cc&d magazine (1993-2018)

Faces
cc&d magazine
v286, September-October 2018
Internet ISSN 1555-1555, print ISSN 1068-5154


cc&d magazine













Table of Contents

AUTHOR TITLE
 

poetry

 

(the passionate stuff)

Linda M. Crate i won’t be lost to your nightmares
you won’t bully me
i’m not single but i’ll never be yours
living skin
Greg G. Zaino Dark
Erren Kelly The Med Student
Allen F. McNair Two Souls Are One art
John F. McMullen What Did He Expect?
Stand-Up Guy
John Yotko Why do You Love Me
Ronald Charles Epstein Detroit-A Precis
The Culture Vulture Meets The Serial Smartass
Alan Catlin Altered States
Faces
Cat People
Cheryl A. Townsend Cat Eye photography
Travis Green Her Broken Body
David Michael Jackson Girl painting
Travis Green The Pain That Never Fades Away
John Yotko Untitled photography
Harjeet Singh Former vs latter
David J. Thompson 080 photography
Thom Woodruff My Girlfriend had been Raped by Bikers
Pavol Janik, PhD. A Big Clear Out
Eric Bonholtzer IMG_4957 photography
Pavol Janik, PhD. At The Table
Brian Looney Shining drawing
Pavol Janik, PhD. I am crying you, morning
Peter LaBerge Creep photography
Pavol Janik, PhD. Mirrors After Nightfall
Christina Culverhouse No Matter the Question. The Answer is Love
Michael Ceraolo Free Speech Canto XLIX
Free Speech Canto LI
 

performance art

 

(10/7/17 show “In Autumn, Love is in the Air
at the Bahá’í Faith Center in Austin)

Janet Kuypers Who You Tell your Dreams to
you and me and your girlfriend
The Way You Tease Me
Looking for a Worthy Adversary (an extreme sestina variation)
Sepia Leaves
And I’m Wondering
Marry you in Autumn
Just By Holding His Hand
Autumn (2017 Dripping Springs/Bahá’í Faith Center edit)
 

prose

 

(the meat & potatoes stuff)

Matthew McAyeal A Fairy Tale about War
Stephen Matlock Clay Pots
David Russell Plant 0000001 photography
Lisa Gray Family Matters
Helen Bird, “Inksanity” for the love of humanity drawing
Ted Garvin A Minor Kitchen Fire
David Russell Grotto art
Drew Marshall Dog on the Beach
Kyle Hemmings Beach Head 2 photography
Drew Marshall Up in Ann’s Attic
Dr. (Ms.) Michael S. Whitt The Mischievous Ones at Frostproof High School
Üzeyir Lokman Çayci Uzeyir Cayci Hedeftekiler art
Rose E. Grier Student Debt art
M. E. Murray The Yellow Ribbon
Mark Towse Fortune and Glory
Aaron Wilder The Great Charlemagne le Monde image
Fizza Sohail An Old Quarter Love Story
Wes Heine DSCN0346 art
James Mulhern On the Way Home
Aaron Wilder Decisions of Life 01 linoleum block print image
Edward Michael O’Durr Supranowicz Where Is Your Teddy Bear Now art


Note that in the print edition of cc&d magazine, all artwork within the pages of the book appear in black and white.


Order this issue from our printer
as a perfect-bound paperback book
(6" x 9") with a cc&d ISSN#
and an ISBN# online, w/ b&w pages

cc&d
Faces
order ISBN# book




Janet Thank you to Thom Woodruff for taking photos of Janet Kuypers reading from the Scars Publications cc&d v286 book “Faces” to poets & audience members during one of her feature readings at Community Poetry! at Half Price Books in Austin, Texas 9/5/18.

















cc&d
Poetry (the passionate stuff)





i won’t be lost to your nightmares

Linda M. Crate

won’t surrender
i am who i am
there is no
reason for me to
be ashamed or apologize,
and you should look
in the mirror
before i call the pot black;
i am not that same
little girl
paralyzed in pain and fear
of the consequences of
your rage—
i know you thought one day
that i would see you were right,
but all i can see was
you were cruel;
starved for love
what i really needed was a father
you instead gave me a monster
who bullied me worst
than the kids at my school
who made me cry so many oceans
into existence it’s a wonder
that i didn’t drown—
now that i have found my voice
i won’t be lost to the wailing, howling
wind no matter how many
of your nightmares still wake me
i am goddess;
won’t surrender my divinity or my light
to any darkness.





Linda M. Crate Bio

    Linda M. Crate is a Pennsylvanian native born in Pittsburgh yet raised in the rural town of Conneautville. Her poetry, short stories, articles, and reviews have been published in a myriad of magazines both online and in print. She has three published chapbooks: A Mermaid Crashing Into Dawn (Fowlpox Press - June 2013) and Less Than A Man (The Camel Saloon - January 2014), and If Tomorrow Never Comes (Scars Publications, August 2016). Her fantasy novel Blood & Magic was published in March 2015. The second novel of this series Dragons & Magic was published in October 2015. Her third novel Centaurs & Magic was published November 2016.
















you won’t bully me

Linda M. Crate

just because i am quiet
doesn’t mean i don’t have words
just because i’m shy
doesn’t make me your doormat
i won’t let you walk
all over me
or sweep the floor with my body
stop speaking over me
i have not expired
this isn’t my funeral,
and i have as much right to feel and speak as any
of you;
so don’t think you are clever
because i’ll take the cleaver to that
thought right away
for you that would be a difficult endeavor,
and i won’t be dismayed to sever these ties;
i don’t know what you think
binds us—
in the garden of my life i will pull any weeds
that come in the way of my dreams,
and this kingdom is mine;
so i won’t let you kick me in the face
demanding i kiss your
feet
because firstly i hate feet, and secondly you’re
not that important,
your power in my kingdom is null and void
so don’t let the door hit you on your way out
or allow it to if you wish
that decision is your own—
but you won’t bully me
any longer.





Linda M. Crate Bio

    Linda M. Crate is a Pennsylvanian native born in Pittsburgh yet raised in the rural town of Conneautville. Her poetry, short stories, articles, and reviews have been published in a myriad of magazines both online and in print. She has three published chapbooks: A Mermaid Crashing Into Dawn (Fowlpox Press - June 2013) and Less Than A Man (The Camel Saloon - January 2014), and If Tomorrow Never Comes (Scars Publications, August 2016). Her fantasy novel Blood & Magic was published in March 2015. The second novel of this series Dragons & Magic was published in October 2015. Her third novel Centaurs & Magic was published November 2016.
















i’m not single but i’ll never be yours

Lina M. Crate

“are you single? are you single? are you single?”
searched for my phone to tell you what time
it was,
and you insisted once more,
“are you single?”
no, i answered, cold and confident;
i don’t have a man in my life right now but i don’t
need nor want you
pretty bad i need to lie to a stranger to feel safe

just wanted to walk home from work
without some weirdo bothering me
i don’t know why you think you’re entitled to
a stranger just because you find something about
them attractive
i am a girl who works hard and has both
ambitions and dreams
don’t need someone like you only looking for a good time
to walk into my life so feel free to always walk away—

a new co-worker and i were just discussing
if there were any good men left in this world,
and then i had to happen across a monster like you
pretending to be anything like human;
you walked away when i said i had someone
i only felt safe when you were gone
don’t know why you thought you were entitled
to a stranger, but you’re not, even if she’s single.





Linda M. Crate Bio

    Linda M. Crate is a Pennsylvanian native born in Pittsburgh yet raised in the rural town of Conneautville. Her poetry, short stories, articles, and reviews have been published in a myriad of magazines both online and in print. She has three published chapbooks: A Mermaid Crashing Into Dawn (Fowlpox Press - June 2013) and Less Than A Man (The Camel Saloon - January 2014), and If Tomorrow Never Comes (Scars Publications, August 2016). Her fantasy novel Blood & Magic was published in March 2015. The second novel of this series Dragons & Magic was published in October 2015. Her third novel Centaurs & Magic was published November 2016.
















living skin

Lina M. Crate

you know we live
in a messed up world
when a perfect stranger
thinks it’s right or appropriate
to approach a woman
walking home from
night shift
asking her if she’s single only
leaving her alone
when she answers no
simply to feel safe,
and i don’t know what he was
thinking walking so close to me
as if i wasn’t going to feel his presence
behind me;
my coat was on and hood was up
so i can only assume
he thought of me as an object
of his immediate sexual gratification—
guess again!
i will never be that girl who
succumbs to the need and desires of others
i have so many dreams and ambitions
that i put on the back burner to keep others happy
now is my time to shine,
and i will burn every nightmare and monster
pretending to breath in the living skin of humanity.





Linda M. Crate Bio

    Linda M. Crate is a Pennsylvanian native born in Pittsburgh yet raised in the rural town of Conneautville. Her poetry, short stories, articles, and reviews have been published in a myriad of magazines both online and in print. She has three published chapbooks: A Mermaid Crashing Into Dawn (Fowlpox Press - June 2013) and Less Than A Man (The Camel Saloon - January 2014), and If Tomorrow Never Comes (Scars Publications, August 2016). Her fantasy novel Blood & Magic was published in March 2015. The second novel of this series Dragons & Magic was published in October 2015. Her third novel Centaurs & Magic was published November 2016.
















Dark

Greg G. Zaino

After finishing off your bottle of wine,
and smashed on your ass, you confided in me
a divulgence you’d later wish you hadn’t.

That night in Bristol I became a keeper of secrets.

I can still see your tears, Georgia.
the hidden you emerged
and in dark portrayal you spilled it all.

I believed in something
like an ‘us’ and so did you.
We made a pact, but ours was a relationship
codependent to the rafters; doomed from the start.

We were more than
fuck buddies- we were friends,
kindred in many ways, but the soul.

Two intimate junkies;
two addicts trying to shake a habit,
clinging to each other- like it just may work,
but you were betrayed too many times;
the first being the victim
of something monstrous- shamed by the evil
that some men do.

The story unfolded- a haunting blackness,
that yet resides entrenched in your heart,
and plagues your dreams and waking hours,
still.

At age eleven,
following your brother’s, then your mother’s death,
years of horror and brutality followed.
Your protector, that incestuous fuck
you called Daddy
had an appetite for his daughters.

At long last,
after six years in adolescent desperation,
you ran for your life;
broke the binds that held you captive,
...or so you wished.

That night of reveal you likewise
wept for a fragile sister,
your ill- fated, 14 year old stand-in.
who just 15 months later
killed herself.

You condemn yourself still
for her suicide.
Yours and hers; a violence kept secret;
two childhoods brutally stripped,
stolen by the ultimate perversion.

My anger raged at Daddy’s impropriety;
his lack of moral restraint or principle,
and abuse of that marvelous privilege
of being a parent.

I raged inside over your step mother’s
sanction in denial.
I felt your pain-
dwelt for a moment in your heart;
a horrifying place to live.

My response was hard- wanting vengeance
for you- your sister, and for me...

Then and there, I made a somber decision.
I offered to execute him.
I wanted more than anything,
to make that inhuman thing
pay the ultimate of costs...

Through running mascara I saw your reaction,
your expression said it all; one of absolute hatred.
You looked dangerous.
Another personality took your place.

You pulled away violently,
were abhorred at my suggestion,
spittle and revulsion erupted from your mouth.
Eyes narrowed, your index finger in my face
then clawing at my face, drawing blood.

Yes, you laid it all down that summer night
for me and all of our neighbors.
All that I needed to hear,
see, and feel,
was before me; a view of our future.

You stood to her feet-
head slowly turning, side to side,
a snarl crossed your lips- through your teeth it came.
“You mother Fuck - How dare you - He’s Still my Father!”

Grabbing the keys to my car,
cigarettes, pocketbook, the last of the vodka,
you flew out the door.
I followed- apologized, and let you rant
as we trotted down three flights of stairs.
The tenant on the first opened her door
warned that she was going call the cops,
and she did.
They arrived ten minutes after you left.

Jumping into the driver’s seat,
you fired up the motor
followed by a grinding of gears.

Behind closed windows and locked doors
you flashed me the “Fuck You” finger,
popped the clutch, and squealed the tires.

You were gone...

In the days that followed I was dumbfounded,
feeling pathetic.
A week later I was back shooting heroin.

You stayed away for 3 weeks, but on the 23rd day,
I heard my car pull in the drive.
There you were on my doorstep
looking beat down and staring at your feet.
Tears rolled down your pale cheeks.
You begged forgiveness.

With an ailing heart, I welcomed you back,
no questions asked.
Within a year it was over between us.

A year after our living nightmare
I found myself downtown,
straightening out an old court matter
and found out from my friend, Danny
as I left the courtroom.
He told that after you left that first night,
it was to the bed of another you sped.
The same bastard, who you insisted,
had forced you into prostituting 14 years prior.

...there I was, beseeching a vacant universe
for your return; all the while;
feeling guilt ridden- low down
then back on the shit;
one night even contemplating suicide,
and there you were screwing another guy-
and once again tricking,
paying for both yours, and his,
drug habits.

Addiction was bigger than both of us,
we had to do it on our own,
or at least I had to,
but we both promised at the beginning,
no regrets.

Following our break- up I checked into rehab,
followed by a brutal self examination,
sojourned there for seven months and graduated.

I eventually went back to school.
Three and a half years later,
I was rewarded with a bachelors degree.

You on the other hand, gravitated back to the streets,
caught up once again;
continuing as before, except on this run,
you contracted HIV.

Yet still,
the gorilla back on your back
remains a beast you still can’t tame.
These days you conduct yourself
as though we’re strangers, but then again,
you eventually shun anyone who gets too close.
The risk too great...

Your father’s crime was appalling.
A diseased man to be eradicated from the planet;
your heart and mind,
but I believe you hold on to that willingly-
blaming all your troubles in life on it- on him,
never seeming to understand
the part you play in healing-
corralling your habit, kicking the dope,
and taking responsibility for your actions.

Instead, you’d rather sit in your own shit
and complain about the stink,
all the while laying on well scripted excuses
of lies and deceit- to anyone who’ll listen.

You’re toxic...

I see your life as a black and blue canvas
with corrupt boundaries,
undefined and smeared in obscurity-
one short on feel or meaning.
A life without compassion or integrity.

Last week Sue and I saw you standing on a corner,
handing out leaflets- you and Simone.
There you were, my broken girl,
on Weybosset Street and Empire,
hand delivering salvation and spreading the gospel
for a fly by night church
in the Hispanic section of South Providence,
one led by a preacher I knew from years past
while doing a bid for felony possession.

A intimidating operator; Rueben was out on parole
armed with a certificate of completion
from a mail order prison ministry.
These credentials for his God
he acquired doing a 19 year stretch
for murdering his X and a life long friend.
Killed them both as the two lay in bed sleeping,
a particularly brutal double homicide,
both dispatched by Pastor Reuben,
hacked them with a machete,
cut off his one time amigo’s dick,
stuffing it in what was left of his X’s mouth.
This reformed and anointed felon
set up his church in South Providence.

I visited there
in a renovated tenement basement
with uncomfortable folding chairs,
the nauseating smell of Lysol permeated the air
of his devil’s den for the needy.
Old negro gospel music resounded
from an outdated Panasonic cassette player.
From a rafter, behind a makeshift stage and pulpit,
hung the dead savior, fastened to a wooden cross.

Imagine you- handing out leaflets for that charlatan,
advocating for a savior you weep to- believe in,
always
when it’s too late.

So, there I stood with Susan;
both of us watching your show.
Heard you granting false promises to passersby;
promises guaranteed by 5,000 year old prophecies
and basement preachers.
I wouldn’t have doubted your sincerity
if I didn’t know you.

That day you were handing out salvation
we walked up on you and Simone.
You acted as though you didn’t know me-
looked straight through me.

Why cringe when we meet?
Why so much hate, Georgia?
No need concealing the dagger,
we know each other well enough.

This wasn’t the first time
I’d witnessed these conversions.
Jails and rehabs are chock full of them.
I imagined that the whole street corner thing
came naturally to both you and Simone.

Word on the street; you were still tricking,
but there you were,
selling deception- endeavoring to lay guilt trips on folks
while harvesting their halleluiah money.

We; you and I, that is,
know better, don’t we?

Sue told me she’d recently seen you
copping dope over in Central Falls,
buying from my old dealer, Angel.
Had with you, that piece of garbage, Bruno.
I grudgingly listened to my friends words.
It felt like getting punched in the stomach;
didn’t want to hear it- but I know it’s true.

Then, a few weeks ago
because my car was in the shop
I had to go to the city;
was riding the bus taking in the scene.
the old stomping grounds was there before me;
so grateful I’d not returned,
and there you were.

I saw you first hand, flagging cars on Elmwood.
In a curly blonde wig, heavy red lipstick,
wearing a bright red and white, plastic mini skirt.
Your cheeks looked like a Raggedy Ann’s;
a rag doll in cat eye make up.

I sadly passed by and shook my head.
Your shadow world; its entire existence,
is born in the fantastic;
a life short on the imperative-
an excess of futility.

Old friend,
your counterfeit prayers are carried on the breeze.
The salvation you seek- is where you look not;
truth, is found somewhere within,
that which is hidden behind the deceit.

Illusion yet carries you away- beyond reach and earshot
of any gold trumpets blown by sympathetic angels.

Fly far and fast, Georgia.
For the love of everything contrary,
find a reason to live.
For I see in your face only death...

You know it’s true.
Don’t hack at me out of anger;
I’m just the messenger.

Sure,
call me a hypocrite- an asshole,
remind me of my past
and shove it down my throat,
but I speak from the heart;
that life is over.

Get it together Georgia-
your world is so critically fucked.
Don’t pass on the lifeboat simply because,
you don’t care for its color.
Don’t bludgeon me because I’m a reminder
of everything you wish to be- or forget.

My world isn’t perfect by any means;
yes, you’re quick to point that out- cut me to the quick,
but at least I’m trying.
It all starts with surrender.
Your mind-set and choices may chill my heart.

But I still care enough to bother...
















The Med Student

Erren Geraud Kelly

Why am i nervous
Of this woman sitting across
From me?
Petite, hiding behind glasses
Who would be considered unspectacular
By most
Yet, somehow got my attention
This woman, plain as daylight
Easily, half my size, like a leaf
Nonchalantly, sat at my table
Her face is undistinguished
Blank and cold
Yet, there is something extraordinary
About her ordinariness
She’s a miracle packaged
As a routine, a
Revelation in plain sight
An angel dressed in plain jane
Clothes
















Two Souls Are One, art by Allen F. McNair

Two Souls Are One, art by Allen F. McNair














What Did He Expect?

John F. McMullen

God. many believe, made us
in “His image and likeness”,
(or so I was taught in
Catholic grammar school).

But he didn’t really.
He built some “fuck-up”
into us and then had us
populate through incest.
That was a good recipe
for real success!

He gave Adam & Eve everything
— including curiosity and then
pointed out an apple and said
“Dont eat it.”
What did he expect?

He gave men cocks
and women cunts
and built in a hunger
to use them .. and
then proscribed how,
when, and with who
they could be used.
What did he expect?

He demolished two
towns for “immoral
behavior” and told
a group not to turn
around and look.
What did he expect?

God told us to love
each other and worship
Him – and then gave
different rules to different
groups, letting each think
that they had the truth.
— Don’t eat pork
— Don’t eat beef
— Keep holy Friday
— Keep holy Saturday
— Keep holy Sunday
— Jesus Christ was God
— Jesus Christ wasn’t God
— The Pope is God’s Representative
— The Pope is the Devil’s Whore
— Mohammad is God’s Prophet
— Mohammad was a con man
— Don’t say My Holy Name
— Use My Name Often In Prayer
and so the zealots killed (and
continue to kill) each other.
What did He expect?

And now less and less
educated people say
that they believe in Him!
What did He expect?





    John F. McMullen, “johnmac the bard” is the Poet Laureate of the Town of Yorktown, NY, the author of over 2,500 columns and articles and seven books, five of which are collections of poetry, and is the host of a weekly Internet Radio Show (with hundreds of shows to date). Links to the recordings of all radio shows as well as information on Poet Laureate activities and an event calendar are available at .
















Stand-Up Guy

John F. McMullen

In my old neighborhood
One of the highest compliments
To a person was that
He was a “stand-up guy”.

That meant that
If he were your friend
He was there for you
He “had your back”
-- on a basketball court
-- on a football field
-- in a bar
-- on the street

He didn’t have to be
-- tough
-- strong
-- a good fighter
but
-- he didn’t run
-- he was there for you

Never have we had
More stand-up guys
Than in World War II
Our “Greatest Generation”

After WWII
We thought that we
Had beaten antisemitism
Yet Americans marched
In Charlottesville
Under Nazi flags

Part of the American Dream
Was the “Melting Pot”
Yet today there are
People in our country
Who demean American citizens
Who are
-- Muslim
-- Jewish
-- Hispanic
-- Black

We need more
Stand-up guys



1990 Repelling collage Copyright © 1990-2018 Janet Kuypers



    John F. McMullen, “johnmac the bard” is the Poet Laureate of the Town of Yorktown, NY, the author of over 2,500 columns and articles and seven books, five of which are collections of poetry, and is the host of a weekly Internet Radio Show (with hundreds of shows to date). Links to the recordings of all radio shows as well as information on Poet Laureate activities and an event calendar are available at .
















Why do You Love Me

John Yotko

You wore a necklace with planet Earth hanging from it
That jingled like a wind chime in a light breeze when you walked
Your earrings each a silver sphere with a hoop around each one

I said you look like a solar system
Planet Earth, two Saturn hanging from you ears
No, Neptune
The hoops are vertical like Neptune’s not flat like Saturn’s

Your eyes are like stars in the deep dark...

Neptune is blue when seen through a telescope, she said
And these are silver

But when the naked eye looks out at Neptune
It appears silver in the night sky, I said
Like your earrings

Neptune is the only planet that cannot be seen
With the naked eye, she said
It is six times dimmer than the dimmest star
Which means its many times brighter than you...

Tell me again...
Why do you love me?
















Detroit-A Precis

Ronald Charles Epstein

In 1956,
foreign observers
were international students.

In 2016,
foreign observers
are forensic pathologists.
















The Culture Vulture
Meets The Serial Smartass

Ronald Charles Epstein

The Culture Vulture
and The Serial Smartass
screened a famous sex-tape
featuring Kim Kardashian
to see it was boring.

For Sunday dinner,
the perpetual jokers
drove to Trump’s steakhouse,
tried the Cowboy Steak
to see if it was tasteless.
















Altered States

Alan Catlin

Once he discovered his mind was
a sensory deprivation tank, everything
in life became clear. History was a
downhill race against the fluidity of
time dissolving the world as it went,
each piece removed another link in
a chain that leads nowhere. Sometimes
it was like waking up in a David Lynch
designed interior room in a house of
the dead, all those red curtains, and mind
bending patterns on the carpet, just another
signal that portal from one world to
the next ends in a locked glass box in
a Beckett play that has yet to be written.
Sometimes it was more like Dostoevsky,
House of the Dead, stiff, frozen bodies
on wooden platform beds, the living huddled
against those no longer here, trying to preserve
what warmth they could find not knowing
the vision was of the future: part Kafka,
part Stalin, with an overture by Wagner
that made the politics seem less horrible than
what they were. Sometimes he felt himself
transported to the veldt, sticky with sweat and blood,
leeches clinging to the folds of night as if it
were skin, sucking the blood from life so that
the moon was always full, and pale, and the tides
rose to such an extent, only mariners who knew
the true meaning of dead reckoning could
find their way home. Once inside the
self-containing box, images recoiled like
celluloid nightmares, each frame destined
for a cutting room floor, the one where a butcher
waits with scissors and a knife.
















Faces

Alan Catlin

“When you’re strange,
faces come out in the rain.”
                       Jim Morrison

Portrait galleries with empty wall
spaces, frames left for missing faces,
the grotesque and the deformed,
the ancient and the decayed, beauty,
once it has been sullied by perdition.
Faces without titles, names,
disembodied in dream state nowhere.
Voices they spoke with, that challenged
them, rebuked and reviled, guttural
tongue ripped out, useless, and the horror
stories they might have told.
Plastic surgeries that alter nothing,
a marriage of form and substance leading
nowhere.
Atrocities committed in the name of love,
all the outtakes from a cutting room floor
that never develop, all the images that refuse
to cohere, pain exhibitions, wonderment
and bereavement, streets filled with crocodiles,
all the similes for the worst thing imaginable;
actual humans with no souls.
The end of reason.
Art for Art’s sake, illness as metaphor,
this, all of it, a fable for modern times,
that story no one survives.
















Cat People

Alan Catlin

He had the kind of face that
suggested he’d never been underage.
A badly set broken nose and perpetually
blackened eyes will do that for you.
Hung in bars with pool table back
rooms where band members played
eight ball and got righteously ripped
while look-alike clone punks played
their gig across town in low lit clubs
to whacked out Clockwork Orange
extras living up to their self-styled
images of droogs on acid.
A few fireball shooters with schooners
of high test German beers and he’s
an alt-right crusader, ready to do battle
with anyone slightly off-color or vaguely
vertical and able to swing first and not ask
questions later. Occasional women
found him alluring in a sordid kind of
masochist, role playing, fantasy kind of
way. What followed was the stuff of
legend, that if written down would make
Juliette or, vice amply rewarded seem
tame by comparison. Seem like a script
for your Aunt Julia’s telenovelas slated
to be serialized on After Dark channels
on subscription only cable TV.
Interactions like these involved public places,
unique otherworldly settings, the odd zoo
for heightened effect, that gave new meaning
to the concept of one night stand.
These kinds of encounters of the bawdy
kind led to severe memory gaps, lost
hours, even days, that reappeared like
bad acid flashbacks involving a stolen
classic sports car, disturbing U-turns against
traffic, police cars, and helicopters on your
ass, but no solid evidence of how the chases
ended or even if they were real. Often
there were marks, fresh wounds, beneath
rent clothes like long scratch marks on his back
that might turn septic. Sometimes they did,
sometimes they did not. It all depended
on their origin: human....animal...both...neither....
















Cat Eye, photography by Cheryl A. Townsend

Cat Eye, photography by Cheryl A. Townsend














Her Broken Body

Travis Green

There was a slurred speech in her voice,
its sound shifting frantically in the empty
air, its mechanics losing its taste, like an old
woman in a hospital bed.

I stared at her broken body in the silent room,
searching for the spark inside her soul, letting
my existence drift into the inner world of her heart,
letting the pain in her eyes seep into my life.

I followed her unsynchronized steps to its sudden stop,
my eyes focused on the tears trickling down her somber face,
her hands trembling at her twisting hips. I could hear the teethbiting
crowding the air, how it echoed in my ears and down the shadowed halls,
the way it conflicted my thoughts, the way the sound seemed to curl in towards
my chest.

I covered my ears, but I could still hear the reverberating verbs trapped inside my mind,
dark and sinking, cold and shattering, a painful cry pounding my brain. A wave of shock
ran down the back of my spine, more intensifying than a splintering blade, as I studied
her featureless frame, the smell of death lingering in the atmosphere.

I looked outside at the fallen leaves from oak trees, its dull, diminishing hue a reflection
of a lost angel detached from her dimension, like a sunken star. I leaned next to the
window and inhaled the chalky taste of the smoky trees, not much of a lifeline, slowly
drowning in despair. I turned back facing the girl, as her depiction became a blood scarlet scene,
slowly fading into nothing at all, every breath of its existence crashing off course.
















Girl, painting by David Michael Jackson

Girl, painting by David Michael Jackson














The Pain That Never Fades Away

Travis Green

I stare across the horizon at the branches falling from the stripped trees,
its nakedness and flaws visible to the world,
its mirroring depiction cast upon my existence.
There’s a silence in the air that surrounds my soul and these winter trees,
while the cool breeze grows cooler and the beating rain begins to fall in our sight.
The sky is grey and sinking and the landscape is chilly and shifting.
All the words between me and the barren trees have vanished,
drifting away to an undeserted place slammed shut.
I inhale the icy winds whipping through my sunken face,
letting it sift in deep into my drowned heart,
until I can understand the pain that never fades away.
















Untitled, photography by John Yotko

Untitled, photography by John Yotko














Former vs latter

Harjeet Singh

Whom would you consider bad?
With what bias would you blame?
When someone scathes heart and soul.
Felon is decried, branded
But sufferer loses his
grievances against offender
When the worst mortal aggrieves.





Harjeet Singh bio

    Harjeet Singh is an Indian English poet and short story writer. He is post graduate in English from his district college Hoshiarpur (Punjab). Punjabi is his mother tongue and regional language. Hindi is his national language. His father Principal “Joginder Singh” was an ardent lover of English language and his guidelines have made him able to grasp some of the fundamentals of this language. His work has appeared in Conceit magazine, Children Chruches & Daddies magazine, Literary yard, Indian ruminations, Scarlet leaf review, Creativity webzine and other magazines. He is the denizen of district Hoshiarpur (Punjab).














080, photography by David J. Thompson



080, photography by David J. Thompson














My Girlfriend had been Raped by Bikers

Thom Woodruff

My girlfriend had been raped by bikers
It made her into the gentle, sensitive, loving soul
I wish someone would do the same-for the bikers.
















A Big Clear Out

Mgr. art. Pavol Janik, PhD. (magister artis et philosophiae doctor)
Translated into English by Smiljana Piksiades

Towels are the things
which will survive us.

Shirts will remind us.

Suits and coats
will remain after us.

So many things,
to which will be added
just the dust
into which we change.
















IMG_4957, photography by Eric Bonholtzer

IMG_4957, photography by Eric Bonholtzer














At the Table

Mgr. art. Pavol Janik, PhD. (magister artis et philosophiae doctor)
Translated into English by Smiljana Piksiades

An infirmary of flowers of the field
in a vase.
So many of the white
that the blood inside our veins stiffens.

Thus we wither together
torn away from
life.
















Shining, drawing by Brian Looney

Shining, drawing by Brian Looney














I am crying you, morning

Mgr. art. Pavol Janik, PhD. (magister artis et philosophiae doctor)
Translated into English by Smiljana Piksiades

Behind the horizon the light is spraying.
The sky trembles like a tear.
The winged summer wilts.
Through the algae a lonesome dew slides.

Trees hold empty nests in their hands.
I quietly sing birds psalms.
In the empty night, empty star is falling.
Empty gaze of water is still cloudy.

I read an exclamation of silence
and drink the morning blood stream aloud.
The morning is taking deep breaths.

With its soft palms of the hands,
the haze crumbles poems.
Heart’ls beating is not quieter.
Unbelievable sobs, like as if it was dead.
















Creep, photography by Peter LaBerge

Creep, photography by Peter LaBerge














Mirrors After Nightfall

Mgr. art. Pavol Janik, PhD. (magister artis et philosophiae doctor)
Translated into English by Smiljana Piksiades

Somewhere it’s lit up
as if a misty memory
lights up in me
about the origin of the cosmos.
You smell of the flowers
whose petals
snowed our bodies
to annoy every kind
of communal service.
Your eyes in spite of directives
shine irresponsibly in the dark
as if they reflected the dim light
of insignificant explosions in the sky.
Intoxicating you made me lose my mind
and clear conscience
at variance with the law
on the struggle against alcoholism
and toximania.

For you
I’m illegally drunk forever.
Until today you’ve stopped my breathing with desire
at the most inappropriate moments.
You explode within me
like an export explosive
freeing the energy
of fruit pips.
You pulse in my veins
persistent as piercing light.

Through the permanent breaking
of traffic laws
we will be convicted forever
by an unextinguishable fire in my blood
in the back window
of your eyes.
















No Matter the Question. The Answer is Love

Christina Culverhouse

What do you do when those closest to you don’t seem to believe you
Don’t support you in the way you imagined, needed, wanted...
Counted on them to
You wouldn’t want to blame them just because they are men
Nor excuse them
You just want to love them
But-yet-you just wanted-
But you didn’t get
Is it still the perfect gift?
No matter the question-The answers IS Love
And Love IS a Verb
How do you respond to Rape with Love?
How do you respond to your father, your brother,
Your family-those designed to protect you-
Don’t believe you-support you-
How do you respond to this dynamic with Love?
I pray. For Help. Omakiye. Makakejelo-Unchimayelo
Take pity on me-have compassion on me
I do not know how to answer to this with Love
Because I am angry with men I thought I could count on
A community I thought I could count on
A prayer still waiting to be answered
These skulls do not belong to me
But I will drag them if it will set me free.
















Free Speech Canto XLIX

Michael Ceraolo

Washington Post headline 1891
(almost forty years after her death):

“She was a Holy Terror
Her Pen was as Venomous
as a Rattlesnake’s Fangs”

She
was Anne Royall, who in 1829
in United States v. Royall
was convicted of the common-law offense
of bei zpn offense only females could be convicted of,
for objecting to the blurring between church and state
when a religious group was granted use
of government property,
for cursing those attempting to convert her,
for writing “The missionaries have thrown off the mask”
wanting mankind “to shut his eyes against the truth”

The Latin phrase communis rixatrix
is usually translated as common scold,
and the judge in her trial found her to be
“a common scold and disturber of the peace”
found that she “did annoy and disturb
the good people of the United States”
with her “sundry wicked sayings . . .
and various outrages upon
the peace and harmony of society”

For her ‘offense’ she was fined $10
and required to post a $250 security
to insure her ‘good’ behavior for a year

Her fine was paid by two fellow reporters,
the security by three government officials,
including a Cabinet member

She remains as of now the last person
to be convicted of that ‘common-law’ offense
















Free Speech Canto LI

Michael Ceraolo

Comstockery redux

The prime tenet of his theocracy
was expressed by a politician supporter
(though not so succinctly) as
better dead than sexed before marriage

(There is no irony in a theocracy, either:
in order to protect public morals
the organization appropriated $500
“to aid in the passage through the Legislature . . .
a bill against Obscene Literature”
such a bill was being held up
awaiting such greasing)

And
his theocracy made a mockery
of not only the First Amendment,
but several others as well:
first
seizing, and then destroying,
all manner of visual media
(cards, photographs, etc.)
that offended his sensibilities
and thus violated the law
And such destruction took place
no matter the outcome of the case:
cases with guilty verdicts,
cases with not-guilty verdicts,
cases not even brought to trial,
were all treated the same,
and
such treatment took place with the tacit approval
of the legally-constituted authorities
local, state, and federal


















cc&d
Performance Art



Facebook cover image to asvertise this show,/A>



Who You Tell your Dreams to

Janet Kuypers
Spring 1997

we were driving down the freeway
you and me in the pick-up truck
and your girlfriend in between
where you could move the gear shift
and it would mean so much to you

and you saw something that you thought
was beautiful, and you said, “look
at the lines, look at how it was made”
and you were inspired by the beauty
of an everyday object no one else noticed

and your girlfriend, riding in the middle
said “that’s him, people think he’s crazy”
and i thought, “no, it just depends on who
you tell your dreams to” but i couldn’t
say it in the truck i wouldn’t say it



the poetry audio CD set“Elements”
Order this iTunes track from the poetry music CD the Elements ...Or order
the entire CD set from iTunes: Janet Kuypers - Elements
video
videonot yet rated

Watch the YouTube video
from the show Stop. live 9/10/02 in Chicago
video
videonot yet rated

Or see the full “Stop” show

including the performance of this piece, as a .mov file, an .mp4 file, or as a raw .ogv file, from the Internet Archive
video
videonot yet rated


Watch the YouTube video

of a 10 minute portion of the 9/10/02 poetry show Stop, including this piece
Stop. CD Listen live mp3 file from the 3/3/02 the Chicago 9/10/02 performance art show Stop. Look. Listen. off the CD Stop. Look. Listen. - or order any track off the CD from iTunes
the poetry 5 CD THE CHAOTIC COLLECTION
Order this iTunes track: Janet Kuypers - The Chaotic Collection #01-05 - Who Can You Tell Your Dreams To
from the Chaotic Collection

...Or order the entire 5 CD set from iTunes:

CD: Janet Kuypers - Chaotic Elements
edit this poem in wandering words...
rearrange the words... or make a new poem
either in Flash or in Java (Windows only)!
Listen: (1:12) mp3 file
to this recording from Fusion
video
video not yet rated
Watch the YouTube video

(1:13) 06/20/08 Live at Mercury Cafe
video
Or watch the complete video

video not yet rated
of the entire fortune featurette

(13:33) 06/20/08 Live at Mercury Cafe
video videonot yet rated
Watch the YouTube video
of this in a live Pilsen feature of poems in her book Contents Under Pressure 09/03/11 at Café Mestizo
video videonot yet rated
See feature-length YouTube
video of many poems (including this one) read 09/03/11 at Café Mestizo from the live feature
video videonot yet rated

Watch the YouTube video

of Kuypers reading this poem at the open mike 3/14/12 at Gallery Cabaret’s the Café Gallery in Chicago, from the Kodak
video videonot yet rated
See YouTube video of Janet Kuypers reading her Periodic Table poem Who You Tell Your Dreams To from her book Finally, Literature for the Snotty and Elite live 11/20/13 at the open mic the Café Gallery in Chicago (C)
video videonot yet rated
See YouTube video of Janet Kuypers reading her poem Who You Tell Your Dreams To from her book Finally, Literature for the Snotty and Elite live 11/20/13 at the open mic the Café Gallery in Chicago (S)
video See YouTube video of Janet Kuypers in her 10/7/17 show “in Autumn, Love is in the Air” @ “Expressions Welcomes Autumn!” in Austin, performing her poems “Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”, “Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)(filmed from a Sony camera, with background music from the HA!Man of South Africa’s “the Ice is Melting”, cricket sounds in the background and a random rotating art display).
video See YouTube video of Janet Kuypers in her 10/7/17 show “in Autumn, Love is in the Air” @ “Expressions Welcomes Autumn!” in Austin, performing her poems “Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”, “Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)(from a Panasonic Lumix camera, with background music from the HA!Man of South Africa’s “the Ice is Melting”, cricket sounds in the background and a random rotating art display).
View the 10/7/17 show poems in the free PDF file chapbook
in Autumn, Love is in the Air chapbook in Autumn, Love is in the Air chapbook in Autumn, Love is in the Air
containing the poems &“Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”,
Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)”.
video See Janet KuypersYouTube video 11/5/17, while singing the Erasure song “How Many Times” w/ John on acoustic guitar, also reads her poems “Who You Tell Your Dreams To” and “You and Me and Your Girlfriend” from her book “a Wake-Up Call from Tradition”, and “Marry you in Autumn” in the song @ Austin’s Kick Butt Poetry (this video was filmed from a Sony camera).
video See Janet KuypersYouTube video 11/5/17, while singing the Erasure song “How Many Times” w/ John on acoustic guitar, also reads her poems “Who You Tell Your Dreams To” and “You and Me and Your Girlfriend” from her book “a Wake-Up Call from Tradition”, and “Marry you in Autumn” in the song @ Austin’s Kick Butt Poetry (filmed from a Panasonic Lumix camera).
video See a 36+ minute YouTube video (L T56) of Janet Kuypers and Thom Woodruff going back and forth with poetry; where Janet Kuypers read her poems “Helping Men in Public Places”, “I Want”, and “Last Before Extinction”, then John Yotko read a poem he just wrote the day before, then Janet Kuypers read her poems “Warren Stories” and “Kurt Irons”, then Thom spoke, then Janet Kuypers read her poems “Never Did the Same”, “All These Reminders”, “Who You Tell Your Dreams To”, and “You and Me and Your Girlfriend”, then Thom spoke, then Janet Kuypers read her poems “My Mother My Mother My Mother”, then her prose “NASA Project”. and finally her poem “Moonlight”, all read from her performance art collection book “Chapter 38 v1” 4/29/18 at Austin’s the 2018 Poetry Bomb at the Baylor Street Art Wall.
video See a 36+ minute YouTube video (L2500) of Janet Kuypers and Thom Woodruff going back and forth with poetry; where Janet Kuypers read her poems “Helping Men in Public Places”, “I Want”, and “Last Before Extinction”, then John Yotko read a poem he just wrote the day before, then Janet Kuypers read her poems “Warren Stories” and “Kurt Irons”, then Thom spoke, then Janet Kuypers read her poems “Never Did the Same”, “All These Reminders”, “Who You Tell Your Dreams To”, and “You and Me and Your Girlfriend”, then Thom spoke, then Janet Kuypers read her poems “My Mother My Mother My Mother”, then her prose “NASA Project”. and finally her poem “Moonlight”, all read from her performance art collection book “Chapter 38 v1” 4/29/18 at Austin’s the 2018 Poetry Bomb at the Baylor Street Art Wall..
video See YouTube video of Janet KuypersSeptember 2018 Book Release Reading 9/5/18, where she read her “in Autumn, Love is in the Air” poetry “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, and “Looking for a Worthy Adversary (extreme sestina variation)” from the cc&d 9-10/18 book “Faces”, in Community Poetry! at Half Price Books (Panasonic Lumix 2500).
video See YouTube video of Janet KuypersSeptember 2018 Book Release Reading 9/5/18, where she read her “in Autumn, Love is in the Air” poetry “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, and “Looking for a Worthy Adversary (extreme sestina variation)” from the cc&d 9-10/18 book “Faces”, in Community Poetry! at Half Price Books (Panasonic Lumix T56 camera).
video See YouTube video of Janet KuypersOctober 2018 Book Release Reading 10/3/18, where she read her “in Autumn, Love is in the Air” poetry “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, and “Looking for a Worthy Adversary (extreme sestina variation)” from the cc&d 9-10/18 book “Faces”, then her poem “And I’m Wondering” from the Down in the Dirt 9-10/18 book “Spitfire”, during Community Poetry! at Half Price Books (this video was filmed from a Panasonic Lumix 2500 ca,era).
video See YouTube video of Janet KuypersOctober 2018 Book Release Reading 10/3/18, where she read her “in Autumn, Love is in the Air” poetry “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, and “Looking for a Worthy Adversary (extreme sestina variation)” from the cc&d 9-10/18 book “Faces”, then her poem “And I’m Wondering” from the Down in the Dirt 9-10/18 book “Spitfire”, during Community Poetry! at Half Price Books (this video was filmed from a Panasonic Lumix T56 camera).


Click here for the Janet Kuypers bio.












image of Janet Kuypers during show



you and me and your girlfriend

Janet Kuypers
Spring 1997

we went out for drinks together
you and me and your girlfriend
to a restaurant in Malibu
with a balcony that hung over the water

had a perfectly lovely time
you and me and your girlfriend
talking about life, catching up
and you suggested that we go out on the balcony

and I thought that would be charming
for you and me and your girlfriend
but we hadn’t paid our bill yet
so your girlfriend told us to go on without her

we stood outside, leaned on the rail
you and me
listened to the water crash on the rocks
below us and we talked

but now it was not about catching up
you and me
it was about ideas, dreams, plans
and before I knew it we were out there

for nearly an hour, and I said,
“what about your girlfriend?”
she was waiting for us all that time
and you said, “oh, yeah” and didn’t move an inch



video
videonot yet rated

Watch the YouTube video
from the show Stop. live 9/10/02 in Chicago
video
videonot yet rated

Or see the full “Stop” show

including the performance of this piece, as a .mov file, an .mp4 file, or as a raw .ogv file, from the Internet Archive
video
videonot yet rated


Watch the YouTube video

of a 10 minute portion of the 9/10/02 poetry show Stop, includeing this piece
Listen live mp3 file from the 3/3/02 CD
& the Chicago 9/10/02 performance
art show Stop. Look. Listen.
Listen: (1:34) mp3 file
to this recording from Fusion
video
video not yet rated
Watch the YouTube video

(1:34) 06/20/08 Live at Mercury Cafe
video
Or watch the complete video

video not yet rated
of the entire fortune featurette

(13:33) 06/20/08 Live at Mercury Cafe
video videonot yet rated
Watch the YouTube video
of this in a live Pilsen feature of poems in her book Contents Under Pressure 09/03/11 at Café Mestizo
video videonot yet rated
See feature-length YouTube
video of many poems (including this one) read 09/03/11 at Café Mestizo from the live feature
video videonot yet rated
See YouTube video of Janet Kuypers reading her Periodic Table poem You and Me and Your Girlfriend from her book Finally, Literature for the Snotty and Elite live 11/20/13 at the open mic the Café Gallery in Chicago (C)
video videonot yet rated
See YouTube video of Janet Kuypers reading her poem You and Me and Your Girlfriend from her book Finally, Literature for the Snotty and Elite live 11/20/13 at the open mic the Café Gallery in Chicago (S)
video See YouTube video of Janet Kuypers in her 10/7/17 show “in Autumn, Love is in the Air” @ “Expressions Welcomes Autumn!” in Austin, performing her poems “Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”, “Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)(filmed from a Sony camera, with background music from the HA!Man of South Africa’s “the Ice is Melting”, cricket sounds in the background and a random rotating art display).
video See YouTube video of Janet Kuypers in her 10/7/17 show “in Autumn, Love is in the Air” @ “Expressions Welcomes Autumn!” in Austin, performing her poems “Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”, “Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)(from a Panasonic Lumix camera, with background music from the HA!Man of South Africa’s “the Ice is Melting”, cricket sounds in the background and a random rotating art display).
View the 10/7/17 show poems in the free PDF file chapbook
in Autumn, Love is in the Air chapbook in Autumn, Love is in the Air chapbook in Autumn, Love is in the Air
containing the poems &“Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”,
Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)”.
video See Janet KuypersYouTube video 11/5/17, while singing the Erasure song “How Many Times” w/ John on acoustic guitar, also reads her poems “Who You Tell Your Dreams To” and “You and Me and Your Girlfriend” from her book “a Wake-Up Call from Tradition”, and “Marry you in Autumn” in the song @ Austin’s Kick Butt Poetry (this video was filmed from a Sony camera).
video See Janet KuypersYouTube video 11/5/17, while singing the Erasure song “How Many Times” w/ John on acoustic guitar, also reads her poems “Who You Tell Your Dreams To” and “You and Me and Your Girlfriend” from her book “a Wake-Up Call from Tradition”, and “Marry you in Autumn” in the song @ Austin’s Kick Butt Poetry (filmed from a Panasonic Lumix camera).
video See a 36+ minute YouTube video (L T56) of Janet Kuypers and Thom Woodruff going back and forth with poetry; where Janet Kuypers read her poems “Helping Men in Public Places”, “I Want”, and “Last Before Extinction”, then John Yotko read a poem he just wrote the day before, then Janet Kuypers read her poems “Warren Stories” and “Kurt Irons”, then Thom spoke, then Janet Kuypers read her poems “Never Did the Same”, “All These Reminders”, “Who You Tell Your Dreams To”, and “You and Me and Your Girlfriend”, then Thom spoke, then Janet Kuypers read her poems “My Mother My Mother My Mother”, then her prose “NASA Project”. and finally her poem “Moonlight”, all read from her performance art collection book “Chapter 38 v1” 4/29/18 at Austin’s the 2018 Poetry Bomb at the Baylor Street Art Wall.
video See a 36+ minute YouTube video (L2500) of Janet Kuypers and Thom Woodruff going back and forth with poetry; where Janet Kuypers read her poems “Helping Men in Public Places”, “I Want”, and “Last Before Extinction”, then John Yotko read a poem he just wrote the day before, then Janet Kuypers read her poems “Warren Stories” and “Kurt Irons”, then Thom spoke, then Janet Kuypers read her poems “Never Did the Same”, “All These Reminders”, “Who You Tell Your Dreams To”, and “You and Me and Your Girlfriend”, then Thom spoke, then Janet Kuypers read her poems “My Mother My Mother My Mother”, then her prose “NASA Project”. and finally her poem “Moonlight”, all read from her performance art collection book “Chapter 38 v1” 4/29/18 at Austin’s the 2018 Poetry Bomb at the Baylor Street Art Wall..
video See YouTube video of Janet KuypersSeptember 2018 Book Release Reading 9/5/18, where she read her “in Autumn, Love is in the Air” poetry “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, and “Looking for a Worthy Adversary (extreme sestina variation)” from the cc&d 9-10/18 book “Faces”, in Community Poetry! at Half Price Books (Panasonic Lumix 2500).
video See YouTube video of Janet KuypersSeptember 2018 Book Release Reading 9/5/18, where she read her “in Autumn, Love is in the Air” poetry “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, and “Looking for a Worthy Adversary (extreme sestina variation)” from the cc&d 9-10/18 book “Faces”, in Community Poetry! at Half Price Books (Panasonic Lumix T56 camera).
video See YouTube video of Janet KuypersOctober 2018 Book Release Reading 10/3/18, where she read her “in Autumn, Love is in the Air” poetry “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, and “Looking for a Worthy Adversary (extreme sestina variation)” from the cc&d 9-10/18 book “Faces”, then her poem “And I’m Wondering” from the Down in the Dirt 9-10/18 book “Spitfire”, during Community Poetry! at Half Price Books (this video was filmed from a Panasonic Lumix 2500 ca,era).
video See YouTube video of Janet KuypersOctober 2018 Book Release Reading 10/3/18, where she read her “in Autumn, Love is in the Air” poetry “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, and “Looking for a Worthy Adversary (extreme sestina variation)” from the cc&d 9-10/18 book “Faces”, then her poem “And I’m Wondering” from the Down in the Dirt 9-10/18 book “Spitfire”, during Community Poetry! at Half Price Books (this video was filmed from a Panasonic Lumix T56 camera).


Click here for the Janet Kuypers bio.














The Way You Tease Me

Janet Kuypers
Autumn 1997

What I think I like the most about you
is the way you always leave me wanting more.
When you kiss me, and we start to pull back
I want to cock my head and kiss you again
but I never know if you’ll let me.

What I think I like the most about you
is the way you roll your sultry deep voice over me
like a wave of heat on a summer afternoon.
You use a pause to tease me with your words
until sweat dances down my hairline and tickles me neck.

What I think I like the most about you
is the way you slide your arms around my waist
and make me just want to collapse in your grasp
and run my hands up and down your back
until I hear you moan and sigh.

What I think I like the most about you
is the way that absence makes the heart grow fonder
and when we touch you say we should take it slow,
take our time, enjoy every moment
and you know, you couldn’t be more right.

What I think I like the most about you
are the things that make me think I have to fight for you
are the things that make me second guess myself
because nothing’s ever easy, not you, not me,
not relationships, not sex, not love.

What I think I like the most about you
is the wondering, is the waiting, is the teasing.
That’s what I like. This high-charged guessing game.
The flirting. The first touch. The first everything.
Thinking about the possibilities. Yeah. That’s what I like.



Listen mp3 file to the DMJ Art Connection,
off the CD the DMJ Art Connection Disc One
this was also released both in studio: mp3 file
and live: mp3 file to the DMJ Art Connection,
off the CD Contact•Conflict•Control
Listen live mp3 file from the 3/3/02 CD
& the Chicago 9/10/02 performance
art show Stop. Look. Listen.
video
video not yet rated

Watch this YouTube video

(2:22) at the live Jesse Oaks live
UNcorrect” feature 06/21/07
video
video not yet rated


Watch this YouTube video
(2:26) recorded of dancing Boobies
(birds called Nazca Boobies, Punta Suarez,
Espanola Island 12/25/07, Galapagos os Islands)
video
video not yet rated
See YouTube video of Janet Kuypers reading her poem The Way You Tease Me (2:50) 4/1/05 (April Fool’s Day) Live at the DvA Chicago Art Gallery show Conflict #149; Contact #149; Control.
Fusion
Listen: (3:38) mp3 file
to this recording from Fusion
And order this track, or ANY track, off the cd Fusion available at iTunes.
Live at the Café (3 CD set) Listen mp3 file to this as a bonus track from the Chicago Poetry Fest in 2005 off the CD Live at the Café, or order this track - or any track - off the 3 CD set Live at the Café any time through iTunes.
video video not yet rated
Watch the YouTube video
or get the full audio track: Janet Kuypers - Live At the Cafe - The Way You Tease Me
live 08/27/05 at Poetry Fest
video Watch this complete video:
video not yet rated

12:22, of this poem in the entire 2005 Chciago Poetry Fest show on video
(This film’s at the Internet Archive)
video videonot yet rated
See YouTube video
of Kuypers reading this piece in the live show the Janet Kuypers with the music of HA! at Chicago’s Gallery Cabaret 20121003 (Canon)
video videonot yet rated
See YouTube video
of Kuypers reading this piece in the live show the Janet Kuypers with the music of HA! at Chicago’s Gallery Cabaret 20121003 (Kodak)
video videonot yet rated

See YouTube video
of the Janet Kuypers with the music of HA! full live show at Gallery Cabaret in Chicago 20121003 (Canon), including this piece
the poetry 5 CD THE CHAOTIC COLLECTION
Order this iTunes track: Janet Kuypers - The Chaotic Collection #01-05 - The Way You Tease Me
from the Chaotic Collection

...Or order the entire 5 CD set from iTunes:

CD: Janet Kuypers - Chaotic Elements
video
not yet rated
See YouTube video of Janet Kuypers saying her 3 poems “Exempt from the Draft”, “Been a World Leader” and “the Way you Tease me” 11/13/16 (with background music from the HA!Man of South Africa, &#entering the ruines”) at the Austin open mic Kick Butt Poetry (this video was filmed from a Canon Power Shot camera).
video
video
See YouTube video of Janet Kuypers saying her 3 poems “Exempt from the Draft”, “Been a World Leader” and “the Way you Tease me” 11/13/16 (with background music from the HA!Man of South Africa, &#entering the ruines”) at the Austin open mic Kick Butt Poetry (this video was filmed from a Canon Power Shot camera).
video See YouTube video of Janet Kuypers in her 10/7/17 show “in Autumn, Love is in the Air” @ “Expressions Welcomes Autumn!” in Austin, performing her poems “Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”, “Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)(filmed from a Sony camera, with background music from the HA!Man of South Africa’s “the Ice is Melting”, cricket sounds in the background and a random rotating art display).
video See YouTube video of Janet Kuypers in her 10/7/17 show “in Autumn, Love is in the Air” @ “Expressions Welcomes Autumn!” in Austin, performing her poems “Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”, “Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)(from a Panasonic Lumix camera, with background music from the HA!Man of South Africa’s “the Ice is Melting”, cricket sounds in the background and a random rotating art display).
View the 10/7/17 show poems in the free PDF file chapbook
in Autumn, Love is in the Air chapbook in Autumn, Love is in the Air chapbook in Autumn, Love is in the Air
containing the poems &“Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”,
Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)”.
video not yet rated See YouTube video of Janet Kuypers reading her poem “the Way you Tease me” from her book “Chapter 38 (v2)”, “Tin” from her book “The Periodic Table of Poetry”, and her new poem “Violations in the name of love” live 4/8/18 at “Spoken and Heard” @ Kick Butt Coffee (filmed from a Panasonic Lumix T56 camera).
video video See YouTube video of Janet Kuypers reading her poem “the Way you Tease me” from her book “Chapter 38 (v2)”, “Tin” from her book “The Periodic Table of Poetry”, and her new poem “Violations in the name of love” live 4/8/18 at “Spoken and Heard” @ Kick Butt Coffee (Panasonic Lumix T56; Edge Detection).
video not yet rated See YouTube video of Janet Kuypers reading her poem “the Way you Tease me” from her book “Chapter 38 (v2)”, “Tin” from her book “The Periodic Table of Poetry”, and her new poem “Violations in the name of love” live 4/8/18 at “Spoken and Heard” @ Kick Butt Coffee (Panasonic Lumix T56 camera; Sepia Tone).
video video See YouTube video of Janet Kuypers reading her poem “the Way you Tease me” from her book “Chapter 38 (v2)”, “Tin” from her book “The Periodic Table of Poetry”, and her new poem “Violations in the name of love” live 4/8/18 at “Spoken and Heard” @ Kick Butt Coffee (Panasonic Lumix T56 camera; Threshold).
video not yet rated See YouTube video of Janet Kuypers reading her poem “the Way you Tease me” from her book “Chapter 38 (v2)”, “Tin” from her book “The Periodic Table of Poetry”, and her new poem “Violations in the name of love” live 4/8/18 at “Spoken and Heard” @ Kick Butt Coffee (filmed from a Panasonic Lumix 2500 camera).
video video See YouTube video of Janet Kuypers reading her poem “the Way you Tease me” from her book “Chapter 38 (v2)”, “Tin” from her book “The Periodic Table of Poetry”, and her new poem “Violations in the name of love” live 4/8/18 at “Spoken and Heard” @ Kick Butt Coffee (Panasonic Lumix 2500; Edge Detection).
video not yet rated See YouTube video of Janet Kuypers reading her poem “the Way you Tease me” from her book “Chapter 38 (v2)”, “Tin” from her book “The Periodic Table of Poetry”, and her new poem “Violations in the name of love” live 4/8/18 at “Spoken and Heard” @ Kick Butt Coffee (Panasonic Lumix 2500 camera; Hue Cycling).
video video See YouTube video of Janet Kuypers reading her poem “the Way you Tease me” from her book “Chapter 38 (v2)”, “Tin” from her book “The Periodic Table of Poetry”, and her new poem “Violations in the name of love” live 4/8/18 at “Spoken and Heard” @ Kick Butt Coffee (Panasonic Lumix 2500 camera; Threshold).
video See YouTube video of Chicago poet Janet Kuypers singing George Michael’s song “Waiting for that Day” with John on guitar, reading her poem “the Way you Tease me” from her book “Chapter 38 (v2)”, and singing George Michael’s song “Waiting (Reprise)” with John on guitar live 6/25/18 at The Buzz Mill’s “Fort to Famous(from a Panasonic Lumix T56 camera camera).
video See YouTube video of Chicago poet Janet Kuypers singing George Michael’s song “Waiting for that Day” with John on guitar, reading her poem “the Way you Tease me” from her book “Chapter 38 (v2)”, and singing George Michael’s song “Waiting (Reprise)” with John on guitar live 6/25/18 at The Buzz Mill’s “Fort to Famous(Panasonic Lumix T56 camera; Edge Det.).
video See YouTube video of Chicago poet Janet Kuypers singing George Michael’s song “Waiting for that Day” with John on guitar, reading her poem “the Way you Tease me” from her book “Chapter 38 (v2)”, and singing George Michael’s song “Waiting (Reprise)” with John on guitar live 6/25/18 at The Buzz Mill’s “Fort to Famous(Panasonic Lumix T56 camera; Hue Cycling).
video See YouTube video of Chicago poet Janet Kuypers singing George Michael’s song “Waiting for that Day” with John on guitar, reading her poem “the Way you Tease me” from her book “Chapter 38 (v2)”, and singing George Michael’s song “Waiting (Reprise)” with John on guitar live 6/25/18 at The Buzz Mill’s “Fort to Famous(Panasonic Lumix T56 camera; Sci Fi).
video See YouTube video of Chicago poet Janet Kuypers singing George Michael’s song “Waiting for that Day” with John on guitar, reading her poem “the Way you Tease me” from her book “Chapter 38 (v2)”, and singing George Michael’s song “Waiting (Reprise)” with John on guitar live 6/25/18 at The Buzz Mill’s “Fort to Famous(Panasonic Lumix T56 camera; Sepia Tone).
video See YouTube video of Chicago poet Janet Kuypers singing George Michael’s song “Waiting for that Day” with John on guitar, reading her poem “the Way you Tease me” from her book “Chapter 38 (v2)”, and singing George Michael’s song “Waiting (Reprise)” with John on guitar live 6/25/18 at The Buzz Mill’s “Fort to Famous(Panasonic Lumix T56 camera; Threshold).
video See YouTube video of Janet KuypersSeptember 2018 Book Release Reading 9/5/18, where she read her “in Autumn, Love is in the Air” poetry “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, and “Looking for a Worthy Adversary (extreme sestina variation)” from the cc&d 9-10/18 book “Faces”, in Community Poetry! at Half Price Books (Panasonic Lumix 2500).
video See YouTube video of Janet KuypersSeptember 2018 Book Release Reading 9/5/18, where she read her “in Autumn, Love is in the Air” poetry “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, and “Looking for a Worthy Adversary (extreme sestina variation)” from the cc&d 9-10/18 book “Faces”, in Community Poetry! at Half Price Books (Panasonic Lumix T56 camera).
video See YouTube video of Janet KuypersOctober 2018 Book Release Reading 10/3/18, where she read her “in Autumn, Love is in the Air” poetry “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, and “Looking for a Worthy Adversary (extreme sestina variation)” from the cc&d 9-10/18 book “Faces”, then her poem “And I’m Wondering” from the Down in the Dirt 9-10/18 book “Spitfire”, during Community Poetry! at Half Price Books (this video was filmed from a Panasonic Lumix T56 camera).
video See YouTube video of Janet KuypersOctober 2018 Book Release Reading 10/3/18, where she read her “in Autumn, Love is in the Air” poetry “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, and “Looking for a Worthy Adversary (extreme sestina variation)” from the cc&d 9-10/18 book “Faces”, then her poem “And I’m Wondering” from the Down in the Dirt 9-10/18 book “Spitfire”, during Community Poetry! at Half Price Books (this video was filmed from a Panasonic Lumix 2500 ca,era).


Click here for the Janet Kuypers bio.














Looking for a Worthy Adversary
(an extreme sestina variation)

Janet Kuypers
(original written 1987, edited for 3/13/12 performance 3/12/13)

I’ve been looking for a worthy adversary
someone I can lock horns with —
though my life makes more sense when I’m alone
it’s not nearly as interesting

alone, it’s not nearly as intreesting,
so I look for a worthy adversary
someone I can battle to the death with
because it can’t be about love, you see
love can’t exist on the terms I demand
it’s never that pure

what I demand is never that purse,
as I’m looking for a worthy adversary
I slither up to you like a snake
and I tempt you with a golden apple

I tempt you with that golden apple
but all I’m offering you
is fruit from the tree of knowledge

this snake gives you the tree of knowledge
because all this time I’ve been playing a part
an actress on stage, spouting lines on cue
but that role was tiresome,
those lights came on night after night
and I still had to play my part

I played my part
until my night off, where I saw your show
your protagonist was doing what I was doing
right down to faking it with those who don’t matter
right down to going home and still feeling empty

I play my part, I still feel empty
but I liked to see your boiling underneath
no one else could see

I know what that emotion really means

when I know what that emotion really means
I wonder if we can get together
and write our own play

if we wrote our own play,
it would be a masterful performance
curtains would close,
we’d hold each other’s hands
as we leave the stage
and the audience would know there’s a happy ending

when I know there’s a happy ending
I walk out on to the set
and there you stand, in front, stage left
I wait for my cue to make my move
none of the rest of the scene matters

if the rest of the scene doesn’t really matter,
I wonder if the audience would see what we have...
maybe they’d like our little play,
maybe they wouldn’t
who really cares

who really cares
because after I tempted you
you now tempt me and tease me and torment me
and tell me everything I was afraid to believe

I was afraid to believe
and now you talk,
you reach your hand into my brain
and pull out my thoughts
and shove them into your mouth
and spit them back at me

you spit my thoughts back at me again
and instead of filling me with terror
it fills me with joy

it fills me with joy
because I thought I’d lock horns
with that worthy adversary —
but now every day is like Valentine’s Day,
it’s like candy and flowers and springtime
and hearts and cupids and sunshine

and these cliches are beginning to make sense

no longer locking horns,
and everything making sense,
I stand here like a statue
after the performance of our lifetime
and wait for the reviews

as I wait for the reviews
I wonder what they’ll say
though none of it matters

none of it matters
because I know what you are going to say
it’s everything that I’ve always wanted to say

all I ever wanted to say
is now you, taking my thoughts again
and shoving them into your mouth again
and spitting them back at me again
so I will wait for you to come on stage again
where we have our happy ending
and you tell me what I already know



video videonot yet rated
See YouTube video
of Kuypers reading this poem 3/13/13 at the Café Gallery in Chicago (from the Canon)
video videonot yet rated
See YouTube video
of Kuypers reading this poem 3/13/13 at the Café Gallery in Chicago (Watercolor, Canon)
video videonot yet rated
See YouTube video
of Kuypers reading this poem 3/13/13 at the Café Gallery in Chicago (Threshold, Canon)
video videonot yet rated
See YouTube video
of Kuypers reading this poem 3/13/13 at the Café Gallery in Chicago (from the Sony)
video videonot yet rated
See YouTube video
of Kuypers reading this poem 3/13/13 at the Café Gallery in Chicago (Film Age - older, Sony)
video videonot yet rated
See YouTube video
of Kuypers reading this poem 3/13/13 at the Café Gallery in Chicago (Posterize, Sony)
video videonot yet rated

See YouTube video
of Kuypers hosting the open mic 3/13/13 at the Café Gallery in Chicago, plus her reading this poem
video videonot yet rated
See YouTube video 2/12/16 of Janet Kuypers reading her poem Looking for a Worthy Adversary (an extreme sestina variation) at the Poetry Plus open mic at Cianfrani’s on the Square in Georgetown TX (Canon Power Shot).
video not yet rated See YouTube video 2/12/16 of Janet Kuypers reading her 2 poems The Fourteenth & Looking for a Worthy Adversary (an extreme sestina variation), and then her 2 poems There I Sit & Writing Your Name as one, at the Poetry Plus open mic at Cianfrani’s on the Square in Georgetown TX (Cps).
video See YouTube video of Janet Kuypers in her 10/7/17 show “in Autumn, Love is in the Air” @ “Expressions Welcomes Autumn!” in Austin, performing her poems “Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”, “Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)(filmed from a Sony camera, with background music from the HA!Man of South Africa’s “the Ice is Melting”, cricket sounds in the background and a random rotating art display).
video See YouTube video of Janet Kuypers in her 10/7/17 show “in Autumn, Love is in the Air” @ “Expressions Welcomes Autumn!” in Austin, performing her poems “Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”, “Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)(from a Panasonic Lumix camera, with background music from the HA!Man of South Africa’s “the Ice is Melting”, cricket sounds in the background and a random rotating art display).
View the 10/7/17 show poems in the free PDF file chapbook
in Autumn, Love is in the Air chapbook in Autumn, Love is in the Air chapbook in Autumn, Love is in the Air
containing the poems &“Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”,
Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)”.
video See YouTube video from 6/6/18 of Janet KuypersJune 2018 Book Release Reading, where she read her Down in the Dirt Jan.-Apr. 2018 issue collection book “At Midnight” poems “rush”, “lost”, and “Only Half the Story”, then two poems from her “Eleven” chapbook, “Under the Sea” and “Looking for a Worthy Adversary (sestina)”, in Community Poetry @ Half Price Books (P L T56).
video See YouTube video from 6/6/18 of Janet KuypersJune 2018 Book Release Reading, where she read her Down in the Dirt Jan.-Apr. 2018 issue collection book “At Midnight” poems “rush”, “lost”, and “Only Half the Story”, then two poems from her “Eleven” chapbook, “Under the Sea” and “Looking for a Worthy Adversary (sestina)”, in Community Poetry @ Half Price Books, PLT56ED.
video See YouTube video from 6/6/18 of Janet KuypersJune 2018 Book Release Reading, where she read her Down in the Dirt Jan.-Apr. 2018 issue collection book “At Midnight” poems “rush”, “lost”, and “Only Half the Story”, then two poems from her “Eleven” chapbook, “Under the Sea” and “Looking for a Worthy Adversary (sestina)”, in Community Poetry @ Half Price Books, PLT56ST.
video See YouTube video from 6/6/18 of Janet KuypersJune 2018 Book Release Reading, where she read her Down in the Dirt Jan.-Apr. 2018 issue collection book “At Midnight” poems “rush”, “lost”, and “Only Half the Story”, then two poems from her “Eleven” chapbook, “Under the Sea” and “Looking for a Worthy Adversary (sestina)”, in Community Poetry @ Half Price Books, PLT56Th.
video See YouTube video of Janet Kuypers reading her poems “Looking for a Worthy Adversary (extreme sestina variation)” & “Observer’s Love Poem” from her chapbook “Eleven”, and then her eleven-themed new poem “popular and useless” (with a selfie with the audience) live 6/10/18 at “Spoken and Heard” @ Kick Butt Coffee (Panasonic Lumix 2500 camera).
video See YouTube video of Janet Kuypers reading her poems “Looking for a Worthy Adversary (extreme sestina variation)” & “Observer’s Love Poem” from her chapbook “Eleven”, and then her eleven-themed new poem “popular and useless” (with a selfie with the audience) live 6/10/18 at “Spoken and Heard” @ Kick Butt Coffee (Panasonic Lumix T56 camera).
video See YouTube video of Chicago poet Janet Kuypers in her 6/11/18 poetry show “Eleven” in Austin, with her poems “Under the Sea”, “The Burning”, “Right There, By Your Heart (verses 2 & 6)”, “What We Need in Life”, “Fantastic Car Crash”, “The Things They Did To You (5/8/18 edit)”, “Looking for a Worthy Adversary (an extreme sestina variation)”, “Death is a Dog”, and “September 11, 2001(Panasonic Lumix 2500).
video See YouTube video of Chicago poet Janet Kuypers in her 6/11/18 poetry show “Eleven” in Austin, with her poems “Under the Sea”, “The Burning”, “Right There, By Your Heart (verses 2 & 6)”, “What We Need in Life”, “Fantastic Car Crash”, “The Things They Did To You (5/8/18 edit)”, “Looking for a Worthy Adversary (an extreme sestina variation)”, “Death is a Dog”, and “September 11, 2001(this video was filmed from a Panasonic Lumix 2500 camera, and then it was given an Edge Detection filter).
video See YouTube video of Chicago poet Janet Kuypers in her 6/11/18 poetry show “Eleven” in Austin, with her poems “Under the Sea”, “The Burning”, “Right There, By Your Heart (verses 2 & 6)”, “What We Need in Life”, “Fantastic Car Crash”, “The Things They Did To You (5/8/18 edit)”, “Looking for a Worthy Adversary (an extreme sestina variation)”, “Death is a Dog”, and “September 11, 2001(this video was filmed from a Panasonic Lumix 2500 camera, and then it was given a Hue Cycling filter).
video See YouTube video of Chicago poet Janet Kuypers in her 6/11/18 poetry show “Eleven” in Austin, with her poems “Under the Sea”, “The Burning”, “Right There, By Your Heart (verses 2 & 6)”, “What We Need in Life”, “Fantastic Car Crash”, “The Things They Did To You (5/8/18 edit)”, “Looking for a Worthy Adversary (an extreme sestina variation)”, “Death is a Dog”, and “September 11, 2001(this video was filmed from a Panasonic Lumix 2500 camera, and then it was given a Posterize filter).
video See YouTube video of Chicago poet Janet Kuypers in her 6/11/18 poetry show “Eleven” in Austin, with her poems “Under the Sea”, “The Burning”, “Right There, By Your Heart (verses 2 & 6)”, “What We Need in Life”, “Fantastic Car Crash”, “The Things They Did To You (5/8/18 edit)”, “Looking for a Worthy Adversary (an extreme sestina variation)”, “Death is a Dog”, and “September 11, 2001(this video was filmed from a Panasonic Lumix 2500 camera, and then it was given a Sepia Tone filter).
video See YouTube video of Chicago poet Janet Kuypers in her 6/11/18 poetry show “Eleven” in Austin, with her poems “Under the Sea”, “The Burning”, “Right There, By Your Heart (verses 2 & 6)”, “What We Need in Life”, “Fantastic Car Crash”, “The Things They Did To You (5/8/18 edit)”, “Looking for a Worthy Adversary (an extreme sestina variation)”, “Death is a Dog”, and “September 11, 2001(this video was filmed from a Panasonic Lumix 2500 camera, and then it was given a Threshold filter).
Eleven chapbook Read all of the poems from the Janet Kuypers poetry show in her 6/11/18 poetry chapbook for her show
Eleven chapbookEleven containing her poems “Under the Sea”, “The Burning”, “Right There, By Your Heart (verses 2 & 6)”, “What We Need in Life”, “Fantastic Car Crash”, “The Things They Did To You (5/8/18 edit)”, “Looking for a Worthy Adversary (an extreme sestina variation)”, “Death is a Dog”, and “September 11, 2001”, “Ocean’s Call to Dive”, and “Observer’s Love Poem”.
video See YouTube video of Janet KuypersSeptember 2018 Book Release Reading 9/5/18, where she read her “in Autumn, Love is in the Air” poetry “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, and “Looking for a Worthy Adversary (extreme sestina variation)” from the cc&d 9-10/18 book “Faces”, in Community Poetry! at Half Price Books (Panasonic Lumix 2500).
video See YouTube video of Janet KuypersSeptember 2018 Book Release Reading 9/5/18, where she read her “in Autumn, Love is in the Air” poetry “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, and “Looking for a Worthy Adversary (extreme sestina variation)” from the cc&d 9-10/18 book “Faces”, in Community Poetry! at Half Price Books (Panasonic Lumix T56 camera).
video See YouTube video of Janet KuypersOctober 2018 Book Release Reading 10/3/18, where she read her “in Autumn, Love is in the Air” poetry “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, and “Looking for a Worthy Adversary (extreme sestina variation)” from the cc&d 9-10/18 book “Faces”, then her poem “And I’m Wondering” from the Down in the Dirt 9-10/18 book “Spitfire”, during Community Poetry! at Half Price Books (this video was filmed from a Panasonic Lumix 2500 ca,era).
video See YouTube video of Janet KuypersOctober 2018 Book Release Reading 10/3/18, where she read her “in Autumn, Love is in the Air” poetry “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, and “Looking for a Worthy Adversary (extreme sestina variation)” from the cc&d 9-10/18 book “Faces”, then her poem “And I’m Wondering” from the Down in the Dirt 9-10/18 book “Spitfire”, during Community Poetry! at Half Price Books (this video was filmed from a Panasonic Lumix T56 camera).


Click here for the Janet Kuypers bio.














Sepia Leaves

Janet Kuypers
9/18/17

Never before in my life
have I needed to water a tree.
But here I am,
bringing buckets of water out
every couple of days
so my “mighty oak”
will be a healthy tree,
filled with colorful leaves
at the changing seasons.

Granted, my “mighty oak”
is about three feet tall,
it was the only “tree”
on the property we bought,
but okay, I’ll water it.

And maybe when
no one else’s tree leaves
transform through vibrant colors
for a month before
Autumn turns to Winter
in this semi-arid town,
maybe then I can smile
at my three foot tall
“mighty oak”,
the only tree I’ve got,
as I reach down
to touch the golden
and sepia leaves
at the top of my tree.



video See YouTube video 9/21/17 of Janet Kuypers in her show “Seasons Change”, with her poems “True Happiness in the New Millennium (2017 Dripping Springs edit)”, “Knew I Had to be Ready”, “Original Snowbirds” (in her book “(pheromemes) 2015-2017 show poems”), “Autumn (2017 Dripping Springs / Bahá’í Faith Center edit)”, “Marry you in Autumn”, “Sepia Leaves”, “Quell the Vibrancy”, “Seasons 1998”, and “Death Takes Many Forms” (Panasonic Lumix camera).
video See YouTube video 9/21/17 of Janet Kuypers in her show “Seasons Change”, with her poems “True Happiness in the New Millennium (2017 Dripping Springs edit)”, “Knew I Had to be Ready”, “Original Snowbirds” (in her book “(pheromemes) 2015-2017 show poems”), “Autumn (2017 Dripping Springs / Bahá’í Faith Center edit)”, “Marry you in Autumn”, “Sepia Leaves”, “Quell the Vibrancy”, “Seasons 1998”, and “Death Takes Many Forms” (filmed from a Sony camera).
Seasons Change
Download all of these songs & poems in the free PDF file chapbook
Seasons Change Seasons Change with “True Happiness in the New Millennium (2017 Dripping Springs edit)”, “Knew I Had to be Ready”, “Original Snowbirds”, “Autumn (2017 Dripping Springs / Bahá’í Faith Center edit)”, “Marry you in Autumn”, “Sepia Leaves”, “Quell the Vibrancy”, “Seasons 1998”, and “Death Takes Many Forms”.
video videonot yet rated

See YouTube video of Janet Kuypers reading her poem “Sepia Leaves” 9/23/17 at the “Poetry Aloud” open mic at the Georgetown Public Library (from a Sony camera).
video videonot yet rated

See YouTube video of Janet Kuypers reading her poem “Sepia Leaves” 9/23/17 at the “Poetry Aloud” open mic at the Georgetown Public Library (Panasonic Lumix camera).
video See YouTube video of Janet Kuypers in her 10/7/17 show “in Autumn, Love is in the Air” @ “Expressions Welcomes Autumn!” in Austin, performing her poems “Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”, “Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)(filmed from a Sony camera, with background music from the HA!Man of South Africa’s “the Ice is Melting”, cricket sounds in the background and a random rotating art display).
video See YouTube video of Janet Kuypers in her 10/7/17 show “in Autumn, Love is in the Air” @ “Expressions Welcomes Autumn!” in Austin, performing her poems “Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”, “Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)(from a Panasonic Lumix camera, with background music from the HA!Man of South Africa’s “the Ice is Melting”, cricket sounds in the background and a random rotating art display).
View the 10/7/17 show poems in the free PDF file chapbook
in Autumn, Love is in the Air chapbook in Autumn, Love is in the Air chapbook in Autumn, Love is in the Air
containing the poems &“Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”,
Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)”.


Click here for the Janet Kuypers bio.














And I’m Wondering

Janet Kuypers
Summer 1997

I’m wondering if there’s something
chemical that brings people together,
something that brings people to their
knees, somethings that sucks them in

And I’m wondering if you’re sensing what I’m
sensing, is it just me, am I making this up
in my head, or when I glance up and catch your
eyes, well, are you actually staring at me

And I’m wondering if it could work out this
time, if we’d have one of those relationships
that no one ever doubts, especially us,
because we know we’ll always be in love

And I’m wondering if you’d find
my neurotic pet-peeves charming
like how I hate it when someone touches
my belly because I’m so self conscious

And I’m wondering why you had to tell me
when we happened to be sitting next to each
other that the fact that our legs were almost
touching was making your heart race

And I’m wondering why I felt the need
to take your cigarette and inhale, exhale
while the filter was still warm from
your lips, there just seconds before

And I’m wondering if a year or two from now,
after we’ve been going out and should have
gotten to the point where we are bored with
each other and sink into a comfortable rut

if you saw me making macaroni and cheese
in the kitchen using margarine and water
because I’m out of milk and I’ve got my hair
pulled back and strands are falling into my

eyes and I’m wearing an oversized button-down
denim shirt and nothing else, well, what
I’m wondering is if you would see me
like this and still think I was sexy

When I glance up and catch your eyes from
across the room, when I see your eyes dart
away, when I feel this chemical reaction, well,
it makes me wonder if you can feel it too



the poetry 2 CD set CHAOTIC ELEMENTS
Order this iTunes track:
Janet Kuypers - Chaos In Motion - Chaotic Radio - And I'm Wondering
from Chaos in Motion
(a 6 CD set)...Or order the entire CD set from iTunes

CD: Janet Kuypers - Chaos In Motion - Chaotic Radio
Listen mp3 file (or listen mp3 file live)
to the DMJ Art Connection,
off the CD Contact•Conflict•Control
You can also hear this version: mp3 file
off the CD the DMJ Art Connection Disc One
Listen mp3 file to this from the CD release
from the first performance art show
(8/14/97) Seeing Things Differently
video video not yet rated
Watch this YouTube video
6:25, of these three poems (White Knuckled, Last Before Extinction and And I’m Wondering) at the Politically UNcorrect poetry open mic at Jesse Oaks in Lake County (north of Chicago) on 05/24/07
Live at Café Aloha
Listen mp3 file to this live real audio at Live at Café Aloha (Janet Kuypers/Jason Pettus show), for sale at iTunes.
video
video not yet rated
Watch the YouTube video
(2:07) live 08/05/07 at Beach Poets
video
video not yet rated
See YouTube video of Janet Kuypers reading her poem And I’m Wondering (3:04) 4/1/05 (April Fool’s Day) Live at the DvA Chicago Art Gallery show Conflict #149; Contact #149; Control.
video videonot yet rated
Watch this YouTube video
1:58, 11/06/10 in Lake Villa at Swing State, in Sexism and other stories
video videonot yet rated

Watch this YouTube video

11/06/10 from the TV camera in Lake Villa’s Swing State, live in her “Visual Nonsense” show Sexism and other stories
video
videonot yet rated

See the full show of Kuypers reading in the Sexism and other stories” show, live in Lake Villa 11/06/10 with this writing at Swing State
video videonot yet rated
See the full show of Kuypers reading from the TV monitor in the Sexism and other stories” show, live in Lake Villa’s “Visual Nonsense” 10/20/011/06/10 with this poem at Swing State
video (2:52, 05/10/11)
Or watch the
YouTube video
video at the Café in Chicago w/ Jenene Ravesloot (in the ISBN# books Unknown and Sexism and Other Stories and in cc&d mag v220, the 05/11 issue)
video videonot yet rated
Watch this YouTube video
of the intro to the 05/10/11 open mic at the Café in Chicago, plus the cover of I’m Free at Last & the poems And I’m Wondering & Dreams 09/24/05 (a phone as a purse that matches my shoes)
video videonot yet rated
See YouTube video
of Kuypers reading this piece in the live show the Janet Kuypers with the music of HA! at Chicago’s Gallery Cabaret 20121003 (Canon)
video videonot yet rated
See YouTube video
of Kuypers reading this piece in the live show the Janet Kuypers with the music of HA! at Chicago’s Gallery Cabaret 20121003 (Kodak)
video videonot yet rated

See YouTube video
of the Janet Kuypers with the music of HA! full live show at Gallery Cabaret in Chicago 20121003 (Canon), including this piece
video videonot yet rated

See YouTube video of Janet Kuypers reading her poems “The State of the Nation (2016 edit)” (because it was Constitution Day), “All These Reminders” & “And I’m Wondering” 9/18/16 at the Austin music open mic Kick Butt Poetry (this video was filmed with a Canon Power Shot camera).
video videonot yet rated

See YouTube video of Janet Kuypers reading her poems “The State of the Nation (2016 edit)” (because it was Constitution Day), “All These Reminders” & “And I’m Wondering” 9/18/16 at the Austin music open mic Kick Butt Poetry (this video was filmed with a Sony camera).
video See YouTube video of Janet Kuypers in her 10/7/17 show “in Autumn, Love is in the Air” @ “Expressions Welcomes Autumn!” in Austin, performing her poems “Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”, “Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)(filmed from a Sony camera, with background music from the HA!Man of South Africa’s “the Ice is Melting”, cricket sounds in the background and a random rotating art display).
video See YouTube video of Janet Kuypers in her 10/7/17 show “in Autumn, Love is in the Air” @ “Expressions Welcomes Autumn!” in Austin, performing her poems “Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”, “Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)(from a Panasonic Lumix camera, with background music from the HA!Man of South Africa’s “the Ice is Melting”, cricket sounds in the background and a random rotating art display).
View the 10/7/17 show poems in the free PDF file chapbook
in Autumn, Love is in the Air chapbook in Autumn, Love is in the Air chapbook in Autumn, Love is in the Air
containing the poems &“Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”,
Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)”.
video not yet rated See YouTube video of Janet Kuypers, while hosting the Poetry Aloud open mic 4/28/18 in Georgetown TX, read 3 her poems, “And I’m Wondering”, “Transcribing Dreams 3”, and “The One at Mardi Gras” from her book “Chapter 38 v1” to a live audience for National poetry Month (Panasonic Lumix 2500).
video video See YouTube video of Janet Kuypers, while hosting the Poetry Aloud open mic 4/28/18 in Georgetown TX, read 3 her poems, “And I’m Wondering”, “Transcribing Dreams 3”, and “The One at Mardi Gras” from her book “Chapter 38 v1” to a live audience for National poetry Month (Panasonic Lumix T56).
video See YouTube video of Janet Kuypers reading her poem “And I’m Wondering” from her poetry performance art book “Chapter 38 v1”, her prose “Clay” from her poetry performance art book “Chapter 38 v2” and her poem “New To Chicago” from her poetry performance art book “Chapter 38 v3” 6/24/18 to “Spoken and Heard” @ Kick Butt Coffee (from a Panasonic Lumix T56 camera).
video See YouTube video of Janet Kuypers reading her poem “And I’m Wondering” from her poetry performance art book “Chapter 38 v1”, her prose “Clay” from her poetry performance art book “Chapter 38 v2” and her poem “New To Chicago” from her poetry performance art book “Chapter 38 v3” 6/24/18 to “Spoken and Heard” @ Kick Butt Coffee (from a Panasonic Lumix 2500 camera).


Click here for the Janet Kuypers bio.














Marry you
in Autumn

Janet Kuypers
9/13/17 and 9/14/17

When I fell in love for real
he then said to me,

I want to marry you

I want to marry you
in Autumn
when the leaves are changing
when the weather is perfect

I felt the enchanting
changing season

this is now our transformation

when he said to me,

I want to marry you
in Autumn



video See YouTube video 9/21/17 of Janet Kuypers in her show “Seasons Change”, with her poems “True Happiness in the New Millennium (2017 Dripping Springs edit)”, “Knew I Had to be Ready”, “Original Snowbirds” (in her book “(pheromemes) 2015-2017 show poems”), “Autumn (2017 Dripping Springs / Bahá’í Faith Center edit)”, “Marry you in Autumn”, “Sepia Leaves”, “Quell the Vibrancy”, “Seasons 1998”, and “Death Takes Many Forms” (Panasonic Lumix camera).
video See YouTube video 9/21/17 of Janet Kuypers in her show “Seasons Change”, with her poems “True Happiness in the New Millennium (2017 Dripping Springs edit)”, “Knew I Had to be Ready”, “Original Snowbirds” (in her book “(pheromemes) 2015-2017 show poems”), “Autumn (2017 Dripping Springs / Bahá’í Faith Center edit)”, “Marry you in Autumn”, “Sepia Leaves”, “Quell the Vibrancy”, “Seasons 1998”, and “Death Takes Many Forms” (filmed from a Sony camera).
Seasons Change
Download all of these songs & poems in the free PDF file chapbook
Seasons Change Seasons Change with “True Happiness in the New Millennium (2017 Dripping Springs edit)”, “Knew I Had to be Ready”, “Original Snowbirds”, “Autumn (2017 Dripping Springs / Bahá’í Faith Center edit)”, “Marry you in Autumn”, “Sepia Leaves”, “Quell the Vibrancy”, “Seasons 1998”, and “Death Takes Many Forms”.
video not yet rated
See YouTube video of Janet Kuypers 9/23/17 reading her poem “Marry you in Autumn”, then her poems “erasure poem: Corner Stone Against Slavery” and “One of the Most Hated Women in America” from her book “(pheromemes) 2015-2017 show poems” at Georgetown Public Library’s “Poetry Aloud” (S).
video video
See YouTube video of Janet Kuypers 9/23/17 reading her poem “Marry you in Autumn”, then her poems “erasure poem: Corner Stone Against Slavery” and “One of the Most Hated Women in America” from her book “(pheromemes) 2015-2017 show poems” at Georgetown Public Library’s “Poetry Aloud” (L).
video See YouTube video of Janet Kuypers in her 10/7/17 show “in Autumn, Love is in the Air” @ “Expressions Welcomes Autumn!” in Austin, performing her poems “Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”, “Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)(filmed from a Sony camera, with background music from the HA!Man of South Africa’s “the Ice is Melting”, cricket sounds in the background and a random rotating art display).
video See YouTube video of Janet Kuypers in her 10/7/17 show “in Autumn, Love is in the Air” @ “Expressions Welcomes Autumn!” in Austin, performing her poems “Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”, “Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)(from a Panasonic Lumix camera, with background music from the HA!Man of South Africa’s “the Ice is Melting”, cricket sounds in the background and a random rotating art display).
View the 10/7/17 show poems in the free PDF file chapbook
in Autumn, Love is in the Air chapbook in Autumn, Love is in the Air chapbook in Autumn, Love is in the Air
containing the poems &“Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”,
Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)”.
video See Janet KuypersYouTube video 11/5/17, while singing the Erasure song “How Many Times” w/ John on acoustic guitar, also reads her poems “Who You Tell Your Dreams To” and “You and Me and Your Girlfriend” from her book “a Wake-Up Call from Tradition”, and “Marry you in Autumn” in the song @ Austin’s Kick Butt Poetry (this video was filmed from a Sony camera).
video See Janet KuypersYouTube video 11/5/17, while singing the Erasure song “How Many Times” w/ John on acoustic guitar, also reads her poems “Who You Tell Your Dreams To” and “You and Me and Your Girlfriend” from her book “a Wake-Up Call from Tradition”, and “Marry you in Autumn” in the song @ Austin’s Kick Butt Poetry (filmed from a Panasonic Lumix camera).


Click here for the Janet Kuypers bio.












Gazebo pose 20000507



Just By Holding His Hand
(extreme 2016 sestina variation)

Janet Kuypers
7/24/16 (adapted from “holding hands, a 3/17/14 variation of “holding my hand”, written 04/20/98)

when we’re walking down the street in stride
and our feet pump out the same rhythm
and our shoulders are almost touching
and our hands seem to brush up against
and along each other for one brief moment

in that one brief moment, our hands almost touch
and he reaches over and takes my hand
he slides his fingers around my hand
and I feel him move along my palm to my fingers

when he moves along my palm to my fingers
no one knows what it feels like then
when his fingers curl and hold me tight
well, it feels like... pop rocks

you know when it feels like pop rocks
that candy is sliding down your throat
after you let it explode on your tongue
and it’s tingling, oh, you know that feeling
and no one else is eating these pop rocks
and no one knows that tingling feeling
and this is my little secret

and I love keeping this little secret
when I feel this feeling like never before
and it makes me want to laugh and cry
because when I look around the room
I know no one else is eating those pop rocks
and no one knows the feeling when he’s holding my hand

no one knows the feeling when he’s holding my hand
it’s like candy and cupids and hearts and sunshine
and all those generic symbols of love
that never explain it just right

words can never explain it just right,
it’s catching your breath, falling from an airplane
it’s climbing a mountain, it’s standing on a glacier,
it’s following dolphins, it’s swimming with sharks
it’s turning your head and seeing those fingers
interlocked with yours as you’re walking in stride

because then and there, walking in stride
you think of those pop rocks, tingling down your throat
but now this feeling hits all of your nerves
because pop rocks never felt like this

and now nothing has ever felt like this
it’s in all of your muscles and all of your nerves
and now you want to hold on for your life
you now feel something you’ve never felt before
all
      just by holding his hand



Just By Holding His Hand (extreme 2016 sestina variation)
video videonot yet rated

See YouTube video 7/24/16 of Janet Kuypers reading her poems the Battle at Hand, Just By Holding His Hand (extreme 2016 sestina variation), and Only an Observer at the Austin open mic Kick Butt Poetry (Canon P.S.).
video videonot yet rated

See YouTube video 7/24/16 of Janet Kuypers reading her poems the Battle at Hand, Just By Holding His Hand (extreme 2016 sestina variation), and Only an Observer at the Austin open mic Kick Butt Poetry (Sony camera).
video
not yet rated
See YouTube video of Janet Kuypers reading her poem Just By Holding His Hand (extreme 2016 sestina variation) 11/6/16 at “Recycled Reads” open mic, at a book store affiliated with the Austin Public Library (this video was filmed from a Sony camera).
video video
See YouTube video of Janet Kuypers reading her poem Just By Holding His Hand (extreme 2016 sestina variation) 11/6/16 at “Recycled Reads” open mic, at a book store affiliated with the Austin Public Library (this video was filmed from a Canon Power Shot camera).
video not yet rated
See YouTube video of Janet Kuypers reading her poems “Dilemmas in Gift Giving”, “everyday objects equal performance art” and “Just By Holding His Hand (extreme 2016 sestina variation)” from her book “(pheromemes) 2015-2017 poems” 8/6/17 at Austin’s “Recycled Reads” open mic (Sony).
video video
See YouTube video of Janet Kuypers reading her poems “Dilemmas in Gift Giving”, “everyday objects equal performance art” and “Just By Holding His Hand (extreme 2016 sestina variation)” from her book “(pheromemes) 2015-2017 poems” 8/6/17 at Austin’s “Recycled Reads” open mic (Lumix).
video See YouTube video 8/22/17 of the Janet Kuypers show “This Just In”, with her poems “Protecting Peace can Put you in Prison”, “Original Snowbirds”, “Ultimate Connectivity: a bird in the hand”, “erasure poem: A Poetic History”, “Just One Book”, “Newspaper Ink’s the Blood of a Dying Species”, “Elusive Imaginary Creature”, “Your Imaginary Soul Weighs 21 Grams”, “Yearning to Break Free” and “Just By Holding His Hand (extreme 2016 sestina variation)” (Lumix)
video See YouTube video 8/22/17 of the Janet Kuypers show “This Just In”, with her poems “Protecting Peace can Put you in Prison”, “Original Snowbirds”, “Ultimate Connectivity: a bird in the hand”, “erasure poem: A Poetic History”, “Just One Book”, “Newspaper Ink’s the Blood of a Dying Species”, “Elusive Imaginary Creature”, “Your Imaginary Soul Weighs 21 Grams”, “Yearning to Break Free” and “Just By Holding His Hand (extreme 2016 sestina variation)” (Sony)
video See YouTube video of Janet Kuypers in her 10/7/17 show “in Autumn, Love is in the Air” @ “Expressions Welcomes Autumn!” in Austin, performing her poems “Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”, “Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)(filmed from a Sony camera, with background music from the HA!Man of South Africa’s “the Ice is Melting”, cricket sounds in the background and a random rotating art display).
video See YouTube video of Janet Kuypers in her 10/7/17 show “in Autumn, Love is in the Air” @ “Expressions Welcomes Autumn!” in Austin, performing her poems “Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”, “Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)(from a Panasonic Lumix camera, with background music from the HA!Man of South Africa’s “the Ice is Melting”, cricket sounds in the background and a random rotating art display).
View the 10/7/17 show poems in the free PDF file chapbook
in Autumn, Love is in the Air chapbook in Autumn, Love is in the Air chapbook in Autumn, Love is in the Air
containing the poems &“Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”,
Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)”.
video See YouTube video of Janet Kuypers’ “December 2017 Book Release Reading” 12/6/17, where she reads from the book “Negative Space” her haiku and short poems “coincidence?”, “translation (2014 haiku)”, “oceans”, “behind”, “out there”, “opposite”, and “addiction”, her micro prose “Driving By His House”, and her poems “Earth was Crying”, “Your Imaginary Soul Weighs 21 Grams”, “Just by Holding His Hand”, and “Only an Observer” in “Community Poetry @ Half Price Books” (Lumix T56 camera).
video See YouTube video of Janet Kuypers’ “December 2017 Book Release Reading” 12/6/17, where she reads from the book “Negative Space” her haiku and short poems “coincidence?”, “translation (2014 haiku)”, “oceans”, “behind”, “out there”, “opposite”, and “addiction”, her micro prose “Driving By His House”, and her poems “Earth was Crying”, “Your Imaginary Soul Weighs 21 Grams”, “Just by Holding His Hand”, and “Only an Observer” in “Community Poetry @ Half Price Books” (Lumix 2500 camera).
video See YouTube video of Janet Kuypers’ “April 2018 Book Release Reading” 4/4/18, where she read her Down in the Dirt magazine 9-12 2017 issue collection book “the Light in the Sky” poems “Verge on Meditation”, “Salesman”, and “Just by Holding his Hand” at the only “Community Poetry @ Half Price Books” event, which she hosted during National Poetry Month (Lumix T56 camera).
video
See YouTube video of Janet Kuypers’ “April 2018 Book Release Reading” 4/4/18, where she read her Down in the Dirt magazine 9-12 2017 issue collection book “the Light in the Sky” poems “Verge on Meditation”, “Salesman”, and “Just by Holding his Hand” at the only “Community Poetry @ Half Price Books” event, which she hosted during National Poetry Month (filmed with a Panasonic Lumix T56 camera, with an Edge Detection filter).
video See YouTube video of Janet Kuypers’ “April 2018 Book Release Reading” 4/4/18, where she read her Down in the Dirt magazine 9-12 2017 issue collection book “the Light in the Sky” poems “Verge on Meditation”, “Salesman”, and “Just by Holding his Hand” at the only “Community Poetry @ Half Price Books” event, which she hosted during National Poetry Month (filmed with a Panasonic Lumix T56 camera, with a posterize filter).
video
See YouTube video of Janet Kuypers’ “April 2018 Book Release Reading” 4/4/18, where she read her Down in the Dirt magazine 9-12 2017 issue collection book “the Light in the Sky” poems “Verge on Meditation”, “Salesman”, and “Just by Holding his Hand” at the only “Community Poetry @ Half Price Books” event, which she hosted during National Poetry Month (filmed with a Panasonic Lumix T56 camera, with a Threshold filter).


Click here for the Janet Kuypers bio.












Gazebo pose 20000507



Autumn
(2017 Dripping Springs /
Bahá’í Faith Center edit)

Janet Kuypers
(written 1986, one line change 9/12/17 for 9/21/17 show)

Autumn
the sight of
vibrant
colored
leaves —
a sunburst
of
coral reds
and
rich ambers

Autumn
the smell of
burning
leaves
a thin line
of smoke
rising from
a pile of
ashes

Autumn
the taste of
fall harvests
and all the fixins
cooking for
a small
happy
thankful family

Autumn
touch a
leaf falling
from a tree top
guided
by a cool
autumn breeze

Autumn
look around
it’s here
and all you
have to
do
is
enjoy
it



video See YouTube video 9/21/17 of Janet Kuypers in her show “Seasons Change”, with her poems “True Happiness in the New Millennium (2017 Dripping Springs edit)”, “Knew I Had to be Ready”, “Original Snowbirds” (in her book “(pheromemes) 2015-2017 show poems”), “Autumn (2017 Dripping Springs / Bahá’í Faith Center edit)”, “Marry you in Autumn”, “Sepia Leaves”, “Quell the Vibrancy”, “Seasons 1998”, and “Death Takes Many Forms” (Panasonic Lumix camera).
video See YouTube video 9/21/17 of Janet Kuypers in her show “Seasons Change”, with her poems “True Happiness in the New Millennium (2017 Dripping Springs edit)”, “Knew I Had to be Ready”, “Original Snowbirds” (in her book “(pheromemes) 2015-2017 show poems”), “Autumn (2017 Dripping Springs / Bahá’í Faith Center edit)”, “Marry you in Autumn”, “Sepia Leaves”, “Quell the Vibrancy”, “Seasons 1998”, and “Death Takes Many Forms” (filmed from a Sony camera).
Seasons Change
Download all of these songs & poems in the free PDF file chapbook
Seasons Change Seasons Change with “True Happiness in the New Millennium (2017 Dripping Springs edit)”, “Knew I Had to be Ready”, “Original Snowbirds”, “Autumn (2017 Dripping Springs / Bahá’í Faith Center edit)”, “Marry you in Autumn”, “Sepia Leaves”, “Quell the Vibrancy”, “Seasons 1998”, and “Death Takes Many Forms”.
video See YouTube video of Janet Kuypers in her 10/7/17 show “in Autumn, Love is in the Air” @ “Expressions Welcomes Autumn!” in Austin, performing her poems “Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”, “Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)(filmed from a Sony camera, with background music from the HA!Man of South Africa’s “the Ice is Melting”, cricket sounds in the background and a random rotating art display).
video See YouTube video of Janet Kuypers in her 10/7/17 show “in Autumn, Love is in the Air” @ “Expressions Welcomes Autumn!” in Austin, performing her poems “Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”, “Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)(from a Panasonic Lumix camera, with background music from the HA!Man of South Africa’s “the Ice is Melting”, cricket sounds in the background and a random rotating art display).
View the 10/7/17 show poems in the free PDF file chapbook
in Autumn, Love is in the Air chapbook in Autumn, Love is in the Air chapbook in Autumn, Love is in the Air
containing the poems &“Sepia Leaves”, “Autumn (2017 Dripping Springs/Bahá’í Center edit)”, “Who You Tell Your Dreams To”, “You and Me and Your Girlfriend”, “The Way You Tease Me”, “And I’m Wondering”,
Just by Holding his Hand”, “Marry You in Autumn”, and “Looking for a Worthy Adversary (an extreme sestina variation)”.




Janet Kuypers Bio

    Janet Kuypers has a Communications degree in News/Editorial Journalism (starting in computer science engineering studies) from the UIUC. She had the equivalent of a minor in photography and specialized in creative writing. A portrait photographer for years in the early 1990s, she was also an acquaintance rape workshop facilitator, and she started her publishing career as an editor of two literary magazines. Later she was an art director, webmaster and photographer for a few magazines for a publishing company in Chicago, and this Journalism major was even the final featured poetry performer of 15 poets with a 10 minute feature at the 2006 Society of Professional Journalism Expo’s Chicago Poetry Showcase. This certified minister was even the officiant of a wedding in 2006.
    She sang with acoustic bands “Mom’s Favorite Vase”, “Weeds and Flowers” and “the Second Axing”, and does music sampling. Kuypers is published in books, magazines and on the internet around 9,300 times for writing, and over 17,800 times for art work in her professional career, and has been profiled in such magazines as Nation and Discover U, won the award for a Poetry Ambassador and was nominated as Poet of the Year for 2006 by the International Society of Poets. She has also been highlighted on radio stations, including WEFT (90.1FM), WLUW (88.7FM), WSUM (91.7FM), WZRD (88.3FM), WLS (8900AM), the internet radio stations ArtistFirst dot com, chicagopoetry.com’s Poetry World Radio and Scars Internet Radio (SIR), and was even shortly on Q101 FM radio. She has also appeared on television for poetry in Nashville (in 1997), Chicago (in 1997), and northern Illinois (in a few appearances on the show for the Lake County Poets Society in 2006). Kuypers was also interviewed on her art work on Urbana’s WCIA channel 3 10 o’clock news.
    She turned her writing into performance art on her own and with musical groups like Pointless Orchestra, 5D/5D, The DMJ Art Connection, Order From Chaos, Peter Bartels, Jake and Haystack, the Bastard Trio, and the JoAnne Pow!ers Trio, and starting in 2005 Kuypers ran a monthly iPodCast of her work, as well mixed JK Radio — an Internet radio station — into Scars Internet Radio (both radio stations on the Internet air 2005-2009). She even managed the Chaotic Radio show (an hour long Internet radio show 1.5 years, 2006-2007) through BZoO.org. She has performed spoken word and music across the country - in the spring of 1998 she embarked on her first national poetry tour, with featured performances, among other venues, at the Albuquerque Spoken Word Festival during the National Poetry Slam; her bands have had concerts in Chicago and in Alaska; in 2003 she hosted and performed at a weekly poetry and music open mike (called Sing Your Life), and from 2002 through 2005 was a featured performance artist, doing quarterly performance art shows with readings, music and images. Starting at this time Kuypers released a large number of CD releases currently available for sale at iTunes or amazon, including “Across the Pond”(a 3 CD set of poems by Oz Hardwick and Janet Kuypers with assorted vocals read to acoustic guitar of both Blues music and stylized Contemporary English Folk music), “Made Any Difference” (CD single of poem reading with multiple musicians), “Letting It All Out”, “What we Need in Life” (CD single by Janet Kuypers in Mom’s Favorite Vase of “What we Need in Life”, plus in guitarist Warren Peterson’s honor live recordings literally around the globe with guitarist John Yotko), “hmmm” (4 CD set), “Dobro Veče” (4 CD set), “the Stories of Women”, “Sexism and Other Stories”, “40”, “Live” (14 CD set), “an American Portrait” (Janet Kuypers/Kiki poetry to music from Jake & Haystack in Nashville), “Screeching to a Halt” (2008 CD EP of music from 5D/5D with Janet Kuypers poetry), “2 for the Price of 1” (Janet Kuypers poetry to music from Peter Bartels), “the Evolution of Performance Art” (13 CD set), “Burn Through Me” (Janet Kuypers poetry to music from The HA!Man of South Africa), “Seeing a Psychiatrist” (3 CD set), “The Things They Did To You” (Janet Kuypers poetry to music from the DMJ Art Connection), “Hope Chest in the Attic” (audio CD set), “St. Paul’s” (3 CD set), “the 2009 Poetry Game Show” (3 CD set), “Fusion” (Janet Kuypers poetry in multi CD set with Madison, WI jazz music from the Bastard Trio, the JoAnne Pow!ers Trio, and Paul Baker), “Chaos In Motion” (tracks from Internet radio shows on Chaotic Radio), “Chaotic Elements” (audio CD set for the poetry collection book and supplemental chapbooks for The Elements), “etc.” audio CD set, “Manic Depressive or Something” (Janet Kuypers poetry to music from the DMJ Art Connection), “Singular”, “Indian Flux” (Janet Kuypers poetry to music from the DMJ Art Connection), “The Chaotic Collection #01-05”, “The DMJ Art Connection Disc 1” (Janet Kuypers poetry to music from the DMJ Art Connection), “Oh.” audio CD, “Live At the Café” (3 CD set), “String Theory” (Janet Kuypers reading other people's poetry, with music from “the DMJ Art Connection), “Scars Presents WZRD radio” (2 CD set), “SIN - Scars Internet News”, “Questions in a World Without Answers”, “Conflict • Contact • Control”, “How Do I Get There?”, “Sing Your Life”, “Dreams”, “Changing Gears”, “The Other Side”, “Death Comes in Threes”, “the final”, “Moving Performances”, “Seeing Things Differently”, “Live At Cafe Aloha”, “the Demo Tapes” (Mom’s Favorite Vase), “Something Is Sweating” (the Second Axing), “Live In Alaska” EP (the Second Axing), “the Entropy Project”, “Tick Tock” (with 5D/5D), “Six Eleven” “Stop. Look. Listen.”, “Stop. Look. Listen to the Music” (a compilation CD from the three bands “Mom’s Favorite Vase”, “Weeds & Flowers” and “The Second Axing”), and “Change Rearrange” (the performance art poetry CD with sampled music).
    From 2010 through 2015 Kuypers also hosted the Chicago poetry open mic the Café Gallery, while also broadcasting weekly feature and open mic podcasts that were also released as YouTube videos.
    In addition to being published with Bernadette Miller in the short story collection book Domestic Blisters, as well as in a book of poetry turned to prose with Eric Bonholtzer in the book Duality, Kuypers has had many books of her own published: Hope Chest in the Attic, The Window, Close Cover Before Striking, (woman.) (spiral bound), Autumn Reason (novel in letter form), the Average Guy’s Guide (to Feminism), Contents Under Pressure, etc., and eventually The Key To Believing (2002 650 page novel), Changing Gears (travel journals around the United States), The Other Side (European travel book), the three collection books from 2004: Oeuvre (poetry), Exaro Versus (prose) and L’arte (art), The Boss Lady’s Editorials, The Boss Lady’s Editorials (2005 Expanded Edition), Seeing Things Differently, Change/Rearrange, Death Comes in Threes, Moving Performances, Six Eleven, Live at Cafe Aloha, Dreams, Rough Mixes, The Entropy Project, The Other Side (2006 edition), Stop., Sing Your Life, the hardcover art book (with an editorial) in cc&d v165.25, the Kuypers edition of Writings to Honour & Cherish, The Kuypers Edition: Blister and Burn, S&M, cc&d v170.5, cc&d v171.5: Living in Chaos, Tick Tock, cc&d v1273.22: Silent Screams, Taking It All In, It All Comes Down, Rising to the Surface, Galapagos, Chapter 38 (v1 and volume 1), Chapter 38 (v2 and Volume 2), Chapter 38 v3, Finally: Literature for the Snotty and Elite (Volume 1, Volume 2 and part 1 of a 3 part set), A Wake-Up Call From Tradition (part 2 of a 3 part set), (recovery), Dark Matter: the mind of Janet Kuypers , Evolution, Adolph Hitler, O .J. Simpson and U.S. Politics, the one thing the government still has no control over, (tweet), Get Your Buzz On, Janet & Jean Together, po•em, Taking Poetry to the Streets, the Cana-Dixie Chi-town Union, the Written Word, Dual, Prepare Her for This, uncorrect, Living in a Big World (color interior book with art and with “Seeing a Psychiatrist”), Pulled the Trigger (part 3 of a 3 part set), Venture to the Unknown (select writings with extensive color NASA/Huubble Space Telescope images), Janet Kuypers: Enriched, She’s an Open Book, “40”, Sexism and Other Stories, the Stories of Women, Prominent Pen (Kuypers edition), Elemental, the paperback book of the 2012 Datebook (which was also released as a spiral-bound ISBN# ISSN# 2012 little spiral datebook, , Chaotic Elements, and Fusion, the (select) death poetry book Stabity Stabity Stab Stab Stab, the 2012 art book a Picture’s Worth 1,000 words (available with both b&w interior pages and full color interior pages, the shutterfly ISSN# ISBN# hardcover art book life, in color, Post-Apocalyptic, Burn Through Me, Under the Sea (photo book), the Periodic Table of Poetry, a year long Journey, Bon Voyage!, and the mini books Part of my Pain, Let me See you Stripped, Say Nothing, Give me the News, when you Dream tonight, Rape, Sexism, Life & Death (with some Slovak poetry translations), Twitterati, and 100 Haikus, that coincided with the June 2014 release of the two poetry collection books Partial Nudity and Revealed. 2017, after hr October 2015 move to Austin Texas, also witnessed the release of 2 Janet Kuypers book of poetry written in Austin, “(pheromemes) 2015-2017 poems” and a book of poetry written for her poetry features and show, “(pheromemes) 2015-2017 show poems” (and both pheromemes books are available from two printers).


















cc&d
Prose (the meat and potatoes stuff)





Fairy Tale about War

Matthew McAyeal

    Once upon a time, there were two big kingdoms and two small kingdoms. The two big kingdoms were called Khakia and Doogland. The two small kingdoms were called Bibbleton and Langora.
    There were two religions in the land. Some people believed in a god called Yob and others in a god called Bingo. In the distant past, the Yobbers and the Bingoites had fought many wars against each other. Now there was relative peace, but tensions remained between the followers of the two different faiths. Most of the people in Khakia and Bibbleton were Yobbers while most people in Doogland and Langora were Bingoites.
    Despite this, the kings of Khakia and Doogland allied their kingdoms together. One day, there was a meeting between King Arnold of Khakia and King Todd of Doogland.
    “It is so good that we do not let religion divide us as it divided the kings of the past,” King Todd said proudly.
    “I agree,” said King Arnold. “Peaceful trade between our countries is more important.”
    After King Todd left, King Arnold told his brother Larry about the meeting. A zealous Yobber, Larry had a different view on the situation.
    “How can you form an alliance with Bingoites?” he asked angrily. “They are the enemy of our people! Langora rightfully belongs to the Yobbers, but Doogland has allowed the Bingoites to take it over.”
    Meanwhile, King Robert of Bibbleton had a similar idea. The people in Bibbleton were known for taking their religion more seriously than the people in any other country. The Yobbers in Bibbleton still observed several ancient traditions which most of the Yobbers in Khakia had long forgotten. Some called the Bibbletoners conservative, but they would have said that they were the true followers of Yob. It was therefore not hard for King Robert to convince his people to go to war with Langora. Bibbleton won the war easily.
    “Today, Langora no longer exists as an independent country!” King Robert declared triumphantly. “It is now a part of the Bibbleton Kingdom as it rightfully should be!”
    The next day, King Todd stormed furiously into the court of King Arnold.
    “Have you heard what King Robert has done?!” he yelled. “He has violated every treaty in our land by invading Langora and claiming it as part of his kingdom! We cannot allow King Robert’s aggression to continue! In this modern era, it the duty of powerful countries such as ours to defend the small countries and safeguard their independence.”
    Over his brother’s objections, King Arnold reluctantly agreed. Soon, the combined armies of Khakia and Doogland entered Langora and forced the Bibbletoners to retreat back to their country. The Langoran king was subsequently restored to his throne.
    “We must make sure this never happens again,” said King Todd. “Your country is closer to Bibbleton than ours, so would it be okay if we based some of our troops in your country to keep an eye on what King Robert’s forces are doing?”
    “I suppose that would be all right,” said King Arnold.
    “Also, King Robert must be punished for his actions,” King Todd continued. “I have demanded that he give up one treasure chest of gold, but he has refused to pay it. I propose that we end all trade with Bibbleton until he complies.”
    King Arnold agreed and his brother Larry was aghast.
    “Your alliance with Doogland has gone much too far!” Larry yelled. “Now we have Bingoite troops in our country, right next to our holiest sites! The Dooglanders are anti-Yobber criminals! They’re trying to make us all worship Bingo just like in the olden days!”
    At this point, King Arnold had had enough of his brother and banished him from the country. Larry moved to Bibbleton and started to gather like-minded followers. Ten years passed and the people of Bibbleton suffered under the trade embargo as King Robert still refused to give up a treasure chest of gold. As he watched the suffering, Larry’s hatred of Doogland grew. Doogland, he was convinced, was the source of all the problems in the world. They allowed the Bingoites to run Langora, put Bingoite troops near the holy Yobber sites in Khakia, and left the children of Bibbleton to starve.
    One day, a group of Larry’s followers entered Doogland and sacked one of its greatest cities. The people of Doogland were shocked and demanded retribution. King Todd went to Bibbleton to meet with King Robert.
    “The criminal Larry has declared war on Doogland!” he shouted. “I demand that you hand him over to us immediately!”
    “How about this?” King Robert suggested. “We hand Larry over to Khakia, where he will have a fair Yobber trial.”
    “Don’t play these games with me!” King Todd raged. “We know he’s guilty!”
    When King Robert still refused, King Todd declared war on Bibbleton.
    “The King of Bibbleton has sided with the criminals,” King Todd told his people, “and will therefore be counted among them. We are now at war, but I wish to emphasize that this is not a war like in the old days. We are not at war with Yobbers, but with criminals who happen to be Yobbers. As a modern country, we have no quarrel with honest people who worship Yob.”
    Unfortunately, many people in Doogland didn’t listen to their king’s words. They were strong Bingoites and all too eager to blame Larry’s actions on their country’s Yobber minority.
    The armies of Doogland soon conquered Bibbleton, but failed to stop Larry and his followers from fleeing the country. King Robert was killed and replaced with King Sam. King Sam was a Yobber too, but a much more moderate one than King Robert had been. King Todd hoped that King Sam would end Bibbleton’s backwards traditions and make it a modern Yobber country like Khakia. After all, King Todd thought, this had all happened because Bibbleton was so far behind the times.
    This all added up to the Bibbletoners thinking that it looked very much like Doogland was at war with Yobbers, despite King Todd’s denial. Soon, many of the Bibbletoners began to rebel against their new king, whom they now viewed as a puppet. Perhaps King Sam wasn’t a Yobber at all, they said. Perhaps he would be forcing them to worship Bingo one day.
    Meanwhile, Larry returned to his brother’s palace in Khakia. King Arnold agreed to hide Larry and his followers from the Dooglanders. Larry and his followers continued to plot against Doogland and several Khakian generals aided the Bibbletoner rebels, even as King Arnold still called himself an ally of Doogland and officially supported King Sam. Eventually, a band of King Todd’s knights found Larry hiding in the cellar of the Khakian palace and killed him. Celebrations spread through Doogland. At last, the evil Larry had been defeated! King Todd chose to ignore the fact that King Arnold had concealed Larry from him. After all, he needed Khakia as an ally.
    As years passed, it became clearer and clearer that King Todd’s army was the only thing keeping King Sam in power. The people of Doogland grew war-weary and demanded their troops return home, but how could King Todd allow such a thing? If his army left now, another extremist like King Robert would surly come to power and the whole war would have been for nothing. Or even worse, Bibbleton might became a place where Larry’s remaining followers could regroup and plot to sack another Doogland city.
    And so, the war continued.





About Matthew McAyeal

    Matthew McAyeal is a writer from Portland, Oregon. His short stories have been published in the literary magazines “Bards and Sages Quarterly”, “cc&d”, “The Fear of Monkeys”, “The Metaworker”, “Danse Macabre”, and “Scarlet Leaf Magazine”. In 2008, two screenplays he wrote were semi-finalists in the Screenplay Festival.
















    SYNOPSIS: When a woman visits her father’s rest home, she discovers him lost in empty memories. But a simple plant in a terracotta pot helps him face the truths of his past and find release from his pain.

Clay Pots

Stephen Matlock

    “Daddy.”
    William Amos opened his eyes to see his daughter Livette carrying a plant in a dull orange terracotta pot. He jerked at his tablet, and Miles Davis’ “Blue in Green” faded away. “What... That.” He shifted in his upholstered chair, then hit a button to raise himself to a sitting position.
    “It’s a dwarf amaranth. Like Momma used to grow.” She set it on the table next to him in his small room. “I like the way it’s purple and green all at once.” She sniffed the air. “Smells like stale aftershave...”
    “Mmph.” He turned away to stare out to the lawns and flowerbeds surrounding Ramona Gardens, his home now since the stroke three years ago.
    Livette opened the window. “Ahh. Fresh air.”
    He nodded when she turned. “Careful,” he whispered.
    “With what, Daddy? The window?”
    “Scratch... Table... Pot...” His words flared like a guttering candle.
    She moved the amaranth closer to the window. “It needs light. Don’t worry—I didn’t scratch anything.”
    “Why...here.”
    She narrowed her eyes and sat down on the other chair. “You know what today is. Seventeen years.”
    He grimaced, then twisted away.
    “Goddammit. It happened. I was there.” She moved her chair to face him, knees to knees. “So were you.”
    He squeezed his eyes shut.
    “You will remember.” She cradled his hands. They were gnarled and spotted, and once they had split the air from the pulpit as he thundered about God and creation, heaven and hell, sin and forgiveness. Now they were restless and idle with age.
    He blinked. Twice. Then coughed. “Hurts.”
    “Yes. It does.” She released his hands. “I miss her. Remember Easter where she forgot to put the mac and cheese in the oven in time? You said it was just fine, and you ate it? Stubborn old man.”
    He wheezed out a laugh, then pointed at her. “You. Too.”
    She guffawed. “We all did. You, the aunties and uncles, all the cousins. Pretended it was delicious. She was so mad.” She wiped a tear. “Goddammit! I miss her so much.”
    He winced. “Kye...?”
    “My baby? He’s fine. Couldn’t come today. Got accepted to NYU. Pre-med. Gonna be a long haul. But I made him strong.” She opened an image on her phone. “Graduation a year early. So handsome. All of us there, ‘cept you.”
    He took her phone, tapped the picture, then touched her face on the screen. “...you.”
    “Oh, he’s so much like you, Daddy. I got your nose and Momma’s eyes, but he’s got your brains.”
    He tried to wipe a tear, but gave up, and let his arm collapse.
    “Here. Let me.” She dabbed his face with a tissue. “So ashy.” She caressed his smooth bald head, looked into his eyes. “Momma’d yell at you, seeing you like this. You’re not going anywhere, not seeing anyone. Like you gave up. Stopped living.”
    He scowled. “Don’t. Wanna.” He turned away. His wife’s face on the nightstand looked back at him, smiling and happy on their Hawaiian vacation. He touched the picture, almost pushing it over. “Remember...”
    “Wish I had her patience and her kindness.” Livette sighed. “I just yell at people. ‘You call that a financial report?’ I sound like you a lot.” She sighed again. “Am you.”
    “What.” He raised his eyebrows.
    “Just thinking. That night changed us. Separated us. Or maybe, just hardened us. Fired the soft clay, set us to be rigid, like this.” She tapped the pot with her fingernail. It made a dull snick. “I got angry. Rough. But it got me to finish my MBA, get my job. You? You got fiercer. Louder. Stirred up the congregation to take action, fight street violence, set up after-school events. But we both lost ourselves in just doing.” She took in a breath. “Momma was all about being. Being kind. Generous. Being herself.”
    She picked up another framed picture from the bureau. “I love this picture. Me. Raymond. And little Kye. So precious.” She wiped a smudge away, and then put the picture back. “How I wish Momma could’ve seen Kye. Held him. Held me, just one more time.”
    He wheezed again, and coughed. Tears rolled down both cheeks. “Tried. Couldn’t—”
    “You did all you could, Daddy. You tried to get the gun. You protected me and—” She patted her belly. “Kye. He wouldn’t be here without you. Momma knows that.”
    William spasmed, trying to reach the amaranth, and knocked it to the floor. He began gasping and crying.
    “Shh, now, Daddy. I know you didn’t mean to. Knock it over, I mean.” She dabbed his face again with a tissue, wiping his tears. “I miss her, too.”
    She stood, then bent down to pick up the broken plant. “So pretty. Well, we’ll just have to get you something else.” She rubbed a leaf between her fingers. “Remember the callaloo she made? Reminded her of home, she said. I can’t make it like hers. But...I try.”
    William stared past her, focused somewhere past the walls of his room.
    “The pot’s still good.” She shook the dirt into the trash, set the pot on the table, and tinged it with her fingernail. “See? Not cracked. Rings when you tap it.”
    She stood next to him. “Now you take care until I come back. Play your music, watch some TV, and get out of this room once or twice. Ellie next door’s got an eye on you. Momma would like that. Seventeen years is a long time to stay empty. A pot needs a plant to be appreciated.”
    She kissed his head. He didn’t look up, but shut his eyes and smiled.
    “’Bye now, Daddy. Love you. See you next month.”
    After she closed the door, he released his breath, then opened his eyes. “Milestones” filled the air. The sun shining through the window lighted the terracotta so it glowed like a rosy pink morning.
    He sighed, grabbed his cane, and stood up slowly. Then firmly.
    “All right.”





Author Biography

    Stephen J. Matlock is a part-time author and gardener, often overwhelmed by both words and weeds. His novel “Stars in the Texas Sky” was a quarter-finalist in the Amazon Breakthrough Novel Awards in 2012. His most recent short story She Who Made the Land Her Home is published in the April 2018 anthology “Take a Mind Trip: Book a Fantasy”.
















Plant 0001, photography by David Russell

Plant 0001, photography by David Russell














Family Matters

Lisa Gray

    No one was going to steal her husband! No young English floosy floating into the shop in a see-through chiffon top that didn’t hide the low-cut swimsuit underneath. No one was going to steal her bread and butter. The business she’d worked so hard on to help Yianni build up. She’d seen it so many times before. Among her Greek women friends. The friendly, smiling faces and local chatter of her compatriots cut off by the wife scurrying across the road to rout the latest lone female in a long line of single females that seemed to gravitate to their part of the world.
    Not that she was like them. She’d never needed to be. She’d planned carefully. Her past experience had made her do that. She’d picked Yianni because he wasn’t what anyone would call by any stretch of the imagination good-looking. Small. Silent. Not given to conversation. But she’d seen he’d been hard-working and knew he just needed someone to put him on the right track. She would do that. And he would provide the security she so desperately sought.
    Now an unaccustomed feeling of fear filled her.
    This wasn’t the first time. This wasn’t the first time this young English woman had entered hers and Yianni’s shop.
    The first time had been last Saturday. She had noticed the young girl because of her distinctive dress. Not the usual tee-shirt worn by the tourists. More troubling than that. Glaring glamour. So out of place in their small out of the way Greek village. But she hadn’t crossed the road that day. The girl would be gone tomorrow, she’d thought.
    But the next day she’d seen her again. Going into her shop!
    She cut off her conversation with her friend quickly, crossed the road and entered the shop. The girl was just paying for her purchases. Did she imagine Yianni’s usually depressive face had dowsed a smile?
    The girl stared at her.
    Was she thinking why is this man married to this old hag? thought Elene.
    Elene fought back with a frozen face.
    It seemed to work. The girl left the shop quickly.
    But it hadn’t been enough to scare her off. The following day the girl had appeared at exactly the same time. Elene was wise to her now. She scuttled across the road. She would head her off. There would be no hanky panky with her husband. In her shop.
    An unaccustomed feeling of panic arose when she entered the shop. Neither Yianni nor the girl were to be seen. Suddenly an unusually sullen looking Yianni appeared from around the supermarket shelves.
    He looks guilty, thought Elene. Where was the girl?
    She pushed past him and rounded the corner. The girl was standing in the next aisle supposedly studying the shelves. The direction in which Yianni had appeared from.
     You don’t fool me, madam! she thought. Flirting and flaunting yourself flagrantly.
    The girl looked up. Smiling. It reminded her of the kind of winning smile she’d used to win Yianni.
    The cheek of her, thought Elene. No shame. No shame about stealing my husband.
    But the girl had been persistent. Every day she’d appeared in the shop. Every day Elene had had to make a monstrous effort to freeze her out. And every evening she’d yelled at Yianni for encouraging the girl.
    He had been his silent self. Sealed off. Nothing scary about that. That was his usual.
    Until last night.
    He had yelled back at her! Yianni!
    “You don’t understand!” he’d said.
    She didn’t understand! She understood all right. She understood that evil, English girl was trying to steal her husband. It had happened before. Back in England. She a young, simple inexperienced Greek girl lured over to London by marriage to an equally tantalising tourist to her village. Despite protestations by her parents. Only to find her English husband had succumbed to the manipulative machinations of a younger English woman. She had left him then. Wondering what to do. What did English girls do? They got a job. They stood on their own two feet. She’d do the same. But her elementary education and lack of qualifications had made that hard for her. And then the final straw.
    She’d found she was pregnant. There was no way she could support herself and a baby. She’d had to get rid of it. There had been no other option. She couldn’t have her parents ashamed of her.
    That’s when she’d decided to return to Greece. And not long after she’d married Yianni. A man her parents approved of. Not that they were alive any longer. Her only regret was that she and Yianni had not had a family. Yianni was her family.
    And now someone was trying to take Yianni away from her. And he was no better. Letting it happen.
    She hurried across the road and entered the shop. No one on the cash register. No one to be seen. The shop appeared deserted. Then she heard it. Faint whispers from the rear. She slunk up the aisle. At the end she could see Yianni whispering to someone.
    Elene knocked a tin off the shelf as she rounded the corner. The English girl was there. Guilt groaning from green eyes. Yianni stepped back.
    “Can I help you?” said Elene.
    The girl stumbled clumsily over the words.
    “Em, I’m just looking for hairspray,” she said.
    “I was just showing her where it was,” said Yianni, slightly too quickly.
    Hairspray? Like hell! thought Elene.
    Hell! Yes that’s what she had been going through these past few days.
    That’s when she decided.
    She told Yianni she didn’t need him the next day. She’d see to the shop. He could go shooting if he wanted. He’d looked at her strangely knowing she’d never approved of his shooting but he said nothing.
    She’d sort this English slut out if it was the last thing she did.
    She was glad the girl was a creature of habit. Sure enough, she appeared at the same time as she usually did.
    She stared at Elene standing at the cash register as if she was surprised to see her.
    I bet you are! thought Elene.
    The girl moved swiftly to the rear of the shop. Elene knew she was among the shop souvenirs. This was her chance.
    She shut the shop door and put up the shop closed sign.
    They wouldn’t be disturbed.
    The girl was already at the back of the shop. Near the unused side entrance. She and Yianni hadn’t used it since they’d discovered the steps were crumbling away into the dried up river bed far below. All she had to do was get the girl to the door. One push and it would all be over. No more English girl. No more trouble. She and Yianni could go back to being a family again. They’d never find her body for months in the steep, overgrown banks of the dried up river. And if they did? Everyone knew what the English were like. Wandering everywhere they shouldn’t. And in the most foolish footwear. Flip-flops.
    She made her way up the shop aisle. The girl was right at the back studying a bar of olive oil soap with lavender.
    Perfect, thought Elene.
    “We grow it here, you know,” she said. “Would you like to see where?”
    The girl looked surprised at Elene’s sudden friendliness. She smiled. Oh, it was a winning smile all right. A happy smile. It reminded Elene of hers. In her youth.
    You won’t use that on any unsuspecting man again, thought Elene. I’ll see to that.
    She led the girl down the aisle to the side door of the shop and opened it.
    “Have a look down there,” said Elene. “You’ll see where we grow the lavender.”
    The girl looked slightly surprised but leant forward to get a better look. Her foot in the flip-flop wavered on the top step and she put a hand on Elene’s arm to try and regain her balance.
    The girl’s touch was warm. Almost familiar.
    Elene hesitated.
    Could she do it?
    There was no other option. If she didn’t, this girl would take away her husband and her livelihood. All she’d worked for for years.
    “You’ll see it better if you climb out on to the steps,” she said.
    The girl was a willing victim.
    Her hand loosened its grip on Elene’s arm.
    As the girl’s foot hit the first crumbling step Elene pushed with all her might. The girl’s body went rigid with shock and then she was gone. Out of sight. Into the overgrown river bank or down into the dried up river bed below. Elene didn’t know which. And she didn’t care. Her troubles were over. Her family was safe.
    A knocking at the front door of the shop sent her scurrying down the shop aisle.
    A worried looking Yianni entered the shop.
    “Why is the shop closed?” he said.
    “I had to———————-.”
    Elene pointed to the small toilet on the left hand side of the shop.
    Yianni nodded and went over to the cash register.
    He opened it and shook his head. Times were tough. That’s why he hadn’t wanted to burden Elene with any more trouble.
    And yet he couldn’t go on as he had been. He had to say something. Do something. The shop was empty. Maybe now was the time.
    He took his courage into his hands.
    “Has the English girl been in?” he said.
    He waited for Elene to burst into a barrage of expletives. Greek men didn’t mention other women. Better to pretend they didn’t exist.
    But Elene took him by surprise.
    “The English girl?” she said, like she was creamed cheese.
    “The one in the floaty—————————.”
    Yianni waved his hands in the air like the description was either impossible or dangerous.
    He waited for Elene to lose her temper.
    Nothing. Only a shake of her head.
    Well, at least he had a quiet life up till this moment. He got braver.
    “I don’t know how to tell you this————————,” he started.
    He thinks he’s going to leave me, thought Elene. For that English bitch. But he won’t. Not now. Not ever.
    “Remember what you told me about your past,” Yianni went on.
    The bastard, thought Elene. He’s going to use that as an excuse to leave me.
    But she said nothing. She nodded.
    “I know this is going to come as something of a shock,” he said. “You remember how you found the English girl and me whispering at the back of the shop.”
    It was painful. She didn’t want to hear it. But she knew she had to. Then when he was finished, she’d tell him she thought the English girl had gone back home. She’d tell him she’d forgive him. She’d tell him that she knew that he knew that family was the most important thing in the world to Greek people. That was all that counted. Then they’d get back to their family life.
    She nodded again, mentally preparing what she was going to say.
    “You know I’ve never reproached you for getting rid of your baby back in the U.K.”
    He’s going to use that now, thought Elene. The bastard.
    “Even though family means everything to me,” went on Yianni. “That’s why I was talking to her. To the English girl.”
    A tear formed in Elene’s eye.
    Yianni! How can you refer to that slut as future family?
    “You were going to leave me. For her!”
    She’d draw him in. And then tell him the girl had gone. Her revenge complete.
    “Leave you? For the English girl?”
    Yianni burst into laughter.
    The bastard. he thinks it’s funny, thought Elene.
    “You know I’d never do that! Family matters!”
    What was Yianni talking about?
    “It’s just that our family is going to get a little bigger!” he went on.
    Oh, my God! thought Elene. The English girl was pregnant! How could he?
    “The baby’s back. The little baby you gave up for adoption in England. We didn’t know how to tell you. But I can’t keep it to myself any longer! Isn’t it wonderful news?” he went on.
    Elene struggled to understand what Yianni was saying. The baby she gave up for adoption in England? Where was she?
    “She’s so like you. Just like you were when I first married you. She wanted to tell you straight away but I said we’d better give you a chance to get to know her. That’s why she came here every day. To the shop.”
    He laughed.
    Elene felt her body grow rigid.
    It couldn’t be!
    She wished he would stop. She wished he’d be silent. But Yianni had found his voice.
    “I’d never have spoken to her otherwise. But I couldn’t not speak to your daughter, could I?”
    He laughed again.
    “Your daughter. The English girl. In the floaty———————————.”
    He waved his hand in the Greek way.
    “Your daughter is my daughter. That’s the way it is in Greece.”
    Elene felt herself swaying violently like a palm in a gale. The English girl! Her daughter! She’d killed her own daughter!
    The girl hadn’t been trying to steal her husband! The girl had been trying to contact her!
    Why didn’t he stop? Please God make him stop, thought Elene.
    But Yianni didn’t stop. Yianni was happy. Happier than she’d ever seen him before.
    “Isn’t it wonderful?” he said. “We have a family! A ready- made family. I never thought it was possible. And you’ve made it so!”
    Yianni straightened his back and a tear appeared in his eye.
    “I know it was me all these years. The reason we couldn’t have a family. But it doesn’t matter now. We have one. You made it so. You were right about everything. You always have been. That’s what I loved about you. Me. Yianni. Plain. Not good-looking. Quiet. But lucky to be married to you! We were a small family. Just you and me. But now we’re a real family. All three of us.”
    He wiped away the tear.
     Elene could bear it no longer.
    But she couldn’t stop him. He was so happy. Animated. Alive.
    “And like you’ve always said,” he went on.
    Elene wanted to hug him. Tell him she loved him. Something she’d never told him. Something she hadn’t realised until this moment. But his next words wiped that away.
    “Family matters!”
















for the love of humanity, drawing by Helen Bird, “Inksanity”

for the love of humanity, drawing by Helen Bird, “Inksanity”














A Minor Kitchen Fire

Ted Garvin

    The chief cook once assigned Harren, a six-year-old living in a Neolithic village, to tend fish cooking in a large pot over an open fire. He was in the outdoor kitchen area, performing typically for a child his age. He’d been tasked with tending the fire, which had to burn at a constant rate and perform other duties as required.
    Dinner was going to be an affair, large and confused, with people coming and going. Noise. Chaos. Ingredients in; food out. Usually fairly tasty, unless someone happened to drop something unsavory in the stew.
    “Wake up”, the cook shouted. “Bring me some of that over there.”
    Harren wasn’t sure why he needed to, but he walked the five steps to retrieve the ceramic pot, brimming with fish oil. He had no idea why, but hastened to comply.

    The scold had the opposite effect. In a panic he rushed over to the large pot, and hurried back with it. He tripped over a stick, destined for the fire. The oil spattered in all directions. Unfortunately, some of it flowed downhill to the fire, as though a live thing with will and purpose of its own. The resulting blaze ignited the reserve wood stack. The wind caught the sparks and blew maliciously onto the straw roof of a nearby building. It soon caught fire and burned to ashes, along with their supply of hides.
    He’d remember the beating for the rest of his short life.
















Grotto, art by David Russell

Grotto, art by David Russell














Dog on the Beach

Drew Marshall

    After spending several days with friends in Miami, I took off on a package deal to Paradise Island, in the Bahamas. I’d have three days and two nights to do nothing but lay about. I couldn’t wait to start soaking up the sun and sipping cognac. I would have a chance to recharge my batteries before returning to the rat race.
    I checked into my hotel, changed and headed straight for the beach. I gazed out at the horizon. I had never encountered such a deep, rich, blue sea or sky before. A few greyish clouds were scattered about and included in my view of the seascape. It was approaching noon and the beach was crowded.
    I grabbed a chair and placed it under a huge beach umbrella. I laid out my blanket and placed my belongings down. I reached into my bag and pulled out the new Sony Walkman tape player.
    I saw a dog on the beach heading straight towards me. He stopped right in front of me. The animal gave me a searching look and then plopped down onto my blanket. The mongrel looked similar in appearance to Earl, my Shepard mix that I had put to sleep ten years earlier. In fact it was almost ten years to the day. I didn’t believe in reincarnation, but this couldn’t be a mere coincidence.
    I got down on my knees and held my hand out, as the mutt sniffed, then licked my hand.
    I must say it was without much energy or enthusiasm. He was probably dehydrated or weak from hunger He kept his sad, sunken, yet alert eyes on me every second.
    “Stay here Earl, I’ll get some food and water for you.”
    I got up and took off towards the hotel. I had managed to convince a waiter in the lobby restaurant to let me have the half eaten cheeseburger and empty salad bowl, which he was returning to the kitchen. I dumped the remains of water from a pitcher on the nearby table into the bowl.
    When I returned this canine was in the exact same position as before I had left him. Earl hadn’t moved a muscle. I put the bowl of water down in front of him. He managed to lift his head and I watched the tongue of man’s best friend dart out of his mouth and start lapping up the liquid.
    As soon as the pooch spotted the meat he got up on all fours and ripped through the burger on a bun. He then washed it down with the rest of the water in the bowl. This cemented the bond of our new friendship.
    I sank into the shaded chair, popped on my headphones, and started listening to the Stan Getz classic, “Jazz Samba”. I was relaxing with the soothing sounds of Bossa Nova washing over me and the gentle, tropical breeze blew me into a peaceful limbo. I dozed off for an hour or two. When I awoke Earl was still by my side.
    It was time to get back to my room, shower, make some calls, and get ready for dinner.
    I tried to get Earl to come back with me, but he was too comfortable on the blanket in the shade. I obtained some water from the nearby snack bar and filled the bowl. I would return to the beach after my meal, with some leftovers for Earl, if he was still around.
    After breakfast the next morning, I noticed a large sign was posted in the lobby.
    BUSBOYS AND WAITERS NEEDED.
    FREE ROOM AND BOARD.
    IMMEDIATE HIRE.
    INQUIRE AT FRONT DESK.
    I headed out with a bag of goodies for my new beach bum buddy. Earl was there and greeted me enthusiastically. A far cry from the lethargy that overcame him when we first met. I set him up with a meal fit for a king. He devoured it in no time.
    I kicked back in my chair and started listening to the Santana “Abraxas” tape on my Walkman. When my favorite song, Samba Pa Ti, a beautiful instrumental began, the tape jammed. I couldn’t get it going again and in my frustration I ripped the tape while trying to remove it from the player. A piece of the tape was stuck between the playback heads. I was unable to remove it.
    I threw the player and headphones down on the blanket. I reached into my bag and pulled out the newly published paperback version of Shout! The Beatles in their Generation, by Phillip Norman. It was now the definitive biography on The Fab Four.
    I was a bit more than halfway through this page turner. The band had just released Sargent Pepper’s Lonely Hearts Club Band. A revolutionary concept album that forever changed the definition of popular music. I remember buying the album when it first came out as if it were yesterday. I was in my first year of Junior High School, a mere fifteen years ago.
    About twenty minutes later I looked down at Earl. He was napping in his favorite position.
    I reached for my Kodak and lay down next to my pal, before firing off a few shots.

Drew Marshall photo of dog on beach at his side

    I decided to explore the neighborhood. After lunch I would check in with my furry friend. After a wonderful walk I returned to the hotel. Something was in my shoe so I sat down in the lobby and removed a pebble. I was looking at the sign for waiters and busboys. Tonight would be my last night in paradise. Then it hit me like a bolt from the blue.
    I would make arrangements to bring Earl back to the States with me. In the interim I would take the busboy position and live here, rent free.
    I became a man with a mission. I would make up a story to tell my employer. I became ill, or was injured, while vacationing and would not be back to work for a few weeks.
    I started asking the hotel staff how I could go about this. They all looked at me as though I had just appeared out of thin air, from another solar system. I asked if they would allow me to have Earl stay in my room. They laughed, and thought I was joking.
    Someone tapped me on the shoulder. I turned around and standing before me was an astoundingly gorgeous blonde, in her late-forties. Her green pants suit matched her lovely green eyes. She put down her two small suitcases as she began to speak.
    “Excuse young man, I couldn’t help but overhear you discussing your dilemma.”
    Her name was Annette and the lady spoke in a sultry voice, accompanied by a New England accent. The woman told me she had been coming down to the island every year, for almost twenty years. Trying to accomplish my goal would be a costly and lengthy process. It would involve many legalities and lots of paperwork. I would have to deal with government agencies in Nassau.
    She smiled and said she hoped I would not be too disappointed. It was best to leave the dog here, in its natural habitat. I asked if I could buy her lunch. This stunning creature picked up her bags and explained her trip was over and she was leaving for the airport.
    “Enjoy the rest of your vacation. It’s always nice chatting with a fellow dog lover. I used to breed Boston Terriers with my first husband in Brookline, Massachusetts.”
    I watched her walk away. She had a perfect figure to boot. I returned to my room, showered and rested on the double bed. Annette was right. This was an impulsive, ill-conceived, impractical act. I would be uprooting the poor animal from its home. He was used to scavenging and surviving off human handouts and garbage.
    I had gotten the first Earl from the Northshore Animal League in Port Washington, on Long Island. He was over a year old, previously owned and very well trained. Several months after I brought him home, I noticed he was bumping into furniture and walking around as if he were drunk. The vet told me it was the flu and he would be all right in a few days.
    Over a week passed and he was still having trouble walking. My mother and I took him for a second opinion to another veterinarian. He was diagnosed with an advanced case of distemper and needed to be put to sleep immediately.
    My mother waited in the reception room while I sat with Earl as the vet administered the lethal shot. I cried that night like I never cried before.
    I had taken some photos of Earl before we left. They never came out.
    I went back to the beach after dinner and hung out with Earl until midnight. We didn’t say much to each other. I wasn’t in a talkative mood and he was the silent type. I had planned on saying my final goodbyes in the morning.
    After breakfast, I found I just couldn’t bring myself to see the dog and headed straight for the airport.
    As I returned to my mundane, daily routine grind, thoughts of Paradise Island quickly drifted away. Except on a few occasions, when I look at the pictures of the dog on the beach.
















Beach Head 2, photography by Kyle Hemmings

Beach Head 2, photography by Kyle Hemmings














Up in Ann’s Attic

Drew Marshall

    “I can’t go in. It’s too horrible to even think about!”
    Betty stopped short at the entrance. This was the first stop on our itinerary today. She had suggested it. Betty had been living in Holland for a several years. I had arrived from New York a few days ago, for a two week vacation. She was a twice divorced, forty year old woman of the world. I was twenty eight. This was my first trip overseas.
    “You go; I’ll wait out here for you”
    I tried to convince my cousin to come along, but she was adamant about remaining behind.
    I ventured through the dark doorway to The Anne Frank House. I slowly made my way up the stairs to this seventeenth century canal house, known as the Secret Annex.
    The museum opened to the public in nineteen sixty. This was where Jewish teenager Anne Frank, hid from Nazi persecution with her family and four other people.
    They survived here for two years until they were caught and sent to the death camps. Only her father, Otto survived. Upon his return after the war, the people who had hid them and kept some of their belongings gave Otto the diary.
    The first thing I noticed was that I was alone, in what looked like a very small area. I learned later that this room was a total of five hundred feet. At six feet tall, I had to bend over while walking around to avoid hitting my head against the rafters.
    I had seen photographs before and was familiar with the Academy Award winning film, where this space appeared much larger than it actually was. As I looked around, an eerie feeling overwhelmed me. I thought about what I had read and what actually took place in this austere attic I now inhabited.
    I was sudden hit by the weight of history and became very anxious. I suffered from a mild case of claustrophobia, but usually had it under control. I literally thought the walls were crashing in on me. I panicked and had difficulty breathing. The stench of death permeated this place. I shot down the stairs and back into the street. I was elated to see the light of day and breathe in fresh air.

Drew Marshall photo at Ann Frank house

    Behind me I heard Betty call my name. I turned around and she took a few photos of me in rapid succession with her camera. She suggested we go across the street for a bite at the sidewalk café, where I could tell her about my experience.
    After ordering our lunch, I noticed an American newspaper, at the table next to ours.
    Harry Chapin, the Folk singer and activist had been killed in an auto accident, on Long Island. President Reagan had sent the nomination of Sandra Day O’Connor, to congress the week before. She would be the first woman in history to sit on the Supreme Court, if appointed. There was a profile on her in the paper.
    “Tell me all about it!” she asked, eagerly awaiting my response.
    I told her everything. Everything except for my panic attack.?



Image of sign pointing the direction to the Anne Frank House in Luxembourg, Copyright © 2003-2018 Janet Kuypers














The Mischievous Ones at Frostproof High School

Dr. (Ms.) Michael S. Whitt

    In the exact center of the Florida Peninsula is a small community high school named for the town in which it is located. Including Key West, Frostproof High is in the middle of the state. A precocious, mischievous, and beautiful girl, Amanda Rosaleigh Blake, is one of the more interesting students in the school, as are a few of her equally mischievous, smart, and beautiful girl and boy friends. The school has a junior and senior high school. With all six grades its population is just over four hundred students.
    Amanda had been going out with boys since she was an eighth grader. This may seem somewhat young, but her parents were caught in a bind as nearly all of her girl friends were one or two years older than she was. They made her walk on her dates until she reached the ninth grade. Sly young woman that she was, she often arranged for an older girl friend and their date to pick her and her companion up after they were out of sight of Amanda’s house. Then during the summer before her ninth year, she had an imaginative boyfriend who found an old T-Model Ford, which would only go twenty-five miles per hour. When he fixed it up, Amanda’s parents let her go in this car for the last few weeks before her ninth grade.
    Now that she was in the tenth grade, she was facing her first romantic conflict. In short, she had a problem. A boy with whom he was fond, Jason Morgan, had asked her to “go steady” with him and wear his Future Farmer’s of America ring. The FFA was the only boy’s club at Frostproof High, and therefore nearly every boy who was any body belonged to it. Since Jason was only in the tenth grade, he had no class ring to offer a girl.
    Two weeks ago when he asked her to wear the ring she thought that going steady might be a good idea. However, in the meantime, she had second, third, fourth . . . thoughts about it. Within that short time, she began to positively hate the idea. She realized that she had accepted it because some of her equally popular girlfriends were wearing boy’s rings, and she did not want to hurt Jason’s feelings. Those were not acceptable reasons for committing oneself to date only one guy.
     One of the things that made her realize what a terrible mistake she had made is that she had eagerly accepted an invitation for a date with Lloyd Clinton, a boy in the senior class she liked a lot, who was in an Algebra II class with her. They had been attracted to one another for some time, but he was going steady with an older girl who had recently graduated, and left town to go to a trade school. They broke up soon after she left. In short, absence did not make their hearts grow fonder. Lloyd was a little intimidated by Amanda because he knew correctly from her actions in algebra II that she was probably the smartest student in the school. He had been trying to work up his nerve to ask her out for several weeks. He finally decided he would wait no longer, and asked her on a Monday close to the Easter Holidays. She showed him the ring, but told him she intended to return it after school that day. She accepted a date for that Saturday night. She was excited about it.
     Another boy with whom there was a mutual attraction between him and Amanda was A. J. Harris, the son of the district’s state senator. Although A. J.’s dad was quite wealthy, he was not conceited or self centered as some rich kids are. Everyone liked A. J. He was in the same fourth period library science class as Amanda. He was taking library science because it was a crip course. Amanda was taking it as she was unable to take both algebra II and Spanish I since they were offered at the same time. The only alternative to the library was an intolerably boring study hall. There was rarely any studying that Amanda had to do. A. J.’s presence in the library was a definite plus for the experience. Soon after they were thrown together alone for the first half of the period, when the beak nosed librarian was at lunch, sparks of an erotic nature began to fly between them.
    A.J. was also a little intimidated by Amanda because she was between one and two inches taller than he was and she was smart. She could tell he was working towards asking her out, and she wanted to accept when he did. This was the strongest attraction she ever had for a male. He had black hair and lovely blue eyes about the color of hers. He had a great build, and exuded an erotic warmth that melted her. She did not want to miss going out with A. J. just because she had a dumb ring.
     Amanda at one level dreaded giving the ring back to Jason, but that would not stop her. She was halfway afraid of his temper and a chip he seemed to carry on to his shoulder. She thought he might get unpleasantly huffy or even violent. This dread came from an experience she had with Jason and a tall, dark, and handsome male junior high school English teacher, who was in his first year of teaching at Frostproof High. The English teacher, Mr. Mahon, had come on to her rather strongly, but only at a verbal level when she was in the yearbook room fulfilling her duties as business manager. The person in line to be the editor when she or he was a senior was a business manager in their ninth and tenth grades. This included, among other things, ordering pictures students wished to have involving various activities which were being considered to be put in the yearbook. The sale of these pictures gave the yearbook staff a larger treasury.
    Amanda found Mr. Mahon attractive, but the fact that he was at least fifteen, maybe even twenty years older than she, made her uncomfortable. Also, the fact that he was a teacher and married were two other factors which sort of freaked her out. Nevertheless, Amanda was flattered and sort of amused by Mahon’s come ons. She shared them with Jason after he gave her the ring, much to her regret she soon came to see. He became extremely and loudly angry with Mahon, and was threatening to “beat him up.” This behavior turned Amanda off so thoroughly that it turned out she had no trouble returning his ring.
     Two weeks after he gave her the ring Amanda returned it saying she had made a mistake thinking she wanted to go steady with anyone. This was on a Monday afternoon after school. She watched in horror as his face turned red with anger. Her horror increased when it turned dark with resentment. She had no idea what would happen next. She got ready to run, if necessary.
     “What?” he demanded hatefully. “How could you do this to me? You’re a mean bitch Amanda Blake. I hate you.” Amanda’s breath was taken away his response was so coarse and ugly.
     “Well, I’m terribly sorry, but anyone can make a mistake. It’s not like we’re engaged. “Going steady” is an abstract category erected by teenagers. It does not mean a whole lot in the larger scheme of things.”
    “What do you mean,” he screamed, “it doesn’t mean a lot? I was in love with you.”
    “Good grief, Jason. I’m not even sixteen years old and you’re barely sixteen. We are a bit young to be talking about being in love. I don’t know about you, but I plan to finish high school and at least undergraduate school in college before I think in these terms. Here’s your ring. I need to end this fruitless conversation and move along. I have things to do.” Amanda left Jason cursing and mumbling, but she did not let him get to her. She knew that would be a terrible mistake.
    Both Lloyd and A. J. breathed a sigh of relief when Amanda came to their respective classes the next day without the ring around her neck on that chain. It was already early May and school would soon be out. A. J. finally asked her out in mid June. Amanda was delighted. She was having a good time in her new relationship with Lloyd, but her feelings for A. J. were more compelling. There was a strong chemistry between them, so much that it scared her a little bit.
    A funny thing happened as a result of this attraction. A. J. and Amanda were standing together in one of the two front library doors just before the end of the school year. They suddenly turned toward each other and caught their breaths. They were about to kiss when something happened in the library that startled them. This was a stroke of luck since just as they turned to see what was happening, the beak nosed dumpy librarian came around the corner headed toward the front doors. Had this not happened she would have caught them kissing, and she would have been livid. They had already gotten a nasty note from the old “bag.” All of the mischievous students referred to her as this. A few were boys, such as A. J., but most were girls. The note referred to a shelf reading task she had assigned them. They did a lousy job and the note indicated she was less than pleased. It read “regarding your shelf reading I found the following errors: A. J. 49; Amanda 50.” The note amused them. They howled with laughter when they read it. They were really grateful that they had the library alone without her for half the period.
    One of the funniest situations they had with Miss Hart involved a picture Amanda drew of her after she finished doing some library work for her first period world history class. The picture actually could not truly be said to be of Miss Hart because all it said at the bottom was “Guess Who?” She might have written Miss Hart on it or even worse, “Hart the Fart,” another designation the mischievous ones gave to her. She did not do either one of those things. Hart did not really have a leg to stand on in this case, but she thought she did. However, except for the prominent nose which really did not make the picture look all that bad, there was no reason to believe it was Miss Hart. And after all there were many people in the world who had prominent, beak-like noses. Hart saw Amanda drawing something. When she could not find a trash can in the usual place because the Christmas tree was in it, she started to put it in the one behind the check-out counter.
    Hart told Amanda to bring the picture to her. All of a sudden it seemed as if everyone in the library knew what was going on. Hart was furious. Their were several male teachers in the library at the time, all of whom were friends of Amanda’s. None of them had any love lost on Miss Hart. They were her social studies teacher, Ben Teisinger, the Head Coach, Tom Perrin and his assistant, Alex Mann, and the new senior high English teacher, Herb Livsey, just fresh out of college on a basketball scholarship. These four were in the back of the library “laughing their asses” off, as A. J. put it. He happened to be going past the library when this was going on, and out of curiosity came in to see what was happening.
    Miss Hart took the picture to the Assistant Principle, Howard Bynen, a former Tampa policeman. She informed him that she “could not have students in her classes who felt this way about her,” what ever that meant with respect to the vague picture and “Guess Who?” Bynen, basically a coward, let her get away with her insanity. He may have known that Amanda’s parents would not stand for this resolution. They would do his job for him.
     Bynen called Amanda in after Hart spoke with him. He gave her the mildest and most gentle scolding possible. Hart called her in second period. She told Amanda of her decision to drop her from the class and give her an F for the year. With respect to that Amanda did not give a “rat’s ass”, as the mischievous ones would put it. She was disappointed that she would not have her time with A. J. She could beat the study hall, by getting permission from the yearbook sponsor to work on her pictures in the yearbook room that period. Hart scolded Amanda for her “undesirable behavior,” a fact that merely amused the young woman. She spent that fourth period in the yearbook room. She sneaked into the library during the first part of the period to see A. J. a couple of times. After that he sneaked in the yearbook room a few times from the library. The two discovered that room was a great place for stealing kisses. When Amanda arrived home and told her parents about the situation, they determined that it would not stand. They were quite annoyed with Howard and Kinnard. The only punishment they would accept for Amanda was a day or two of detention. As it turned out, she did not even get that.
    “Don’t worry honey, Hart is not going to get away with this ridiculous penalty of giving you an F for the year for that silly course,” her dad told her.
    “Thanks Dad,” Amanda replied. The next morning the first thing Bradford Blake did was call Howard at his office. Brad told him in no uncertain terms that Kinnard’s penalty could not stand and that Amanda would be allowed back into Library Science that day. When fourth period rolled around that is precisely where she was. Howard apparently told Kinnard that Brad and his wife, Jacquelyn, had a whole lot more power than she did.
    “Man, am I’m glad you’re back. I missed your pretty self with your excellent clothes,” A. J. told her.
    “Thanks A. J. That means a lot. My dad let Bynen and Hart have it. I think Bynen was glad he could play a capitulating role to avoid trouble with the ill tempered bag.”
    “Yeah; she’s a pain in the ass,” A. J. said with a giggle.
    “Awoman to that, friend. I say awoman because men have too many references to them in our language.”
    “That’s good, Manda,” A. J. said in an admiring way.
    Amanda and her next door neighbor and good friend, Jenny Bradly, decided to play a truly devious trick on the old bag. That year the teachers had hall passes in the form of long, slender, thin, boards. They were painted white and had the teachers name on one side and pass on the other in red. Jenny and Amanda decided to steal Hart’s pass and do a “doctoring job on it.” The day they took the pass, Jenny wore a skirt that had an extraordinarily long pocket on one side. The pass could be carried in it without its being seen. Jenny came by the library during fourth period when only Amanda and A. J. were there in an official capacity. Jenny got the pass in order to carry it to her home where the two girls would do their doctoring job.
     A.J. was duly impressed with their actions. They made him happily high and giddy. He was so gay that he tossed Hart’s “Frostproof High School library” stamp out the window laughing all the while. From this second story perch it landed beside the flag pole in front of the administrative offices. Someone found it there about two weeks later.
     When they got the pass home the two locked themselves in Jenny’s bedroom. They scraped the H off on Hart and replaced it with an F using matching red fingernail polish. Then they scraped the P off of Pass leaving “ass.” Up to this point the pass was only known to be missing. The following day Jenny again wore the skirt with the long pocket on it. She brought the pass to the library during fourth period. Amanda and Jenny hid the pass behind the Encyclopedia Britannicas. By the next day during that time, it had not been discovered. At this point A. J. stepped in.
    He said to Amanda and Jenny, “Listen, that encyclopedia is hard reading for most. Let me put it behind the World Books. Everyone reads them.” Sure enough by the end of the day the pass was found and given to Hart.
     One student who was excited by Amanda’s and Jenny’s trick told Miss Hart in order to throw her off, “You know that in order to remove the paint from the pass, one would have to have some paint remover. In order to put paint on the pass, one could have to have paint. The only students who have access to those things are the boys who are taking vocational agriculture.” There were at least forty of them. What a joke! The students laughed. Amanda and Jenny had gotten the paint off with a finger nail file. They had put the F letter on the pass with Jenny’s red finger nail polish. It matched perfectly.
    For several days Miss Hart was convinced of the guilt of some of the vocational agriculture students. Then one day a week or so later, she caught the group in Jenny’s third period library science class looking in her grade book. She was gone from the library during the last half of third period. That day, however, she returned to pick up something she had forgotten to take. That is when she caught these four students with her grade book. In addition to Jenny, who was the captain of the cheerleaders of which Amanda was a member and later to be captain as a senior, Jenny’s group included the drum majorette, Ferne Farris, who was a good friend of Amanda’s and Jenny’s. This group also included two boys. The business with her grade book was a “No, No” to the old bag. She was madder than a hornet in a disturbed nest. With a contorted logic, She decided this behavior meant that they were also guilty of doctoring her pass. Of course, none of them would admit to any guilt at all, but she kept accusing them hoping for a confession. It never came.
    Thus, the “War” between Miss Kinnard Hart and the mischievous ones at Frostproof High School continued until the end of that school year. At that time, Jenny, Ferne, and some others of the mischievous group were graduating. For the others the war had finally become boring. An informal truce came into being initiated unilaterally by the mischievous ones. By the time Amanda and the other mischievous students were juniors and seniors, they were busy with other things, such as school activities, deciding which colleges to attend, boys and girls, making other forms of mischief.
















Uzeyir Cayci Hedeftekiler, art by Üzeyir Lokman Çayci

Uzeyir Cayci Hedeftekiler, art by Üzeyir Lokman Çayci














Student Debt, art by Rose E. Grier

Student Debt, art by Rose E. Grier














The Yellow Ribbon

M. E. Murray

    I left the hospital as fast as my arthritic legs allowed. Red-orange hues of sunrise appeared on the horizon as I opened my car door. Slipping behind the steering wheel, I glared at the yellow ribbon dangling from the rearview mirror and remembered the god-awful summer evening an unexpected phone call disrupted my life.
    Two years ago Frank, my husband, was in the backyard grilling pork chops and bamboo-skewered veggies. I was in the kitchen getting drinks when the phone rang. I picked up.
    “Marge, do you have a minute?”
    Dorothy’s voice sounded apprehensive. Worried, I said, “Is something wrong?”
    She hesitated and spoke slowly. “The pains in my abdomen are ovarian cancer.”
    For once in my life, my motor mouth stalled in its tracks. What could I say that didn’t sound like a cliché? Finally I came up with, “We’ll face this together.”
    Dorothy must’ve noticed the uneasiness in my voice. In a comforting tone, she said, “Don’t worry, Marge, I’m going to beat this.”
    We joined forces. We prayed. We saw numerous doctors. But in the long run, the cancer had taken my friend early this morning.
    Weeping, I rammed the key in the ignition and glared at the ribbon that Dorothy had placed on the rearview mirror. I understood the significance of a yellow ribbon. It stood for hope. It meant Dorothy would be alive and well, but that didn’t happen. I yanked the ribbon off and flung it out the window. In the blustery wind it undulated like a helpless snake until it disappeared.
    Tears clouding my eyes, I cranked the engine and sped out of the parking lot. As my SUV mingled with the bustling traffic, I considered calling Pete, Dorothy’s ex-husband, to tell him that she’d died. No. I couldn’t do that yet. The tears would interfere. Besides, I would only say hurtful things, such as “Why weren’t you here? Never mind. I know why. Your second wife needed you more than Dorothy did.” That thought made my gut flip, but the next one made me feel better. Frank. He was home, taking care of our granddaughter. Being with them would reenergize me. Plus, he would help me figure out a way to deliver the horrible news to Pete.
    Suddenly, my ears picked up a familiar sound—a siren. Through the rearview mirror I saw lights flashing behind me. Oh no! What did I do? I had never received a citation for anything! Dang! I pulled over and stopped, taking out my driver’s license.
    The motorcycle cop approached my window. “Ma’am, do you know why I stopped you?”
    Honestly, I didn’t know why he’d stopped me, so I answered, “No.”
    “Ma’am, I clocked you at twelve miles over the speed limit.”
    I raised an eyebrow at the officer who reminded me of my young, tall, lean nephew. And because he looked so much like my nephew, I felt like inviting him to dinner to fatten him up. But I also feared him. I looked pitiful. I was wearing yesterday’s crumpled clothes and sporting a craggy face without makeup. My bloodshot eyes probably indicated that I was inebriated when I wasn’t. I played it safe to keep from ruffling his feathers. “I’m sorry, officer,” I replied, handing him my driver’s license.
    He scrutinized it and said, “Is this your car?”
    “Yes.”
    “May I see your registration?”
    I nodded. Having seen enough cop shows, I made sure he saw my hands, then opened the glove compartment. Inside was a yellow ribbon. “What? A yellow ribbon?” I asked myself. Surely, this ribbon wasn’t the ribbon I’d ripped off the rearview mirror and thrown out the window. Startled, I stared at the frayed strings attached to its end. Indeed, it was the ribbon Dorothy had put on the rearview mirror. But, how did it get in the glove compartment? Did being overpowered with grief make me put the ribbon in there? No. I distinctly remembered pitching it out the window.
    Suddenly, tires screeched. At the intersection, a few blocks ahead, I saw a truck violently slam into an SUV. Flames erupted. Motorists swerved to avoid the inferno. I turned to look at the cop, but I didn’t see him. I glanced behind me to see if he was at his motorcycle, but the motorcycle was gone and so was he.
    What had just happened? That inferno could have been me. I stared at the yellow ribbon and thought the thing that I had so disgracefully thrown away was a sign from Dorothy. She’d let me know that she was taking care of me as I had taken care of her. Tears rolled down my cheeks. I grabbed the ribbon and put it back on the mirror where it belonged. After all, Dorothy had put it there. It was a reminder that nothing, not even death, could end our friendship.
















Fortune and Glory

Mark Towse

    He was always getting in trouble for bending the teaspoons, his Mum would find them in the cutlery drawer covered in dirt and misshapen. To Tom, they represented so much more than something to smash a teabag around with, they were his digging implements and they were going to help him become famous.
    Most of the summer vacation was spent reading books and watching films about treasure, he had convinced himself gold bullion was always just farting distance away, that one day very soon he would be on TV showing off his bounty and signing autographs. Turning twelve in a couple of weeks, he’d asked his parents for a metal detector, he had seen a few oldies at the beach with their pants pulled up to the knees hovering the instruments above the sand and thought it looked like fun. After watching Raiders Of The Lost Ark for the zillionth time in two weeks, he’d spent the Tuesday afternoon digging down the side of the house and found some fragments of old pottery. His guess was seventeenth century but his Mum said it was just tat and it didn’t look more than twenty years old so he decided not to ask for her professional opinion from that point forward.
    “Tom, you know how much your Dad loves his garden. He’ll go nuts if he sees you have been digging around, can’t you do that somewhere else?” his Mum had said at the time and then started crying immediately, he left her to it thinking it must be that time of the month, his Dad had given him a heads up on this one.
    Tom was only working on the hole in the back garden for about five minutes before he saw something small and disc-shaped sticking out the ground. This is it, I’m going to be famous he thought as he dug around it, the little spoon flicking mud up ferociously. It was impossible to immediately tell what it was, he’d found a few bottle caps in the ground previously but this had a smooth rounded edge. After wrestling with it for a while he finally managed to break the object free from the soil and ran into the house to start the clean, he ran it under the hot water tap in the kitchen but it didn’t seem to shift the dirt so grabbed his toothbrush from the bathroom and gave it a good brush. The soil was slowly starting to scrub off and he realised it wasn’t a coin at all but a small charm or pendant, he also saw that as the dirt was washing away there was a red flower appearing on one side and some letters were becoming visible on the other, J ... a ...c...Jackie! Giddy with what was his best find yet, he started dancing around the bathroom and did his Indian Jones impression in the mirror “Fortune and glory kid. Fortune and glory” he said and winked.
    He’d say he dug it up from the field near Luke’s house where he had spent most of the vacation hanging out. Luke’s family only moved into the area last year but they had become good friends and spent their time building forts on the field, his parents had dragged him away on a camping trip a few days ago. The night before Luke left they had been allowed to try the new tents out and camp outside in the garden, when they thought Luke’s parent were asleep they walked across to the field, sleeping bags under their arms, with the intention of building a fort and sleeping in it and rushing back at first light.
    When they got there and far off in the distance they could just make out to be what seemed to be two big kids with exactly the same idea, they got spooked and went back to Luke’s house and said they would check it out when he got back from the trip. Tom had already been across but couldn’t find anything interesting; it just looked as though the ground had been turned over and besides he promised Luke he’d wait for him to come back.
     “Mum, Mum ... look what I found!”
    That didn’t get a response; he checked the living room and kitchen but no sign of her. His parents’ bedroom door was locked; he knocked gently and pushed the door open and found his Mum in bed with a damp cloth across her forehead.
    “Not now Tom, sorry love ... just a migraine.”
    What if there’s more?
    He closed the bedroom door and rushed back outside and started digging a couple of inches away from where the pendant was found. This time he noticed the ground was coming away in big chunks, it seemed odd to him as last week he had gone through four spoons trying to get through the ground at the side. It was only a few seconds of digging before he came across a bracelet; it had a bit of discolouring around the edges but aside from that it looked in great condition.
    Holy moly, holy moly he thought this is unbelievable!
    He collected it from the soil and placed it next to the pendant. Seconds later he found a gold chain possibly from the pendant, he examined it in the light and saw the chain had been broken, the catch was still locked but a couple of the links had been ripped open by the looks of it.
    He started another hole to the left, again the soft ground gave easily and it was seconds before his spoon hit something else. He scrabbled around the dirt and his fingers brushed against something sharp, he noticed the speck of blood on his finger and wiped it on the mud. He was about to start digging a deeper hole to get some leverage but he heard his Dad’s car pulling up down the driveway.
    Crap, crap, crap he put the pendant and bracelet in his pocket and started shoving the soil back in place. He jumped up and down on the ground until the earth was packed in tightly and tore some grass from around the area and threw it on his dig site. That will have to do he thought and sneaked through the back door, threw his shoes into his room and went to meet his Dad in the kitchen, this will cheer him up, he thought, he loves this kind of stuff as much as I do.
    “Dad, you need to see what I found today!”
    “Sure son, let me get a shower and some grub and you can show me your treasures.”
    That was becoming a familiar pattern of late, now wasn’t the perfect time but later for sure and then when later came around he got the same dose again. His Dad’s new boss was giving him grief about him not hitting targets, making him work later and generally being a pain in the ass by all accounts. He wanted his fun Dad back, this didn’t seem fair.
    Tom sat in his room patiently admiring his stash; he ran his fingers over the bracelet and tried to imagine the person that might have worn it. They certainly didn’t look like ancient heirlooms but that didn’t dampen his excitement, they were his now and there were probably more near his dig site.
    He headed to the living room to find out what was taking his Dad so long and found both his parents mid-discussion, he slid behind the door. They were whispering to each other but also seemed to be arguing from the body language, he’d never seen them have a whispering argument before.
    All of a sudden the volume increased “John, I can’t do this anymore!” his Mum had screamed and then buried her head in her hands.
    “I know Bec, I’m so sorry ... tell me what you want me to do.”
    His mum let out a huge sigh and his Dad reached out and hugged her close, she started to sob quietly as she stared out of the bay window and rested her head on his Dad’s shoulder and just as quickly pushed him away and slapped him across the face.
    “Fuck off John!”
    His Dad solemnly walked out the room “I’m sorry” he whispered on the way out and left the house and got in the car.
    This argument is nuts Tom thought as he stealthily picked up the laptop from the coffee table and took it into his room. The words necklace and Jackie returned over three million hits; five pages later Tom realised he wasn’t getting anywhere so tried adding the word Yorkshire.
    The first two searches were for jewellery shops in Sheffield, he went straight to number three. He read the missing person report for a seventeen-year-old Jackie Trent; she was last seen on 7th August but didn’t return home from work. She is 5ft 4 inches and 120 pounds, short brunette hair and was last seen wearing a black skirt and red top. She was also wearing a pair of Armani glasses and a silver bracelet on her right wrist. It said there was a reward for information leading to an arrest of two hundred thousand pounds and a number to call.
    There was a picture of Jackie underneath sporting the specs and a smile revealed braces. His eyes were immediately drawn to the chain around her neck; he followed it down to the pendant with the red flower.
    Holy guacamole!
    Tom looked at the pendant and back at the screen, they looked identical. He immediately thought of showing his Mum but the timing was probably off, instead he sneaked out the back door again teaspoon in hand.
    The earth pulled away even more quickly than before, he saw the exposed metal from the previous effort and started to dig around. He popped his finger under the object and pushed upwards, but it still wouldn’t give, he tunnelled around it until he recognised the blade of a knife.
    Shit, Shit, shit ...
    He worked on the opposite side and the black handle was eventually exposed. He curled his fingers around it and pulled it out the ground, the blade was about four inches long with a smooth black handle. Along the edges there were speckles of dark red; Tom assumed it was dried blood.
    He used the knife to start another hole; it sliced through the dirt and much more effective than the bendy spoons he had been using. He stabbed at the soil and then heard a slight crack, flicking the dirt up revealed the rim of the spectacles and the broken lens. He dug his hand into the dirt and grabbed the arm of the glasses and wiggled them free, the writing on the side of the arm read Emporio Armani.
    Two hundred thousand pounds, his Dad could tell his boss to stick it!
    He went to talk to his Mum figuring she might be feeling a bit better now but found her asleep on the couch; he hated seeing her upset and felt a sudden burst of anger at his Dad for walking, they had argued before but not like this.
    Tom picked up the handset and took it through to his room, he dialled the number he had taken from the laptop and before anyone could answer he pressed call cancel. He stared at the phone for a while and thought about how idiotic he had been as he played the question over and over in his head. He sat on his bed and looked at the photo on the screen, a week ago that girl was alive and now he was finding her stuff buried in their back garden.
    How?
    Tom sat at the edge of his bed with his head in his hands for over an hour; he was no closer to any logical explanation that might help ease his trepidation over what had occurred.
    Finally, he got up, went out the back door and into the garage, he saw the spade hanging over his Dad’s workbench and went to inspect it. From what he could tell it was pretty fresh dirt but he couldn’t remember the last time he had seen his Dad using it.
    “T!’”
    He turned around quickly and saw Luke running up the drive lugging his Dad’s shovel behind him. “Tom, come on let’s head to the field and see what those kids were up to. Grab that spade”
    He paused for a second looking at the space and then took it off the rack and shut the garage door behind him, he was relieved to see Luke, everything was getting a little too weird and this was a welcome distraction.
    “On it Luke!”
    They saw the mound of new earth that the kids had turned over and Luke immediately started digging into it “What did you get up to the last few days?” he asked “I bet you missed me! “
    “It’s been pretty dull dude, to be honest” Tom said.
    I found out my Dad’s a murderer though.
    “Yeah, camping sucked too ... all mud and loo roll!” Luke grinned.
    They were digging for a while before Luke shouted him to stop. “Do you see that?”
    Tom looked to where Luke was pointing and saw a piece of the red fabric poking out the dirt.
    Red top, oh shit!
    “Luke, I think ...”
    Luke had jumped in the small hole and started to pull on the fabric, before Tom could jump in after him to try and stop him the hand emerged from the soil. Luke immediately let go of the sleeve and yelped, the lifeless hand fell clumsily to the ground and he leapt away from it and scrambled out the hole.
    “That’s a hand Tom!”
    No shit Sherlock!
    Tom was getting over this treasure hunting business, all he wanted was a few old coins and perhaps a fossil or two, he didn’t want to be digging up dead girl’s jewellery and certainly not her limbs.
    “We need to call the police T, this is weird.” Luke grabbed him by the arm and started heading off towards his house.
    “Wait Luke, “Tom shook him off “I know who this is.”
    “What do you mean, how could you possibly know who this is, we haven’t seen the face yet!”
    “Luke, I’m telling you I know. I’ve seen the missing report on the internet, her name is ... was Jackie.”
    “T, you are freaking me out now. How do you know that this hand here belongs to this Jackie?”
    He told Luke the full story, it felt a big relief to get it off his chest but at the end of the debrief he realised there wasn’t going to be a movie ending to this.
    “I’m going to talk to my Mum tonight Luke, please don’t say anything to anyone”.
    Luke grunted an okay but insisted on seeing the other stuff Tom had found. They shovelled the dirt back over the hand and clothes and walked back to Tom’s house. His Dad’s car was back in the driveway and they could hear voices coming from the living room window, Tom gestured for them to duck and they sneaked under the bay window to listen in.
    “I can’t do it John, it’s no good ... we need to sort this out.”
    “I’ll say it was me Bec, we’ll keep you out of it.”
    “What about DNA John and what about the fact that my fingerprints are all over the knife?” She was frenzied now, breathing heavily and erratically.
    Tom was struggling to take this in; his Mum was the killer, what in the name of God would prompt her to kill a seventeen-year-old girl?
    “You have to tell the police T!”
Luke took him out of that thought pretty sharpish.
    “They’re my parents Luke, this is nuts ... this can’t be happening,”
    “It is T, you just heard their confession. I know this is insane man but that girl is dead, you have to call.”
    “I don’t know what to do Luke; I just need some time ...”
    The police came later that day and took them both in, Tom didn’t have a clue what would happen next but he guessed this was game over to some extent. His Grandma picked up and showered him with biscuits and tea, he asked his Grandma to stir his tea for him though as he didn’t feel the same way about teaspoons anymore.
    He read the full story in the Newspaper at his Grandma’s house, she had thrown it in the bin but he had taken it when she was hanging out the washing.
    From what he could gather his Dad had met Jackie when she took a summer job working at the office. She took a shine to him during her training, he bought her a few gifts and during that time they went out for drinks and end up sleeping together, before you know it she was waving a positive pregnancy test in his face.
    He offered to pay for the abortion but she wanted to keep it, she wanted financial input from his Dad and after making various threats he came clean. After the inevitable name calling, tears and anger and tiptoeing around from his Dad, his Mum decided the best thing to do would be sit down with Jackie and discuss the situation so she invited her to the house.
    When Jackie became quite aggressive with her demands his Mum simply lost it, the betrayal and the fact that she was sat in her kitchen making these demands after ripping the family apart was too much. She had excused herself to go to the bathroom and then came back with a pair of scissors and shoved them into the right side of Jackie’s neck. When Jackie had tried to make a run for it his Mum had grabbed a steak knife from the stand and shoved it into her stomach and on their kitchen floor she had bled out.
    His Dad took the bracelet, the glasses and the pendant from her neck and of course the knife to try and hide any trace back to him and buried them in the back garden. That night when Tom had spent the night camping in Luke’s garden, his Mum had stabbed a seventeen-year-old to death and then his Dad help bury her in the field where he and his friend spent most of their summer.
    It was Mum and Dad at the field that night!
    Tom knew it was Luke’s family that had called the cops; he remembered Luke’s eyes light up when he mentioned the two hundred thousand pounds, he couldn’t blame him I suppose.
    In the last few days my life has turned into something from a Stephen King novel, Tom thought, what the hell happens now. No fortune and no glory!
    He cried himself to sleep that night and mentally wiped the metal detector from his wish list.
















The Great Charlemagne, le Monde image by Aaron Wilder

The Great Charlemagne, le Monde image by Aaron Wilder














An Old Quarter Love Story

Fizza Sohail

    1.
    It was alive. The window frame shook under her arms from the music as she peered down and out at the people walking and laughing and eating and drinking. Three stories up and she could still make out the glisten of the road awash with left-over beer, she could smell it. She had never tasted it. Heads milled around: golden, red, pink, brown, hats. An sat on a crate, surrounded by a dozen other, and boxes, stuffed bags, cases. It was the only room in the house with open, accessible windows.
    Her room was on the second floor and the windows remained closed. The smoke and air made her grandmother’s chest cough worse, and the voices and sounds were too much for her middle-aged aunt. The first floor held their shop with hangers of patterned clothes and scrawled prices on paper. It was a pattern mimicked by every two other shop on their small street. The rest sold pickled eggs and nuts, with a toothless sleeping tobacco seller filling in the gap. The biggest pull on their street was the white tiled corner room with red stools marking the sidewalk. It served big bowls of steam and plastic glasses of fresh beer from four to midnight.
    It was one golden head she sought, curly with three shades of brown and gold, almost as long as hers. He had sat down on the little red stool yesterday, one of a noisy group of all colours but her own. She had watched him eat as she rearranged the banana and watermelon shirts according to fruit. She had watched him smile and laugh and touch other women and men in what was it, camaraderie? She saw him telling stories. She saw him pause outside their shop while she sat inside thinking about him. She heard her youngest brother call out to him.
    ‘Hey!’
    ‘Hey man. What’s up with all of these fruit?’
    ‘Look so good man! Traditional clothe, ladies like so much.’
    She stood up when she heard him laugh and shake his head and look around. His friends and her brother were engaged in money talks. She sidled up closer, not wanting to make a sound or breathe too loud. Her brother’s voice was like a whip when he called out her name. Still invisible, she got the matching banana shorts, and held them out to her brother.
    ‘Free-size!’
    More haggling. She stayed behind, looking busy, her face her brother’s twin; longer hair, without the smile. There was a plaque in their shop that read ‘Wherever you go, go with all your heart.’ He stared at it, looking contemplative. There were three girls in the shop, moving across racks, speaking in languages she didn’t understand; and two other men with bare arms having a kick at their clothes.
    ‘Drew, do I look fruity?’
    Drew, his name was Drew, Drew, Drew. He looked at her, maybe he had sensed her looking, and smiled. She froze, heart in her throat, choking. She smiled back, exhaled.
    And then they had left, with one shirt and a pair of shorts, banana style, free-size.
    By the window, she saw all sorts of heads, all sorts of stories, but it was only one that her eyes sought tonight. She stayed there watching until the lights on the street went out; the chairs and tables folded and kept away; and the strollers became infrequent groups laughing, women walking by fast, couples kissing, touching. It was deep into the night when she went to lie down on her straight, hard bed, thoughts of his, Drew’s hands on her thighs, hitting them lightly as he told her a joke. Her windows remained closed to the sights and sounds of outside, her grandmother coughing, aunt snoring.
    2.
    She stood washing dishes, lathering the front, the back, putting the plate down on the stack to the right.
    ‘Maybe we’ll find you a nice young man from your year at the party, oy?’
    An bobbed her head, which could mean anything, and kept on turning the plate around in her hands. There was nothing to say. It felt a little like cheating, if that’s what cheating felt like; hearing those words as she ran her soapy hands under the water, watching the rivets flow down on her skin.
    Her father laughed, grunted, turning to his eldest son. Her brother was getting married, moving to a new neighbourhood, their home too narrow for the family he wanted to make.
    She was next. She’d be married soon to someone, some business owner like her father maybe. He’d take her to bars and she would try beer and she would help out in his shop and arrange his racks.
    There was a plaque in their kitchen that read, ‘Without feelings of respect, what is there to distinguish men from beasts?’
    It felt a little like cheating.
    3.
    It was around 11.30pm that her heart froze. She gaped, throwing her head out of the window and blinked stupidly, as if trying to get rid of an illusion. Golden, brown, curly Drew, Drew. She saw him sit down on the little red stool, accompanied by two other men, laughing, waving for the boy.
    She just had to.
    She went to the bathroom, staring at her face while her heart thudded in her ears. She couldn’t risk going into her room to change. She tied her hair half up like she saw on the streets. She frowned at her clothes. A black tank and pajamas. Her heart beat louder.
    There was no time. An crept out of the narrow house, stopping by the storeroom to exchange her pajamas for a pair of watermelon shorts.
    He was done eating by the time she got down and crouched in the darkness of one of the alleys. She watched him get up and shake out his limbs. She watched him smile and talk, and leaned forward, wanting to catch his words. But just like that, he was turning away, walking away.
    It was like a slap to her chest. She was there, but he was walking away. She smacked her head and said a prayer to Ma, and slipped out as fast as she could out of the street that housed her.
    It was alive. People rushed around chasing all directions, the music louder, and she was one of them in her watermelon shorts and hair half up-down.
    He turned, and she followed at a distance. He stopped outside two brown doors with a sloping name outside and in he went with his friends. She stopped. The doorman looked at her, looked at her face and her shorts and smiled at her wickedly before holding the door open.
    There was more smoke inside than there was outside. Her legs walked inside the pub, turning sideways to cross people and tables without chairs. He was sitting on a stool opposite the bar with his friends, holding a green bottle to his lips. Her heart continued its beat.
    Who was she?
    An picked up a green bottle as she moved along. She could smell it, could feel the liquid swill at the bottom. She moved through the throng, pausing behind the bar. There were so many people. Slowly, daringly, pushing everything in her in to this moment, her back found the wall. Right next to him.
    She stood, holding the beer just away from her lips, staring, staring at nothing in the smoke, painfully aware of his body right next to hers, almost at par.
    ‘Do you want sit down?’
    His eyes were brown like hers, but a little speckled, muddy. She looked around to see if there was someone else, but it was just her. He was smiling. There was nothing else to be done.
    She nodded and she hoisted herself up on the stool as he slipped out, looming over her, smelling a little bit salty. The empty bottle in her hand became heavy and she put it on the table as he raised his hand, put it down, and then raised it to his hair.
    ‘I’m Andrew, but you may call me Drew.’
    ‘I’m An.’
    ‘Maybe its fate!’ one of his friends at the table barked and laughed easily.
    She was grateful for the dark as she learnt everyone’s names, Drew, An-Drew right next to her. They had seen that she was from around here and wanted to know where to eat, what to see, what it meant when her people did that. She told them and she felt herself slip into a new girl, a different An, especially when An-drew sat down next to her on a seat someone vacated, and pulled his stool close. He was ‘half-British, quarter everything else’ and had a little stutter and golden hair running from palm to arm. He looked 26, had been traveling the world for 6 months, and said it was the best decision he had ever made. She pulled up her watermelon shorts a little bit.
    ‘Wherever you go, go with all your heart, said wise man Confucius,’ said An, willing herself to look straight at his face.
    She saw his composure slip, felt his eyes return her gaze with an added intensity.
    ‘Maybe it is fate,’ he said, his stutter more pronounced, and he scooted his stool closer to tell her how he had read these words in a shop, and how it was a philosophy so close to his heart. Her own heart squirmed a little bit, waiting for the recognition that did not come, noticing his hand on the table now, near hers.
    ‘Look, your beer is empty, let me help us to another.’
    There was an empty seat in front of her before she could protest. The people around her suddenly became louder and more real and more rushed and she hurriedly put her empty bottle on his stool for fear of someone else, anyone else taking his spot.
    He laughed when he came back (had her actions been for that sound?) and gave her another green bottle, cold. She held it close to her but he clinked it anyway and took a sip. She followed suit, just letting the drink wash her lips, getting some in her mouth and it was rancid but cold, and she put the back of her hand against her mouth so that she could push it down.
    She could feel a rabid excitement within her. She took another awful sip. He was telling her a story but it was even louder now, and the beer tasted strong and his face was strewn with moles and freckles. She kept nodding and sipping. His friends had turned away from them by now, and his stool was even closer. She needed to have a plan, needed to know her next few steps before home time.
    ‘I am so glad I met you!’ he leaned over to speak in her ear, his hair brushing her shoulder. She grinned toothily, elated (though she hadn’t said much in all this time). ‘Do you want to get out of here?’
    An looked at him confused, heart plummeting. He stuttered again, ‘I meant, would you like to go somewhere else?’
    This was wild, this race of plunging and rising emotions. His hand stroked her knee, so swiftly that it could have been an accident.
    ‘I have to go home.’ She saw him straighten up and move back as if he’d just finished his meal. This could not be the end, please no, but this night could not go on like this.
    ‘But,’ she paused to recollect, for effect, ‘I want you to be everything that’s you, deep at the center of your being.’ Sh placed a hand on his thigh as she got up, for support, for sparks. She waved her goodbyes.
    An started running when the door to the pub closed behind her, and didn’t stop until she was upstairs by the third floor storeroom window, tears of thrill escaping her eyes.
    There was a plaque on their staircase that read, ‘To see and listen to the wicked is already the beginning of wickedness.’
    Confucius had something to say about everything.
    4.
    She had gotten four measured slaps across her cheek from her aunt for waking up late. She kept her eyes lowered in apology as was custom, and the day went on as usual, besides the fact that today she was floating.
    She checked his profile before she lit the stove, after she put the rice on boil, constantly as she waited. She scrolled through his pictures as she dusted and wiped, pausing every few minutes to check if he was online. Her day really began at 4pm when he messaged her, just as it was time to oil her grandmother’s aching legs. It was the quickest, most disrespectful massage she had ever given her Bà nội.
    It was awkward pleasantries, a nervous dance, but this was real, and daydreams did come true.
    ‘If you look into your own heart, and you find nothing wrong there, what is there to worry about? What is there to fear?’ An had kept this one waiting for Drew. The response was worthy.
    ‘What is in your heart?’
    There was longing and fear and an itch to run. There was hope, along with a calm acceptance. Right now though, filled to the brim, there was only tall, golden Andrew.
    ‘A desire to experience.’
    They made plans to meet by the lake next night, and she boldly suggested midnight. When no one would know she was away and her hours weren’t owed to her family. There was always so much to do.
    It was a giddy, giggly An who helped around at the store that evening. It was a happy, dreamy An that helped her younger brother practice his grammar and handwriting. ‘The superior man, while his parents are alive, reverently nourishes them; and, when they are dead, reverently sacrifices to them. His thought to the end of his life is how not to disgrace them,’ he copied in his lined notebook, with An interjecting in intervals to correct a word, a letter.
    5.
    She had sniffed her bra before she snuck out, trying to be prepared for most contingencies. She had however forgotten the mosquito repellent, and the whizzing little monsters attacked her bare legs as she tried to ignore them and be fully present for the man next to her.
    He had brought beer in cans for them, and had compared her to the lilies they sat next to. She had slowly been emptying her can in the same bush.
    There was another couple sitting to her left, to a distance. Together they were the loudest in the night time quiet of the lake. There were laughed protests (from the girl), and other expressiveness. A moonlit water body was supposed to be a romantic place.
    An felt a little nervous tonight. She had imagined this very moment hundreds of times since yesterday. His hand had started off with holding just the tip of her fingers but it was now around her arm. She felt small and soft, cradled as she was, but a little strange too, for it wasn’t really easy for her to move.
    He had asked her about her siblings (three brothers), her house (three stories but narrow, connected through courtyards to so many of the same), her occupation. The last one she didn’t give away, not wanting to share that she was the girl from the shop with the plaque. The one he hadn’t quite seen.
    He had two elder sisters, had lived in multiple flats, and had been everything from a clerk to a groom. Their bodies were so close that the other couple had disappeared from her vision. She could still hear them shriek. He was so close that she could just see details, not Andrew. She could make out the golden hair on his face before he kissed her, turning her to fit into both his arms. He kissed her slowly on her mouth and around it. There were no explosions, it was just a mouth, and it was nice to be kissed. He held her neck and kissed her behind the ear and his lips went down her neck and nibbled. She was kissing Drew. Her hands clenched his arms.
    An and Drew sat there for a while, rocking, not too wild, but getting increasingly disheveled. An had all but disappeared into his arms and chest, being held and caressed and touched and moved. She had tried to do the same but sometimes she would freeze when his hands ventured too deep, and then he would stop and move on to other territories.
    It started to drizzle. He liked her lips but she liked him on her ears and neck and she would nudge him in the right direction, now her knees around his waist.
    It started to rain. His hands were somehow two layers beneath her shirt, and she felt a new, wilder thrill rise as rainwater made its way down her breasts. She feared it.
    ‘We should go.’
    An could see the other couple scrambling with their things up towards the road. Andrew held her hand, grabbed the last can, and they made their way quick.
    ‘I have to get home,’ she said before he could ask.
    She could see his objection even in the rain, but he nodded and held her hand and walked by her side to drop her home.
    They could make out the other couple in the distance, the man leading her away. An led Andrew under the awnings of dark, rapidly emptying streets, and onto one at a little distance from her house.
    She sensed his hesitation again as he kissed her with one hand around her neck but she pulled away. An slipped in through a curtain and made her way out of small courtyards and onto another street, finding the sneakiest, driest way home.
    What did she even want?
    There was a tiny fire that kindled in her body that made it difficult for her to focus. Until she heard the shrieks. These shrieks were not friendly or pleasant. Her heart screamed ‘No!’ but her mind got the better of it and she slid up to the little alley where she had heard the girl scream.
    It was them, the other couple. The girl was white with big eyes and she breathed heavily, holding a green, broken glass bottle in her hand. Her bra was hanging out of her shirt. The man lay on his side on the floor, wet, unmoving.
    An stepped forward to look at the girl who returned her gaze, lowered the bottle and turned to walk away.
    Even though it was wet and slippery, An ran the rest of the way home.
    6.
    He had messaged her the next morning while she was still washing the breakfast dishes.
    An made rice, salad and meat for lunch, and she was still eating when he messaged her again.
    ‘It does not matter how slowly you go as long as you do not stop.’ He had found her one too then.
    It made her feel a little bit sick, and she didn’t reply to that message either, vigorously scrubbing each lunch plate, and placing it on the stack to the right.
















DSCN0346, art by Wes Heine

DSCN0346, art by Wes Heine














On the Way Home

James Mulhern

    As usual, it took a while to get the students settled. Whenever I told them to put their cell phones, iPods, and any other electronic devices away, I felt as if the classroom was about to take off. I was the flight attendant and they were my passengers.
    “Put all book bags underneath your desks and open your textbooks to page 370.”
    I started to read Thoreau’s essay aloud. The kids were talking over me. A few hadn’t opened their books yet. Eventually though, the class settled down, became less frenetic, and some students were listening. Mostly, they didn’t understand the turgid prose, so I had to stop every few sentences and paraphrase. When I got to the sentence, “The only obligation which I have a right to assume is to do at any time what I think right,” Leo Turpin, one of the chronic nappers and a kid who was always farting, raised his hand. The other students thought he was cool and called him “Turp.”
    “So this guy is saying that we don’t have to do what other people tell us?” He leaned back in his chair, smirking.
    “In a way, Leo. Thoreau is talking about an individual’s conscience as being the most important aspect of who we are. You remember Emerson? ‘Nothing is at last sacred but the integrity of your own mind’ and his other quote, ‘What have I to do with the sacredness of traditions, if I live wholly from within?’ “ Leo looked clueless, as did most of the others.
    Brandi, a heavyset black girl who was always writing about her diabetes, raised her hand. “Isn’t he the guy who invented electricity?”
    “You’re talking about Edison. He invented the light bulb. Good point though.” I didn’t think it was a good point, but I lied because at least she was listening and a semblance of discussion had begun.
    Darren from the back shouted, “What page?”
    Sandy, a quiet Pakistani girl next to him, pointed to the paragraph in his book. Sandy types are blessings.
    Beneatha by the back window said, “I gotta use the bathroom.”
    “Not now,” I said firmly.
    “Miss. . .” She looked around, confused. I heard her say to Reggie under her breath, “What’s her name?” I have been her teacher for two months.
    “Ms. Bonamici, if you don’t let me go, my pussy’s gonna burst.” This was followed by laughter from the others.
    “That wouldn’t be a good situation. You better go now then,” I said. “And don’t be such a smartass with that mouth of yours.”
    Amelia and Brandi were whispering. Then Amelia raised her hand.
    “I like this guy,” she said. At first I thought she was going to tell us about another boyfriend who broke her heart, but I was jubilant to realize she was talking about Thoreau. “It’s cool what he says about government and how we don’t need one.”
    Brandi added, “Yeah, why should we have to follow laws if we don’t agree with them? We should only have to listen to our own conscious. No one has a right to tell us how to think.”
    “It’s conscience, you moron,” Mary Grace, a pimple-faced obese white girl from Georgia shouted from the back of the room. She was always reading books. Lately, she was consumed with the Bible. She told me she was going to read every last word by the end of the school year.
    “Thank you for the clarification, Mary Grace.”
    She snickered and opened Flannery O’Connor’s Wise Blood. I didn’t care that she rarely paid attention to what we were reading in class. She was far ahead of the other students.
    “Amelia and Brandi both have a point.” I continued. “Thoreau thinks our conscience is very important. An individual, according to him, should have the freedom to disobey a law that his conscience tells him is unjust. He’s saying that it is really important for us to speak up if we have decided that something isn’t right. What would happen, though, if we all decided to ignore the laws that we disagreed with? And what would happen if we didn’t have any laws at all?”
    Brandi said, “Everyone should just do what they want. No one can tell me what is right or wrong. We shouldn’t have to follow anyone else’s dumb rules. That’s messed up.”
    “This school is like a prison,” Amelia said, and the other members of the class were suddenly very interested.
    Someone said, “Yeah. Fuck this place.”
    “Hey! Watch your language,” I answered.
    “Then bits of black dust begin to spew out of the air conditioning vent next to the American flag.
    “What’s that?” Trisha, a student prone to hysteria, screamed.
    “Miss! There’s black shit all over my desk,” Mike said.
    “Lily you got some in your hair!” Vega jumped up and pointed.
    Lily pushed a hand through her hair, looked at it, and yelled, “Oh my God!”
    The fire alarm went off. I managed to guide the class along the corridor and down the east stairwell to the designated area of lawn behind the school. After accounting for all my students who met me under a fichus tree, I walked over to Ms. Lane, a pretty young teacher from El Paso who was into yoga and health food. She and Mr. Sanders, a tiny man with a long dyed black beard and bald head, were leaning against a chain-link fence by a section of dead grass. Both of them were English colleagues.
    “Stupid bastards,” Mr. Sanders said. “They are working on the roof and someone forget to turn off the ventilation system. All of us breathing in that tar. That stuff is so carcinogenic.”
    “Really?” Lane gasped. “Cancer runs in my family. Like I need any more risk factors.” She put her hand over her mouth; her forehead lifted, creating three deep furrows.
    “Look at her,” Sanders said, pointing to Jackson, our principal, who was yelling up at two roofers descending a ladder by the auditorium. “I’m sure she’s giving them hell. Probably worried about another lawsuit. Forget about the health of the faculty and students.” He shook his head and pulled on his thick beard. I imagined a bird flying out of it.
    “She’s not so bad,” Lane said. “It’s not her fault that they fucked up. Can’t blame her for everything. She’s got a lot on her plate.” Lane looked smug, like she knew something we didn’t.
    “What do you mean?” I asked.
    “I was talking to her secretary, Elsa. She said Jackson has a mother at home with dementia and a brother who doesn’t do anything but hang out all day. He’s unemployed. Never even finished high school. She said Jackson’s been getting a lot of calls from neighbors who find her mother wandering around the neighborhood. Her brother is usually stoned in his room. A total loser.”
    Brandi and Amelia ran over to us.
    “Is the school on fire?” Brandi asked, out of breath.
    “No, but we’ll probably all get cancer,” Sanders mumbled, then laughed.
    I explained to the students about the tar and told them not to worry. “I’m sure they’ll clean it all up,” I lied.
    Carver and Cecelia, the maintenance people, joined Jackson and the roofers. Jackson gave the two of them some directives. They nodded their heads, asked a couple questions, and then headed into the building. Jackson took her radio from her belt and said something. A few minutes later, Ms. Vickman and two other security guards made the rounds among the crowd of faculty and students. We were told that we’d be allowed to enter the building in about twenty minutes, once the maintenance crew had a chance to clean up. The students were disappointed that the school didn’t go up in a blaze.
    “They don’t care about us,” Amelia said. “We could get cancer and die.”
    Again I explained to the kids that their chances of getting cancer from this one incident were slim.
    “Uh-uh,” Brandi said. “This ain’t right. It’s like that guy Walden said.”
    “You mean Thoreau,” I said.
    “Yeah him. This is a type of injustice. We should break a law or something.” She was smiling and wide-eyed.
    “Yeah. We should stage some kinda civil obedience,” Amelia added. “Make a big statement.”
    “Disobedience. You dumbass,” Brandi said.

    I decided to teach a less political text the next day so I chose what I thought was a benign piece by Langston Hughes called “Salvation,” a bittersweet essay in which Hughes recounts his childhood attendance at a church revival and the “special meeting for children ‘to bring the young lambs to the fold’” at the end of the service. Most of my students came from religious backgrounds so I thought they would be able to relate. In the essay, Hughes relays his anxiety and frustration as he “kept waiting to see Jesus,” how he believed that Jesus would literally come into the church and walk down the aisle. That night he cried over his deception, when after waiting an interminable amount of time during which his “aunt came and knelt at [his] knees and cried, while prayers and songs swirled all around [him] in the little church,” he finally approached the altar, pretending to “see” Jesus come, joining the fold of “little lambs” (his tired peers) who had already been “saved.”
    The reading of this essay created an animated discussion about beliefs. Kayla, one of my favorites, announced, “I have a question about the Bible. Are we supposed to believe that Jonah was swallowed by a whale and lived inside that thing for three days? Cause I think that’s crazy! I don’t believe that junk is true, Ms. Bonamici. Is it true?” And she looked at me with an adamant cause-I-just-really-gotta-know expression on her face, as though I would end her confusion right then and there.
    I answered, as teachers are supposed to respond, respectful of the students, many of whom come from Biblical literalist religious traditions, that people read the Bible in different ways: some believe that it is the literal word of God, and others believe that the stories are meant to be understood symbolically. In America, I add, we believe in tolerance, and respect the diversity of religious beliefs. I don’t say, what I really think—that a literalist interpretation of the Bible is ignorant, dangerous, and offensive; and that I get angry when I contemplate all the misery and evil that Christianity has caused in the long history of humanity. That I don’t believe in God, Jesus, heaven, and hell, and I think it’s all bullshit.
    As if sensing my dour and too-serious thoughts, Vega, who is seated at the back of the room, burst into laughter at something she was remembering. She jumped up and down in her seat, and exclaimed, “Jesus came into my church this weekend.”
    She ran to the front of the room, sat down, and began her story, fluttering her hand in front of her mouth, excited in her recollection, laughing, her white teeth shining. “There’s this homeless guy. He thinks he’s Jesus.”
    The class exploded with laughter. Brandi, Amelia, and others said, “I know him!” They exchanged stories of this man, discussing how he’s made the rounds in their churches.
    Vega continued, “He just walked in, said he was Jesus, and started rollin’ and rollin’ all over the floor. We were all singin’ and the pastor, he just ignored him. I wanted to laugh, but I knew my mother would kill me.” I, like Vega’s classmates, found the story amusing, so I prodded her. I wanted the details, trying to picture the reactions of the congregation more completely.
    “No one did anything? They just ignored him?” I asked.
    “Yeah.” She laughed. “We didn’t want to disrespect him. We just carried on!”
    The other students shared their anecdotes, and then I brought the class back to order, back to our discussion of Hughes’s “Salvation.” Students drew comparisons between their individual religious experiences and those of Langston Hughes.
    Turpin woke from his nap and said, “I don’t believe Jesus even existed. And how can someone pay for our sins by getting nailed to a cross? That shit don’t make sense.” He grinned, looking around the classroom for approval. “Turp” was the unspoken leader among his peers. Students were afraid to disagree with him.
    Mike said, “Yeah. I don’t believe any of that stuff either. It’s a bunch of propaganda to keep the masses under control. I read that somewhere. The oxycodone of the masses.” He smiled, nodding his head.
    “You mean opium of the people. What Karl Marx, a famous philosopher, actually said was ‘Religion is the sigh of the oppressed creature, the heart of a heartless world and the soul of soulless conditions. It is the opium of the people.’ “
    “You’re so smart, Ms. Bonamici. How do you remember all those quotes?” Amelia said.
    “I read a lot, and all of you should, too. Reading makes you a free thinker. My grandmother always stressed the importance of being a free thinker.”
    Sandy, who barely spoke in class, piped up, “Free thinking should not allow people to make fun of other’s beliefs.” She glanced at Leo and Mike, then slouched on her desk, looking sheepish.
    “I have a right to say whatever I want, Sandy,” Turp said.
    Mary Grace put down O’Connor’s novel, her face bright red. She took off her glasses; her eyes twitched, and her forehead was sweating. “You’re all a bunch of assholes, especially you Turd!”
    Beneatha, who sat in the desk in front of her, quickly asked to go to the bathroom. When she passed my desk, she whispered, “That white girl’s crazy” and hurried out of the room.
    “Fuck you, you fat ugly bitch!” Turp said and then laughed. Mike laughed, too. The girls in the room looked at Mary Grace with both pity and fear.
    Mary Grace snapped her teeth and turned down her lip. She threw her psychology textbook at Turpin and almost hit him in the head. Luckily, he dodged and the book hit the wall. “You are all a bunch of pigs, especially you, Turd. And you’re no better than Turd, Ms. Bonamici. I know you think that because you’re a teacher you know everything, but you don’t!”
    Then she charged Turpin and the rest of the students ran for the door. The girls screamed. Mary Grace began choking Turpin; his face blanched. I pressed the emergency alarm and dialed security at the same time. Mike pulled the two apart, managing to free Turpin from Mary Grace, who kneeled on the floor and began praying: “Do not give dogs what is holy, and do not throw your pearls before pigs, lest they trample them underfoot and turn to attack you. Praise the Lord Jesus Christ. Christ is risen!” She stood up looking towards the ugly water-stained ceiling, hands raised, a crazed look on her face. “Hail Mary, full of grace. Our Lord is with thee. Blessed art thou among women, and blessed is the fruit of they womb, Jesus. Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death. Amen.”
    As she was finishing, the security guy, Mr. Pierre, entered, a tall black guy with dreadlocks. Beneatha returned from the bathroom, standing behind him, as if for protection. “I told you she was crazy, Ms. She thinks that she’s Joan of Narc. I’m getting out of here. Types like her might have a gun. It’s always the Caucasian kids who go nuts and shoot everyone up.” The remaining students followed her, hurrying out of the room.
    “Don’t worry, Ms. Bonamici. I’ll get them to return,” Mr. Pierre said. Mary Grace was surprisingly quiet and well behaved now, a strange smile on her face. She followed him out the door.
    “Mr. Pierre. Could you take Leo Turpin to the office and make sure he’s okay? He looked fine, but Mary Grace really went after him.”
    “Of course. I got your back.” He had a kind smile.
    I sat at my desk, trying to absorb what had just happened. The experience unnerved me, bothered me deeply. And it wasn’t so much the chaos. Mary Grace, as deranged as she had acted, uttered a truth about me. I did think I knew a lot about everything. In the stillness of the room, I sat at my desk, looking out at the swaying palm trees and clouded sky. Some droplets began to fall on the vegetation. Soon the students returned, ushered in by Mr. Pierre. I thanked him and told the class to spend the rest of the period reading quietly. I filled out the necessary paperwork to document what had happened, but I was distracted by what Mary Grace had said. I reflected on my arrogance.

    After lunch, Mr. Sanders and I walked down the hallway from the English planning room to our classes. Someone had smashed the glass front of a vending machine. Bags of Lays potato chips, Doritos, Starbursts, Cheetos, Skittles, and other assorted healthy foods that we provide for our students—lay on the floor in a jumbled mess. Students, laughing and screaming, crouched, dived, slid, and shoved each other to get the goods.
    “Hey!” I shouted. “Get away from there.”
    When they saw Sanders and me, they bolted.
    “Fuck you!” a girl in a red dress screamed.
    Before we reached the machine, the looters had dispersed. To our amazement, everything was gone except for a ripped bag of skittles, the contents of which were spread across the floor.
    “This school is out of control,” Sanders said, looking around. “Where the hell is security?”
    Ms. Lane came out of her classroom. “I called the office, guys,” she said. “I was eating my lunch in the back of my room when I heard this loud crash. I was scared to death. I didn’t dare step outside.”
    In a few moments, Ms. Jackson, our principal, and the two maintenance people showed up. Cecelia was a demure Latin woman with a broom always in hand, and Carver, a tall serious man with pale blue eyes and a jagged scar across his left cheek.
    “Did any of you see who did this?” Ms. Jackson’s impeccably clean and shiny blond hair glittered like a helmet under the fluorescent light. She was wearing a stylish black business suit and pumps—probably Gucci, Prada, or some other expensive designer.
    “Not exactly. Mr. Sanders and I were just returning from our break when we saw a crowd of kids making off with the candy. It was a free for all. Reminded me of Filene’s Basement at Christmas.” I laughed.
    All business, Ms. Jackson found no humor in the situation. She squatted down and picked up a large piece of glass. To Cecelia and Carver she said, “If a student cuts himself, we could have ourselves a terrible lawsuit.” She waved the glass in the air. Cecelia ducked slightly, as though she thought Ms. Jackson might scratch her with it. “I want this vending machine moved and the whole area swept thoroughly.”
    “You English teachers,” she said to the rest of us, “need to have more of a presence in the hallway. I’d appreciate your checking the hallways periodically. Peek out once or twice during class. We all should be extra vigilant.”
    I looked around the dimly lit hall with its pea-green floors and beat-down blue lockers and thought, “Shit. Another pain-in-the-ass thing to do. When do we have time to teach?”
    “Will that be a problem?”
    “Yeah, it is a problem,” Sanders said. “Where’s security? Why aren’t they up here during lunch. It’s not the teachers’ responsibility to patrol this campus.” His jowls were shaking.
    “The place is a bit out of control,” I said. “Something’s gotta be done.” I could feel my own anger rising.
    “Look. I understand where you guys are coming from. But security can’t do it alone. I need the cooperation of my teachers.”
    Ms. Lane said, “Isn’t anybody watching the cameras?” She pointed to the camera at the end of the hall.
    “Well, sure. They’re supposed to be. On my way up here, I checked with Ms. Vickman in Security. Evidently, she screwed up. She didn’t have the damn thing on, or it’s broken, or God knows what’s wrong with the system. I promise you I’ll check into it. By the end of the week, I’ll have this fixed,” she said, patting the side of the vending machine, “and I’ll be watching the cameras myself.”
    The period bell rang and students began to enter the corridor. Ms. Jackson pushed her way through a group of flashy Latin girls who muttered under their breath “bitch” and “fat ass,” but Jackson either didn’t hear, or chose to ignore them.

    That afternoon, I stayed late to put grades into the computer, which is a rarity for me. I’m usually one of the first to leave. When I exited the building, the parking lot was nearly empty. In the far corner, behind the cafeteria dumpster, I spotted Jackson, who waved for me to come over. A few raindrops fell occasionally, nothing major. She was staring at the side of her silver Audi as I approached.
    “Look at this.”
    Someone had keyed her car from front to back on the driver’s side.
    “Well that sucks,” I said, rubbing my hand over a portion of the scratch. Then I saw where the vandal etched “bitch”
    “At least they spelled it right.” Jackson laughed.
    “You can check the cameras in the parking lot, can’t you?” I wondered if this was Brandi and Amelia’s doing, a bit of civil disobedience. I was pissed at the monsters I might have created.
    “Nope. The entire surveillance system is down. I have a service person coming tomorrow. It seems everything’s falling apart. Everything’s broken. Can’t even park in my designated spot because of the burst pipe in front of the school. God knows when they’ll be through with that project. I thought my car would be safe over here, off the beaten track.”
    “Nothing’s safe anymore,” I said.
    “You can say that again.” She leaned against the hood of the car and took a cigarette out of her purse. “You want one?”
    “Nah. I don’t smoke.”
    “One of my vices. Helps me with the stress.” She lit up, then exhaled slowly. “I know the kids hate me. Most of the faculty, too. But I’m just trying to do my job. Keep things running smoothly, maybe make a few improvements. Get us the money we need. You understand that, don’t you?”
    “Of course.”
    Her cell phone rang and she took it out of her back pocket, then stepped away while holding up her index finger. She spoke softly into the phone. Her expression was strained and serious.
    When she finished, she said, “My mother. She keeps asking for me. Has this new habit of wandering outside and getting lost. That was the aide who looks in on her a couple times a week. Alzheimer’s is a horrible disease. Do you have anyone in your family with it?”
    “My Aunt Bianca did. But she’s dead now.”
    “Sorry to hear.” She tamped her cigarette out against the side of the dumpster, then flicked it inside. “I wouldn’t wish that disease on anyone. Watching someone lose their mind is awful, Molly.” I was surprised by her use of my first name.
    “It must be very difficult for you.”
    “My mother isn’t who she used to be. She was a strong woman, very independent. I wish I had asked her more questions when she was well. I wish I had taken the time to talk to her. Really talk to her. There is so much I want to know.” She was staring at something in the distance. Then she nodded her head, not to me, but to something she was thinking. “I miss her. And life is so short.” She sighed and looked into my face. Her eyes were rheumy. “But we all have our problems. And your day wasn’t so great either. I suspended Mary Grace for two weeks and had Elsa set up an appointment with the social worker.”
    “I’m glad. That girl needs help. Thank you.”
    “Thank you for coming over here. I needed to vent.”
    “Hey, we can all use a little of that.”
    “I’m outta here,” she said, opening her car door. “You should go home, too.”

    It had been a horrible day. On the way home, I began to think about all the brokenness that surrounded me—the tumult in my classroom, the ridiculous vending machine, the cameras that did not work, Jackson’s mother losing her way, my aging Aunt Helena and Nonna, even the way my own body was beginning to show signs of wear and tear. The thought of these things depressed me.
    It began to rain hard now, as is often the case during South Florida afternoons. People hurried across the street, some with umbrellas, others holding bags over their heads. When I passed the church on the corner of 26th Street and 15th avenue, the rain was pelting, obscuring the road in front of me. I drove into the parking lot to wait it out and read the large quote on the entry sign. A few days earlier had been the feast of Saint Francis of Assisi. The irony of his words struck me: “We have been called to heal wounds, to unite what has fallen apart, and to bring home those who have lost their way.”
    But could wounds ever be truly healed? And wasn’t it a law of physics that objects in our world eventually fall apart: entropy, the gradual decline into disorder. Our universe was expanding, galaxies floating further and further away, drifting into the infinity of space. That was alienation, not unity. On this day, so much of life seemed “fallen apart,” spiraling into an inevitable state of decline.
     And what exactly was the way? Who would show us? Had Mary Grace been trying to show me? Did I really appear as haughty as she had proclaimed?
    These were the questions I thought about as I sat in the steeple-shadowed parking lot. I put the wipers on high and rubbed the inside of the fogged up windshield. Lightning crackled in zigzags across the dark horizon. I waited.
     Soon the time between the thundering lengthened, and the intense rain began to diminish. I prayed that before long I would be able to see the way home. When I was able to put my wipers on low, I turned the radio to a station that played classic rock. I eased out of the parking lot, reading the other side of the sign: “Will you follow the road to experience God’s salvation and have eternal life? Join us Sundays 9 am and 11 am.” I turned right onto 15th Street. As the light at the next intersection turned green, Tina Turner sang, “Big wheel keep on turnin’. Proud Mary keep on burnin’.” I swayed my shoulders to the rhythm and sang along: “Rollin’, rollin’, rollin’ on the river.” In the opposite lane, a Chrysler hydroplaned over a flood of water and hit me straight on.

 

“On the Way Home” was originally published in West Trade Review.





Bio

    James Mulhern has published fiction in many literary journals and has received accolades. Three stories were selected for different anthologies of best short fiction. In 2013, he was chosen as a finalist for the Tuscany Prize in Catholic Fiction. In 2015, Mr. Mulhern was awarded a fully paid writing fellowship to Oxford University in the United Kingdom. That same year, a story was longlisted for the Fish Short Story Prize. In 2017, he was nominated for a Pushcart Prize. He has received other awards. His writing (novel and short story collection) earned favorable critiques from Kirkus Reviews.
















Decisions of Life 01, linoleum block print by Aaron Wilder

Decisions of Life 01, linoleum block print by Aaron Wilder














Where Is Your Teddy Bear Now, art by Edward Michael O’lDurr Supranowicz

Where Is Your Teddy Bear Now, art by Edward Michael O’lDurr Supranowicz




















Dusty Dog Reviews
The whole project is hip, anti-academic, the poetry of reluctant grown-ups, picking noses in church. An enjoyable romp! Though also serious.

Nick DiSpoldo, Small Press Review (on Children, Churches and Daddies, April 1997)
Children, Churches and Daddies is eclectic, alive and is as contemporary as tomorrow’s news.

Kenneth DiMaggio (on cc&d, April 2011)
CC&D continues to have an edge with intelligence. It seems like a lot of poetry and small press publications are getting more conservative or just playing it too academically safe. Once in awhile I come across a self-advertized journal on the edge, but the problem is that some of the work just tries to shock you for the hell of it, and only ends up embarrassing you the reader. CC&D has a nice balance; [the] publication takes risks, but can thankfully take them without the juvenile attempt to shock.


from Mike Brennan 12/07/11
I think you are one of the leaders in the indie presses right now and congrats on your dark greatness.


cc&d          cc&d

    Nick DiSpoldo, Small Press Review (on “Children, Churches and Daddies,” April 1997)

    Kuypers is the widely-published poet of particular perspectives and not a little existential rage, but she does not impose her personal or artistic agenda on her magazine. CC+D is a provocative potpourri of news stories, poetry, humor, art and the “dirty underwear” of politics.
    One piece in this issue is “Crazy,” an interview Kuypers conducted with “Madeline,” a murderess who was found insane, and is confined to West Virginia’s Arronsville Correctional Center. Madeline, whose elevator definitely doesn’t go to the top, killed her boyfriend during sex with an ice pick and a chef’s knife, far surpassing the butchery of Elena Bobbitt. Madeline, herself covered with blood, sat beside her lover’s remains for three days, talking to herself, and that is how the police found her. For effect, Kuypers publishes Madeline’s monologue in different-sized type, and the result is something between a sense of Dali’s surrealism and Kafka-like craziness.



Debra Purdy Kong, writer, British Columbia, Canada
I like the magazine a lot. I like the spacious lay-out and the different coloured pages and the variety of writer’s styles. Too many literary magazines read as if everyone graduated from the same course. We need to collect more voices like these and send them everywhere.

    Ed Hamilton, writer

    #85 (of Children, Churches and Daddies) turned out well. I really enjoyed the humor section, especially the test score answers. And, the cup-holder story is hilarious. I’m not a big fan of poetry - since much of it is so hard to decipher - but I was impressed by the work here, which tends toward the straightforward and unpretentious.
    As for the fiction, the piece by Anderson is quite perceptive: I liked the way the self-deluding situation of the character is gradually, subtly revealed. (Kuypers’) story is good too: the way it switches narrative perspective via the letter device is a nice touch.



Children, Churches and Daddies.
It speaks for itself.
Write to Scars Publications to submit poetry, prose and artwork to Children, Churches and Daddies literary magazine, or to inquire about having your own chapbook, and maybe a few reviews like these.

    Jim Maddocks, GLASGOW, via the Internet

    I’ll be totally honest, of the material in Issue (either 83 or 86 of Children, Churches and Daddies) the only ones I really took to were Kuypers’. TRYING was so simple but most truths are, aren’t they?

    Fithian Press, Santa Barbara, CA
    Indeed, there’s a healthy balance here between wit and dark vision, romance and reality, just as there’s a good balance between words and graphics. The work shows brave self-exploration, and serves as a reminder of mortality and the fragile beauty of friendship.

    C Ra McGuirt, Editor, The Penny Dreadful Review (on Children, Churches and Daddies)

    cc&d is obviously a labor of love ... I just have to smile when I go through it. (Janet Kuypers) uses her space and her poets to best effect, and the illos attest to her skill as a graphic artist.
    I really like (“Writing Your Name”). It’s one of those kind of things where your eye isn’t exactly pulled along, but falls effortlessly down the poem.
I liked “knowledge” for its mix of disgust and acceptance. Janet Kuypers does good little movies, by which I mean her stuff provokes moving imagery for me. Color, no dialogue; the voice of the poem is the narrator over the film.



    Children, Churches and Daddies no longer distributes free contributor’s copies of issues. In order to receive issues of Children, Churches and Daddies, contact Janet Kuypers at the cc&d e-mail addres. Free electronic subscriptions are available via email. All you need to do is email ccandd@scars.tv... and ask to be added to the free cc+d electronic subscription mailing list. And you can still see issues every month at the Children, Churches and Daddies website, located at http://scars.tv

    Mark Blickley, writer

    The precursor to the magazine title (Children, Churches and Daddies) is very moving. “Scars” is also an excellent prose poem. I never really thought about scars as being a form of nostalgia. But in the poem it also represents courage and warmth. I look forward to finishing her book.


    Gary, Editor, The Road Out of Town (on the Children, Churches and Daddies Web Site)

    I just checked out the site. It looks great.



    Dusty Dog Reviews: These poems document a very complicated internal response to the feminine side of social existence. And as the book proceeds the poems become increasingly psychologically complex and, ultimately, fascinating and genuinely rewarding.

    John Sweet, writer (on chapbook designs)

    Visuals were awesome. They’ve got a nice enigmatic quality to them. Front cover reminds me of the Roman sculptures of angels from way back when. Loved the staggered tire lettering, too. Way cool.

    (on “Hope Chest in the Attic”)
    Some excellent writing in “Hope Chest in the Attic.” I thought “Children, Churches and Daddies” and “The Room of the Rape” were particularly powerful pieces.



    Dusty Dog Reviews: She opens with a poem of her own devising, which has that wintry atmosphere demonstrated in the movie version of Boris Pasternak’s Doctor Zhivago. The atmosphere of wintry white and cold, gloriously murderous cold, stark raging cold, numbing and brutalizing cold, appears almost as a character who announces to his audience, “Wisdom occurs only after a laboriously magnificent disappointment.” Alas, that our Dusty Dog for mat cannot do justice to Ms. Kuypers’ very personal layering of her poem across the page.

    Cheryl Townsend, Editor, Impetus (on Children, Churches and Daddies)

    The new cc&d looks absolutely amazing. It’s a wonderful lay-out, looks really professional - all you need is the glossy pages. Truly impressive AND the calendar, too. Can’t wait to actually start reading all the stuff inside.. Wanted to just say, it looks good so far!!!



    You Have to be Published to be Appreciated.

    Do you want to be heard? Contact Children, Churches and Daddies about book or chapbook publishing. These reviews can be yours. Scars Publications, attention J. Kuypers. We’re only an e-mail away. Write to us.


    Brian B. Braddock, Writer (on 1996 Children, Churches and Daddies)

    I passed on a copy to my brother who is the director of the St. Camillus AIDS programs. We found (Children, Churches and Daddies’) obvious dedication along this line admirable.



    Mark Blickley, writer
    The precursor to the magazine title (Children, Churches and Daddies) is very moving. “Scars” is also an excellent prose poem. I never really thought about scars as being a form of nostalgia. But in the poem it also represents courage and warmth. I look forward to finishing her book.

    Brian B. Braddock, WrBrian B. Braddock, Writer (on 1996 Children, Churches and Daddies)

    Brian B. Braddock, WrI passed on a copy to my brother who is the director of the St. Camillus AIDS programs. We found (Children, Churches and Daddies’) obvious dedication along this line admirable.


    Dorrance Publishing Co., Pittsburgh, PA
    “Hope Chest in the Attic” captures the complexity of human nature and reveals startling yet profound discernments about the travesties that surge through the course of life. This collection of poetry, prose and artwork reflects sensitivity toward feminist issues concerning abuse, sexism and equality. It also probes the emotional torrent that people may experience as a reaction to the delicate topics of death, love and family.
    “Chain Smoking” depicts the emotional distress that afflicted a friend while he struggled to clarify his sexual ambiguity. Not only does this thought-provoking profile address the plight that homosexuals face in a homophobic society, it also characterizes the essence of friendship. “The room of the rape” is a passionate representation of the suffering rape victims experience. Vivid descriptions, rich symbolism, and candid expressions paint a shocking portrait of victory over the gripping fear that consumes the soul after a painful exploitation.

    want a review like this? contact scars about getting your own book published.


    Paul Weinman, Writer (on 1996 Children, Churches and Daddies)

    Wonderful new direction (Children, Churches and Daddies has) taken - great articles, etc. (especially those on AIDS). Great stories - all sorts of hot info!



the UN-religions, NON-family oriented literary and art magazine


    The magazine Children Churches and Daddies is Copyright © 1993 through 2018 Scars Publications and Design. The rights of the individual pieces remain with the authors. No material may be reprinted without express permission from the author.

copyright

    Okay, nilla wafer. Listen up and listen good. How to save your life. Submit, or I’ll have to kill you.
    Okay, it’s this simple: send me published or unpublished poetry, prose or art work (do not send originals), along with a bio, to us - then sit around and wait... Pretty soon you’ll hear from the happy people at cc&d that says (a) Your work sucks, or (b) This is fancy crap, and we’re gonna print it. It’s that simple!

    Okay, butt-munch. Tough guy. This is how to win the editors over.
    Hope Chest in the Attic is a 200 page, perfect-bound book of 13 years of poetry, prose and art by Janet Kuypers. It’s a really classy thing, if you know what I mean. We also have a few extra sopies of the 1999 book “Rinse and Repeat”, the 2001 book “Survive and Thrive”, the 2001 books “Torture and Triumph” and “(no so) Warm and Fuzzy”,which all have issues of cc&d crammed into one book. And you can have either one of these things at just five bucks a pop if you just contact us and tell us you saw this ad space. It’s an offer you can’t refuse...

    Carlton Press, New York, NY: HOPE CHEST IN THE ATTIC is a collection of well-fashioned, often elegant poems and short prose that deals in many instances, with the most mysterious and awesome of human experiences: love... Janet Kuypers draws from a vast range of experiences and transforms thoughts into lyrical and succinct verse... Recommended as poetic fare that will titillate the palate in its imagery and imaginative creations.

    Mark Blickley, writer: The precursor to the magazine title (Children, Churches and Daddies) is very moving. “Scars” is also an excellent prose poem. I never really thought about scars as being a form of nostalgia. But in the poem it also represents courage and warmth. I look forward to finishing the book.

    You Have to be Published to be Appreciated.
    Do you want to be heard? Contact Children, Churches and Daddies about book and chapbook publishing. These reviews can be yours. Scars Publications, attention J. Kuypers - you can write for yourself or you can write for an audience. It’s your call...

email

    Dorrance Publishing Co., Pittsburgh, PA: “Hope Chest in the Attic” captures the complexity of human nature and reveals startling yet profound discernments about the travesties that surge through the course of life. This collection of poetry, prose and artwork reflects sensitivity toward feminist issues concerning abuse, sexism and equality. It also probes the emotional torrent that people may experience as a reaction to the delicate topics of death, love and family. “Chain Smoking” depicts the emotional distress that afflicted a friend while he struggled to clarify his sexual ambiguity. Not only does this thought-provoking profile address the plight that homosexuals face in a homophobic society, it also characterizes the essence of friendship. “The room of the rape” is a passionate representation of the suffering rape victims experience. Vivid descriptions, rich symbolism, and candid expressions paint a shocking portrait of victory over the gripping fear that consumes the soul after a painful exploitation.

 

    Dusty Dog Reviews, CA (on knife): These poems document a very complicated internal response to the feminine side of social existence. And as the book proceeds the poems become increasingly psychologically complex and, ultimately, fascinating and genuinely rewarding.
Children, Churches and Daddies. It speaks for itself.

 

    Dusty Dog Reviews (on Without You): She open with a poem of her own devising, which has that wintry atmosphere demonstrated in the movie version of Boris Pasternak’s Doctor Zhivago. The atmosphere of wintry white and cold, gloriously murderous cold, stark raging cold, numbing and brutalizing cold, appears almost as a character who announces to his audience, “Wisdom occurs only after a laboriously magnificent disappointment.” Alas, that our Dusty Dog for mat cannot do justice to Ms. Kuypers’ very personal layering of her poem across the page.
    Children, Churches and Daddies. It speaks for itself.

    Debra Purdy Kong, writer, British Columbia, Canada (on Children, Churches and Daddies): I like the magazine a lot. I like the spacious lay-out and the different coloured pages and the variety of writer’s styles. Too many literary magazines read as if everyone graduated from the same course. We need to collect more voices like these and send them everywhere.

    Fithian Press, Santa Barbara, CA: Indeed, there’s a healthy balance here between wit and dark vision, romance and reality, just as there’s a good balance between words and graphics. The work shows brave self-exploration, and serves as a reminder of mortality and the fragile beauty of friendship.



Children, Churches and Daddies
the UN-religious, NON-family oriented literary and art magazine
Scars Publications and Design

ccandd96@scars.tv
http://scars.tv/ccd

Publishers/Designers Of
Children, Churches and Daddies magazine
cc+d Ezines
The Burning mini poem books
God Eyes mini poem books
The Poetry Wall Calendar
The Poetry Box
The Poetry Sampler
Mom’s Favorite Vase Newsletters
Reverberate Music Magazine
Down In The Dirt magazine
Freedom and Strength Press forum
plus assorted chapbooks and books
music, poetry compact discs
live performances of songs and readings

Sponsors Of
past editions:
Poetry Chapbook Contest, Poetry Book Contest
Prose Chapbook Contest, Prose Book Contest
Poetry Calendar Contest
current editions:
Editor’s Choice Award (writing and web sites)
Collection Volumes

Children, Churches and Daddies (founded 1993) has been written and researched by political groups and writers from the United States, Canada, England, India, Italy, Malta, Norway and Turkey. Regular features provide coverage of environmental, political and social issues (via news and philosophy) as well as fiction and poetry, and act as an information and education source. Children, Churches and Daddies is the leading magazine for this combination of information, education and entertainment.
Children, Churches and Daddies (ISSN 1068-5154) is published quarterly by Scars Publications and Design, attn: Janet Kuypers. Contact us via snail-mail or e-mail (ccandd96@scars.tv) for subscription rates or prices for annual collection books.
To contributors: No racist, sexist or blatantly homophobic material. No originals; if mailed, include SASE & bio. Work sent on disks or through e-mail preferred. Previously published work accepted. Authors always retain rights to their own work. All magazine rights reserved. Reproduction of Children, Churches and Daddies without publisher permission is forbidden. Children, Churches and Daddies Copyright © 1993 through 2018 Scars Publications and Design, Children, Churches and Daddies, Janet Kuypers. All rights remain with the authors of the individual pieces. No material may be reprinted without express permission.