
Of my own which featured all the women I had never met.
Of the pieces sold, one was bought at its asking price.
Although originally bought for less, he paid the actual
Difference soon after he saw its true value to himself.
I truly saw the progress from writing poetry in words
To illustrating its content in grand expressions of art.
Poetry is my life’s ambition as well as other forms of art.
Many times when considering an end to my own life
Another poem comes to my fevered mind to complete,
Providing a constant source of miraculous hope for me.
Now I have regularly contributed to whole anthologies
In the now extinct form of Journal of Ordinary Thought.
I have also continued to perform my poetry in open
Readings at the Bazazian Public Library on Ainslie.
My life continues to grow in hope as I continue to write.
Poetry has rescued me from the very jaws of death.
I look ahead at the brightness of a future in writing.
I am ready to master life’s challenges with a sense of hope.
|
About the Artist—Allen F. McNair (in his own words)
I am a self-taught artist and poet who is inspired daily by the wonders of life around me, my present and past experiences, and both the inner and outer beauty of all women. From individual poetic portrayals in my early years of writing, I have graduated to writing an epic saga mentioned below.
I work mainly in marker art on paper, yet I have also worked in watercolor on paper, and acrylic pen and brush on canvas. Those works in marker art have been on 11" X 14" and 14" X 17" Bristol paper. Although painting contemporary subjects, I have mainly created illustrations that depict a future planet earth and other worlds more heavenly. These illustrations reveal a fascinating world of dreams and mental communication between the human and alien characters in our future. Other works of art included in this collection depict subjects from our contemporary world.
I enjoy working mostly in Prismacolor markers for their vibrant color palate and the control I have over the use of this medium. I have most recently worked with Blick Studio Markers and their Studio Brush Markers as well. I also like the control I have when using an acrylic pen. When I am not portraying the interaction between human beings in a future world, I then use geometric shapes to create futuristic vehicles traveling above a pristine world.
My proudest achievement is the self-publishing of my book, I Dream of A’maresh, a science fiction epic poem which is reflected in the several illustrations that can be seen in Chicago in the 27th American Disabilities Act Celebration at the James R. Thompson Center July 17 through July 22, 2017. A few of these works of art were once displayed in the July 2015 ADA Celebration at this same location. Some of them were shown at the Orange Restaurant in Lincoln Park last April 4, 2016. Others were also presented at the Orange Restaurant in Roscoe Village March 10 through May 28, 2015. I have likewise exhibited my work at the Gallery Cabaret in August 2016.
I have performed in an original production based on true stories for the Thresholds Theater Arts Project at the Theater Building. I have also taught classes in creative writing and performance at both the National Alliance for Mentally Ill (NAMI) and at Trilogy.
I love watching science fiction, fantasy, and action in movies and reading those genres in literature in my spare time. I live in a one-bedroom apartment in Chicago with my 6 year-old white and ginger cat, Butterscotch. Previously, I had a black and white long-haired cat named Kit Kat, who lived to be 20 years old.
|
haiku (spire)
Corey Cook
Church’s spire
points scournfully
at flamboyant sky
|
Corey Cook Biography
Corey D. Cook is the author of four chapbooks: Rhododendron in a Time of War (Scars Publications), What to Do with a Dying Parakeet (Pudding House Publications), Flock (Origami Poems Project), and White Flag Raised (Kattywompus Press). His poetry has recently appeared or is forthcoming in bear creek haiku, Brevities, Chiron Review, Freshwater, Leaves of Ink, and Rusty Truck. Corey lives in Vermont and edits Red Eft Review.
|
There I Sit
Janet Kuypers
1990 (edited for 0/2/17 feature)
there I sit
I sit alone
separated
isolated
away from
my one true love
away from
my obsession
I pull out
a fountain pen
I see the lines
contours of his face
defining
the piercing eyes
the pointed nose
the tender lips
I sit & I sketch
I feverishly draw
until I capture
his image
I stare
I gaze
I memorize
his every detail
oh, but he
he never looks back
so I will draw
until my
fountain pen
runs dry
|
See YouTube video of Janet Kuypers in her 9/2/17 show “Energy with poetry and Music” “Expressions Poetry with Music!” in Austin performing her songs/poems “Victim” (done as a Chicago Industrial song), “There I Sit” to blues music, “Tight Top Affair” w/ an electric guitar, & “Knew I Had to be Ready” (this video was filmed from a Sony camera).
|
See YouTube video of Janet Kuypers in her 9/2/17 show “Energy with poetry and Music” at “Expressions Poetry with Music!” in Austin performing her songs/poems “Victim” (done as a Chicago Industrial song), “There I Sit” to blues music, “Tight Top Affair” w/ an electric guitar, & “Knew I Had to be Ready” (video filmed from a Panasonic Lumix camera).
|
Download all of these songs & poems
in the free PDF file chapbook
“Energy with poetry and Music”
containing the songs/poems “There I Sit”,
“Tight Top Affair”, “Victim”, and
“Knew I Had to be Ready”.
|
See YouTube video of Janet Kuypers’ April 2018 Book Release Reading 4/4/18, where she read her “Energy with Poetry and Music” performance art poems & songs (all performed as poetry readings) “There I Sit” “Victim”, “Knew I Had to be Ready” and “Tight Rope Affair” from the cc&d 4/18 book “War of Water” as she hosted “Community Poetry @ Half Price Books” during National Poetry Month (Panasonic Lumix T56).
|
See YouTube video of Janet Kuypers’ April 2018 Book Release Reading 4/4/18, where she read her “Energy with Poetry and Music” performance art poems & songs (all performed as poetry readings) “There I Sit” “Victim”, “Knew I Had to be Ready” and “Tight Rope Affair” from the cc&d 4/18 book “War of Water” as she hosted “Community Poetry @ Half Price Books” during National Poetry Month (filmed from a Panasonic Lumix T56 camera, w/ an Edge Detection filter).
|
See YouTube video of Janet Kuypers’ April 2018 Book Release Reading 4/4/18, where she read her “Energy with Poetry and Music” performance art poems & songs (all performed as poetry readings) “There I Sit” “Victim”, “Knew I Had to be Ready” and “Tight Rope Affair” from the cc&d 4/18 book “War of Water” as she hosted “Community Poetry @ Half Price Books” during National Poetry Month (filmed from a Panasonic Lumix T56 camera, w/ a Posterize filter).
|
See YouTube video of Janet Kuypers’ April 2018 Book Release Reading 4/4/18, where she read her “Energy with Poetry and Music” performance art poems & songs (all performed as poetry readings) “There I Sit” “Victim”, “Knew I Had to be Ready” and “Tight Rope Affair” from the cc&d 4/18 book “War of Water” as she hosted “Community Poetry @ Half Price Books” during National Poetry Month (filmed from a Panasonic Lumix T56 camera, w/ a Threshold filter).
|
See YouTube video of Janet Kuypers reading her poem “On the Bridge” from her 2018 full-color full-bleed photography (+ select poems) book “Antarctica: Wildlife”, then her poem “There I Sit” from the cc&d 4/18 v282 book “War of Water”, then her poem “Just one Book” from the cc&d 9/17 v275 book “a Pick for the Future” at “Poetry Aloud” 7/28/18 (this video was filmed from a Panasonic Lumix T56 camera).
|
See YouTube video of Janet Kuypers reading her poem “On the Bridge” from her 2018 full-color full-bleed photography (+ select poems) book “Antarctica: Wildlife”, then her poem “There I Sit” from the cc&d 4/18 v282 book “War of Water”, then her poem “Just one Book” from the cc&d 9/17 v275 book “a Pick for the Future” at “Poetry Aloud” 7/28/18 (this video was filmed from a Panasonic Lumix 2500 camera).
|
every day I face the wall
every day I must stand tall
every day from break of dawn
every day I carry on
every day I struggle with the lingering past
I had struggled, I had worked to take it fast
every day I find it difficult, impossible
to look at what we have and make it last
time to time I shed a tear
time to time when you are near
time to time I stop myself
time to time I’m filled with fear
I try to carry on but it doesn’t seem fair
when I feel your presence but you are not there
time to time I find it difficult, impossible
to look at how I feel and think you care
I close my eyes, I see it too
when I sleep I dream of you
when I talk your words come out
when I live I just feel blue
I can see the scene, it flashes through my mind
I can’t fathom feelings of another kind
when I try I find it difficult, impossible
to search for pieces that I cannot find
I had struggled with the maze
I had worked a hundred days
I had tried to make it stop
I could not see through the haze
I had to accept what you had done to me
there were so many lies that I could not see
time to time I find it difficult, impossible
to look at all your chains
to look at all your chains
to look at all your chains
and still feel free
|
See YouTube video of Janet Kuypers in her 9/2/17 show “Energy with poetry and Music” “Expressions Poetry with Music!” in Austin performing her songs/poems “Victim” (done as a Chicago Industrial song), “There I Sit” to blues music, “Tight Top Affair” w/ an electric guitar, & “Knew I Had to be Ready” (this video was filmed from a Sony camera).
|
See YouTube video of Janet Kuypers in her 9/2/17 show “Energy with poetry and Music” at “Expressions Poetry with Music!” in Austin performing her songs/poems “Victim” (done as a Chicago Industrial song), “There I Sit” to blues music, “Tight Top Affair” w/ an electric guitar, & “Knew I Had to be Ready” (video filmed from a Panasonic Lumix camera).
|
Download all of these songs & poems
in the free PDF file chapbook
“Energy with poetry and Music”
containing the songs/poems “There I Sit”,
“Tight Top Affair”, “Victim”, and
“Knew I Had to be Ready”.
|
See YouTube video 10/1/17 of Janet Kuypers singing her song “Victim” as an industrial song with John on electric guitar (and added percussions), then her reading her poem “Your Imaginary Soul Weighs 21 Grams” from the cc&d 10/17 book “Forbidden” before inviting contributors to read their poems from the book, at “Kick Butt Poetry” in Austin (Lumix).
|
See YouTube video 10/1/17 of Janet Kuypers singing her song “Victim” as an industrial song with John on electric guitar (and added percussions), then her reading her poem “Your Imaginary Soul Weighs 21 Grams” from the cc&d 10/17 book “Forbidden” before inviting contributors to read their poems from the book, at “Kick Butt Poetry” in Austin (Sony).
|
See YouTube video of Janet Kuypers’ April 2018 Book Release Reading 4/4/18, where she read her “Energy with Poetry and Music” performance art poems & songs (all performed as poetry readings) “There I Sit” “Victim”, “Knew I Had to be Ready” and “Tight Rope Affair” from the cc&d 4/18 book “War of Water” as she hosted “Community Poetry @ Half Price Books” during National Poetry Month (Panasonic Lumix T56).
|
See YouTube video of Janet Kuypers’ April 2018 Book Release Reading 4/4/18, where she read her “Energy with Poetry and Music” performance art poems & songs (all performed as poetry readings) “There I Sit” “Victim”, “Knew I Had to be Ready” and “Tight Rope Affair” from the cc&d 4/18 book “War of Water” as she hosted “Community Poetry @ Half Price Books” during National Poetry Month (filmed from a Panasonic Lumix T56 camera, w/ an Edge Detection filter).
|
See YouTube video of Janet Kuypers’ April 2018 Book Release Reading 4/4/18, where she read her “Energy with Poetry and Music” performance art poems & songs (all performed as poetry readings) “There I Sit” “Victim”, “Knew I Had to be Ready” and “Tight Rope Affair” from the cc&d 4/18 book “War of Water” as she hosted “Community Poetry @ Half Price Books” during National Poetry Month (filmed from a Panasonic Lumix T56 camera, w/ a Posterize filter).
|
See YouTube video of Janet Kuypers’ April 2018 Book Release Reading 4/4/18, where she read her “Energy with Poetry and Music” performance art poems & songs (all performed as poetry readings) “There I Sit” “Victim”, “Knew I Had to be Ready” and “Tight Rope Affair” from the cc&d 4/18 book “War of Water” as she hosted “Community Poetry @ Half Price Books” during National Poetry Month (filmed from a Panasonic Lumix T56 camera, w/ a Threshold filter).
|
|